DOCSLIB.ORG

1. Henri Victor Wolvens (1896-1977)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1. Henri Victor Wolvens (1896-1977) 1. HENRI VICTOR WOLVENS (1896-1977) Cabines et parasols Huile sur toile. Signée en bas à gauche. Olieverf op doek. Links onderaan gesigneerd. 50 x 70 cm 7 000 / 9 000 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 2. HENRI VICTOR WOLVENS (1896-1977) Marine aux cabines Huile sur toile. Signée en bas à gauche. Olieverf op doek. Links onderaan gesigneerd. 60 x 80 cm 8 000 / 12 000 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 3. ARMAND VANDERLICK (1897-1985) Stilleven met pijp, 1943 Huile sur toile. Signée en bas à droite. Titrée et datée au dos. Olieverf op doek. Rechts onderaan gesigneerd. Achteraan gedateerd en getiteld. 55 x 65 cm 1 500 / 2 000 € Exposition/Tentoonstelling : 1973: Koninklijke Museum voor Schone Kunsten, Antwerpen, De Generatie van 1900. 1982: Museum Dhont-Dhaenens, Deurle, Retrospectieve. Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 4. HENRI VICTOR WOLVENS (1896-1977) Au café Huile sur papier. Signée en bas à gauche. Olieverf op papier. Links onderaan gesigneerd. 50 x 70 cm 1 500 / 2 000 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 5. ENGLEBERT VAN ANDERLECHT (1918-1961) Port d’Ostende, 1951 Aquarelle sur papier. Cachet de la signature et date au dos. Aquarel op papier. Stempel van de handtekening en datum op de achterkant. 40 x 48 cm 1 500 / 2 000 € Bibliographie/Bibliografie : Serge Goyens de Heusch, Englebert Van Anderlecht, Fonds Mercator, Anvers, 1998, ill. p. 65. Provenance/Herkomst : Galerie Armorial, Bruxelles Collection privée / Prive collectie, Bruxelles. 6. ARMAND VANDERLICK (1897-1985) Voiliers, 1968 Huile sur toile. Signée en bas à droite. Olieverf op doek. Rechts onderaan gesigneerd. 65 x 75 cm 1 800 / 2 200 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 7. ARMAND VANDERLICK (1897-1985) La mer, de zee, 1969 Huile sur toile. Signée en bas à droite. Olieverf op doek. Rechts onderaan gesigneerd. 70 x 60 cm 1 800 / 2 200 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 8. ARMAND VANDERLICK (1897-1985) Brise-lame, 1971 Huile sur panneau. Signée en bas à droite. Olieverf op paneel. Rechts onderaan gesigneerd. 33 x 61 cm 1 500 / 2 000 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 9. AUGUSTE MAMBOUR (1896-1968) Portrait de Georgette, 1922 Huile sur toile. Signée en bas à gauche. Olieverf op doek. Links onderaan gesigneerd. 50 x 35 cm 3 000 / 5 000 € Bibliographie/Bibliografie : Michel Pirotte, Jean Guy Gilles, Auguste Mambour: l’odyssée d’une œuvre en trois dimensions, La Renaissance du Livre, 2003, p. 244. Provenance/Herkomst : Collection privée / Prive collectie, Liège. 10. AUGUSTE MAMBOUR (1896-1968) Le prieur, 1921 Huile sur toile. Signée en bas à gauche. Olieverf op doek. Links onderaan gesigneerd. 73,5 x 54 cm 6 000 / 8 000 € Bibliographie/Bibliografie : Michel Pirotte, Jean Guy Gilles, Auguste Mambour: l’odyssée d’une œuvre en trois dimensions, La Renaissance du Livre, 2003, p. 241. Provenance/Herkomst : Collection privée / Prive collectie, Liège. 11. FLORIS JESPERS (1989-1965) Marine Huile sur panneau. Signée en bas à droite. Olieverf op paneel. Rechts onderaan gesigneerd. 29,5 x 41,5 cm 1 800 / 2 500 € Provenance/Herkomst : Collection privée / Prive collectie, Bruxelles. 