Digitalism (DJ set) TOUR
Full Tour San Francisco Vancouver Chicago New York City Miami Austin Denver
Artist Costs 53250 Venue Rental 36600 Marketing 6428.57 Travel 23926.55 Misc. 5000 Total Cost 125205.12
Potential Gross 174000 Revenue Total Cost 125205.12 Potential Net 48794.88 Income
(+) Los Angeles
Potential Gross 316250 Total Cost 199996.72 Potential Net 165048.16
Artist Considerations:
Digitalism will be the headlining artist on all dates for a fee of $7,500/show.
Additionally, Acid Girls will perform at their same rate in San Francisco, Vancouver,
Chicago, and New York, Destructo will perform at his own rate (air at his own expense) in New York and Miami, and Classixx will perform at their same rate in Miami, Austin,
Mexico City, and Grau will perform at a reduced rate of $250/show at all shows.
Travel and Accommodations:
The traveling party will consist only of Digitalism, their tour manager, and opening acts
(with the exception of Destructo who provides for his own travel arrangements). Each member of the traveling party will receive a stipend of $40/day to be spent on meals and other necessities unless otherwise noted. The travelers will be lodged 2 to a room unless otherwise noted.
A driver has been provided in all cities on behalf the of the venue promoter. In all cases the driver will be responsible for the following routes: from the airport to the hotel, from the hotel to the club and back (an additional trip will be made the night before should the artist arrive in time to become familiar with the venue), and from the hotel to the airport for the connecting flights. The driver will also be available for any venue-approved transportation such as dinner with the promoters, any professional meetings dealing with the show at hand, and any emergency that the driver may reasonably be expected to help with (at no additional liability to him or her).
Cartage will consist of Digitalism and Openers' gear and will be picked up by venue representatives and stored in the venue's storage facilities at the owner's liability.
(Digitalism - Macbook Pro, Behringer BCF2000 MIDI Controller, Korg microKORG,
Akai drum pad, and other KORG synths and drum kits; Acid Girls - ...; Classixx - ...;
Grau...)
Marketing:
Marketing in each city will be activated by a number of local promoters' e-mail lists as well as the SCION lists available in New York, Miami, and Austin. 10,000 flyers will be printed for each city at a cost of $322.64. The graphics have already been provided for the Los Angeles show and the general layout will be used in all cities. An additional $700 has been allocated to each city for a street team of marketers. Additionally, the website will continue to function as a source for information for all tour dates. Los Angeles - The Shrine Expo Hall (June 12 - June 14 @ Bardot, June 16 @
Cinespace)
Expenses = $85,116.2
Potential Profit = $56,633.8
For full breakdown please see midterm project.
Please note: After the Kick-Off show Digitalism will perform one Surprise Performance at Dim Mak's Banana Split Sundaes at Bardot, and wil make one Guest Appearance at
Dim Mak's weekly club night at Cinespace on Tuesday (they are not obligated to play on
Tuesday, but are not by any means forbidden). Neither of these shows will be advertised with any connection to the band except by the designation "Surprise Guest". In reparation for the performances the band will receive $500 for their Sunday performance as well as premier ad space on Dim Mak e-mail blasts and social network event listings.
Edited Potential Profit = $57,133.8 San Francisco - The Mezzanine (June 18)
San Francisco The Mezzanine 6/18/2009
Artist Digitalism 7500 Acid Girls 500 Grau 250 Venue Rent 5000 Marketing 1195.6 Transport Air 392 Hotel 1272 Cartage 446.96 Stipend 560
Total Expenses 17116.56 BREAKEVEN
Potential Ticket 19000 Revenue Potential Bar 0 HARD donation 750 Potential Gross 19750
Potential Gross 19750 Cost 17116.56 Net Income 2633.44
Venue:
21+
The Mezzanine SF has played host to a multitude of international electronic music acts similar in nature to Digitialism: everyone from MSTRKRFT and DJ AM to Justice and
Soulwax. The club even carries a separate rider specific to electronic DJ sets (see Tech).
