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Inventory of the Film and Television Collection

Katie Duvall William H. Hannon Library Loyola Marymount University One LMU Drive, MS 8200 , CA 90045-8200 Phone: (310) 338-5710 Fax: (310) 338-5895 Email: [email protected] URL: http://library.lmu.edu/specialcollections.htm © 2011 Loyola Marymount University. All rights reserved.

Inventory of the Film and 102 1 Television Screenplay Collection Inventory of the Film and Television Movie Screenplay Collection

Collection number: 102

William H. Hannon Library Loyola Marymount University Los Angeles, Processed by: Katie Duvall Date Completed: 2011 Encoded by: Katie Duvall © 2011 Loyola Marymount University. All rights reserved.

Descriptive Summary Title: Film and Television Movie Screenplay collection Dates: 1924-2005 Collection number: 102 Creator: Unknown Collection Size: 63 archival document boxes26.25 linear feet Repository: Loyola Marymount University. Library. Department of Archives and Special Collections. Los Angeles, California 90045-2659 Abstract: This collection consists of screenplays, dating from 1924-2005, donated by Father Michael Mandala, S. J., of the Blessed Sacrament Church in Hollywood, CA. The provenance of the materials is unknown, but it is thought that Blessed Sacrament Church gained possession of the scripts through a parishioner. Blessed Sacrament then sought out the Department of Archives and Special Collections, Loyola Marymount University, as repository of these screenplays. Included in this collection are film scripts, made-for-television movie scripts and non-script materials including press packets, storyboards, preliminary production information and treatments. Physical location: Collection is stored on site. Appointments are required to research the collection. Languages: Languages represented in the collection:English Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, William H. Hannon Library, Loyola Marymount University. Publication Rights Materials in the Department of Archives and Special Collections may be subject to copyright. Unless explicitly stated otherwise, Loyola Marymount University does not claim ownership of the copyright of any materials in its collections. The user or publisher must secure permission to publish from the copyright owner. Loyola Marymount University does not assume any responsibility for infringement of copyright or of publication rights held by the original author or artists or his/her heirs, assigns, or executors. Preferred Citation [Identification of item], Series number, Box number, Film and Television Movie Screenplay Collection 102, Department of Archives and Special Collections, William H. Hannon Library, Loyola Marymount University. Acquisition Information Father Michael Mandala, S.J., Blessed Sacrament Church, Hollywood, California. 2011 Custodial History The donation of the screenplays to Blessed Sacrament Church was made by an unknown parishioner. Scope and Content of Collection Included in this collection are film screenplays, made-for-television movie screenplays and non-screenplay materials including press packets, storyboards, preliminary production information and treatments dating from 1924-2005. The

Inventory of the Film and 102 2 Television Screenplay Collection provenance of the materials is unknown, but it is thought that Blessed Sacrament Church may have gained possession of the scripts through a parishioner. Notations in some of the screenplays indicate they may have been purchased in used bookstores or at auctions or photocopied from local library collections. Others may be screenplays received by a professional in the entertainment industry over the normal course of business as indicated by highlighting and notations within the screenplays and included script covers from talent agencies. The screenplays include some of the great films of Hollywood history: "Dark Victory"; "Raiders of the Lost Ark" and "", are just some examples. Arrangement The collection is divided into series based on type of screenplay: those for the cinema (Series 1) and those for television (Series 2). In addition to these series, Series 3 accounts for loose material that came with the collection, eg, storyboards and press packets, mostly for films from the 1980s and the 1990s. Series 1. Film Screenplays Subseries a. 1920's Subseries b. 1930's Subseries c. 1940's Subseries d. 1950's Subseries e. 1960's Subseries f. 1970's Subseries g. 1980's Subseries h. 1990's Subseries i. 2000's Subseries j. undated Series 2. Made for Television Movie Screenplays. Series 3. Non-Screenplay Materials Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Motion picture plays Film and Television Television Scripts Separated Material Water damaged screenplays were removed from the collection.

Series 1 Film Screenplays 1924-2005 Physical Description: 57 boxes Scope and Content Note This series contains screenplays for feature films. The version or draft of the screenplay is indicated in the item record where relevant.

Subseries A. 1920's 1924-1929 Physical Description: 1 box

Box 1 Ella Cinders. Screenwriter: Louis Stevens 1926 Box 1 Fast . Release dialogue script. Screenwriter: Florence Ryerson 1929 Box 1 Monsieur Beaucaire. Copy of annotated version. probably 1924 Box 1 The Wild Party. Continuity and dialogue. Screenwriter: E. Lloyd Sheldon 1929

Subseries B. 1930's 1930-1939 Physical Description: 9 boxes

Box 1 A Man From Wyoming. Release dialogue script. Screenwriter: Albert Shelby Le Vino and John V.A. Weaver 1930 Box 1 Anything Goes 1936 Box 1 Blonde Trouble. Release dialogue script. 1937 Box 1 Blonde Venus. Release dialogue script. 1932 Box 1 Bluebeard's Eigth Wife. Release dialogue script. 2 copies. 1938 Box 1 Cradle Song. Release dialogue script. 1933 Box 1 Dark Victory. Screenwriter: Casey Robinson probably 1938 Box 2 Desert Gold. Release dialogue script. Screenwriter: Stuart Anthony and Robert Yost 1936 Box 2 Dude Ranch. Release dialogue script. Screenwriter: Percy Heath, Grover Jones and Lloyd Corrigan 1931 Box 2 Easy Living. Release dialogue script. Screenwriter: 1937

Inventory of the Film and 102 3 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries B.1930's 1930-1939