12. ALICE FREY (1895-1981) Saltimbanques Aquarelle sur papier. Signée en bas à droite. Aquarel op papier. Rechts onderaan gesigneerd. 37 x 51 cm 1 000 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Bruxelles. 13. EUGENE DODEIGNE (1923-2015) Sans titre Terre cuite. Monogrammée Terracotta. Gemonogrammeerd. H: 19 cm 800 / 1 200 € Provenance/Herkomst : Collection privée / Prive collectie, Bruxelles. 14. JEAN-PIERRE GHYSELS (né en 1932) Contour, 1965 Bronze à patine dorée. Signé et numéroté 5/5. Brons met gouden patina. Gesigneerd en genummerd 5/5. 14 x 9 x 19 cm 2 000 / 3 000 € Provenance/Herkomst : Collection privée / Prive collectie, Bruxelles. 15. MARCEL ARNOULD (1928-1974) Sans titre Bronze doré poli. Gepolijste gouden brons. 1 500 / 2 000 € Provenance/Herkomst : Collection privée / Prive collectie, Bruxelles. 16. RENE MELS (1909-1977) Tronc d’olivier, 1975 Huile sur toile. Signée en bas à gauche. Olieverf op doek. Links onderaan gesigneerd. 81 x 100 cm 1 000 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 17. GEORGES COLLIGNON (1923-2002) Robert, 1962 Fusain et collage de tissus sur carton. Signé en bas à gauche. Contresigné, daté et titré au dos. Houtskool en collage van stof op karton Linksonderaan gesigneerd. Achteraan gesigneerd, gedateerd en getiteld. 70,5 x 51,5 cm 3 000 / 5 000 € Ce collage a été dédicacé à Robert Jacobsen et Hélène Minette. Le sculpteur danois et son épouse étaient des amis intimes des Collignon. 18. JEAN MILO (1906-1993) Intérieur chaud, 1961 Huile sur toile. Signée et datée en bas à droite. Contresignée, datée et titrée au dos. Olieverf op doek. Rechts onderaan gesigneerd en gedateerd. Achteraan gesigneerd, gedateerd en getiteld. 100 x 81 cm 3 000 / 5 000 € Provenance/Herkomst : Collection privée / Prive collectie, Bruxelles. 19. LEOPOLD PLOMTEUX (1920-2008) Composition, 1966 Huile sur toile. Signée et datée en bas à droite. Olieverf op doek. Rechts onderaan gesigneerd en gedateerd. 85 x 127 cm 1 500 / 2 000 € Bibliographie/ Bibliografie: Joseph Philippe, Léopold Plomteux, un maître de la peinture abstraite. Crédit Communal, 1992, p. 73 n°71. Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 20. FERDINAND VONCK (1921-2010) Composition abstraite, 1956 Technique mixte et collage sur papier. Signé et daté en bas à droite. Gemengde techniek en collage op papier. Rechts onderaan gesigneerd en gedateerd. 22 x 18,5 cm 1 000 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 21. FERDINAND VONCK (1921-2010) Composition abstraite, 1956 Technique mixte et collage sur papier. Signé et daté en bas à droite. Gemengde techniek en collage op papier. Rechts onderaan gesigneerd en gedateerd. 25 x 20,5 cm 1 000 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 22. FERDINAND VONCK (1921-2010) Composition abstraite, 1956 Technique mixte et collage sur papier. Signé et daté en bas à droite. Gemengde techniek en collage op papier. Rechts onderaan gesigneerd en gedateerd. 25,5 x 22,5 cm 1 000 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 23. FERDINAND VONCK (1921-2010) Composition abstraite, 1956 Technique mixte et collage sur papier. Signé et daté en bas à droite. Gemengde techniek en collage op papier. Rechts onderaan gesigneerd en gedateerd. 