DOCSLIB.ORG

(T)He Government Obviously Brushed

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(T)He Government Obviously Brushed A pig is any of the animals in the genus Sus, within the Suidae family of even-toed ungulates. Pigs include the domestic pig and its ancestor, the common Eurasian wild boar (Sus scrofa), along with other species; related creatures outside the genus include the babirusa and the warthog. Pigs, like all suids, are native to the Eurasian [1] and African continents. Juvenile pigs are known as piglets. Pigs are omnivores and are highly social and intelligent animals. The domestic pig (Sus scrofa domesticus) is usually given the scientific name Sus scrofa, although some authors call it S. domesticus, reserving S. scrofa for the wild boar. It was domesticated approximately 5,000 to 7,000 years ago. Their coats are coarse and bristly. They are born brownish coloured and tend to turn more grayish coloured with age. The upper canines form sharp distinctive tusks that curve outward and upward. Compared to other artiodactyles, their head is relatively long, pointed, and free of warts. Their head and body length ranges from 0.9 to 1.8 m (35 to 71 in) and they can weigh between 50 and 350 kg (110 and 770 lb). Ascaris is a genus of parasitic nematode worms known as the "Small intestinal roundworms". One species, A. suum, typically infects pigs, while another, A. lumbricoides, affects humans, typically people living in sub-tropical and tropical areas with poor sanitation. Their eggs are deposited in feces and soil. Plants with the eggs on them [1] will infect any organism that consumes them. A. lumbricoides is the largest intestinal roundworm and is the most common helminth infection of humans worldwide, a disease known as ascariasis. Swine influenza, also called pig influenza, swine flu, hog flu and pig flu, is an infection caused by any one of several types of swine influenza viruses.Swine influenza virus (SIV) or swine-origin influenza virus (S-OIV) is [2] any strain of the influenza family of viruses that is endemic in pigs. As of 2009, the known SIV strains include influenza C and the subtypes of influenza A known as H1N1, H1N2, H2N1, H3N1, H3N2, and H2N3. Influenza A (H1N1) virus is the subtype of influenza A virus that was the most common cause of human influenza (flu) in 2009. The City of Zamboanga (Chavacano: Ciudad de Zamboanga, Tagalog: Lungsod ng Zamboanga) is a highly urbanized city located in Mindanao,Philippines. It has a population of more than 807,129 according to the 2010 census.[1] Zamboanga is the 6th most populous and 3rd largest city by land area in the Philippines.[2][3] It is the commercial and industrial center of the Zamboanga Peninsula.[4] Zamboanga was the capital of the former Moro Province, now Mindanao, from 1903 to 1913. On September 15, 1911, the Municipalidad de Zamboanga was converted into a city by the legislative order Act. No.272.[5] Known for Hispanic influences in its culture, it bears the nickname "Asia's Latin City. The Subanen people's name for Zamboanga, 'Sung Lupa', means 'Pointed Land'. Speculation that the name of Zamboanga comes from the word 'Jambangan', meaning the 'Land of Flowers', Nur Misuari (Bahasa Sūg: Nūr Miswāri, born Nurallaj Misuari, 1942 in Jolo, Sulu, Philippines) is a Moro politician, founder and leader of the Moro National Liberation Front. The Moro National Liberation Front (MNLF) is a rebel group that was founded by Nur Misuari in 1969.[1] The MNLF struggled against the Philippine Government (GPH) to achieve independence [2] of the Bangsamoro Land (or Bangsamoro Nation, or Mindanao Nation). TheMNLF-GPH Peace Process is ongoing since the 1976 and both parties are working together to negotiate the terms and conditions of the legal framework and implementation of genuine autonomy as a peaceful path towards independence.[3] As defined by the MNLF, the territory of Bangsamoro Land covers Sulu, Mindanao, Palawan, and Sabah. MNLF is internationally recognized by the Organisation of Islamic Cooperation The term Bangsamoro refers to a people who are natives of the Sulu archipelago, parts of Mindanao, and parts of Palawan in the Philippines, and parts of Sabah in neighboring Malaysia at the time of conquest or [1] colonization. It comes from the Malay word bangsa, meaning nation or people, and the Spanish word moro, from the Spanish word for Moor, the Reconquista-period term used for Muslims. The peace advocacy group, In Peace Mindanao led by Bishop Felixberto Calang IFI, said “(T)he government obviously brushed off the MNLF’s independence declaration on August 12 this year in Sulu, little knowing that it posed a serious armed warning from a legitimate revolutionary movement that has obviously felt left out from the Framework Agreement of the Bangsamoro (FAB),” Calang said. Former Cotabato City Mayor Muslimin Sema, who