Box 2 Give Me Your Heart. Final. Screenwriter: Casey Robinson 1936 Box 2 I'm No Angel. First white script. Paramount Studios stamp on cover. Screenwriter: Mae West 1933 Box 2 Invitation to Happiness. Release dialogue script. 1939 Box 2 Jamaica Inn. Release dialogue script. Screenwriter: Sidney Gilliat and Joan Harrison 1939 Box 2 Love Me Tonight. First white script. Paramount Studios stamp on cover. Screenwriter: Samuel Hoffenstein, Waldemar Young and George Marion, Jr. 1932 Box 2 Madame Racketeer. Release dialogue script. Screenwriter: Malcolm Stuart Boylan and Harvey Gates 1932 Box 3 . Release dialogue script. Screenwriter: Allen Rivkin and P.J. Wolfson 1932 Box 3 Murder on a Bridle Path. Auction slip enclosed: "a Xerox copy probably created around 1970. A lot of work for a nothing film. Mint condition." Screenwriter: Dorothy Yost 1936 Box 3 Murder on the Blackboard. Cutting continuity. Auction slip enclosed: " war musical director on this film, and Walter Plunkett did the costumes. This is a studio xerox of the cutting continuity, created around 1970. Mint condition." Screenwriter: Willis Goldbeck 1934 Box 3 Rendezvous at Midnight 1934 Box 3 The Beachcomber. 2 copies. Release dialogue script. Screenwriter: 1938 Box 3 The Cat and the Canary. Release dialogue script. Screenwriter: Walter DeLeon and Lynn Starling 1939 Box 3 The Crusades. Release dialogue script. 1935 Box 3 The Hatchet Man (aka The Honorable Mr. Wong). Final. Screenwriter: J. Grubb Alexander 1931 Box 4 The Magnificent Fraud. Release dialogue script. Screenwriter: Gilbert Gabriel and Walter Ferris 1939 Box 4 The Old Fashioned Way. 2 copies. Original Paramount cover and stamp. 1934 Box 4 The Old Maid. Parts 1, 2, 3 revised final. Photocopy (possibly from copy at USC). Screenwriter: Casey Robinson 1939 Box 4 The Penquin Pool Murder. Cutting continuity. Auction slip enclosed: "A Xerox copy of the original cutting continuity. Mint condition." Screenwriter: Willis Goldbeck 1932 Box 4 The Petrified Forest. Revised final. Auction slip enclosed: ""A xerox script done by the studio around 1970." 1935 Box 4 The Roaring Twenties. Continuity and dialogue. Screenwriter: , Richard Macaulay and Robert Rosson probably 1939 Box 5 The Sisters. Dialogue transcript. Screenwriter: Milton Krims 1938 Box 5 The Sisters. Revised final. Screenwriter: Milton Krims 1938 Box 5 The Way to Love. Release dialogue script. 1933 Box 5 The Working Man. Final. Screenwriter: Charles Kenyon 1932 Box 5 The World Moves On. Part 1 revised final. Screenwriter: Jerry Wald and Richard Mccaulay 1939 Box 5 Tillie and Gus (or Odds are Even). First script. 2 copies. Original Paramount cover and stamp. Screenwriter: Walter DeLeon and Francis Martin 1933 Box 6 Union Pacific. Details shots and dialogue. Screenwriter: Walter DeLeon, C. Gardner Sullivan, and Jesse Lasky, Jr. 1939 Box 6 We Shall Meet Again. Part 1 final. Note included w/ script "pgs. 78 and 79 missing in USC copy xeroxed from (scenes 111 through beginning of 116)." Screenwriter: Warren Duff 1939 Box 10 Dark Victory. Part 1 final. 3 copies. Screenwriter: Casey Robinson 1938 Box 10 Dawn Patrol. Revised final. Screenwriter: Seton I. Miller and Dan Totheroh 1938 Box 10 Delusion. Final. 2 copies. Ray Milland written on front cover of one. Could be signature or note. Screenwriter: Arthur Kober [written on title page] probably 1930's Box 10 . Continuity and dialogue. 1931

Inventory of the Film and 102 4 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries B.1930's 1930-1939

Box 10 Frankenstein. Continuity and dialogue. probably 1931 Box 11 Jesse James. 2 copies. Final. Stamped "only copy" on cover by 20th Century Fox. Screenwriter: Nunnally Johnson 1938 Box 11 Juarez (The Phantom Crown). Part 1, final. Screenwriter: , Aneas MacKenzie, Wolfgang Reinhardt, Abem Finkel 1938 Box 11 Libeled Lady. MGM "Vault Copy." Screenwriter: Maurine Watkins and Howard Emmett Rogers 1936 Box 11 Murders in the Rue Morgue probably 1932 Box 11 My Man Godfrey probably 1936 Box 11 My Man Godfrey. Release dialogue script. Continuity and dialogue master copy. Screenwriter: Morrie Ryskind and Eric Hatch 1936 Box 12 One Way Passage. Screenwriter: Wilson Mizner and Joseph Jackson 1932 Box 12 Radio Patrol. Continuity and dialogue. probably 1932 Box 12 Swing High, Swing Low. Release dialogue script. Screenwriter: Virginia Van Upp and Oscar Hammerstein II 1937 Box 12 The Black Cat. Continuity and dialogue. probably 1934 Box 12 The Garden of Allah. Dialogue and continuity. "American Version" and "Censorship Copy, Do Not Use" on front page. probably 1936 Box 12 The Great Impersonation probably 1935 Box 12 The House of Rothschild. Final. 1933 Box 12 The King and Chorus Girl. "Burbank Calif. Story Library" printed on cover. Screenwriter: and 1936 Box 12 The Mummy. Continuity and dialogue. Boris Karloff version. probably 1932 Box 12 Tower of London 1939

Subseries C. 1940's 1940-1949 Physical Description: 6 boxes

Box 6 A Date With Destiny [released as The Mad Doctor]. Release dialogue script. Screenwriter: Howard J. Green 1940 Box 6 Border Vigilantes. Screenwriter: J. Benton Cheney 1941 Box 6 Border Vigilantes. Release dialogue script. 1941 Box 6 Danger Signal. Part 1, 2nd revised final. Screenwriter: Adele Comandini and Graham Baker 1945 Box 6 Hard Bargain. 2 copies. Both incomplete. Revised. 1948 Box 6 Hatter's Castle. Release script. Screenwriter: A.J. Cronin probably 1942 Box 7 Hold That Blonde! 3 copies. Release dialogue script. Screenwriter: Walter DeLeon, Earl Baldwin and E. Edwin Moran 1945 Box 7 June Bride. Dialogue transcript. Screenwriter: Ranald MacDougall 1948 Box 7 Magnificent Ambersons. Cutting continuity. 1942 Box 7 North West Mounted Police. Release dialogue script. 1940 Box 7 Now Voyager. "English superimposed title sheet for the French version." Copy of a version signed by . Screenwriter: Casey Robinson probably 1942 Box 7 The Major and the Minor. 2 copies. Release dialogue script. Screenwriter: and 1942 Box 7 The Paleface. Release dialogue script. 1948 Box 7 The Rocking Horse Winner. Post production script. 1949 Box 8 The Two Mrs. Carrolls. Final. Screenwriter: Thomas Job 1945 Box 8 To Each His Own. Copy of master copy from USC film library. Screenwriter: Charles Brackett and Jacques Thery 1945 Box 8 Where There's Life. Release dialogue script. Screenwriter: Allen Boretz and Melville Shavelson 1946 Box 8 Winter Meeting. Final part 1. Screenwriter: Catherine Turney 1947 Box 13 Bud Abbott and Lou Costello Meet Frankenstein. Continuity and dialogue. 1948 Box 13 Calling Dr. Death. Annotated. 1943 Box 13 Conflict. Part 1, 2nd revised final. Screenwriter: Dwight Taylor 1943