The venue is paramount to the electronic music scene in Northern California.
Rent is $7,500 for a Friday or Saturday night rental. So while the original plan was to have the show on Friday night, June 19th, we've had to reconsider our options to make the night profitable and opt for a Thursday night show. This will not hurt the marketability and attendance of the show - as The Mezzanine is known to have packed out shows on weeknights as well as weekends. The fee for a Sun-Thurs rental is $5,000.
The venue covers security, doors, clean up, bar and venue staff, and sound/light tech. For a rental deal they keep the bar, and the tour keeps ticketing.
An additional benefit at this stop in the venue is that the opener Grau are natives of San
Francisco, still living in the city and have an active fan-base here as well as Los Angeles.
Travel and Accommodations:
Flight from LAX to SFO: $56/person x 7 = $392 (American Airlines 1954, leave 6/18
2:30pm, arrive 3:50pm)
Cartage: UPS Next Day Air picked up 6/17 and delivered to The Mezzanine on 6/18 =
$446.96
Hotel: Hotel Milano: $159/night x 2 nights x 3 rooms* = $954 (Since the members of
Grau are natives to SF, they will be helping the tour by staying at home)
Transportation: Provided by Grau's supporters
Stipend: $40 x 2 days x 7 people = $560
Marketing:
The Mezzanine has an excellent promotions team in San Francisco to advertise their shows. Their services are available for a small fee. Because of the effectiveness of their campaign the marketing strategy in San Francisco will be altered as follows:
Only 5,000 flyers will be printed for a reduced rate of $195.56. For a fee of $1,000 The
Mezzanine will advertise the event on their website, give coverage to the show in their weekly e-mail blasts to their mailing list, and place the details in their weekly ad strip in a popular free indie newspaper. For this fee they will also activate their street team which will consist of flyering, postering, and hand to hand flyering outside of other venues. The website will continue to function for this stop as well.
Tech:
1,000 capacity
HARD donation - $750
Sound - Funktion One “Res 4” system permanently installed in a “four corners” configuration surrounding the dance floor. (5-way system powered by QSC Powerlight amps, eight “Resolution 4” Mid-Hi loudspeakers arranged in a crossfiring “Four Corners” configuration on the dancefloor, eight “F – 218” double 18” bass cabinets, four
“Infrabass” double 18” sub-bass cabinets, controlled by two XTA DP226 digital signal processors, total system power: 26,400 watts)
Lights - AVO Pearl Lighting Console + Stage and Dancefloor Lights
(Stage - 32 Par 64 cans W/1000 watt bulbs (12 front truss, 20 back truss), 2 Martin MX
10 intelligent lights (back truss), 3 Source 4 ERS 26 Degrees, 575w (front truss), 2
Martin MX 4 intelligent fixtures, 2 Martin MX 10 intelegent fixtures (back truss), 8 Par
46 ( 4 high sides, 4 rovers), 2 Altman 3.5“ Ellips (Floor mounts), 2 Coemar iSPOT intelligent fixtures (double as dance lights), 1 ETC Sensor 24 dimmer pack @ 2k per dimmer, 2 booms @ 8’)
(Dancefloor - 6 Coemar iSPOT intelligent fixtures (2 double as stage fronts), 4 SGM
Gallileo IV intelligent fixtures, 3 SGM Flasher strobe fixtures, 1 DF50 Hazer machine, 1 American DJ Fog Machine, 4 Altman 6x12s (Go-Go Specials), 2 Mirror Balls with
Motors.
Stage - Custom made D.J. booth constructed of steel, wood and rubber. Booth can accommodate up to three turntables, three CDJ1000s and a laptop or FX unit.
