The Majority of Linguists and Psychologists Agree That The
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Asdfgeneral Assembly
United Nations A/67/PV.12 General Assembly Offi cial Records asdfSixty-seventh session 12 th plenary meeting Thursday, 27 September 2012, 9 a.m. New York President : Mr. Jeremić . (Serbia) The meeting was called to order at 9.15 a.m. I also want to commend the Secretary-General for his tireless efforts to advance dialogue and cooperation, Address by His Excellency Mr. Bakir Izetbegović, and for his firm commitment to the core values and Chairman of the Presidency of Bosnia principles of the United Nations. We in Bosnia and and Herzegovina Herzegovina recognize the importance of, and fully support, his action agenda, which identified five The President : The Assembly will hear an address generational imperatives: prevention, a more secure by the Chairman of the Presidency of Bosnia and world, helping countries in transition, empowering Herzegovina. women and youth, and sustainable development. Mr. Bakir Izetbegović, Chairman of the Presidency Today’s world is the scene of unfolding crises and of Bosnia and Herzegovina, was escorted into the mounting global challenges. The first and foremost of General Assembly Hall. these is the disaster in Syria. As we stand here, our The President : On behalf of the General Assembly, fellow Syrians are fighting against a brutal regime. I have the honour to welcome to the United Nations His They are fighting to take their destiny into their own Excellency Mr. Bakir Izetbegović, Chairman of the hands. The regime of Bashar Al-Assad is answering Presidency of Bosnia and Herzegovina, and to invite their yearning for freedom and democracy with guns him to address the Assembly. -
The Secular Music of the Yemenite Jews As an Expression of Cultural Demarcation Between the Sexes
JASO 27/2 (1996): 113-135 THE SECULAR MUSIC OF THE YEMENITE JEWS AS AN EXPRESSION OF CULTURAL DEMARCATION BETWEEN THE SEXES MARILYN HERMAN JEWISH men and women in Yemen are portrayed in the sociological and anthropo logical literature as having lived in separate conceptual and spatial worlds. As a result, two very separate bodies of song existed, one pertaining to men and the other to women. In this paper, I show how the culturally defined demarcation be tween the sexes is reflected and epitomized in the music of the Jews who lived in Yemen. i The key to this separation lies in the fact that women were banned from the synagogue altogether. This exclusion is not prescribed by Jewish law, and there is no precedent for it in the Bible or other Jewish literature or communities. The reason given for women being banned from the synagogue in Yemen was the fear that they might be menstruating. The condition of menstruation is, in Jewish law, This paper is based on my MA thesis (Herman 1985), which was written under the supervision and with the moral and academic support of Dr P. T. W. Baxter of Manchester University. My brother Geoffrey Herman willingly and painstakingly translated Hebrew articles into English for my benefit while I was writing this thesis. I. The period mainly referred to is the fifty years or so preceding 'Operation Magic Carpet', a series of airlifts between 1949 and 1950 in which the majority of Yemenite Jews were taken to Israel. 114 Marilyn Herman seen as ritually impure. -
June July 2015.Pub
CONGREGATION BETH ISRAEL “A Family of Families” June & July 2015 CALENDAR OF RELIGIOUS SERVICES >>> B’nai Mitzvah of Friday, June 5 Friday, July 3 Shabbat Service @ 6:00 pm Shabbat Service @ 6:00 pm Alex & Samantha Saturday, June 6 Saturday, July 4 Ryan Shabbat Service @ 9:00 am Shabbat Service @ 9:00am Saturday, June 13, 2015 Friday, June 12 Friday, July 10 Shabbat Service @ 6:00 pm Shabbat Service @ 6:00pm Alex and Samantha Ryan Saturday, June 13 Saturday, July 11 Shabbat Service @ 10:00 am Shabbat Service @ 9:00 am will be called to the Torah B’nai Mitzvah of Samantha & Alex Ryan Friday, July 17 as a Bar/Bat Mitzvah on Shabbat Service @ 6:00 pm Friday, June 19 Saturday, June 13, 2015 Shabbat Service @ 6:00pm Saturday, July 18 at 10:00 am. Shabbat Service @ 9:00 am Saturday, June 20 Shabbat Service @ 9:00 am Friday, July 24 Shabbat Service @ 6:00 pm Friday, June 26 Shabbat Service @ 6:00 pm Saturday, July 25 Shabbat Service @ 9:00am Saturday, June 27 Shabbat Service @ 9:00am Friday, July 31 Shabbat Service @ 6:00 pm Saturday, August 1 Shabbat Service @ 9:00am Torah Study Saturdays @ 11:00am Please come and join us PRESIDENT’S MESSAGE As I write my final article for the bulletin, I can’t help but reflect on my last two years as your president. It has been both better and more difficult than I could imagine. Attending more congregational events has been very fulfilling and meaningful and has truly made me more spiritual, and for that I am very CONGREGATION BETH ISRAEL appreciative. -