Inventory of the Film and 102 5 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries C.1940's 1940-1949

Box 13 Gentleman Jim. 3 copies. Final, part 1. Screenwriter: Vincent Lawrence and Horace McCoy 1942 Box 13 Illegal Entry. Revised. Screenwriter: Joel Malone 1948 Box 14 Invisible Agent. Continuity and dialogue. 1942 Box 14 . Revised. "Marion Pecht" written on front cover. 1941 Box 14 It's a Wonderful Life. Screenwriter: Swerling-Capra 1946 Box 14 It's a Wonderful Life. 2 copies. probably 1946 Box 14 Laura. Shooting final. Screenwriter: Jay Dratler with revisions by Ring Lardner Jr., Samuel Hoffenstein and Betty Reinhardt 1944 Box 14 Man Made Monster. File copy. Continuity and dialogue. Screenwriter: Joseph West 1941 Box 15 My Little Chickadee. Continuity and dialogue. 1940 Box 15 Never Give a Sucker and Even Break 1941 Box 15 Old Acquaintance. 2 copies. Final. Screenwriter: John Van Druten and Edmund Goulding 1942 Box 15 Phantom of the Opera. Continuity and dialogue. 1943 Box 15 Pillow of Death 1945 Box 15 Shadow of a Doubt. Continuity and dialogue. "Editorial office copy." probably 1943 Box 16 Stolen Life. Part 1, revised final. Screenwriter: Catherine Turney 1945 Box 16 The Dark Passage. Final. Screenwriter: Delmer Daves 1946 Box 16 The Desert Song. Part 1 final. Screenwriter: Robert Buckner 1942 Box 16 The End of the River. Continuity and dialogue. "Copied from English post-production script." 1948 Box 16 The Great Lie (aka Far Horizon). Revised final. 1940 Box 16 The Mummy's Curse. Continuity and dialogue. 1944 Box 16 The Mummy's Ghost 1943 Box 16 The Mummy's Hand. Continuity and dialogue. Screenwriter: Griffin Jay and Maxwell Shane 1940 Box 16 The River. Working script. Screenwriter: Rumer Godden 1949 Box 17 The Spoilers 1942 Box 17 The Verdict. Part 1 final. Screenwriter: Barre Lyndon and Milne 1945 Box 17 Three Strangers. Part 1 revised final. Screenwriter: John Huston and Howard Koch 1944 Box 17 To Have and Have Not. 2nd revised final. Screenwriter: Jules Furthman 1944 Box 17 Weird Woman 1944 Box 17 Wolf Man. 2 copies. Universal City Studios stamp on first page. Screenwriter: Curt Siodmak 1941 Box 17 Young Man with a Horn. 2nd revised final. Screenwriter: 1949

Subseries D. 1950's 1950-1959 Physical Description: 4.5 boxes

Box 8 5 Against the House. First revision. Photocopy of a library copy (call number on 2nd page). Screenwriter: and John Barnwell 1954 Box 8 Creature from the Black Lagoon. Master title list for foreign language versions. 1954 Box 8 Witness for the Prosecution. List of superimposing instructions, action description, and English master titles 1958 Box 8 Witness for the Prosecution. Photocopy. File includes notes from whoever was researching the script. Screenwriter: Billy Wilder and Harry Kurnitz 1957 Box 18 A Summer Place. Final. Screenwriter: Delmer Daves 1959 Box 18 Against All Flags. 2 copies. Outline. Screenwriter: AEneas MacKenzie 1950 Box 18 Against All Flags. First draft continuity. Screenwriter: AEneas MacKenzie 1950 Box 18 Cattle Drive. 2 copies. Continuity and dialogue. 1951 Box 18 Destry. Continuity and dialogue. 1954 Box 18 . 3 copies. MGM stamp in bottom corner. 1954

Inventory of the Film and 102 6 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries D.1950's 1950-1959

Box 19 Hot Spell (Next of Kin). Revised final white. Photocopy of USC library copy. Screenwriter: 1957 Box 19 House Party. First draft. Universal central files stamp on cover. Screenwriter: Robert Hill 1955 Box 19 Invaders. Screenwriter: John Tucker Battle and Rosemary Battle 1950 Box 19 Invaders from Mars. Screenwriter: John Tucker Battle probably 1953 Box 19 It Came from Outer Space. Continuity and dialogue. 1953 Box 19 It Should Happen to You. Final. From legal files at . Screenwriter: 1953 Box 19 Madeleine. Continuity and dialogue. 1950 Box 19 Only the Valiant. Final. Screenwriter: Edmund H. North and 1950 Box 20 Rebel Without a Cause. Final part 1. Screenwriter: Stewart Stern 1955 Box 20 The Breaking Point. 2nd rev. final. Screenwriter: Ranald MacDougall 1950 Box 20 The Cain Mutiny. Final draft. From Columbia Picture central files. Screenwriter: Stanley Roberts 1953 Box 20 The Crimson Pirate. 3 copies. Revised final for England. Screenwriter: Roland Kibbee 1951 Box 20 The Day the Earth Stood Still. 2 copies. Revised final. 20th Century Fox stamp in corner. Screenwriter: Edmund H. North 1951 Box 21 . 2 copies. Revised final. Screenwriter: 1955 Box 21 The Sundowners. 2 copies. Final. Screenwriter: Isobel Lennart 1959 Box 21 The Thing. First draft. Says "Please Return to RKO Story Files." 1950 Box 21 Twelve Angry Men. Incomplete, missing pages at beginning and end. probably 1957