Ticketing:
$20 x 950 = $19,000
Ticketmaster Vancouver - Fabric Nightclub (June 20)
Vancouver Fabric Nightclub 6/20/2009
Artist Digitalism 7500 Acid Girls 500 Grau 250 Venue Rent 0 Marketing 0 Transport Air 931 Hotel 0 Cartage 493.77 Stipend 280
Total Expenses 9954.77 BREAKEVEN
Potential Gross 15000 Ticket Revenue Promoter Ticket 12000 Revenue Potential Bar 0 HARD donation 750 Potential Gross 12750
Potential Gross 12750 Cost 9954.77 Net Income 2795.23
Venue:
18+
Canada and Vancouver in particular have always been great supporters of the electronic music scene and Solid Entertainment has long been an active promoter of such events.
For our Vancouver stop we will be co-promoting with Solid Entertainment who hosts a weekly electronic music night on Saturdays at Fabric Nightclub (Essential Saturdays).
While the capacity of Fabric is somewhat limited in comparison to other stops of our tour
- the experience and credibility in the market that Solid can offer will offset our lack of knowledge about Canadian culture (and my lack of ability to make international calls and therefore having to rely on who would e-mail me back) to our benefit.
Solid, already in contract with Fabric, will take care of rent and all venue expenses including security and doors as well as provide in-city transportation and accommodation
(of which they receive a large discount). Solid will also provide 100% of marketing. The tour will continue to cover artist costs and travel. Solid will take 100% of its normal bar percentage and 20% of ticketing.
Travel and Accommodations:
Flight from SFO to YVR: $133/person x 7 = $931 (Air Canada 5111, leave 6/20 2:15pm, arrive 4:31pm)
Cartage: UPS Next Day Air picked up from The Mezzanine 6/19 and delivered to Fabric
6/20 = $493.77
Hotel: 1 night x 4 rooms = Covered by Solid
Transportation: Provided by Solid
Stipend: $40 x 1 day x 7 people = $280
Tech:
500+ capacity
HARD donation - $750
A technical rider was not available for the venue. However the promoter has assured me that the venue utilizes sound and light gear adequate for the level and type of act that
Digitalism represents at no additional cost to the tour or promoter. Ticketing:
$30 x 500 = $15,000
The tour takes 80% = $12,000 Chicago - Metro (June 23)
Chicago Metro 6/23/2009
Artist Digitalism 7500 Acid Girls 500 Grau 250 Venue Rent 4500 Stage/Light move 600 Marketing 1022.64 Transport Air 1813 Hotel 1120 Cartage 465.88 Stipend 1120
Total Expenses 18891.52 BREAKEVEN
Potential Ticket 21000 Revenue Potential Bar 0 HARD donation 750 Potential Gross 21750
Potential Gross 21750 Cost 18891.52 Net Income 2858.48
Venue:
18+
Metro Chicago has been home to many great live performances since its opening in 1982 and its 21+ bar SmartBar has been a goto venue for a number of big electronic acts.
However, due to SmartBar's limited capacity of 400 people, this tour will be utilizing the
1,100 capacity main room, also taking advantage of its 18+ policy, rather than 21+. We believe that with the additional age allowances and with proper marketing, using the buzz of the big LA kick-off show and with the backing of big-buzz sponsor HARD, the venue will not be a challenge to fill.
The venue charges $4,500 for a weeknight rental and will retain full bar. The venue provides, security, staffing, bar, sound/light tech, doors, and clean-up. The tour will take ticketing.