Filming Israel: a Conversation Author(S): Amos Gitai and Annette Michelson Source: October, Vol
Filming Israel: A Conversation Author(s): Amos Gitai and Annette Michelson Source: October, Vol. 98 (Autumn, 2001), pp. 47-75 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/779062 Accessed: 16-05-2017 19:51 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October This content downloaded from 143.117.16.36 on Tue, 16 May 2017 19:51:37 UTC All use subject to http://about.jstor.org/terms Filming Israel: A Conversation AMOS GITAI and ANNETTE MICHELSON Amos Gitai, the preeminent Israeli filmmaker of his generation, is the author of thirty- seven films. Trained as an architect in Israel and at Berkeley, he turned in 1980 to filmmak- ingfor reasons set forth in the following portion of conversations held in New York in 2000. The radically critical dimension of his investigation of Israel's policy on the Palestinian question generated an immediate response of alarm, hostility, and censorship. Although the corpus of Gitai's work is large and extremely varied, including documentary films shot in the Far East, the Philippines, France, Germany, Italy, and elsewhere, it is largely the transition from work in the documentary mode to that of the fiction feature film that has, as might be expected, enlarged the appreciative audience of his work. -
The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi Jason Collins The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4143 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SURREALIST VOICE IN MILAN’S ITINERANT POETICS: DELIO TESSA TO FRANCO LOI by JASON M. COLLINS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 i © 2021 JASON M. COLLINS All Rights Reserved ii The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _________________ ____________Paolo Fasoli___________ Date Chair of Examining Committee _________________ ____________Giancarlo Lombardi_____ Date Executive Officer Supervisory Committee Paolo Fasoli André Aciman Hermann Haller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins Advisor: Paolo Fasoli Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. -
Jewish Movie Night for Kids and Their Families Parents: Please Note Ratings and Use Your Discretion
Jewish Movie Night For Kids and their families Parents: Please note ratings and use your discretion Fiddler on the Roof (1971- G) Adapted from the Tevye the Milkman Stories by Yiddish Author Sholom Aleichem. This musical classic features Tevye- a Jewish peasant in pre-revolutionary Russia who deals with marrying off three of his daughters while a growing anti-Semitic sentiment threatens his village. The Jazz Singer (1927- Not Rated) This movie made film history as the first “Talkie”- using recorded sound within the film. Famous performer Al Jolson is the son of a Cantor who must choose between the religious traditions of his father or pursue his dream of becoming a Jazz Singer. Deals with themes of Assimilation and identity. (Rabbi Lisa’s personal favorite!) The Producers (1967 PG) A Mel Brooks Classic. Producers Max Bialystock and Leo Bloom make money by producing a sure-fire flop- “Springtime for Hitler!” Chariots of Fire (1981- PG) Two British track athletes, one a determined Jew and the other a devout Christian, compete in the 1924 Olympics. Deals with issues of race and religion. School Ties (1992- PG 13) Brendan Fraiser plays a Jewish boy at an elite prep school in the 1950's. He must hide his religion until a jealous bigot forces it out in the open. Deals with Anti-Semitism Yentl (1983-PG) Musical based on a short story by Isaac Bashevis Singer, Barbara Streisand disguises herself as a boy so she is able to study Talmud in the Yeshiva. Deals with gender identity and the Jewish American immigrant experience. -