27,5 x 23,5 cm 1 000 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 24. FERDINAND VONCK (1921-2010) Relief, 1956 Relief en bois peint collé sur panneau. Signé et daté en bas à droite. Beschilderd houten reliëf geplakt op paneel. Rechts onderaan gesigneerd en gedateerd. 42 x 61,5 cm 1 000 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 25. FERDINAND VONCK (1921-2010) Composition, 1957 Relief en bois peint collé sur panneau. Signé et daté en bas. Beschilderd houten reliëf geplakt op paneel. Onderaan gesigneerd en gedateerd. 61 x 13 cm 800 / 1 200 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 26. JAN SAVERYS (1924-2017) Abstrait gris n°84, 1953 Huile sur toile. Signée et datée en bas à droite. Olieverf op doek. Rechts onderaan gesigneerd en gedateerd. 81 x 100 cm 2 500 / 3 500 € Exposition/Tentoonstelling : 1977: Palais des Beaux-Arts, Charleroi, Art Abstrait. 1987: PMMK, Oostende, Abstracte Kunst Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 27. JAN SAVERYS (1924-2017) Composition, 1952 Fusain et pastel sur papier. Signé et daté en bas à droite. Houtskool en pastel op papier. Rechts onderaan gesigneerd en gedateerd. 48 x 41 cm 1 200 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 28. JAN SAVERYS (1924-2017) Composition, 1952 Fusain et pastel sur papier. Signé et daté en bas à droite. Houtskool en pastel op papier. Rechts onderaan gesigneerd en gedateerd. 52 x 43 cm 1 200 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 29. JAN SAVERYS (1924-2017) Composition, 1952 Fusain et pastel sur papier. Signé et daté en bas à gauche. Houtskool en pastel op papier. Links onderaan gesigneerd en gedateerd. 50 x 45 cm 1 200 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 30. JAN SAVERYS (1924-2017) Composition Huile sur unalit. Signée en bas à gauche. Olieverf op unalit. Links onderaan gesigneerd. 22 x 40 cm 1 000 / 1 500 € Provenance/Herkomst : Collection privée / Prive collectie, Lasne. 31. VIC GENTILS (1917-1997) Sans titre, 1964 Assemblage de bois. Signé et daté au dos. Houten assemblage. Achteraan gesigneerd en gedateerd. 102 x 43 cm 3 000 / 5 000 € Provenance/Herkomst : Collection privée / Prive collectie, Antwerpen. 32. GILBERT DECOCK (1928-2007) Composition abstraite, 1961 Huile sur toile. Signée et datée en bas à droite. Olieverf op doek. Rechts onderaan gesigneerd en gedateerd. 40 x 120 cm 2 000 / 3 000 € 33. GEORGES COLLIGNON (1923-2002) Composition abstraite, 1955 Huile sur toile. Signée en bas à gauche. Contresignée et datée au dos. Olieverf op doek. Links onderaan gesigneerd. Achteraan gesigneerd en gedateerd. 100 x 72,5 cm 6 000 / 8 000 € Provenance/Herkomst : Collection privée / Prive collectie, Liège. 34. ENGLEBERT VAN ANDERLECHT (1918-1961) Sans titre (n°3), 1959 Encre et lavis d’encre de Chine sur papier. Cachet de la signature et date au dos. Inkt en gewassen inkt op papier. Stempel van de handtekening en datum op de achterkant. 97 x 68 cm 3 000 / 5 000 € Bibliographie/Bibliografie : Serge Goyens de Heusch, Englebert Van Anderlecht, Fonds Mercator, Anvers, 1998, ill. p. 136. Provenance/Herkomst : Galerie Armorial, Bruxelles Collection privée / Prive collectie, Bruxelles. 35. ENGLEBERT VAN ANDERLECHT (1918-1961) Sans titre (n°10) Encre et lavis d’encre de Chine sur papier. Cachet de la signature et date au dos.
