Constructs Yale Architecture Spring 2008
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The Directors of Thomas Dane Gallery Are Pleased to Announce the Second Exhibition of Italian Photographer, Luisa Lambri
The Directors of Thomas Dane Gallery are pleased to announce the second exhibition of Italian photographer, Luisa Lambri. The exhibition features a selection of photographs from her body of work currently at the Hammer Museum, Los Angeles. The artist has long been captivated by the light of Southern California as well as by its architecture - particularly modernist houses designed by expatriate European architects. The mid-century photographs of these houses by Julius Shulman, describing flawless, pristine spaces have caused her to reflect on what a more personal experience of these spaces might be. Suspended between abstraction and figuration, her images are highly subjective responses to the Modernist ethos as evoked in these buildings. Characteristically, Lambri records the subtleties of their interiors as a means of exploring her own relationship to the space, to memory and to changes in perception over time. Eschewing the heroic, she photographs the less obvious details - apertures, windows, doors ajar, corners. In this exhibition, she has chosen skylights as a device, with hundreds of exposures in different qualities of light. Figures never appear in her work, but the human presence is evoked - "it is the ghost of the human being that is always in the photograph' says Hammer Chief Curator, Douglas Fogle. The images vary in their light and detail, from the very obscure, to the bleached out, effects also achieved through painstakingly adjusting the saturation and tone of each image in post-production. In this respect, Lambri reveals her ongoing interest in the work of light-and-space artists such as Robert Irwin and Larry Bell. -
SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier
SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier Location Darien, Connecticut Date 1965 to 1967 timeline Building Type house Construction System vertical wood siding Climate temperate Context suburban Style Modern Notes Simple forms and materials for a reserved modern sculptural expression. http://www.greatbuildings.com/buildings/Smith_House.html Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. http://richardmeirer.com Martin’s press 1990. P23 Jodidio, Philip. An Richard Meier . Printed in Germany: Jodidio, Philip. An Richard Meier . Printed in Prestel, 1995. P54 Germany: Prestel, 1995. P55 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in http://richardmeirer.com Germany: Prestel, 1995. P53 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P51 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P50 SMITH HOUSE Sean Corriveau ARCH 211 Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. Martin’s press 1990. P23 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P53 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966-1976 . New York: Prestel,Oxford Universtiy press 1978. P26 SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966- 1976 . New York: Prestel,Oxford Universtiy press 1978. P25 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com Hejduk, John. -
High Museum of Art
About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections. -
Tommy Clarke 18 Wolf Ademeit 20 Yann Arthus-Bertrand
Contents 2 The Frame & Arts 4 Samsung Collection 6 Curation Story Artist Profiles 8 Bohnchang Koo 10 Luisa Lambri 12 ruby onyinyechi amanze 14 Todd Eberle 16 Tommy Clarke 18 Wolf Ademeit 20 Yann Arthus-Bertrand 22 Samsung Collection at a Glance 29 Art Store Gallery Partners 30 ALBERTINA 32 Artspace 34 LUMAS 36 MAGNUM PHOTOS 38 Museo Del Prado Collection 40 Saatchi Art 42 Sedition 44 How to Use 46 My Collection 50 The Frame Specifications Tommy Clarke, Playa Shoreline (2015) 1 The Frame & ArtsArt The Frame. Art when it's off, TV when it's on. Introducing The Frame, a TV that elegantly enables you to make anye spac more welcoming, more entertaining and more inspiring. Turn on The Frame in TV mode and watch a beautiful 4K UHD Smart TV with outstanding detail and picture quality. Turn off and you seamlessly switch into Art Mode, transforming The Frame into a unique work of art that enriches your living space. The Frame with Walnut Customizable Frame Scott Ramsay, Mana Pools Bee-Eaters (2015) Curated art for your inspiration. Destined to expand your horizons, The Frame’s Art Mode showcases selections of museum-quality artwork professionally curated for you in the exclusive Samsung Collection and online Art Store. Or use My Collection Art Mode TV Mode to display cherished photos of special moments with family and friends. The perfect mode for any mood, Art Mode introduces TV with a sense of your own inimitable style and a knack for enhancing any décor. The Frame, Designed for your space. 2 The Frame 3 The Frame grants you exclusive access to 100 remarkable artworks across 10 categories from 37 renowned artists from the four corners of the world. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