Subseries E. 1960's 1960-1969 Physical Description: 4.5 boxes

Box 8 The Only Game in Town. Revised first draft. Auction slip enclosed: "This "Revised First Draft" was Xereoxed by the studio around 1970. Bit wear on cover; otherwise mint." Screenwriter: Frank D. Gilroy 1968 Box 9 Thoroughly Modern Millie 1967 Box 22 Angel Baby. Revision. Screenwriter: Orin Borsten and Sam Roeca 1960 Box 22 Barbarella probably 1968 Box 22 Breakfast at Tiffany's. Copy of annotated version with Hepburn's notes. TM 1994 by Paramount and estate of (on back cover). 1960 Box 22 Bye Bye Braverman. Screenwriter: Herbert Sargent probably 1968 Box 22 Freud. Revised final. Screenwriter: John Huston and Wolfgang Reinhardt 1962 Box 22 Guess Who's Coming to Dinner. Screenwriter: William Rose 1967 Box 22 Harold. Screenwriter: David Swift probably post 1966 Box 23 I Love You, Alice B. Toklas! Final. Screenwriter: and Larry Tucker 1967 Box 23 Nightmare. Release script. 1963 Box 23 Petulia. Screenwriter: Larry Marcus 1967 Box 23 Pretty Poison (fka She Let Him Continue). First draft. Screenwriter: Stephen Geller 1966 Box 23 Rachel, Rachel (aka A Jest of God). Final. Screenwriter: Stewart Stern 1967 Box 24 Rosemary's Baby. First page missing. 1967 Box 24 The Dirty Dozen. File copy. Screenwriter: Nunnally Johnson and Lukas Heller 1966 Box 24 The Great White Hope. first draft. Stamped "permanent file" on cover. Screenwriter: Howard Sackler 1969 Box 24 The Longest Day. 2nd revised version. Screenwriter: 1961 Box 25 The Naked Brigade. Continuity and dialogue. 1965 Box 25 The Sergeant. Shooting script. Screenwriter: Dennis Murphy 1967 Box 25 the Down Staircase. 3 copies. Final. Screenwriter: Tad Mosel 1966 Box 25 Valley of Gwangi. Screenwriter: William E. Bast probably 1969

Inventory of the Film and 102 7 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries E.1960's 1960-1969

Box 25 Who's Afraid of Virginia Woolf? Writer's Guild of America teaching draft. Screenwriter: Ernest Lehman 1965

Subseries F. 1970's 1970-1979 Physical Description: 7.5 boxes

Box 9 The Mechanic. Release script. Auction slip enclosed: "A studio Xerox of a James Bond-type film. Mint condition." 1972 Box 9 Untitled [The Last Tycoon]. 2 copies. probably 1976 Box 26 A Fairly Honourable Defeat. Screenwriter: Peter Ustinov 1971 Box 26 A Report to the Commissioner. 2 copies. First draft. Screenwriter: 1972 Box 26 Americathon. First draft. Screenwriter: Neil Israel, Phil Proctor, Peter Bergman 1976 Box 26 Billy Jack. Screenwriter: Frank and Teresa Christina 1970 Box 26 Blood's a Rover. Incomplete. probably 1970's Box 26 Capricorn One. Screenwriter: Peter Hyams 1976 Box 26 Damnation Alley. Screenwriter: Lukas Heller and 1974 Box 27 Deadhead Miles. Screenwriter: Terry Malick probably 1972 Box 27 Eleanor and Franklin. Revised. Incomplete. Only have pages 1A-9, 17-22, 34-36, 61-106. 1975 Box 27 Fatso. Screenwriter: Anne Bancroft 1978 Box 27 Finders-Keepers. Fourth draft revised. Screenwriter: Antonio Santillan 1979 Box 27 Frisco Kid. First draft. Screenwriter: Naofumi Okamoto 1978 Box 27 Fritz the Cat. Second draft. Screenwriter: and Fred Halliday probably 1972 Box 27 Hit! Screenwriter: Alan R. Trustman and David M. Wolf 1972 Box 27 Julia. Revised final. Ad for film tucked in back of the script. Screenwriter: 1976 Box 27 Longriders. Revised draft. Screenwriter: Steven Smith 1979 Box 27 Love Story. Incomplete. Missing 1st and last page. probably 1970 Box 28 . Revised. Screenwriter: 1978 Box 28 Nickelodeon [aka Starlight Parade]. Screenwriter: W.D. Richter probably 1976 Box 28 Phantom of the Paradise. Incomplete, have pages 2-78. probably 1974 Box 28 Raiders of the Lost Ark. Revised. Screenwriter: Lawrence Kasden 1979 Box 28 Remember My Name. Screenwriter: Alan Rudolph probably 1978 Box 28 Royal Flash. Screenwriter: George MacDonald Fraser 1974 Box 29 Save the Tiger probably 1973 Box 29 Shame, Shame on the Bixby Boys. Signed by Don "Red" Barry. Child's drawing placed btwn pgs 99 and 100. Screenwriter: William Bowers probably 1978 Box 29 Smokey and the Bandit. Combined continuity. 1977 Box 29 (Saga 1, The Adventures of Luke Starkiller as taken from the "Journal of the Whills"). Shooting script, revised fourth draft. Screenwriter: 1976 Box 29 Story of O. Screenwriter: Sebastien Japrisot probably 1975 Box 29 Tai-Pan. Fourth revision. Screenwriter: George MacDonald Fraser 1979 Box 29 The Angel Levine 1970 Box 29 The Domino Clip. First draft. Screenwriter: Howard B. Kreitsek 1972 Box 30 The Duchess and the Dirtwater Fox. Screenwriter: Barry Sandler 1974 Box 30 . Final. Buck slip from Warner attached that says "original." Screenwriter: probably 1973 Box 30 The Frank Leahy Legend. First draft. Screenwriter: Ed Wood Jr. 1975 Box 30 The Freedom Trap (The Mackintosh Man). Revised final. Screenwriter: 1972 Box 30 The Fury. Final. Ad for movie in back. Screenwriter: 1977 Box 30 The Getaway. First draft. Screenwriter: Walter Hill 1971

Inventory of the Film and 102 8 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries F.1970's 1970-1979