Load more

Recommended publications
  • Art Belg E & Co N Temporain B Elgische & Hedendaagse Kunst
    18.06.2020 Art belge & contemporain 18h00 Belgische & hedendaagse kunst Art belge & contemporain Belgische & hedendaagse kunst Vente jeudi 18 juin 2020 Veiling donderdag 18 juni 2020 à 18h00 om 18u00 Cornette de Saint Cyr Cornette de Saint Cyr Chaussée de Charleroi 89 Charleroisesteenweg 89 1060 Bruxelles 1060 Brussel ;rovbঞomvr0Ѵbt;v retrait des lots && && $"&!! ,҃(&" $"&!! ,҃(&" -A-Ѵbm]-m7;Ѵo|;m Samedi 13 juin 11h - 18h Tous les mercredis et jeudis Dimanche 14 juin 11h - 18h de 9h30 à 13h00 et de 14h00 à 17h30. Lundi 15 juin 10h - 18h Mardi 16 juin 10h - 18h Alle woensdagen en donderdagen Mercredi 17 juin 10h - 18h van 9u30 tot 13u00 en van 14u00 tot 17u30. Jeudi 18 juin 10h - 13h Cornette de Saint Cyr, publieke tentoonstelling Charleroisesteenweg, 89 "! "! Chaussée de Charleroi, 89 1060 Bruxelles Zaterdag 13 juni 11u - 18u +32 (0)2 880 73 80 Zondag 14 juni 11u - 18u Maandag 15 juni 10u - 18u Dinsdag 16 juni 10u - 18u bm=oul-ঞom bm=oul-ঞ; Woensdag 17 juni 10u - 18u Donderdag 18 juni 10u - 13u Tous les catalogues en ligne sur Alle catalogen staan online op commissaire-priseur www.cornettedesaintcyr.be veilingmeester Chaussée de Charleroi, 89 Arnaud Cornette de Saint Cyr 1060 Bruxelles / Brussel Belgique / België contact t. +32 (0) 2 880 73 80 Art Belge / Belgische kunst : f. +32 (0)2 534 86 14 Sabine Mund [email protected] Toutes les mesures de ce catalogue sont données t. +32 2 880 73 85 à vue. Alle afmetingen onder voorbehoud. Art contemporain / Hedendaagse kunst : Wilfrid Vacher [email protected] t.
    [Show full text]
  • Artigas, Chapallaz, De Montmollin Bards of Enamels
    Press release February 2015 Artigas, Chapallaz, de Montmollin Bards of Enamels MUSÉE ARIANA, GENEVA, 4 FEBRUARY TO 31 MAY 2015 Inauguration Tuesday, February 3, 2015 10, avenue de la Paix 1202 Genève To download : www.ariana-geneve.ch Un musée Ville de Genève www.ariana-geneve.ch Artigas, Chapallaz,de Montmollin Bards of Enamels MUSÉE ARIANA, GENEVA, 4 FEBRUARY TO 31 MAY 2015 PRESS RELEASE Geneva, February 2015 Combining in a single exhibition works by the Catalan Josep Llorens Artigas (1892-1980), the Swiss ceramists Édouard Chapallaz (b.1921) and Brother Daniel de Montmollin (b.1921) – active within the Taizé religious community in Burgundy – is not purely random. These three artists, who have each in their own way left their mark on contemporary European ceramics, have continuously enhanced their understanding of enamels throughout their careers, knowledge that all three have been keen to pass on through their teaching, publications and more generally by their openness and their availability towards colleagues. Creating unique wheel-turned pieces, mostly with simple, pure lines, all three have endeavoured to sublimate these forms by clothing them, like a skin intimately fused to the clay, with enamels of infinite variety and depth. Bright or muted, matt or gloss, single or superimposed, fired in reduction or oxidation atmospheres, the enamels have an eloquence that is never, with these highly experienced masters, the result of chance. Fire certainly plays a major role and can sometimes have surprises in store, but it is mainly through knowledge, practice and experience – “a kiln without tests is a wasted kiln” said Artigas – the fruit of many years of hard work, that they have acquired over time a remarkable command of their art.
    [Show full text]
  • L'a R T V Iv a N T E T S E S in S T It U T Io
    NUMÉRO 26/2007 L’ART VIVANT ET SES INSTITUTIONS NUMERO NUMERO 26/2007 Association sans but lucratif Place du 20-Août 7, B-4000 Liège Tél. : 04/366.56.04. - Fax : 04/366.58.54. Prix de vente - cotisation :32 € / Rédacteur en chef de la revue :Jean-Patrick Duchesne, rue Georges Thone 14, B-4020 Liège / Secrétaire : Isabelle Verhoeven, rue Vivegnis 447, B-4000 Liège / Trésor ier :Yves Randaxhe, rue de Harlez 33, B-4000 Liège / Compte n° 792- 5524042-41 d'Art&fact, Liège / Direction scienti- fique du numéro :Julie Bawin / Comité de lecture :Jean-Patrick Duchesne, Julie Bawin et Julie Hanique / Première de couverture : Éric DUYCKAERTS, performance, 8 juin 2007, 52e Biennale de Venise. Photos : Virginie Le Touze. Quatrième de couverture : Éric DUYCKAERTS, Entrelacs borroméens d'après Pierre Soury, 2007. Art&fact ISSN 0774-1863 L’art vivant et ses institutions Revue des historiens de l’art, des archéologues et des musicologues de l’Université de Liège Numéro 26/2007 Publié avec le soutien de la Communauté française de Belgique Ministère de la Culture et des Affaires sociales et du Ministère de la Région wallonne Division de l’Emploi et de la Formation professionnelle, ainsi qu’avec l’aide financière du Fonds national de Recherche Scientifique - FNRS L’art vivant et ses institutions INSTRUCTIONS ET INFORMATIONS AUX AUTEURS 1. Les textes originaux doivent parvenir à la tenir aux modèles suivants : pour un ouvrage, rédaction en format Word par e-mail (art-et- NOM, prénom, Titre, lieu d'édition, année, [email protected]) ou sur CD-rom.