Travel and Accommodations:
Flight from YVR to CHI: $259/person x 7 = $1,813 (Air Canada 8097, leave 6/21
2:45pm, arrive Seattle 3:37 pm, 48 minute layover to United 989 leave 4:25pm, arrive
10:15pm)
Cartage: UPS 2nd Day Air picked up from Commodore Ballroom 6/21 and delivered to
Metro 6/23 = $465.08
Hotel: Sheffield House Hotel: $70/night x 4 nights x 4 rooms = $1,120
Stipend: $40 x 4 days x 7 people = $1,120
Tech:
1,100 capacity
HARD donation - $750
A technical rider was not available to me during conversation with the venue. However,
SmartBar has full staging for DJ set performances and I have been assured that the staging can be moved to Metro. Sound, dancefloor lighting, and main stage lighting and spots are provided by the venue. Additional lighting effects appropriate for DJ acts are in place at SmartBar as well and can be "rented" from the venue for a minimal, negotiatble fee in the range of $300-$700 including the staging as well. (For the purposes of this assignment I have decided to use $600 as the applicable rate). Ticketing:
$20 x 1,050 tickets = $21,000
Metro Box Office and Online Metro Box Office - The club no longer sells tickets through third parties to any show held on it property and sells all tickets free of service charges. New York - Webster Hall (June 26)
New York City Webster Hall 6/26/2009
Artist Digitalism 7500 Acid Girls 500 Destructo 1000 Grau 250 Venue Rent 10000 Marketing 1142.43 Transport Air 693 Hotel 3120 Cartage 261.23 Stipend 1680 Additional 5000 Expense
Total Expenses 31146.66 BREAKEVEN
Potential Ticket 43500 Revenue Facility Fee -2900 Potential Bar 0 HARD donation 750 SCION donation 1000 Potential Gross 42350
Potential Gross 42350 Cost 31146.66 Net Income 11203.34
Venue:
19+
The Grand Ballroom at Webster Hall is the premier in hip and intimate concerts in New
York City - hosting a number of large acts including, in our interests, Hot Chip,
Fischerspooner, Peaches, and more. The venue features a number of different concert rooms, offers a club night featuring live musical acts, and is extremely close to Union
Square and NYU. The place is a breeding ground for breaking artists and feeding music lovers - its atmosphere is intoxicating and its crowds on event nights are always large.
The rental for the venue on a Friday night is $10,000. The rental includes security, staffing, doors, clean-up, and sound/light tech. It also includes a mention on the marquee and in the weekly newspaper ads. They keep the bar and take a $2 facility fee from every ticket sold. It is pricey but the preminence of the venue is worth it. The New York show is intended to be in direct comparison with the kick-off party in Los Angeles. It is intended to be a buzz-worthy event and will feature the HARD name as a main sponsor as Destructo will be performing and the HARD lights operator will be on hand with the
Webster Hall lighting staff to make sure the HARD high-quality lighting show comes through perfectly.
Additional Expenditures:
Due to the importance of the event an additional $5,000 will be budgetted for providing for a confetti and balloon drop at the venue, 50 brightly colored large sized beach balls,
1,450 glowsticks (to be given in exchange for each ticket), and any additional props the acts and tour manager may have an interest in presenting to the public.
Travel and Accommodations:
Flight from CHI to NYC: $99/person x 7 = $693 (JetBlue 916, leave 6/25 4:10pm, arrive
7:44pm)
Cartage: UPS 2nd Day Air picked up from Metro 6/24 and delivered to Webster Hall
6/26 = $261.23
Hotel: St. Marks Hotel: $130/night x 6 nights x 4 rooms = $3,120
Stipend: $40 x 6 days x 7 people = $1680 Marketing:
An additional 5,000 flyers will be printed for this event for a grand total of 15,000 flyers at a cost of $442.43.
Tech:
1,500 capacity
SCION donation - $1,000
HARD donation - $750
Stage - 36x 12 1/2 x 4 1/4 w/ 29 x 12 1/2 x 16 3/4 clearance proscenium, One secure dressing room for Headliner w/ private bathroom and changing mirror in room, One secure dressing room to be shared by all Support.