Box 30 The Godfather. Third draft. Screenwriter: and Francis Ford 1971 Box 31 The Jezebels [released as Switchblade Sisters]. Revised. Photocopy of annotated version. Screenwriter: F.X. Maier 1974 Box 31 The Last Score [released as St. Ives]. Annotated. Screenwriter: Barry Beckerman 1973 Box 31 The Man Who Would Be King. Screenwriter: John Huston and Gladys Hill probably 1975 Box 31 The Man With Bogart's Face. Revised final. 20th Century Fox stamp on 1st page. Screenwriter: Andrew J. Fenady 1979 Box 31 The Man With Two Heads. Inscribed to "Al" from Lee Frost. Screenwriter: Lee Frost and Wes Bishop 1972 Box 31 The Rocky Horror Picture Show. Screenwriter: Jim Sharman and Richard O'Brien 1974 Box 31 The Saga of Jeremiah Johnson. Screenwriter: 1970 Box 31 The Saga of Liver-Eatin' Johnson. Screenwriter: 1970 Box 32 The Train Robbers. Final. Screenwriter: Burt Kennedy 1972 Box 32 Twentieth Century Foxes. Final draft. Screenwriter: Gerald Ayres 1978 Box 32 Unidentified World War I movie. Final shooting. Cover missing. Incomplete script. 1977 Box 32 Welcome to LA. Screenwriter: Alan Rudolph 1975 Box 32 Westworld. First revised draft. Screenwriter: 1972 Box 32 Whiffs. Screenwriter: Malcolm Mamorstein probably 1975 Box 32 White Line Fever. Screenwriter: Ken Friedman and Jonathan Kaplan probably 1975 Box 32 Who'll Stop the Rain. Final. Screenwriter: Judith Rascoe 1977

Subseries G. 1980's 1980-1989 Physical Description: 9.5 boxes

Box 9 Lassiter. 2 copies. One missing last page, other missing first page. Screenwriter: David Taylor 1983 Box 9 Sea Killer (Beyond the Reef). Translation version. probably 1981 Box 33 A Boy's Life [E.T.: The Extra-Terrestrial]. Shooting script. Screenwriter: 1981 Box 33 Action Jackson. Annotated. Screenwriter: Robert Reneau 1987 Box 33 Aliens. First draft. Screenwriter: 1985 Box 33 American Ninja 2. Revised. Screenwriter: Gary Conway and James Booth 1986 Box 33 Back to School. Screenwriter: Rodney Dangerfield, George Gipe, Michael Endler 1985 Box 33 Back to the Beach probably 1987 Box 33 Bad Medicine. Screenwriter: Harvey Miller probably 1985 Box 33 Black Robe. Sixth draft. Screenwriter: Brian Moore 1987 Box 33 Blade Runner 1980 Box 34 Blind Date. 2nd revision. Screenwriter: Dale Launer 1985 Box 34 Blind Date. First revised draft. Screenwriter: Dale Launer 1985 Box 34 Commando. Screenwriter: Joseph Loeb III and Matthew Weisman 1984 Box 34 Conan the Barbarian. 2 copies. Second draft. Screenwriter: John Milius 1980 Box 34 Cross My Heart or An American Date. Revised final draft. Screenwriter: Armyan Bernstein and Gail Parent 1986 Box 34 . Fourth draft. Screenwriter: and 1988 Box 34 Darkman. Handwritten note attached to last page. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989 Box 35 Darkman. 10th draft. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989 Box 35 Darkman. 9th draft. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989

Inventory of the Film and 102 9 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries G.1980's 1980-1989

Box 35 Dead Ringer. Revised first draft. Screenwriter: Christian Stoianovich and Phobe Dorin 1987 Box 35 Desperately Seeking Susan. Photocopy of annotated version. Screenwriter: Leora Barish probably 1985 Box 35 Dominick and Eugene. Screenwriter: Corey Blechman, Danny Porfirio, Alvin Sargent 1987 Box 35 Fear No Evil [released as We're No Angels] 1989 Box 35 Foreign Body. Revised. Screenwriter: Celine La Freniere and Ronald Neame 1985 Box 35 3-D. 2 copies. Screenwriter: and Michael Kane probably 1983 Box 36 Laughing Boy. Screenwriter: Tony Huston probably 1980's Box 36 Lethal Weapon. Second draft. Screenwriter: 1986 Box 36 Let's Get Harry. Revised third draft. Screenwriter: Charles Robert Carner 1985 Box 36 Little Dorrit. Screenwriter: Christine Edzard probably 1988 Box 36 Mad Max 3 probably 1985 Box 36 Mars Attacks. Third draft. Screenwriter: 1989 Box 36 Mo' Better Blues (aka Love Supreme). First draft. Screenwriter: 1989 Box 36 Mo' Better Blues (aka Love Supreme). Second draft. Screenwriter: Spike Lee 1989 Box 37 Native Son. Photocopy of annotated script. Screenwriter: Richard Wesley 1984 Box 37 Old Gringo. Second draft. Screenwriter: Luis Puenzo and Aida Bortnik 1987 Box 37 Presumed Innocent. First draft. Screenwriter: 1989 Box 37 Risky Business. First draft. Screenwriter: Paul Brickman 1981 Box 37 Robojox. Screenwriter: and Dennis Paoli 1987 Box 37 Sleeping With the Enemy. 2 copies. Screenwriter: 1989 Box 37 Something Wicked This Way Comes. Revised. Screenwriter: 1981 Box 38 Suspect. Final draft. Screenwriter: 1987 Box 38 Suspect. First draft revised. Screenwriter: Eric Roth 1986 Box 38 Switch. 3 copies. Screenwriter: 1989 Box 38 Switching Channels. Re-revised first draft. Screenwriter: Jonathan Reynolds 1987 Box 38 Sylvester. 2 copies. First draft. Screenwriter: Carol Sobieski 1983 Box 39 Table for Five. "As script based on film editor's script." Screenwriter: David Seltzer 1982 Box 39 Table for Five. First draft. Screenwriter: David Seltzer 1981 Box 39 Tag: The Assasination Game. First draft. Screenwriter: Nick Castle 1981 Box 39 Take This Job and Shove It. Screenwriter: David Allan Coe 1980 Box 39 Take This Job and Shove It. Revised. Screenwriter: Jeff Bernini and Barry Schneider 1983 Box 39 The Adventures of Buckaroo Banzai. Revised third draft. Screenwriter: Earl Mac Rauch 1983 Box 39 The Cheetah. First draft. Screenwriter: Erik Tarloff 1987 Box 39 The Falcon and the Snowman. Second revisions, first draft screenplay. Screenwriter: 1983 Box 40 The Lonely Guy. Third draft. Screenwriter: Ed Weinberger and Stan Daniels 1983 Box 40 The Music Box [released as A Fine Mess]. Screenwriter: Blake Edwards 1984 Box 40 The Pit and the Pendulum. Screenwriter: Dennis Paoli 1989 Box 40 The Return of the Living Dead. Polish. Screenwriter: Dan O'Bannon 1983 Box 40 The Serpent and the Rainbow. Screenwriter: Richard Maxwell 1987 Box 40 The Suspect. Fifth draft. Screenwriter: David Young 1987 Box 40 The Woman in Red (fka Boys Will Be Boys). Revised. Screenwriter: 1983 Box 40 Touch and Go. Revised. Screenwriter: Alan Ormsby, Harry Colomby and Robert Sand 1984 Box 41 Until September. Screenwriter: Janice L. Graham 1982 Box 41 Where Are the Children. Revised. Screenwriter: Jack Sholder 1984 Box 41 Where the Heart Is (aka Getting Ready). 2 copies. 6th draft. One copy with notes. Notes may not relate to script. Screenwriter: Telesche Boorman and 1988 Box 41 Whispers. Revised. Screenwriter: Anita Doohan 1989