New York, New York
EXPOSITION NEW YORK, NEW YORK Cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo Du 14 juillet au 10 septembre 2006 Grimaldi Forum - Espace Ravel INTRODUCTION L’exposition « NEW YORK, NEW YORK » cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo produite par le Grimaldi Forum Monaco, bénéficie du soutien de la Compagnie Monégasque de Banque (CMB), de SKYY Vodka by Campari, de l’Hôtel Métropole à Monte-Carlo et de Bentley Monaco. Commissariat : Lisa Dennison et Germano Celant Scénographie : Pierluigi Cerri (Studio Cerri & Associati, Milano) Renseignements pratiques • Grimaldi Forum : 10 avenue Princesse Grace, Monaco – Espace Ravel. • Horaires : Tous les jours de 10h00 à 20h00 et nocturne les jeudis de 10h00 à 22h00 • Billetterie Grimaldi Forum Tél. +377 99 99 3000 - Fax +377 99 99 3001 – E-mail : [email protected] et points FNAC • Site Internet : www.grimaldiforum.mc • Prix d’entrée : Plein tarif = 10 € Tarifs réduits : Groupes (+ 10 personnes) = 8 € - Etudiants (-25 ans sur présentation de la carte) = 6 € - Enfants (jusqu’à 11 ans) = gratuit • Catalogue de l’exposition (versions française et anglaise) Format : 24 x 28 cm, 560 pages avec 510 illustrations Une coédition SKIRA et GRIMALDI FORUM Auteurs : Germano Celant et Lisa Dennison N°ISBN 88-7624-850-1 ; dépôt légal = juillet 2006 Prix Public : 49 € Communication pour l’exposition : Hervé Zorgniotti – Tél. : 00 377 99 99 25 02 – [email protected] Nathalie Pinto – Tél. : 00 377 99 99 25 03 – [email protected] Contact pour les visuels : Nadège Basile Bruno - Tél. : 00 377 99 99 25 25 – [email protected] AUTOUR DE L’EXPOSITION… Grease Etes-vous partant pour une virée « blouson noir, gomina et look fifties» ? Si c’est le cas, ne manquez pas la plus spectaculaire comédie musicale de l’histoire du rock’n’roll : elle est annoncée au Grimaldi Forum Monaco, pour seulement une semaine et une seule, du 25 au 30 juillet. -
Luisa Lambri Photographs April 8 – 29, 2006 Luhring Augustine Is
FOR IMMEDIATE RELEASE Luisa Lambri Photographs April 8 – 29, 2006 Luhring Augustine is pleased to announce an exhibition of photographs by Italian photographer Luisa Lambri. This will be the first solo exhibition of her work in New York and will feature photographs of iconic buildings by Modernist architects such as Luis Barragan, Walter Gropius and Marcel Breuer. Luisa Lambri's ephemeral photographs stand in clear contrast to the established practice of architectural photography which has traditionally focused attention on the exteriors of the buildings. Her unique approach to the subject is the investigation and documentation of the structures from within, interpreting the atmosphere of the space. She primarily photographs private houses, focusing on the view from the inside to the outside thereby establishing a physical and conceptual position for herself and the viewer. These delicately crafted images oscillate between objective representations of space and Lambri’s perceptions and reactions. The work realizes its full meaning when it is installed in a new space and in so doing establishes a new relationship between the viewer, the object and the space. Lambri utilizes traditional as well as new digital printing techniques to move her photographs beyond pure documentation. Her photographs of Luis Barragan’s house in Mexico City are a study of one window in which the changing position of the shutters dramatically affects the conditions of light. The photographs reference minimalism and abstract painting, evoking moments of transcendence. Similarly, her studies of the diamond shaped windows of Konstantin Melnikov’s house in Moscow, built 1927-29, are investigations of the temporally sublime. -
Du Ring the Post-War Period Photography Consolidated Its Abjects Were Despatched to Sale Hiding Places
156 _Pa_g_e_15_, _____________ Du ring the post-war period photography consolidated its abjects were despatched to sale hiding places. but this JULIUS SHULMAN rote as the primary means of architectural communication was obviously impossible with buildings. and photographing (born 1910) and helped to establish Modernism as the new architectural them was therefore considered the best option. In England, Case Study House #22. orthodoxy. As, with sorne notable exceptions. few of the as bombing intensitied. the National Buildings Record Los Angeles. 