heads one faction of the MNLF in Cotabato reportedly said that MNLF chair Nur Misuari might have believed that the government is moving to terminate the Tripartite Implementation Review of the 1996 Final Peace Agreement with the MNLF. Reports said that Misuari is in Indanan, Sulu, while MNLF Sulu commander Habier Malik has arrived in Barangay Sta. Barbara. The Bangsamoro region will cover Isabela City in Basilan, Cotabato City, six towns in Lanao del Norte, and some areas in North Cotabato, in addition to the existing ARMM provinces. The expanded ARMM currently consists of Basilan, Maguindanao, Lanao del Sur, Sulu and Tawi-Tawi. But let us point out what should be obvious. Misuari ran for governor of ARMM again, last May. He lost badly, winning only 10 percent of the vote (about a fifth of the total received by the winning candidate, Mujiv Hataman). Then he declared ―independence‖ on Aug. 12. Mujiv Sabbihi Hataman is a Filipino politician and current party-list representative of Anak Mindanao (AMIN) in the House of Representatives (2001–present). He is serving as the Regional Governor of the Autonomous Region in Muslim Mindanao after being appointed by President Benigno Aquino III. He started as a protégé of slain leader Wahab Akbar, A hashtag is a word or a phrase prefixed with the symbol #.[1][2] It is a form of metadata tag. Short messages on microblogging and social networking services such as Twitter, Tout, identi.ca,Tumblr, Instagram, Flickr, Google+ or Facebook may be tagged by putting "#" before important words, as in: #Wikipedia is an #encyclopedia that anyone can edit.. Peachy Rallonza-Bretaña became a central figure in the first massive protest under the Aquino administration. Bretaña insisted she was not a leader of the Aug. 26 march to Luneta—just the person who suggested the time and the place for the march. Currently, the Moro National Liberation Front is the Ruling Party of the Autonomous Region of Muslim Mindanao (ARMM). The "Wrecking Ball" video is directed by the ever-controversial fashion photographer Terry Richardson, best known for boundary pushing editorials in glossy magazines. The track is the latest single off of Cyrus' upcoming album, "BANGERZ." Due out on Oct. 4, "BANGERZ" is led by Cyrus' hit single, "We Can't Stop." "We Can't Stop" has offered its fair share of controversy for the 20-year-old singer. Cyrus made waves with the lyrics of the song, as the party track alluded to drug usage, as well as the accompanying visuals, as the music video showed a scantily clad Cyrus doing the twerking dance moves she is now famous for. Miley Cyrus’ new song “Wrecking Ball,” even though the official music video is not my cup of tea. However, The Gregory Brothers have managed to outdo her with their cover of it. The Gregory Brothers are the guys behind the famous Autotune the News and “The Bed Intruder Song” but, as it turns out, they’re also gifted musicians. Hannah Montana is an American television series that originally aired on the Disney Channel from March 24, 2006 until January 16, 2011. It aired ninety-eight episodes across four seasons. The series focused on Miley Stewart (portrayed by Miley Cyrus), a girl who lives a double life as an average teenager by day and a famous pop singer Hannah Montana by night. She conceals her identity from the public, other than her close friends and family. The series has been nominated for a Primetime Emmy Award for Outstanding Children's Program from 2007 through 2010.[1][2] Hannah Montana: The Movie was released in theaters on April 10, 2009. The third season of the series premiered on November 2, 2008 and ended on March 14, 2010. The show was renewed for the fourth and final[3] season, which started production on January 18, 2010, and ended production on May 14, 2010.[4] The final season premiered on July 11, 2010,[5][6] and became the last Disney Channel sitcom to transition from standard definition to high definition in the process. The fourth season of Hannah Montana was promoted as Hannah Montana Forever. The original idea for this show was based on the That's So Raven episode "Goin' Hollywood", which served as the backdoor pilot for a sitcom tentatively called Better Days to star Alyson Stoner, in which a child star of a popular TV show of the same name was to try her hand at going to a normal school. The theme song for Hannah Montana is "The Best of Both Worlds" written by Matthew Gerrard and Robbie Nevil, produced by Gerrard and performed by Miley Cyrus (as Hannah Montana). John Carta, A 30th episode, titled "No Sugar, Sugar" was produced, but never aired in the United States. Read ―EDSA TAYO‖ vigil at the EDSA Shrine ILOILO , Philippines – Now it can be told. A woman who hails from Sapian, the smallest town in Capiz, was the Filipina-American nurse who inherited houses and cars worth $30 million and $30 million in cash.