Inventory of the Film and 102 10 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries G.1980's 1980-1989

Box 41 Witches. First revised draft. Screenwriter: Allan Scott 1988 Box 41 Wolfen. Screenwriter: David Eyre and Michael Wadleigh 1980 Box 41 Yes, Giorgio. Screenwriter: Norman Steinberg 1980

Subseries H. 1990's 1990-1999 Physical Description: 14.5 boxes

Box 9 Look Who's Talking Too. Master english subtitle, spotting list. 1990 Box 9 The Legend of Wolf Mountain. Combined continuity script. probably 1992 Box 42 Airheads. 2 copies. Different drafts. Screenwriter: Rich Wilkes 1993 Box 42 Airheads. Revised draft. Screenwriter: Rich Wilkes 1992 Box 42 Alien 3 1991 Box 42 Alien 3. Screenwriter: Walter Hill and David Giler 1990 Box 42 Alien 3. Revised first draft. Rewrite based on Hill and Giler story. Screenwriter: William Gibson probably 1992 Box 42 Alien 3. Second draft revised. Screenwriter: John Fasano 1990 Box 42 Alien Resurrection. First draft. Screenwriter: 1995 Box 42 Alien Resurrection. Revised draft. Screenwriter: Joss Whedon 1996 Box 43 An American Werewolf in Paris. Screenwriter: Anthony Waller 1995 Box 43 Article 99. 3 copies. Screenwriter: Ron Cutler probably 1991 Box 43 Article 99. Final Script. Screenwriter: Ron Cutler 1991 Box 43 As Good As It Gets. 2 copies. Revised shooting script. Screenwriter: and James L. Brooks 1997 Box 43 Bicentennial Man. Final. Autographed by Kazan. Screenwriter: probably 1999 Box 43 Bio-Dome! 2 copies. Second draft. One copy annotated and highlighted. Screenwriter: Kip Koenig and Scott Marcano 1994 Box 44 Bones. Annotated. Screenwriter: Adam Simon and Tim Metcalfe 1999 Box 44 Charlie [released as Chaplin]. Screenwriter: William Boyd 1991 Box 44 Charlie [released as Chaplin]. Annotated. Screenwriter: William Boyd 1991 Box 44 Charlie [released as Chaplin]. Annotated. Screenwriter: William Boyd 1991 Box 44 Charlie [released as Chaplin]. Second draft. Screenwriter: 1990 Box 44 Christopher Columbus, The Discovery. Final. Screenwriter: based on a screenplay by Mario Puzo and 1992 Box 44 City by the Sea. Annotated. Screenwriter: Ken Hixon 1998 Box 45 Darkman 2. Screenwriter: Lawrence Hertzog probably 1995 Box 45 Darkman 2. Revised. Screenwriter: and revised by 1993 Box 45 Darkman 2. Revised draft. Screenwriter: Michael Colleary and Mike Werb revised by Mark Verheiden 1993 Box 45 Darkman 3: Durant Returns. Second draft. Screenwriter: Steven McKay 1994 Box 45 Dead Reckoning. Third revision. Screenwriter: Christine Roum 1993 Box 45 Destiny Turns on the Radio. Revised. Screenwriter: Robert Ramsey and Matthew Stone 1994 Box 45 Dr. Jekyll and Mr. Hyde. Screenwriter: 1999 Box 45 Dragonheart. Revised. Screenwriter: Charles Edward Pogue 1994 Box 45 Dudley Do-Right. Screenwriter: Andrew Burg and Scott Meyers 1996 Box 45 Dumb and Dumber. Polished draft. Screenwriter: , Bennett Yellin and Bob Farrelly 1993 Box 46 Four Rooms. Shooting script. Screenwriter: Allison Anders, Alexandre Rockwell, Robert Rodriguez, 1994 Box 46 Gattaca. Possible autograph on front cover. Screenwriter: probably 1997 Box 46 Head Above Water. Screenwriter: 1995 Box 46 Hercules and Xena. Screenwriter: John Loy 1996 Box 46 Highlander II. Screenwriter: Peter Bellwood, William Panzer, Brian Clemens probably 1991

Inventory of the Film and 102 11 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries H.1990's 1990-1999