The Memory of the Yom Kippur War in Israeli Society
The Myth of Defeat: The Memory of the Yom Kippur War in Israeli Society CHARLES S. LIEBMAN The Yom Kippur War of October 1973 arouses an uncomfortable feeling among Israeli Jews. Many think of it as a disaster or a calamity. This is evident in references to the War in Israeli literature, or the way in which the War is recalled in the media, on the anniversary of its outbreak. 1 Whereas evidence ofthe gloom is easy to document, the reasons are more difficult to fathom. The Yom Kippur War can be described as failure or defeat by amassing one set of arguments but it can also be assessed as a great achievement by marshalling other sets of arguments. This article will first show why the arguments that have been offered in arriving at a negative assessment of the War are not conclusive and will demonstrate how the memory of the Yom Kippur War might have been transformed into an event to be recalled with satisfaction and pride. 2 This leads to the critical question: why has this not happened? The background to the Yom Kippur War, the battles and the outcome of the war, lend themselves to a variety of interpretations. 3 Since these are part of the problem which this article addresses, the author offers only the barest outline of events, avoiding insofar as it is possible, the adoption of one interpretive scheme or another. In 1973, Yom Kippur, the holiest day of the Jewish calendar, fell on Saturday, 6 October. On that day the Egyptians in the south and the Syrians in the north attacked Israel. -
Yitzhak Rabin
YITZHAK RABIN: CHRONICLE OF AN ASSASSINATION FORETOLD Last year, architect-turned-filmmaker Amos Gitaï directed Rabin, the Last EN Day, an investigation into the assassination, on November 4, 1995, of the / Israeli Prime Minister, after a demonstration for peace and against violence in Tel-Aviv. The assassination cast a cold and brutal light on a dark and terrifying world—a world that made murder possible, as it suddenly became apparent to a traumatised public. For the Cour d’honneur of the Palais des papes, using the memories of Leah Rabin, the Prime Minister’s widow, as a springboard, Amos GitaI has created a “fable” devoid of formality and carried by an exceptional cast. Seven voices brought together to create a recitative, “halfway between lament and lullaby,” to travel back through History and explore the incredible violence with which the nationalist forces fought the peace project, tearing Israel apart. Seven voices caught “like in an echo chamber,” between image-documents and excerpts from classic and contemporary literature— that bank of memory that has always informed the filmmaker’s understanding of the world. For us, who let the events of this historic story travel through our minds, reality appears as a juxtaposition of fragments carved into our collective memory. AMOS GITAI In 1973, when the Yom Kippur War breaks out, Amos Gitai is an architecture student. The helicopter that carries him and his unit of emergency medics is shot down by a missile, an episode he will allude to years later in Kippur (2000). After the war, he starts directing short films for the Israeli public television, which has now gone out of business. -
Poroshas Ekev
ב''ה SERMON RESOURCE FOR SHLUCHIM DISTRIBUTION DATE: THURSDAY , AUGUST 24 2017 – 2 ELUL 5777 PARSHAS SHOFTIM SERMON TITLE: Staying True to Life’s Mission Shoftim Staying True to Life’s Mission Good Shabbos! In 2016, the famous Jewish actor Gene Wilder passed away. He was a well-known comic who starred in many films. One of Gene Wilder’s biggest hits was a late-70s production called The Frisco Kid. It’s the silly story of the village shlepper in a Polish shtetl in 1850 getting sent to S. Francisco, California to serve as the rabbi of the city’s Jewish community only because he spoke English. In the movie, the president of Frisco’s Jewish community mails a written request to the Chief Rabbi of Poland, asking for a rabbi—and pledging that the candidate sent will be given his daughter as a wife. So Avraham Belinsky, travels by ship to Philadelphia, where he tries to find transportation to S. Francisco. Nobody in Poland told him that he’d have to cross an entire continent! On the contrary—back in his home country, he was told that S. Francisco was “right next to New York.” So Mr. Belinsky, as a religious Jew played masterfully and authentically by Mr. Wilder, is also travelling with a small sefer Torah, a Torah scroll, which is intended for the S. Francisco congregation’s synagogue. He’s a sweet, innocent and trusting guy—not to mention a bit of a shlemiel. So early on in the film, he gets scammed by highway robbers whose false tale of desperation fools him into parting with his money. -