Load more

Recommended publications
  • Broadcasting the Bedroom: Intimate Musical Practices and Collapsing Contexts on Youtube
    Broadcasting the bedroom: Intimate musical practices and collapsing contexts on YouTube Maarten Michielse In an era of social media and online participation, uploading a personal video to a platform such as YouTube appears to be an easy and natural activity for large groups of users.i Various discourses on online narcissism and exhibitionism (Balance, 2012; Keen, 2007, 2012; Twenge and Campbell, 2010) give the impression that current generations have become extremely comfortable (perhaps even too comfortable) with the online possibilities of self-exposure and self-representation (Mallan, 2009). As I will argue in this chapter, however, this is largely a misrepresentation of the everyday struggles and experiences of online participants. For many, posting a video on YouTube is a rather ambivalent activity: joyful and fun at times, but also scary and accompanied by feelings of insecurity, especially when the content is relatively delicate. This shows itself perhaps most clearly in a particular genre of online videos: the ‘musical bedroom performance’. On YouTube, this genre has become a popular trope in the last couple of years. In these videos, a person sings and/or plays a musical instrument in front of the camera from the private sphere of the home. As Jean Burgess (2008) argues, the musical bedroom performance ‘draws on the long traditions of vernacular creativity articulated to ‘privatised’ media use’ (p. 107).ii Historically, the bedroom has functioned as a crucial site for cultural expression and experimentation. This is especially true for teenagers and young adults, for whom the bedroom is, as Sian Lincoln (2005) writes, a domain ‘in which they are able to exert some control, be creative and make that space their own’ (p.
    [Show full text]
  • Emindanao Library an Annotated Bibliography (Preliminary Edition)
    eMindanao Library An Annotated Bibliography (Preliminary Edition) Published online by Center for Philippine Studies University of Hawai’i at Mānoa Honolulu, Hawaii July 25, 2014 TABLE OF CONTENTS Preface iii I. Articles/Books 1 II. Bibliographies 236 III. Videos/Images 240 IV. Websites 242 V. Others (Interviews/biographies/dictionaries) 248 PREFACE This project is part of eMindanao Library, an electronic, digitized collection of materials being established by the Center for Philippine Studies, University of Hawai’i at Mānoa. At present, this annotated bibliography is a work in progress envisioned to be published online in full, with its own internal search mechanism. The list is drawn from web-based resources, mostly articles and a few books that are available or published on the internet. Some of them are born-digital with no known analog equivalent. Later, the bibliography will include printed materials such as books and journal articles, and other textual materials, images and audio-visual items. eMindanao will play host as a depository of such materials in digital form in a dedicated website. Please note that some resources listed here may have links that are “broken” at the time users search for them online. They may have been discontinued for some reason, hence are not accessible any longer. Materials are broadly categorized into the following: Articles/Books Bibliographies Videos/Images Websites, and Others (Interviews/ Biographies/ Dictionaries) Updated: July 25, 2014 Notes: This annotated bibliography has been originally published at http://www.hawaii.edu/cps/emindanao.html, and re-posted at http://www.emindanao.com. All Rights Reserved. For comments and feedbacks, write to: Center for Philippine Studies University of Hawai’i at Mānoa 1890 East-West Road, Moore 416 Honolulu, Hawaii 96822 Email: [email protected] Phone: (808) 956-6086 Fax: (808) 956-2682 Suggested format for citation of this resource: Center for Philippine Studies, University of Hawai’i at Mānoa.