Box 46 Household Saints. 2 copies. Screenwriter: Nancy Savoca and Richard Guay 1991 Box 46 Imaginary Crimes. Signed by "William G. Schilling, Mr Gratelli." Screenwriter: Kristine Johnson and Davia Lee Nelson 1991 Box 46 Jumanji. Second draft revised. Screenwriter: Jonathan Hensleigh 1994 Box 47 Killer Sam aka Josh and S.A.M. Screenwriter: Frank Deese 1992 Box 47 Killing Zoe. Annotated. Screenwriter: Roger Roberts Avary 1992 Box 47 Killing Zoe. Third draft. Screenwriter: Roger Roberts Avary probably 1993 Box 47 L.A. Confidential. 2 copies. Revised draft. Screenwriter: and 1996 Box 47 Lethal Weapon 4. Bound copy with photocopies of cast signatures on first page. Screenwriter: Channing Gibson probably 1998 Box 47 Liar Liar. Third draft. Screenwriter: Paul Guay and Stephen Mazur 1995 Box 47 Little Indian, Big City (An Indian in the City) [released as Jungle 2 Jungle]. 2 copies. Screenwriter: Bruce A. Evans and Raynold Gideon 1996 Box 48 Mars Attacks! Fifth draft revised. Screenwriter: Jonathan Gems rewritten by Scott Alexander and Larry Karaszewski 1995 Box 48 Men of Honor. First draft. Screenwriter: 1995 Box 48 Mimic. Third revision. Screenwriter: Matt Greenberg and 1996 Box 48 Mo Money. Third draft, second revision. Screenwriter: Damon Wayans 1991 Box 48 My Best Friend's Wedding. Shooting script. Signed by Bass. Screenwriter: Ronald Bass 1996 Box 48 Pleasantville. Screenwriter: 1997 Box 48 Presumed Innocent. No title page. probably 1990 Box 48 Primary Motive. Revised draft. Screenwriter: Daniel Adams and William Snowden 1990 Box 49 Sleepers. Signed by Levinson. Screenwriter: 1995 Box 49 Sleepless in Seattle. 2 copies. Screenwriter: Jeff Arch rewrite by David S. Ward 1991 Box 49 Some Mother's Son. Production draft. Signed by Sheriden and George. Screenwriter: Terry George and Jim Sheriden 1995 Box 49 Somebody to Love. Revised. Screenwriter: Sergei Bodrov and Alexandre Rockwell 1993 Box 49 Strange Days. 2 copies. Screenwriter: James Cameron and 1993 Box 50 Striking Distance (aka Three Rivers) 1992 Box 50 Super Mario Brothers. First draft. Screenwriter: Tom S. Parker and Jim Jennewein 1991 Box 50 Super Mario Brothers. Revised draft. Screenwriter: revised by Tom S. Parker and Jim Jennewein 1991 Box 50 Suture. Screenwriter: Scott McGehee and David Siegel probably 1994 Box 50 Suture. Screenwriter: Scott McGehee and David Siegel 1992 Box 50 Swordfish. Screenwriter: Skip Woods 1999 Box 50 Thank You and Good Night. Revised. Documentary. Screenwriter: Jan Oxenberg 1990 Box 50 The Babysitter. Fourth draft. Annotated. Screenwriter: Guy Ferland 1993 Box 51 The Cable Guy. 2 copies. Fourth draft. Screenwriter: 1995 Box 51 The Cuckold's Clock. Screenwriter: Preston Sturges 1997 Box 51 The Doors. Third draft. Screenwriter: 1990 Box 51 The End of Violence. First shooting draft. Screenwriter: Nicholas Klein 1996 Box 51 The Fairy Godbrothers. Screenwriter: Craig Mazin and Greg Erb 1998 Box 51 The Glimmer Man. Screenwriter: Kevin Brodbin 1995 Box 51 The Glimmer Man Screenwriter: Kevin Brodbin rewrite by Michael Stinson 1995 Box 52 The Hand of God. Rewrite. Screenwriter: Michael Chiklis and Dan McDuffie 1990 Box 52 The Power of One. Revised first draft. Screenwriter: Robert Mark Kamen 1990 Box 52 The Santa Clause. Screenwriter: Leo Benvenuti and Steve Rudnick 1992 Box 52 The Santa Clause. Screenwriter: Leo Benvenutie and Steve Rudnick 1994 Box 52 The Taking of Beverly Hills. Revised. Screenwriter: Rick Natkin and David Fuller, rewritten by David J. Burke 1990

Inventory of the Film and 102 12 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries H.1990's 1990-1999

Box 52 The Talented Mr. Ripley. 2 copies. Oscar "for your consideration" draft. Screenwriter: 1999 Box 52 The Thirteenth Floor. Revised second draft. Screenwriter: Maureen Mahon and Nicholas Monahan 1995 Box 53 Washington Square. 2 copies. Signed by Doyle. Screenwriter: Carol Doyle probably 1997 Box 53 Where Sleeping Dogs Lie. Rewrite. Annotated. Screenwriter: Charles Finch and Yolande Turner 1990 Box 53 Where the Day Takes You. Screenwriter: Michael Hitchcock, rewrite by Kurt Voss probably 1992 Box 53 Where the Day Takes You. Draft. Screenwriter: Michael Hitchcock 1990 Box 53 Where the Day Takes You. Revised. Screenwriter: Michael Hitchcock and Kurt Voss, rewrite by Marc Rocco 1991 Box 53 While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994 Box 53 While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994 Box 53 While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994 Box 54 White Man's Burden. Screenwriter: Desmond Nakano probably 1994 Box 54 White Man's Burden. Draft. Screenwriter: Desmond Nakano 1994 Box 54 White Man's Burden. Second draft. Screenwriter: Desmond Nakano 1994 Box 54 White Men Can't Jump. First draft. Screenwriter: 1991 Box 54 White Sands. Draft. Screenwriter: Daniel Pyne 1990 Box 55 Wild Bill. 3 copies. Different drafts. Screenwriter: Walter Hill 1994 Box 55 Wishmaster. Screenwriter: Peter Atkins 1996 Box 55 Wrestling Ernest Hemingway. Screenwriter: Steve Conrad 1992 Box 55 Wrongfully Accused. Revised. Screenwriter: Pat Proft 1997

