Mal Waldron Left Alone Mp3, Flac, Wma

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Mal Waldron Left Alone mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Left Alone Country: France Released: 1982 MP3 version RAR size: 1942 mb FLAC version RAR size: 1341 mb WMA version RAR size: 1603 mb Rating: 4.5 Votes: 503 Other Formats: VQF AAC AC3 MIDI MP3 WAV AUD Tracklist A1 Left Alone A2 Catwalk A3 You Don't Know What Love Is B1 Minor Pulsation B2 Airegin B3 Mal Waldron: The Way He Remembers Billie Holiday Companies, etc. Pressed By – MPO Distributed By – Musidisc-Europe Credits Alto Saxophone – Jackie McLean Bass – Julian Euell Drums – Al Dreares Liner Notes – Ira Gitler Piano – Mal Waldron Producer – Teddy Charles Notes Made in France Barcode and Other Identifiers Rights Society: SACEM SDRM SACD SGDL Other (Distribution Code): MU 217 Other versions Category Artist Title (Format) Label Category Country Year Left Alone (LP, Bethlehem BCP 6045 Mal Waldron BCP 6045 US 1960 Album) Records Left Alone (LP, Bethlehem COJY-9022 Mal Waldron COJY-9022 Japan 1992 Album, RE) Records Left Alone (CD, Bethlehem VICJ-61451 Mal Waldron VICJ-61451 Japan 2007 Album, RE, RM, Pap) Records Left Alone (Reel, 4tr XP 1038 Mal Waldron Polydor XP 1038 Japan Unknown Stereo, Album) Bethlehem Left Alone (CD, BCP 6045 Mal Waldron Records, Verse BCP 6045 US 2014 Album, RE) Music Group Related Music albums to Left Alone by Mal Waldron Ron Carter With Eric Dolphy, Mal Waldron - Where? Mal Waldron Trio - Free At Last Mal Waldron With John Coltrane / Jackie McLean / Paul Quinichette / Frank Wess - The Dealers Mal Waldron - All Alone - Mal Waldron Live 2 Mal Waldron & Gary Peacock - First Encounter Kimiko Kasai & Mal Waldron - Left Alone Mal Waldron - Left Alone - Mal Waldron Live 1 Mal Waldron Quintet - The Seagulls Of Kristiansund - Live At The Village Vanguard John Coltrane Featuring Paul Quinichette And Mal Waldron - Wheelin' Mal Waldron - A Little Bit Of Miles.

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Jazzpress 0612
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QUASIMODE: Ike QUEBEC
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Stardigio Program
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Click Here for Part One Mal Waldron Interview
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Mal Waldron Quintet Mal-1 Mp3, Flac, Wma
Mal Waldron Quintet Mal-1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mal-1 Country: Japan Released: 2008 Style: Hard Bop MP3 version RAR size: 1574 mb FLAC version RAR size: 1475 mb WMA version RAR size: 1889 mb Rating: 4.9 Votes: 906 Other Formats: AU WMA MP3 WAV AC3 APE RA Tracklist Hide Credits Stablemates 1 4:50 Written-By – Benny Golson Yesterdays 2 7:44 Written-By – Jerome Kern Transfiguration 3 7:13 Written-By – Lee Sears Bud Study 4 5:46 Written-By – Mal Waldron Dee's Dilemma 5 6:55 Written-By – Waldron* Shome 6 5:05 Written-By – Idrees Sulieman Companies, etc. Manufactured By – Victor Entertainment, Inc. Distributed By – Victor Entertainment, Inc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Alto Saxophone – Gigi Gryce Bass – Julian Euell Cover – Reid Miles Drums – Arthur Edgehill Engineer [Recording Engineer] – Rudy Van Gelder Piano – Mal Waldron Remastered By – Shigeo Miyamoto Supervised By – Tamaki Beck Trumpet – Idrees Sulieman Notes Recorded in Hackensack, NJ; November 9, 1956. Comes in mini LP replica with OBI & Japanese insert. 20 bit K2 mastering Barcode and Other Identifiers Barcode (Printed): 4 988002 509072 Barcode (Scanned): 4988002509072 Rights Society: JASRAC Matrix / Runout: VICJ-60288-1- 1F V Mastering SID Code: IFPI L235 Mould SID Code: IFPI 4011 Other versions Category Artist Title (Format) Label Category Country Year Mal Waldron Mal Waldron Quintet Quintet Featuring Gigi Gryce PRLP 7090 Featuring Gigi And Idrees Sulieman Prestige PRLP 7090 US 1957 Gryce And Idrees - Mal-1