Sound (for DJs) - 6 SDX Bertha with extensions (2x 18" LF), 4 SDX Quad Box (4x 15"),
8 JBL PD-5322/64 (2x 12" LF, 1x 3" MF, 1x 1.5" HF), 4 SDX Slot-Tweeter Arrays 4x
Slot HF. Dancefloor Fill - 4 JBL PD-5322/95, 2 Steel Hardware center fill. Balcony Fill -
2 Electro-Voice MTH-2/64. Amplification and Signal Processing - SDX 3000 Crossover,
BSS DPR-404 Quad Compressor/De-Esser, Klark Teknik Helix DN9340E Dual EQ,
Klark Teknik Helix DN9344E Quad EQ, 4 BSS Audio MINIDRIVE FDS 336 Digital
Speaker Processor, Crown CTs 2000, 6 Crown I-Tech 4000, 8 Crown I-Tech 6000, 3
Crown I-Tech 8000, 2 Crown Macro-Tech 1202. Front of House - Allen and Heath
MixWizard WZ3 14:4:2, DBX 166A Dual Dynamics Processor, 2 DBX 1231 Dual 31-
Band Graphic Equalizer, 2 Shure ULXP4 Reciever (Beta 87c Wireless). DJ Monitor
System - Rolling Rack, 2 McCauley SM12-1 (12" LF, 1" HF), Electro-Voice DMS-2181
(2x 18" LF), 2 Crown K2, DBX DriveRack 260. DJ Equipment - Pioneer DJM-800 Mixer, 3 Pioneer CDJ-1000 MK3 CD Decks, 2 Technics SL-1200 MK2 Turntables
Lights - High End Systems Wholehog III Console (V2.2.2) w/ DP 2000 & Playback
Wing, High End Systems Hog iPC Console (V2.2.2), DFD, 4 Universe DMX Switch, 4
DFD Bi Directional Hubs, DFD Isolation Amplifier, Interactive Technologies DMX-2
Emulator Protocol Converter, 22 High End Systems Cyberlight, 8 High End Systems
Cyberlight Turbo (Inside Proscenium), 4 High End Systems x.Spot Xtreme 2:1, 18 High
End Systems Emulator, 2 High End Systems AF-1000 Dataflash Strobe, 16 High End
Systems Dataflash Strobe w/ rack mount LED controller, 4 High End Systems Color Pro
FX- driving fiber-optic star curtain on upstage wall, High End Systems F-100 smoke machine DMX w/ diffusing fan, Leprecon HD touring rack- 48 Dimmers @ 2.4 KW each, ETC Sensor rack - 6 Dimmers @ 6 KW each, 11 PAR 64 - 1kW, 5 Wybron
ColorRAM scrollers w/Strings for upstage PAR64's, 4 Altman ZipStrips (MR-16) 3 cicuit-6ft, 8 4 head ACL bars, 4 Strand 5kW "Bambino" fresnels (incandescent), Altman
1kW "Comet" followspot (incandescent), 40 High End Systems C-16 (Architectural), 48"
Mirror Ball on De Sisti Lift, 280' of TomCat 20.5" box-bolt truss in 10' & 5' sections
(split into 8 trusses), 30' of TomCat 12" box-bolt truss in 10' sections (single truss) (All truss sections powder coated matte black), 24 CM Lodestar 1 ton hoists, Skjonberg computerized control for hoists / trusses.
Electric Source: Location- electrical closet off of stage left. Distribution- 1 x 200 amp, 3 phase disconnect with cam lock tails located in the electrical closet off of stage left.
Switch shares ground with house DJ sound system. Cam locks connectors are ground and
Neutral reversed (per NEC). Additional 1x 400 amp disconnect (lugs only) available in venue basement. (Prior arrangements must be made for this to be available). Ticketing:
$30 x 1,450 tickets = $43,500
Facility fee = $2 x 1,450 = $2,900 Miami - Nocturnal (July 3)
Miami Nocturnal 7/3/2009 Nightclub
Artist Digitalism 7500 Classixx 500 Destructo 1000 Grau 250 Venue Rent 6500 Marketing 1022.64 Transport Air 665 Hotel 1500 Cartage 353.34 Stipend 840
Total Expenses 20130.98 BREAKEVEN
Potential Ticket 23750 Revenue Potential Bar 0 HARD donation 750 SCION donation 1000 Potential Gross 25500
Potential Gross 25500 Cost 20130.98 Net Income 5369.02
Venue:
21+
Nocturnal in Miami is quickly becoming a major dance club destination. While not on the level of Club Space, it is by no means a venue to chuckle over either. Offering much more reasonable rental rates, for a Friday night charging only $6,500 flat rate including security, staffing, sound/light tech, clean-up, and doors, it is the place we want to be.
