Broadcasting the Bedroom: Intimate Musical Practices and Collapsing Contexts on Youtube
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2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
EMU Today, November 13, 2012 Eastern Michigan University
Eastern Michigan University DigitalCommons@EMU EMU Today EMU Today 11-13-2012 EMU Today, November 13, 2012 Eastern Michigan University Follow this and additional works at: http://commons.emich.edu/emu_today Recommended Citation "EMU Today, November 13, 2012." Eastern Michigan University Division of Communications. EMU Archives, Digital Commons @ EMU (http://commons.emich.edu/emu_today/45). This University Communication is brought to you for free and open access by the EMU Today at DigitalCommons@EMU. It has been accepted for inclusion in EMU Today by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Tuesday, November 13, 2012 SPECIAL NOTICES: ACADEMIC HUMAN RESOURCES WILL BE CLOSED: The Academic Human Resources Office located in 202 Boone will be closed on Wednesday, November 14, from 12:30 p.m. - 2:30 p.m. for staff to attend the Thanksgiving Luncheon. PLANNED COMPUTING SYSTEM DOWNTIME: Monthly maintenance of EMU's computing systems will be performed Friday, November 16, 6 p.m. to midnight. During this month's maintenance program, the following major computer systems will be unavailable: EMU Website (www.emich.edu) Banner My.emich (including self-service faculty, student and employee tabs) BOE EMS (Event Planning) Axiom Linguist List Library Card Catalog Library Research Database(s) Email child account and forward services only Red Lantern Resource 25 fsaATLAS Service Desk Express All other systems and services remain AVAILABLE including: • Wired and Wireless Internet Access (residence halls, offices, and classrooms) EMU-Online course management system (http://emuonline.edu) Online Hiring System (www.emujobs.com) EagleMail (mail.emich.edu) All planned maintenance for major EMU systems is scheduled in conjunction with the ERP-Business Operations Committee (BOC). -
Climbing in Our Windows & Snatching Our Likenesses Up: Viral Videos
NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY Volume 12 Article 3 Issue 3 Online Issue 10-1-2010 Climbing in Our Windows & Snatching Our Likenesses up: Viral Videos & the Scope of the Right of Publicity on the Internet Lorelle A. Babwah Follow this and additional works at: http://scholarship.law.unc.edu/ncjolt Part of the Law Commons Recommended Citation Lorelle A. Babwah, Climbing in Our Windows & Snatching Our Likenesses up: Viral Videos & the Scope of the Right of Publicity on the Internet, 12 N.C. J.L. & Tech. 57 (2010). Available at: http://scholarship.law.unc.edu/ncjolt/vol12/iss3/3 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of Law & Technology by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY 12 N.C. J.L. & TECH. ON. 57 (2010) CLIMBING IN OUR WINDOWS & SNATCHING OUR LIKENESSES UP: VIRAL VIDEOS & THE SCOPE OF THE RIGHT OF PUBLICITY ON THE INTERNET Lorelle A. Babwah* Modern technologies, including digital cameras and media- sharing, Web sites have made it possible for anyone to upload anything at any time and rapidly transmit this content to a world- wide audience. This digital environment fosters the creation of instant Internet celebrities via viral videos. The stars of these videos, such as "Bed Intruder"'s Antoine Dodson, are often unwitting "actors" whose ability to control the use of their likenesses should be protected. This right varies by state and is typically addressed either under the right of publicity or an invasion of privacy by misappropriationof identity action. -
Lols, Lulz, and ROFL: the Culture, Fun, and Serious Business of Internet Memes
LOLs, Lulz, and ROFL: The Culture, Fun, and Serious Business of Internet Memes by Noah David Levinson Bachelor of Philosophy, University of Pittsburgh, 2012 Submitted to the Faculty of The University of Pittsburgh Honors College in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH University Honors College This thesis was presented by Noah David Levinson It was defended on July 30, 2012 and approved by Gabriella Coleman, PhD, Department of Art History & Communications, McGill University Dana Och, PhD, Film Studies Program Annette Vee, PhD, English Department Thesis Advisor: Daniel Morgan, PhD, Film Studies Program ii Copyright © by Noah David Levinson 2012 iii LOLs, Lulz, and ROFL: The Culture, Fun, and Serious Business of Internet Memes Noah David Levinson, BPhil University of Pittsburgh, 2012 This thesis takes an analytical look into the workings of Internet Memes and the culture that surrounds and nourishes them. Through a selection of Internet Meme case studies, a list of cultural qualities are compiled and then used to identify the attitudes of Internet Meme Culture. Then by comparing the relationship between Internet Memes and advertising, film, and television, a contrast between Old and New Media is established. Alongside using political Memes to find connections between Internet Memes and general expression and communication, the final hope is to understand Internet Meme Culture and where it might take Mass and Popular Culture as the digital millennial becomes the new digital citizens. iv TABLE OF CONTENTS 1.0 INTRODUCTION: WHY STUDY INTERNET MEMES? ............................................. 1 1.1 WEB 3.33333333… AND BRONIES ...................................................................... -