Subseries I. 2000's 2000-2005 Physical Description: 1.5 boxes

Box 56 25th Hour. Signed by Benioff. Screenwriter: probably 2002 Box 56 A Beautiful Mind. "For Your Consideration" Oscar consideration script from Universal. Screenwriter: probably 2001 Box 56 A Beautiful Mind. 2 copies. Autographed, possibly by Goldsmith. Screenwriter: Akiva Goldsmith probably 2001 Box 56 Adaptation. Bound copy with color cover. Signed by . Screenwriter: Charlie Kaufman and Donald Kaufman Probably 2002 Box 56 Doctor Doolittle 2 2000 Box 56 Ghost World. Screenplay in comic book form. Screenwriter: and 2001 Box 56 Hearts in Atlantis. Fifth draft, final shooting draft. Signed by Scott Hicks (director) and (writer). Screenwriter: William Goldman 2001 Box 56 Moonlight Mile. Signed by Brad Silberling. Screenwriter: Brad Silberling 2002 Box 56 Shrek. Screenwriter: Ted Elliott and and and Roger S.H. Schulman probably 2001 Box 56 Sidewalks of . 2 copies. Final draft. Unknown signature on front page of both. Screenwriter: Edward Burns 2000 Box 57 Sideways. Half sheets. Screenwriter: and 2004 Box 57 . Bound copy with nice cover. Screenwriter: probably 2005 Box 57 Talk to Her. 2 copies. Fifth version. Screenwriter: Pedro Almodovar 2001 Box 57 The Barbarian Invasions. 2 copies. Half sheets. Screenwriter: Denys Arcand 2002 Box 57 The Majestic. Final shooting draft. Two signatures on front page. Screenwriter: Michael Sloane probably 2001 Box 57 The Man Who Wasn't There. 2 copies. Revised. Screenwriter: Joel Coen and Ethan Coen 2000

Inventory of the Film and 102 13 Television Screenplay Collection Series 1Film Screenplays 1924-2005 Subseries J.Undated Undated

Subseries J. Undated Undated Physical Description: .5 boxes

Box 57 Gale Force. Screenwriter: Albert Aley Undated Box 57 Hunter. Possible Steve McQueen movie by another title. Undated Box 57 The Fox and the Forest. Screenwriter: Ray Bradbury Undated Box 57 Untitled. Cover missing. Some kind of werewolf movie. Undated Series 2 Screenplays for Made for Television Films 1972-1997 Physical Description: 3 boxes Scope and Content Note This series contains made for television movie screenplays. The version or draft of the screenplay is indicated in the item record where relevant.

Box 58 . Screenwriter: 1994 Box 58 Absolute Strangers (The Nancy-Martin Klein Story). Second draft. Screenwriter: Robert Anderson 1990 Box 58 American Family Robinson. First draft. Screenwriter: Steve Bloom and Jonathan Roberts 1995 Box 58 Family Flight. ABC Movie of the Week. Screenwriter: Guerdon Trueblood 1972 Box 58 Family Man (A Family for Joe). Screenwriter: Arnold Margolin 1989 Box 58 In Sickness and in Health. Revised. Screenwriter: Alan Hines 1991 Box 58 Liars. Screenwriter: 1983 Box 58 Liberace. Revised. ABC Movie of the Week. Screenwriter: Anthony Lawrence and Nancy Lawrence 1988 Box 58 Moment of Truth: Cult Rescue. Revised final draft. Screenwriter: Dan Levine 1994 Box 59 Montana. Revised first draft. Screenwriter: Larry McMurtry 1988 Box 59 Moviola "The Scarlett O'Hara War." Revised draft. Screenwriter: William Hanley 1979 Box 59 Moviola "The Silent Lovers." Photocopy of script signed by Hanley. Screenwriter: William Hanley 1979 Box 59 Passport to Murder (aka Masquerade). Revised format. Screenwriter: Alfred Monacella 1992 Box 59 Perfect Witness. Incomplete. probably 1989 Box 59 Senior Trip. Screenwriter: Kenneth Johnson and Dan Kibble probably 1981 Box 59 Skylark (Sarah II). Screenwriter: Patricia MacLachlan 1992 Box 59 Sparkling Cyanide. Annotated. probably 1983 Box 59 Sunstroke. First draft. Screenwriter: Duane Poole 1992 Box 60 Svengali. 4th rewrite. Screenwriter: Frank Cucci 1981 Box 60 The Gulf [released as Don't Look Back]. Shooting draft. Screenwriter: Tom Epperson and 1996 Box 60 The Halloween Tree. Screenwriter: Ray Bradbury probably 1993 Box 60 The New Swiss Family Robinson. Shooting draft. Screenwriter: Stewart Raffill 1997 Box 60 The Suicide's Wife. Screenwriter: Dennis Nemec 1979 Box 60 The Suicide's Wife. Screenwriter: Robert J. Shaw probably 1979 Box 60 The Take. Draft. 1989 Box 60 Where are My Children? Revised. Screenwriter: Michael Zagor 1994 Box 60 Witch Hunt. Director's revision. Screenwriter: Joseph Dougherty 1994 Box 60 XXX's and OOO's. Revised draft. Screenwriter: Alice Randall and John Wilder 1994 Series 3 Non-Screenplay Materials 1952-1997 Physical Description: 3 boxes Scope and Content Note This series contains storyboards, treatments, press packets and production notes.

Box 61 9 to 5. Preliminary production information w/ photograph of Parton, Tomlin and Fonda. probably 1980 Box 61 Atomic Monster [released as It Came From Outer Space]. Treatment. Screenwriter: Ray Bradbury 1952 Box 61 Brubaker. Preliminary production information. probably 1980

Inventory of the Film and 102 14 Television Screenplay Collection Series 3Non-Screenplay Materials 1952-1997

Box 61 Final Analysis. Rough draft. Storyboards. Scenes 7-16 (Bantar man Sequence). 1991 Box 61 G.I. Joe. Principle characters. Undated Box 61 Gattaca. Quotes and reviews. probably 1997 Box 61 House of Dracula. Just the cover page. 1945 Box 61 Over the Top. 2 copies. Informational and press packet. probably 1987 Box 62 : The Next Generation. Treatment. Extensive character and format analysis. probably 1980's Box 62 Star Wars - Episode VI: Revenge of the Jedi. Revised plot synopsis of Episode VI "Journal of the Whills" titled "The Return and Revenge of the Jedi." Screenwriter: George Lucas 1980 Box 62 Terminator 2: Judgement Day. 2 copies. Storyboards, Volume 1. probably 1991 Box 62 Terminator 2: Judgement Day. Storyboards, Volume 2. probably 1991 Box 62 The Brink's Job. 2 copies. Press packet with production notes. Screenwriter: Walon Green 1978 Box 63 The Day the Earth Stood Still II. Revised treatment. Screenwriter: Ray Bradbury 1981 Box 63 The Little Mermaid. 2 copies. Storyboard. circa 1989 Box 63 The Serpent's Egg. Promotional packet with synopsis, production notes and press clippings. Screenwriter: probably 1977 Box 63 The Thing. Story treatment. Screenwriter: William F. Nolan 1978

Inventory of the Film and 102 15 Television Screenplay Collection