    [Show full text]
  • Mcallister Bradley J 201105 P
    REVOLUTIONARY NETWORKS? AN ANALYSIS OF ORGANIZATIONAL DESIGN IN TERRORIST GROUPS by Bradley J. McAllister (Under the Direction of Sherry Lowrance) ABSTRACT This dissertation is simultaneously an exercise in theory testing and theory generation. Firstly, it is an empirical test of the means-oriented netwar theory, which asserts that distributed networks represent superior organizational designs for violent activists than do classic hierarchies. Secondly, this piece uses the ends-oriented theory of revolutionary terror to generate an alternative means-oriented theory of terrorist organization, which emphasizes the need of terrorist groups to centralize their operations. By focusing on the ends of terrorism, this study is able to generate a series of metrics of organizational performance against which the competing theories of organizational design can be measured. The findings show that terrorist groups that decentralize their operations continually lose ground, not only to government counter-terror and counter-insurgent campaigns, but also to rival organizations that are better able to take advantage of their respective operational environments. However, evidence also suggests that groups facing decline due to decentralization can offset their inability to perform complex tasks by emphasizing the material benefits of radical activism. INDEX WORDS: Terrorism, Organized Crime, Counter-Terrorism, Counter-Insurgency, Networks, Netwar, Revolution, al-Qaeda in Iraq, Mahdi Army, Abu Sayyaf, Iraq, Philippines REVOLUTIONARY NETWORK0S? AN ANALYSIS OF ORGANIZATIONAL DESIGN IN TERRORIST GROUPS by BRADLEY J MCALLISTER B.A., Southwestern University, 1999 M.A., The University of Leeds, United Kingdom, 2003 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSPHY ATHENS, GA 2011 2011 Bradley J.
    [Show full text]
  • 2011 – Cincinnati, OH
    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
    [Show full text]
  • Understanding Music Past and Present
    Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.
    [Show full text]
  • Struggles in Suzanne Collins' Novel the Hunger
    STRUGGLES IN SUZANNE COLLINS’ NOVEL THE HUNGER GAMES 1)Intan Novia Sari 2)Purwarno Faculty of Literature Islamic University of North Sumatra, Medan Email: 1) [email protected] and 2) [email protected] Abstract This research is the result of qualitative research on the protagonist’s struggles named Katniss Everdeen depicted in Suzanne Collins’ novel The Hunger Games. Burleson (1964) says that struggle is one of ways to reach the better life in the future and also to increase the prestige. It means that any hope will be achieved through struggling. Katniss Everdeen is a strong as well as a resourceful sixteen-year-old girl who is far more mature than her age would suggest. Katniss is the main provider in her family, which consists of Katniss, her mother, and her younger sister, Prim Everdeen. She must struggle hard to make herself and her family stay life. Therefore she always keeps on struggling in her life. The finding of this research shows that the protagonist is succesful in her struggles to fulfill her family needs, to protect her sister and to win in the Hunger Games. Keywords: struggle, prestige, protection, hunger games INTRODUCTION The Hunger Games, published in 2008, is a science novel by Suzanne Collins, an outstanding American writer. It is written in the voice of 16-year-old, Katniss Everdeen, who lives in Dystopian, post-apocalyptic nation of Panem in North America. The Capitol, a highly advanced metropolis, exercises political control over the rest of the nation. The Hunger Games is an annual event in which 1 2 one boy and one girl aged 12–18 from each of the twelve districts surrounding the Capitol are selected by lottery to compete in a televised battle to the death.
    [Show full text]
  • EMU Today, November 13, 2012 Eastern Michigan University
    Eastern Michigan University DigitalCommons@EMU EMU Today EMU Today 11-13-2012 EMU Today, November 13, 2012 Eastern Michigan University Follow this and additional works at: http://commons.emich.edu/emu_today Recommended Citation "EMU Today, November 13, 2012." Eastern Michigan University Division of Communications. EMU Archives, Digital Commons @ EMU (http://commons.emich.edu/emu_today/45). This University Communication is brought to you for free and open access by the EMU Today at DigitalCommons@EMU. It has been accepted for inclusion in EMU Today by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Tuesday, November 13, 2012 SPECIAL NOTICES: ACADEMIC HUMAN RESOURCES WILL BE CLOSED: The Academic Human Resources Office located in 202 Boone will be closed on Wednesday, November 14, from 12:30 p.m. - 2:30 p.m. for staff to attend the Thanksgiving Luncheon. PLANNED COMPUTING SYSTEM DOWNTIME: Monthly maintenance of EMU's computing systems will be performed Friday, November 16, 6 p.m. to midnight. During this month's maintenance program, the following major computer systems will be unavailable: EMU Website (www.emich.edu) Banner My.emich (including self-service faculty, student and employee tabs) BOE EMS (Event Planning) Axiom Linguist List Library Card Catalog Library Research Database(s) Email child account and forward services only Red Lantern Resource 25 fsaATLAS Service Desk Express All other systems and services remain AVAILABLE including: • Wired and Wireless Internet Access (residence halls, offices, and classrooms) EMU-Online course management system (http://emuonline.edu) Online Hiring System (www.emujobs.com) EagleMail (mail.emich.edu) All planned maintenance for major EMU systems is scheduled in conjunction with the ERP-Business Operations Committee (BOC).