Nocturnal will keep the bar, the tour will keep the ticketing.
Travel and Accommodations: Flight from NYC to MIA: $95/person x 7 = $665 (Northwest Airlines 1845, leave 7/1
3:55pm, arrive Memphis 6:03pm, 1 hour 17 minute layover to Northwest Airlines 1741, leave 7:20pm, arrive 10:28pm)
Cartage: UPS 3 Day Air picked up from Webster Hall 6/26 and delivered to Nocturnal
6/29 = $353.34
Hotel: Holiday Inn Port of Miami: $125/night x 3 nights x 4 rooms = $1,500
Stipend: $40 x 3 days x 7 people = $840
Tech:
Capacity - 1,000
SCION donation - $1,000
HARD donation - $750
While a tech rider and specifications was not available the following details were gleaned about the sound and light systems: The sound system is Funktion-One creation and the lighting is by SJ Lighting and incorporates fixtures from High End, Martin and Comar.
There also appears to be a number of mirrored balls built into the club's decor.
Ticketing:
$25 x 950 = $23,750
GrooveTickets Austin - La Zona Rosa (July 5)
Austin La Zona Rosa 7/5/2009
Artist Digitalism 7500 Classixx 500 Grau 250 Venue Rent 5000 Marketing 1022.64 Transport Air 1085 Hotel 1284 Cartage 594.94 Stipend 840
Total Expenses 18076.58 BREAKEVEN
Potential Ticket 23000 Revenue Potential Bar 0 HARD donation 750 SCION donation 1000 Potential Gross 24750
Potential Gross 24750 Cost 18076.58 Net Income 6673.42
Venue:
All Ages
La Zona Rosa in Austin has been host to a wide variety of music genres: from Patti Smith to Lady Sovereign to The Crystal Method. Most notable for our genre, it was host to
Deadmau5 during this year's SXSW festival. The venue offers a central location, an all ages policy, a history of reliability and quality performances, and an agreeable rental policy.
Then venue rental is $5,000 flat fee for a Sunday evening rental that includes security, staff, doors, bar personnel, and clean-up. They keep the bar. The tour keeps ticketing. Travel and Accommodations:
Flight from MIA to AUS: $155/person x 7 = $1,085 (American Airlines 893, leave 7/4
10:40am, arrive Dallas 12:40pm, 1 hour 20 minutes layover to American Airlines 691, leave 2:00pm, arrive 2:54pm)
Cartage: UPS Next Day Air picked up from Nocturnal 7/4 and delivered to La Zona Rosa
7/5 = $594.94
Hotel: InterContinental Stephen F. Austin Hotel: $107/night x 3 nights x 4 rooms =
$1,284
Stipend: $40 x 3 days x 7 people = $840
Tech:
Capacity - 1,200 (Standing Room Only)
SCION donation - $1,000
HARD donation - $750
Rider - Stage: 32 x 25 x 3.5, Two dressing rooms, One backstage toilet (no showers), 1 production office with 2 dedicated phone lines
Sound: Soundcraft Series Four 40x4, Adamson MH 225 mid-hi, BSS 31 band house EQ,
JBL subs, 8 channels Drawmer compression,Crown Macro-tech amps, 8 channels
Drawmer gates, 2 Yamaha SPX 990, 1 TC Electrics multitap delay, 1 CD player,
Monitors: DJs will use their own headphone monitors, Assorted microphones, cables, and stands, 200 apm 3-phase power
Lights: 2 Cyber lights, 14 Trackspots
Ticketing: $20 x 1,150 = $23,000
GETTIX, La Zona Rosa Box Office Denver - Ogden Theater (July 8)
Denver Ogden Theater 7/8/2009
Artist Digitialism 7500 Classixx 500 Grau 250 Venue Rent 5000 Marketing 1022.64 Travel Air 553 Hotel 741.2 Cartage 261.23 Stipend 560
TOTAL 16388.07 BREAKEVEN EXPENSES
Potential Ticket 32000 Revenue Facility Fee -5600 Potential Bar 0 HARD donation 750 Potential Gross 27150
Potential Gross 27150 Cost 16388.07 Net Income 10761.93
Venue:
16+
Ogden Theater, operated by AEG live, is a historic landmark in Denver, Colorado (built in 1919) and has been home to as many as 150 concerts per year since 1993 - considered one of Denver's premier concert centers. Rental for a Wednesday evening performance runs $5,000 and the venue keeps food and beverage. The venue also takes a $3.50 service fee for every ticket sold.