    [Show full text]
  • Ceramics Monthly (ISSN 0009-0329) Is Published Monthly Except July and August by Professional Publications, Inc.—S
    William C. Hunt.......................................... Editor Barbara Tipton.......................... Associate Editor Robert L. Creager............................ Art Director Ruth C. Butler................................... Copy Editor Valentina Rojo......................... Editorial Assistant Mary Rushley..................... Circulation Manager Connie Belcher............. Advertising Manager Spencer L. Davis................................... Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North­ west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates: One year SI6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine wrapper label and your new address toCe­ ramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in­ cluding 35mm slides), graphic illustrations and news releases dealing with ceramic art are welcome and will be considered for pub­ lication. A booklet describing procedures for the preparation and submission of a manu­ script is available upon request. Send man­ uscripts and correspondence about them to The Editor, Ceramics Monthly,
    [Show full text]
  • Céramique Contemporaine, Un Monde De L'art Périphérique
    Céramique contemporaine, un monde de l’art périphérique : Repenser les frontières artistiques par la céramophilie Elisa Ullauri Lloré To cite this version: Elisa Ullauri Lloré. Céramique contemporaine, un monde de l’art périphérique : Repenser les frontières artistiques par la céramophilie. Architecture, aménagement de l’espace. Université d’Avignon, 2017. Français. NNT : 2017AVIG1172. tel-01715250 HAL Id: tel-01715250 https://tel.archives-ouvertes.fr/tel-01715250 Submitted on 22 Feb 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITE D’AVIGNON ET DES PAYS DE VAUCLUSE École doctorale 537 Culture & Patrimoine / UMR 8562 Centre Norbert Elias AIX-MARSEILLE UNIVERSITÉ Laboratoire méditerranéen de sociologie (co-dir. Hors ED355) Thèse de doctorat en Sciences de l’information et de la communication et sociologie de l’art Céramique contemporaine, un monde de l’art périphérique. Repenser les frontières artistiques par la céramophilie Elisa ULLAURI LLORE Sous la direction de Sylvia Girel (AMU) et de Jean Davallon (UAPV) Jury : M. Jean Davallon, Professeur émérite à l’Université d’Avignon et des Pays de Vaucluse Mme. Sylvia Girel, Maître de conférences-hdr à l’Université Aix-Marseille I Mme. Marie Christine Bordeaux, Professeure à l’Université de Grenoble Alpes M.
    [Show full text]
  • Catalogue of the Papers of Bernard Leach
    Catalogue of the Papers and Books of BERNARD LEACH - - - - - - COMPILED BY ALYN GILES JONES, M.A., D.A.A., F.S.A. VOLUME I 1 – 10,803 - - - - - - Crafts Study Centre Bath 1984 - 1985 F O R E W O R D This is the third and final catalogue of the papers of Bernard Leach. However, a number of his letters are in the Muriel Rose archives, also held at the Crafts Study Centre: many of these are in answer to her own letters to him listed in the three Leach catalogues. Other Bernard Leach material may yet emerge, and hopefully any such records will be deposited at the Centre. Mr David Leach made available the first “trance” of these papers, for which the Centre is deeply grateful – as, indeed, it is for the contents of Bernard Leach II, also deposited by him. The second section of this catalogue concerns the papers of the late Mrs Trudi Scott, Bernard Leach’s housekeeper, confidante and indispensable prop during his last years. I had only one telephone conversation with her ever, shortly before she died, during which she promised me an original drawing by Bernard – which I never got! Following her death, I enquired of those close to her about her papers, and can thus claim credit for having saved them. They would otherwise have been thrown away. The collection consists largely of fascinating oddments, single pages of letters, infuriating but captivating jumbles of “membra disiecta”, which have required the repeated re-cataloguing of already catalogued entries, and the constant need to review and revise and rewrite, as fragments came together during the interim and final sortings.