Spjaldtölvur Í Norðlingaskóla Smáforrit Í Nóvember 2012 – Upplýsingar Um Forritin Skúlína Hlíf Kjartansdóttir – 31.8.2014
Spjaldtölvur í Norðlingaskóla Smáforrit í nóvember 2012 – upplýsingar um forritin Skúlína Hlíf Kjartansdóttir – 31.8.2014 Lýsingar eru úr iTunes Preview eða af vefsíðum fyrirtækja framleiðnda forritanna. ! Not found on itunes http://ruckygames.com/ 30/30 – Productivity By Binary Hammer https://itunes.apple.com/is/app/30-30/id505863977?mt=8 You have never experienced a task manager like this! Simple. Attractive. Useful. 30/30 helps you get stuff done! 3D Brain – Education / 1 Cold Spring Harbor Lab http://www.g2conline.org/ https://itunes.apple.com/is/app/3d-brain/id331399332?mt=8 Use your touch screen to rotate and zoom around 29 interactive structures. Discover how each brain region functions, what happens when it is injured, and how it is involved in mental illness. Each detailed structure comes with information on functions, disorders, brain damage, case studies, and links to modern research. 3DGlobe2X – Education By Sreeprakash Neelakantan http://schogini.com/ View More by This Developer https://itunes.apple.com/us/app/3d-globe-2x/id430309485?mt=8 2 An amazing way to twirl the world! This 3D globe can be rotated with a swipe of your finger. Spin it to the right or left, and if you want it closer zoom in, or else zoom out. Watch the world revolve at your fingertips! An interesting feature of this 3D globe is that you can type in the name of a place in the given space and it is shown on the 3D globe by affixing a flag to show you the exact location. Also, when you click on the flag, you will get the details about the place on your screen. -
Real Remedies for Virtual Injuries Anita Bernstein Brooklyn Law School, [email protected]
Brooklyn Law School BrooklynWorks Faculty Scholarship 6-2012 Real Remedies for Virtual Injuries Anita Bernstein Brooklyn Law School, [email protected] Follow this and additional works at: https://brooklynworks.brooklaw.edu/faculty Part of the Legal Remedies Commons, Other Law Commons, and the Torts Commons Recommended Citation 90 N.C. L. Rev. 1457 (2011-2012) This Article is brought to you for free and open access by BrooklynWorks. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of BrooklynWorks. REAL REMEDIES FOR VIRTUAL INJURIES* ANITA BERNSTEIN** Social networking, which offers enhancements to human lives at a low marginal cost, also contributes to dignitary and other nonpecuniary harms. Statements and images presented in electronic media can give rise to defamation, invasion of privacy, trademark infringement, and false advertising claims. Accurate enough as descriptions of harm, these doctrines do not do an adequate job of repair. An injurious communication preserved by electronic means and distributed through social networking is more likely than its spoken or paper-written counterpart to spread (a phenomenon expressed in the metaphoric adjective "viral"), to reach people whose disesteem the victim cares about, and to retain power to inflict more harm after it has been adjudicated as unlawful. Injuries in the virtual realm call for remedies that recognize how information travels through-and lingers in-electronic media. After summarizing how current remedies for virtual injuries fail to effect repair, this Article proposes a court-annexed alternative dispute resolution scheme. INTRODU CTION ..................................................................................... 1458 1. CAUSES OF ACTION ................................................................... 1464 A . Defam ation........................................................................... 1464 B. Invasion of Privacy............................................................. -
Musical Segregation in American College Football
Journal of the Society for American Music (2020), Volume 14, Number 3, pp. 337–363 © The Society for American Music 2020 doi:10.1017/S175219632000022X “This Is Ghetto Row”: Musical Segregation in American College Football JOHN MICHAEL MCCLUSKEY Abstract A historical overview of college football’s participants exemplifies the diversification of main- stream American culture from the late nineteenth century to the twenty-first. The same can- not be said for the sport’s audience, which remains largely white American. Gerald Gems maintains that football culture reinforces the construction of American identity as “an aggres- sive, commercial, white, Protestant, male society.” Ken McLeod echoes this perspective in his description of college football’s musical soundscape, “white-dominated hard rock, heavy metal, and country music—in addition to marching bands.” This article examines musical segregation in college football, drawing from case studies and interviews conducted in 2013 with university music coordinators from the five largest collegiate athletic conferences in the United States. These case studies reveal several trends in which music is used as a tool to manipulate and divide college football fans and players along racial lines, including special sections for music associated with blackness, musical selections targeted at recruits, and the continued position of the marching band—a European military ensemble—as the musical representative of the sport. These areas reinforce college football culture as a bastion of white strength despite the diversity among player demographics. College football is one of the many public stages on which mainstream American culture diversified between the late nineteenth and the twenty-first centuries. -