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The Gigi Gryce Discography
The Gigi Gryce Discography by Noal Cohen and Michael Fitzgerald Page generated on Sep 1, 2021 1950 1953 1954 1955 1956 1957 1958 1959 1960 1961 1990 2010 Note: For conventions and abbreviations used in this discography, please see: Discography Key. Note: As of March 15, 2019, most digital download issues will no longer be displayed. This decision was made because of the ephemeral nature of these issues, sometimes deficient audio quality and legitimacy questions. This is an updated and expanded version of the discography found on pp. 375-418 of Rat Race Blues: The Musical Life of Gigi Gryce (Berkeley Hills Books, Berkeley, CA, 2002). It will be modified as new information is received. A pdf version of this discography is available for download. Date: early June 1950 Location: New York City Label: Columbia Margie Anderson (ldr), Duke Anderson (p), unknown (b), Milton Hayes (d, v), Gigi Gryce (con), Margie Anderson (v) a. CO43859 Hurry, Hurry, Margie (Duke Anderson, Margie Anderson, Lester Harris) - 2:07 Columbia 78: 30213 (1950) b. CO43860 You'll Always Be the One I Love (Gigi Gryce) / arr: Gigi Gryce - 2:33 Columbia 78: 30213 (1950) c. CO43861 It's Time You Cried (Berman, Baron) - 2:41 Columbia 78: 30226 (1950) d. CO43862 Always Love Him (Never Leave Him Blues) (Jerry Bressler, Alan Norman Jackson) - 2:00 Columbia 78: 30226 (1950) Gigi Gryce (con) on b; Milton Hayes (v) on d. At the time of this session, Gigi Gryce was a student at Boston Conservatory. Boston-based vocalist Margie Anderson confirmed in an interview that Gryce was present in the studio to oversee the performance of his composition.
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JELLY ROLL MORTON's
1 The TENORSAX of JOHN WILLIAM COLTRANE Solographer: Jan Evensmo assisted by James Accardi Last update: Feb. 29, 2016 2 Born: Hamlet, North Carolina, Sept. 23, 1926 Died: NYC. July 17, 1967 Introduction: There was much discussion back then on the issue of John Coltrane and what he represented in modern jazz. Personnally I was very fascinated by his recordings in the last years of the fifties but had problems with what happened in the sixties. I still have, but Coltrane certainly proved his immortality. Early history: Played althorn, clarinet and saxophone in highschool, became professional musician in 1945. After moving to Philadelphia he enrolled at the Ornstein School of Music and the Granoff Studios; service in a navy band in Hawaii (1945-46) interrupted these studies. Played alto saxophone in the bands led by Joe Webb and King Kolax, then changed to tenorsax to work with Eddie “Cleanhead” Vinson (1947-48) (no recordings). He performed on either instrument as circumstances demanded while in groups led by Jimmy Heath, Howard McGhee, Dizzy Gillespie, Earl Bostic and lesser-known rhythm-and-blues musicians, but by the time of his membership in Johnny Hodges’s septet (1953-54) he was firmly committed to the tenor instrument. He performed infrequently for about a year, then leaped to fame in Miles Davis’s quintet with Red Garland, Paul Chambers and Philly Joe Jones (1955-57). Throughout the 1950s addiction to drugs and then alcoholism disrupted his career. Shortly after leaving Davis, however, he overcame these problems (his album ‘A Love Supreme’ celebrated this victory and the profound religious experiences associated with it).
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