    [Show full text]
  • Yvonne Brunhammer Former Director of the Musée Des Arts Décoratifs, Paris
    The Decorative Arts Library of Yvonne Brunhammer former Director of the Musée des Arts Décoratifs, Paris 3534 titles in circa 3950 volumes The Yvonne Brunhammer Library The Brunhammer Library is a major resource for the study of design and the decorative arts, and allied fields, from the nineteenth century to the present day. Its formidable range and depth amply reflects Ms. Brunhammer's distinction as one of the leading scholars in the world in these areas. Focusing above all on Art Nouveau, on Art Déco, and on Modern design from the interwar period to the start of the twenty-first century, it covers all aspects of the decorative arts, including furniture, glass, ceramics, metalwork, jewelry, textiles, rugs, and related crafts; as well as fashion and costume design, the graphic arts, including posters and advertising design; and the design of the built environment, including architecture and architectural design, interior design, industrial design and product design. The Brunhammer Library encompasses the full extent of the period, covering not only French, Western European, and American design, but also Japanese, Scandinavian, and Eastern European. It extends well into the larger scope of the performing arts, sculpture, and the history of the avant-garde in the fine arts, as these bear on the central areas of the collection. Incidental material on earlier epochs of art history, from Gothic to Neoclassical, is included as well. Without question the doyenne of French scholars of the decorative arts, Yvonne Brunhammer had a long and distinguished career, as an immensely productive scholar and curator at the Musée des Arts Décoratifs in Paris for more than four decades.
    [Show full text]
  • Lyth Ceramic Workshop Is Offering 1-, 2- and 3-Week Sessions Dents; Maximum 11 Participants Each Session
    2 C eramics Monthly William C. Hunt...................................... Editor Barbara Tipton ...................... Associate Editor Robert L. Creager ........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo ...................... Editorial Assistant Mary Rushley.............. Circulation Manager Connie Belcher .... Advertising Manager Spencer L. Davis .............................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North­ west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year SI 6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in­ cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man­ uscript is available upon request. Send man­ uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges­ tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti­ cles are indexed in the December issue.
    [Show full text]
  • Ceramics Monthly Nov91 Cei11
    William Hunt ........... ........................Editor Ruth C. Butier .......... .........Associate Editor Robert L. Creager ............... Art Director Kim S. Nagorski.... ........Assistant Editor Shawn R. LaRowe. .......... Staff Assistant Mary Rushley.......... CirculationManager Mary E. Beaver........ Circulation Assistant Connie Belcher.... Advertising Manager Spencer L. Davis ... ...................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio 43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Professional Publications, Inc., 1609 North­ west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $22, two years $40, three years $55. Add $10 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Offices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in­ cluding 35mm slides), graphic illustrations, announcements and news releases about ceramics are welcome and will be consid­ ered for publication. Mail submissions to Ceramics Monthly, Box 12448, Columbus, Ohio 43212. We also accept unillustrated materials faxed to (614) 488-4561. Writing and Photographic Guidelines:A booklet describing standards and proce­ dures for submitting materials is available upon request. Indexing: An index of each year’s articles appears in the December issue. Addition­ ally, Ceramics Monthly articles are indexed in the Art Index. Printed, on-line and CD-ROM (computer) indexing is available through Wilsonline, 950 University Ave., Bronx, New York 10452; and from Information Access Co., 362 Lakeside Dr., Forest City, Califor­ nia 94404.