    [Show full text]
  • Climbing in Our Windows & Snatching Our Likenesses Up: Viral Videos
    NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY Volume 12 Article 3 Issue 3 Online Issue 10-1-2010 Climbing in Our Windows & Snatching Our Likenesses up: Viral Videos & the Scope of the Right of Publicity on the Internet Lorelle A. Babwah Follow this and additional works at: http://scholarship.law.unc.edu/ncjolt Part of the Law Commons Recommended Citation Lorelle A. Babwah, Climbing in Our Windows & Snatching Our Likenesses up: Viral Videos & the Scope of the Right of Publicity on the Internet, 12 N.C. J.L. & Tech. 57 (2010). Available at: http://scholarship.law.unc.edu/ncjolt/vol12/iss3/3 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of Law & Technology by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY 12 N.C. J.L. & TECH. ON. 57 (2010) CLIMBING IN OUR WINDOWS & SNATCHING OUR LIKENESSES UP: VIRAL VIDEOS & THE SCOPE OF THE RIGHT OF PUBLICITY ON THE INTERNET Lorelle A. Babwah* Modern technologies, including digital cameras and media- sharing, Web sites have made it possible for anyone to upload anything at any time and rapidly transmit this content to a world- wide audience. This digital environment fosters the creation of instant Internet celebrities via viral videos. The stars of these videos, such as "Bed Intruder"'s Antoine Dodson, are often unwitting "actors" whose ability to control the use of their likenesses should be protected. This right varies by state and is typically addressed either under the right of publicity or an invasion of privacy by misappropriationof identity action.
    [Show full text]
  • Lols, Lulz, and ROFL: the Culture, Fun, and Serious Business of Internet Memes
    LOLs, Lulz, and ROFL: The Culture, Fun, and Serious Business of Internet Memes by Noah David Levinson Bachelor of Philosophy, University of Pittsburgh, 2012 Submitted to the Faculty of The University of Pittsburgh Honors College in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH University Honors College This thesis was presented by Noah David Levinson It was defended on July 30, 2012 and approved by Gabriella Coleman, PhD, Department of Art History & Communications, McGill University Dana Och, PhD, Film Studies Program Annette Vee, PhD, English Department Thesis Advisor: Daniel Morgan, PhD, Film Studies Program ii Copyright © by Noah David Levinson 2012 iii LOLs, Lulz, and ROFL: The Culture, Fun, and Serious Business of Internet Memes Noah David Levinson, BPhil University of Pittsburgh, 2012 This thesis takes an analytical look into the workings of Internet Memes and the culture that surrounds and nourishes them. Through a selection of Internet Meme case studies, a list of cultural qualities are compiled and then used to identify the attitudes of Internet Meme Culture. Then by comparing the relationship between Internet Memes and advertising, film, and television, a contrast between Old and New Media is established. Alongside using political Memes to find connections between Internet Memes and general expression and communication, the final hope is to understand Internet Meme Culture and where it might take Mass and Popular Culture as the digital millennial becomes the new digital citizens. iv TABLE OF CONTENTS 1.0 INTRODUCTION: WHY STUDY INTERNET MEMES? ............................................. 1 1.1 WEB 3.33333333… AND BRONIES ......................................................................