Travel and Accommodations:
Flight from AUS to DEN: $79/person x 7 = $553 (Frontier Airlines 787, leave 7/7 2:30pm, arrive 3:40pm)
Cartage: UPS 2nd Day Air picked up from La Zona Rosa 7/6 and delivered to Ogden
Theater 7/8 = $261.23
Hotel: Ramada Inn Downtown Denver: $92.65/night x 2 nights x 4 rooms = $741.2
Stipend: $40 x 2 days x 7 people = $560
Tech:
Capacity - 1,650
HARD donation - $750
Stage - 40 x 20 x 4.5 (clearance 30 ft)
Sound - FOH -Crest Audio V12, 44 ( 6 Stereo) Available Channels, 12 VCA’s, 8 Sub
Groups, 4 Stereo Aux’s, 8 Mono Aux’s, TP PS1A Intercom, 2 Effects Processors
Yamaha SPX 990, Yamaha XPX 900, Yamaha Digital Delay D1500, Roland sde-1000,
TC Electronics M-1/XL, 6 DBX 1060’s Compressor/Limiter/Gate, 2 DBX 160X
Compressor/Limiter, 1 DBX 166 Xl Compressor/Limiter/Gate 2 Channel, 2 Drawmer DS
404 Quad Gates, House EQ XTA GQ600 Dual Channel Graphic EQ, Ashly GQ131
Graphic EQ (for Subs), EQ Ashly GQX 3102 (Front Fills), Stanton Dual CD Player.
House Array - 6 Downlen Fes 1s (Flown), Each cab contains a) Two 15” High Efficiency
McCauley Drivers b) One Proprietary Mid Horn With 12” McCauley Driver c) One B&C
2” High Frequency Driver, 6 EAW Sb1000 (under front of stage). House Amps - TDM
Design 32 CL-4 quad compressor, Ashly PQ26 Parametric EQ, Symetrix 522 compressor-limiter, Chevin A3000-Horns, Crest 8001-12”S, 3 Crest 8001-15”S, 3 QSC
EX 4000-Subs. Front Fills - 6 12’ McCauley 2' horn (3 per side), Ashley Stereo 31 Band 1/3 Octave EQ on floor fills, Powered by: QSC PLX 300 horns and QSC PLX 3402 12".
DJs will use their own monitoring systems. Under Balcony Fills - 4 12’ McCauley 2' horn, Sony SRP-F300 Processer, QSC Powerlight 3.4. Power for Sound: 200 Amp 3- phase Cam_Lock with turnarounds ground and neutral ground on sound. Power for
Lights: 400 Amp 3-phase Cam-lock with turnarounds ground and neutral.
Lights - while a specification list was not available a layout was shown to me with adequate lighting capabilities.
Ticketing:
$20 x 1,600 = $32,000
Facility Charge = $3.50 x 1,600 = $5,600
Ogden Theater Box Offices
Ticketmaster Income Analysis
Income Analysis By Entity
Promoter 116253.28 Digitalism 82291.8 Acid Girls 2500 Classixx 2000 Grau 1750 Destructo 3000