    [Show full text]
  • INSIDE July/August 2007 Volume 43 No
    INSIDE July/August 2007 Volume 43 No. 6 Laurie Rolland 2 Presidents Message 3 POTTERY MUSEUMS IN FRANCE: Lynne Johnson 4 Marie-Clare von Hausmann 5 THE SOUGHT AND TechnoTalk: Ceramics Online 6 THE SERENDIPITOUS Book Review 9 Travelling to France for the first time, I had the usual agenda: to see as much Call for Applicants 10 art as my eyes could absorb. I took in the wonders at the Musée d’Orsay, Clay Lines 11 Monet’s les Nymphéas at the Musée de l’Orangerie, a surprise René Lalique show at the Musée du Luxembourg, and, of course, as much of the magic at the Louvre as one person can fit into four hours, with sore feet. But the potter in me needed to be satiated, too, so I made plans to visit a lesser-known museum in Paris, devoted entirely to ceramics. And, further in my journey, I stumbled upon a gem I don’t think even shows up in the guidebooks. The Sought If you find yourself in Paris with an empty spot in your itinerary and you’re up for a little adventure, I recommend a museum designed specifically with the ceramics-obsessed in mind. The Musée National de Céramique Sèvres houses a vast collection of ceramic objects unlike anything you’ll find on this continent; it’s well worth the trip, but with one small caveat. My research before leaving for Paris led me to believe that the Musée National de Céramique Sèvres was a simple walk across a bridge from a Metro station at the end of the Number Nine Line.
    [Show full text]
  • Ceramics Monthly Dec91 Cei12
    December 1991 1 William Hunt............................................ Editor Ruth C. Butler .......................... Associate Editor Robert L. Creager........................... Art Director Kim S. Nagorski..... ...................Assistant Editor Shawn R. LaRowe ....................... Staff Assistant Mary Rushley ................... Circulation Manager Mary E. Beaver.................Circulation Assistant Connie Belcher ................. Advertising Manager Spencer L. Davis ................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio 43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Professional Publications, Inc., 1609 North­ west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates:One year $22, two years $40, three years $55. Add $10 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Offices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in­ cluding 35mm slides), graphic illustrations, announcements and news releases about ceramics are welcome and will be consid­ ered for publication. Mail submissions to Ceramics Monthly, Box 12448, Columbus, Ohio 43212. We also accept unillustrated materials faxed to (614) 488-4561. Writing and Photographic Guidelines:A booklet describing standards and proce­ dures for submitting materials is available upon request. Indexing: An index of each year’s articles appears in the December issue. Addition­ ally, Ceramics Monthly articles are indexed in the Art Index. Printed, on-line and CD-ROM (computer) indexing is available through Wilsonline, 950 University Ave., Bronx, New York 10452; and from Information Access Co., 362 Lakeside Dr., Forest City, Califor­ nia 94404.
    [Show full text]
  • Catalogue of the Additional Papers of Bernard Leach
    Catalogue of the Additional Papers of BERNARD LEACH Volume II COMPILED BY ALYN GILES JONES, M.A., D.A.A., F.S.A. Crafts Study Centre Bath 1987 Catalogue of the Additional Papers of BERNARD LEACH COMPILED BY ALYN GILES JONES, M.A., D.A.A., F.S.A. Crafts Study Centre Bath 1987 FOREWORD These additional papers of the late Bernard Leach were deposited at the Crafts Study Centre, Holburne of Menstrie Museum, Bath, by Mr. David Leach in 1987. Their numbers run on from those of the original deposit made by "B.L." himself in his own lifetime, and confirmed in his will, and catalogued in 1984-85. It is said that no man is a hero to his valet: it is a very special man who remains a hero to his archivist, over the years. "B.L." remains mine, and many of his friends in Japan and throughout the world, have become (vicariously and largely posthumously) my friends, too. I am eternally grateful to him. My thanks are due to Mrs. Margaret Hughes of Madryn, Llanbedrgoch, Anglesey, who has typed this catalogue with imperturbable aplomb and unfailing courtesy, good humour and accuracy. ADDED NUMBERS Some entries in this schedule will be followed by numbers separated by an oblique stroke within square brackets: these items are "left-overs" from the original deposit and the foot-note numbers refer to their placement in the initial survey made of the Leach papers in their pre-catalogue state (Jan-Feb 1984). This initial survey forms Part I of the original catalogue (1984-85, q.v.) ABBREVIATIONS The general abbreviations are as follows: Bernard Leach ------- BL Janet Leach ----------- JL David Leach ----------- DL No date ----------------- n.d.
    [Show full text]