    [Show full text]
  • Bearers of the Sword Radical Islam, Philippines Insurgency, and Regional Stability
    WARNING! The views expressed in FMSO publications and reports are those of the authors and do not necessarily represent the official policy or position of the Department of the Army, Department of Defense, or the U.S. Government. Bearers of the Sword Radical Islam, Philippines Insurgency, and Regional Stability by Dr. Graham H. Turbiville, Jr. Introduction In the immediate aftermath of the 11 September 2001 terrorist attacks on the World Trade Center and the Pentagon, U.S. President George W. Bush and his national security leadership articulated objectives for a wide- ranging war against terrorism. Six months later, these objectives remain focused on destroying international terrorist centers, dismantling terrorist networks around the world, and punishing states that support terrorist activities. The Al-Qaeda terrorist organization--sponsors of the 11 September attacks and earlier terrorist assaults on U.S. people, property, and interests--remains a high priority. As Al-Qaeda's principal bases and leadership cadres in Afghanistan were destroyed and its Taliban supporters routed, U.S. planners shifted resources and focus to other Al-Qaeda cells and associates operating in dozens of countries around the world. The U.S. national leadership emphasized that these groupings--and other terrorist organizations as well-- constituted legitimate targets in the global war on terrorism. Among those targets receiving early attention from the U.S leadership was a small, violent Islamic group that-- despite origins in the 1979-1989 Soviet-Afghan War--operates in the jungles, hills, towns, and coastal waters of the southern Philippines.1 This group is Abu Sayyaf , meaning Bearer of the Sword in Arabic, that has become noted for its ambushes of government forces, kidnappings, piracy, and the not infrequent beheading of captives.
    [Show full text]
  • Battle Royale Term Origin
    Battle Royale Term Origin Ischemic Clinton whapped her pastis so thereto that Arturo typify very sufferably. Amoeboid Jean-Luc nabbed that peasants procrastinate windily and pestling ambitiously. Shurwood sentences his comma unbraced vacuously, but psychoneurotic Marwin never live so acrimoniously. Height Players use which term to hinder to apparent the highest player in a game or woo A common phrase is X player has coast to identify that. What missing The Gulag Call if Duty Warzone's After-Life Arena. A Grand Tour of frontier Call for Duty Mobile Battle Royale Map. SATB2 Versus CDX2 A Battle Royale for Diagnostic. Origins of battle royale The surface battle royale comes from the 2000 Japanese film of the guy name wherein a class of students are. PUBG was recently banned in India due to security reasons. Is Korean PUBG banned in India? But Fortnite's most popular mode because its standalone free-to-play multiplayer platform Fortnite Battle Royale in terms up to 100 players enter an online game. Did PUBG banned in India? Some poker terms and phrases are obvious reason their meaning while others are less apparent Meanwhile children are downright colorful and tops add another certain. Battle royal Definition of my royal at Dictionarycom. What attitude a gym means in Fortnite Battle Royale. Battle plural battles A contest is struggle quotations the battle sun life 14. Best PUBG Mobile Players in quality world Featuring Top 5 PUBG. Unlike traditional violent battle royale titles Fall Guys appeals to all ages and. Fortnite Battle Royale Urban Dictionary. Which of alert following animal names traces its immediate quote to Portuguese owl.
    [Show full text]
  • Philippine Governance: Merging Politics and Crime
    PRIF-Reports No. 93 Philippine Governance: Merging Politics and Crime Peter Kreuzer I would like to thank the Deutsche Forschungsgemeinschaft (DFG) for the generous grant provided for the project “Genesis, Structure and Workings of Coercive Systems of Social Control”. Peace Research Institute Frankfurt (PRIF) 2009 Correspondence to: PRIF Baseler Straße 27-31 60329 Frankfurt am Main Germany Telephone: +49(0)69 95 91 04-0 Fax: +49(0)69 55 84 81 E-Mail: [email protected] Internet: www.prif.org ISBN: 978-3-942532-03-7 Euro 10.- Summary The Philippines are a “gambling republic” in which politicians hold “power without virtue”, dominating by means of “capital, coercion and crime”. Individual power holders are “bosses”, acting in a “mafia-style” and employing “guns, goons and gold” in order to gain, uphold or enhance their power positions. Whereas the politicians at times make use of vigilantes, private armies, death squads and hired contract-killers, the state itself resorts to “state terror” to counter the leftist threat posed by the Communist New People’s Army and its various offshoots, as a sideline killing hundreds of people in extralegal executions. Local power remains “in the family”, and national power is diffused in an “anarchy of families”. All of these characterizations of Philippine politics put in quotation marks are taken out of scientific books, articles and statements of Philippine state officials and politicians. While Philippine politics certainly is much more than captured in these characterizations, this report takes them as a starting point to analyze Philippine politics as if it was crime, or as “criminalized governance” (Briscoe 2008: 4), arguing that criminal activities do not only connect to politics in an erratic and unsystematic way, but seem to be a durable and integral part of politics from the local to the national levels.
    [Show full text]