19so photographers who had dominated the architectural scene was founded in 1941 to collect and create drawings and Gelatine sitver print Architect: Pierre Koenig before the war enjoyed significant careers thereafter- Mark photographs of significant monuments at risk. Herbert Dell retired in 1946; F.S. Lincoln's business fizzled out; Jan Fel ton. and. for a short ti me, Bill Brandt were among its Kamman's archive was destroyed in a bombing raid - this early photographers. Alter an interval of nearly a century. was targely accomplished by a new. younger generation of England at tost possessed a body analogous to the Mission architectural photographers. White much of their production Héliographique thot gave official sanction to architectural in the war-ravaged areas of Europe and the Far East cham photography. Similar governmental initiatives elsewhere. pioned the economie and social benefits of reconstruction. including thot by Italy's Ministero della Pubblica Istruzione, architectural photography became a tess cohesive, more were supplemented by individuel campaigns. such as thot protean genre. Whereas in the nineteenth century it had waged by Walter Hege. who torsook his bombastic studies tended to meld into topography, now it was just as likely to of Nazi architecture to photograph imperilled German dissolve at one extreme into lite style and at the other into casties and cathedrals. -
Modernism in Bartholomew County, Indiana, from 1942
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction. -
Bachelor of Architecture (B. Arch)
SCHOOL OF PLANNING, ARCHITECTURE & DESIGN EXCELLENCE BACHELOR OF ARCHITECTURE (B. ARCH) CHOICE BASED CREDIT SYSTEM (CBCS) CURRICULUM AND SYLLABUS EFFECTIVE FROM 2016-2017 HINDUSTAN INSTITUTE OF TECHNOLOGY & SCIENCE SCHOOL OF PLANNING, ARCHITECTURE & DESIGN EXCELLENCE BACHELOR OF ARCHITECTURE (B.ARCH) (10 SEMESTER PROGRAMME) CURRICULUM EFFECTIVE FROM 2016-2017 (CBCS) SEMESTER I S. No. Code No. Subject Name L T P C TCH Theory 01. MAA112 Mathematics 3 0 0 3 3 02. ARB111 Visual Arts and Appreciation 2 0 2 3 4 03. ARB112 History of Architecture - I 3 0 0 3 3 Theory Cum Studio 04. ARB113 Materials and Construction I 2 0 2 3 4 05. ARB135 Computer Studio 1 0 4 3 5 06. ARB114 Architectural Graphics-I 1 0 4 3 5 Studio Architectural Design - I (Basic 07. ARB132 0 0 10 5 10 Design) TOTAL 12 0 22 23 34 SEMESTER II S. No. Code No. Subject Name L T P C TCH Theory 01. CEB121 Mechanics of Structures - I 3 0 0 3 3 02. ARB116 History of Architecture - II 3 0 0 3 3 03. ARB105 Theory of Architecture - I 2 0 0 2 2 Theory Cum Studio 04. ARB117 Materials and Construction - II 2 0 2 3 4 05. ARB118 Architectural Graphics - II 1 0 4 3 5 Studio 06. ARB134 Architectural Design – II 0 0 12 6 12 Workshop – Carpentry / Fabrication 07. ARB136 0 0 4 2 4 / Modelling TOTAL 11 0 22 22 33 1 SEMESTER III S.No. Code No. Subject Name L T P C TCH Theory 01. CEB221 Mechanics of Structures – II 3 0 0 3 3 02. -
School of Architecture 2016–2017 School of Architecture School Of
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Architecture 2016–2017 School of Architecture 2016 –2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849. -
Design Awards 2017 Is Published by Hawaii Business Magazine, in Partnership with AIA Honolulu, October 2017
THE AMERICAN INSTITUTE OF ARCHITECTS, HONOLULU CHAPTER PRESENTS DESIGN2017 AWARDS BUILDING ON OUR PAST AS WE DESIGN FOR OUR FUTURE JURIED AWARDS PEOPLE’S CHOICE MAYOR’S CHOICE STUDENT DESIGN AWARDS DISTINGUISHED ENTRANTS Helping Our Clients Succeed Every Step of the Way. I appreciate the partnership with Swinerton throughout the project and even past the opening. The team was always responsive to our needs and had a big part in creating this unique and beautiful property. Robert Friedl General Manager The Laylow, Pyramid Hotel Group REGGIE CASTILLO Superintendent Swinerton Builders ROBERT FRIEDL General Manager, The Laylow, NICK WACHI Pyramid Hotel Group Project Manager Swinerton Builders Envision the Possibilities. A SPECIAL PUBLICATION OF AIA HONOLULU 2017 DESIGN AWARDS In 1926 TABLE OF six pioneering architects, Hart Wood, Charles W. Dickey, Walter L. Emory, CONTENTS Marshal H. Webb, Ralph Fishbourne, and Edwin Pettit wrote to the American Institute of Architects (AIA) requesting to charter a local Chapter. On October 13, 1926, a charter was President’s Message granted from the AIA to form the Hawaii 5 Meet the Jurors Chapter of the American Institute of Architects. Today, the American Institute of Architects, through the AIA Mahalo to Our Sponsors Hawaii State Council, AIA Maui and 7 Project Categories & Award Levels AIA Honolulu chapters, continues to represent the interests of AIA members AWARD OF EXCELLENCE throughout Hawaii. 8 This year, the AIA Honolulu Chapter commemorates our founding members AWARDS OF MERIT through the 2017 Design Awards Program 10 as we celebrate over 90 years as an organization in Hawaii. As we pay tribute HONORABLE MENTIONS to our foundation and roots, we must 13 also recognize the new diversity of our growing organization, including cultural, MAYOR’S CHOICE AWARD gender and generational diversity, and PEOPLE’S CHOICE AWARD how each architect and member is 17 continually adapting and contributing to the needs of our community.