The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
(Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're -
(T)He Government Obviously Brushed
A pig is any of the animals in the genus Sus, within the Suidae family of even-toed ungulates. Pigs include the domestic pig and its ancestor, the common Eurasian wild boar (Sus scrofa), along with other species; related creatures outside the genus include the babirusa and the warthog. Pigs, like all suids, are native to the Eurasian [1] and African continents. Juvenile pigs are known as piglets. Pigs are omnivores and are highly social and intelligent animals. The domestic pig (Sus scrofa domesticus) is usually given the scientific name Sus scrofa, although some authors call it S. domesticus, reserving S. scrofa for the wild boar. It was domesticated approximately 5,000 to 7,000 years ago. Their coats are coarse and bristly. They are born brownish coloured and tend to turn more grayish coloured with age. The upper canines form sharp distinctive tusks that curve outward and upward. Compared to other artiodactyles, their head is relatively long, pointed, and free of warts. Their head and body length ranges from 0.9 to 1.8 m (35 to 71 in) and they can weigh between 50 and 350 kg (110 and 770 lb). Ascaris is a genus of parasitic nematode worms known as the "Small intestinal roundworms". One species, A. suum, typically infects pigs, while another, A. lumbricoides, affects humans, typically people living in sub-tropical and tropical areas with poor sanitation. Their eggs are deposited in feces and soil. Plants with the eggs on them [1] will infect any organism that consumes them. A. lumbricoides is the largest intestinal roundworm and is the most common helminth infection of humans worldwide, a disease known as ascariasis. -
Music As a Satiric Element in Editing Political Speeches
RevistaRevistaRevista dede de Comunicación Comunicación Comunicación de dela de SEECI la la SEECI. SEECI. (Julio (2015). Jul(Marzoio Año201201 5XIX).5 A(37),).ñAoñ X268-298oI X IX(37(3),6 285), 11-298-19 ISSN: 1576-3420 ISSN:ISSN: 1576--34203420 DOI: http://dx.doi.org/10.15198/seeci.2015.37.268-298 INVESTIGACIÓN/RESEARCH INVESTIGACIÓN/RESEARCHINVESTIGACIÓN / RESEARCH Recibido: 15/05/2015-----Aceptado: 02/07/2015-----Publicado: 15/07/2015 Recibido: 26/11 /2014-----Aceptado: 17/01/2015-----Publicado: 15/03/2015 MUSIC AS A SATIRIC ELEMENT IN EDITING POLITICAL NEW TELEVISION MELODRAMA ACTORS: AN EXAMPLE, BELEN SPEECHES IN YOUTUBE: THE USE OF AUTOTUNE ESTEBAN Eduardo Viñuela Suárez1: University of Oviedo. Spain 1 [email protected]ón Navarrete-Galiano Rodríguez University of Sevilla. [email protected] ABSTRACT: ProsumersABSTRACT: are constantly generating new audiovisual phenomena since the development of Web 2.0 by using audio and video software in their personal computers.The current MusicSpanish is televisionplaying aprograms relevant havepart generatedin many ofa seriesthese ofphenomena; characters thatits interactionresemble the with traditional other media, archetypes such asof visualmovie andgenres. verbal A caselanguages, is that ofis Belénexpanding Esteban, the signifyinga participant possibilities in television of these programs videos, of supportingsociety or orthe challenging heart. Due the to individualher vital meaningexperience, of eachthis youngmedia. womanIn this papersymbolizes we approach the archetype the use of of a themelodramatic plug-in AutoTune heroin. inAnalyzing order to her undermine career, we with found a satiricout that purpose she completely the meaning fits inof with speeches the components made by politiciansof the canonical in public melodrama events. This icons. -
The Recut Trailer As Networked Object Anticipation and Nostalgia in the Youtube Era
The recut trailer as networked object Anticipation and nostalgia in the YouTube era Kathleen Williams A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of the Arts and Media Faculty of Arts and Social Sciences March 2014 ! ! PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Williams First name: Kathleen Other name/s: Amy Abbreviation for degree as given in the University calendar: PhD School: School of the Arts and Media Faculty: Faculty of Arts and Social Sciences Title: The recut trailer as networked object: Anticipation and nostalgia in the YouTube era Abstract 350 words maximum: (PLEASE TYPE) Recut trailers have been uploaded to YouTube since its launch in 2005 and remain one of the site's most popular forms of video. Recut trailers can involve a number of practices: some trailer creators shoot original footage for a film that will never exist, others splice together existing footage to bypass the typical path of feature film promotion, while some seek to change the genre of an existing film. The recut trailer adopts the form of an advertisement and yet does not advertise an end product. This study analyses recut trailers uploaded to YouTube in the period of 2005-2012. This dissertation contributes to the limited literature available on the film trailer by arguing that the recut trailer should be considered as a networked object. I map the traces and residues left by the recut trailer on YouTube, as well as the spatial, temporal and textual connections that they make to feature films, cinematic space, and online cultures and practices.