Maimonides' Contradictory Positions Regarding
MAIMONIDES’ CONTRADICTORY POSITIONS REGARDING THE KARAITES: A STUDY IN MAIMONIDEAN JURISPRUDENCE Yuval Sinai Netanya Academic College The contradictory positions that appear in Maimonides’ various writ- ings regarding the appropriate treatment of Karaites and heretics have merited extensive discussion in both modern and traditional scholarship.1 The problem is this. In a number of responsa and in the Epistle to Teiman (Yemen), Maimonides expresses a consistent attitude of ideological and practical vehemence towards hereticism.2 Thus, in a responsum, Maimonides prohibits counting Karaites in a prayer-quorum (minyan) or even including them for purposes of the group recitation of the Grace after Meals (zimun).3 In another responsum he states that “divorces performed by Karaites have no validity as divorces according to our Law.”4 And in the Epistle to Teiman Maimonides expressed himself scathingly against Karaites and heretics:5 It is incumbent upon you to know that the rule that nothing may be added to or diminished from the laws of Moses applies equally to the Oral Law, that is, to the traditional interpretation transmitted through the sages of blessed memory. Be cautious and on your guard lest any 1 See, e.g., comments of Y. Kapach in the Commentary on M. Hul. 1:2, n. 33; J. Faur, Studies in Rambam’s Mishneh Torah, pp. 136–144 ( Jerusalem, 1978); I. Shailat, Letters and Essays of Moses Maimonides (Maaleh Adumim, 1988), pp. 142, and pp. 668–669; D. Lasker, “The Karaite’s Influence on the Rambam,” in Sefunot 68 (2) (1991), pp. 146–149; G. Blidstein, “Maimonides’ Approach to the Karaites,” in Tehumin 8, pp. -
Jewish Resources You Can Enjoy at Home: for Adults
Jewish Resources You Can Enjoy at Home: For Adults Concerts/Performances: Trio Sefardi will be presenting a virtual concert on Monday evening, March 23, at 7:30 p.m. featuring Sephardic music from the Balkans and Turkey, and songs by the amazing singer/composer Flory Jagoda. For information on how to see and hear the concert, visit http://bit.ly/3sephardi. National Yiddish Theater Folksbiene -- from the folks who brought us “Fiddler on the Roof” in Yiddish -- check out their live social media performances this week: https://nytf.org/ Books: Here All Along: Finding Meaning, Spirituality and a Deeper Connection to Life -- In Judaism , by Sarah Hurwitz (Spiegel and Grau, 2019). A young, savvy political speechwriter rediscovers the wisdom to be found in the age-old teachings and practices of Judaism. The Beth Am Staff read this insightful book earlier this year. An Innocent Bystander: The Killing of Leon Klinghoffer, by Julie Salamon (Little, Brown and Co. 2019). A well-researched account of the Klinghoffer murder and its aftermath. In the Beginning: A Short History of the Hebrew Language, by Joel Hoffman (NYU Press, 2006). Hoffman, who served as translator of the 10-volume series My People’s Prayer Book, offers an energetic and entertaining account of the 3000 year evolution of Hebrew. A Pigeon and a Boy, by Meir Shalev (Schocken, 2009). A beautiful and poignant novel by one Israel’s greatest writers. The Weight of Ink, by Rachel Kadish (Houghton Mifflin Harcourt, 2017) -- Set in 17th century England and the 21st century and featuring a fascinating female protagonist, this novel rewards the patient reader. -
Eine Lange Nacht Über Den Israelischen Filmemacher Amos Gitai
„Ich folge den Ablagerungen der Geschichte in mir“ Eine Lange Nacht über den israelischen Filmemacher Amos Gitai Autoren: Heike Brunkhorst und Roman Herzog Regie: Claudia Mützelfeldt Redaktion: Dr. Monika Künzel SprecherInnen: Renate Fuhrmann Volker Risch Josef Tratnik Nicole Engeln Uli Auer Sendetermine: Deutschlandfunk Kultur Deutschlandfunk __________________________________________________________________________ Urheberrechtlicher Hinweis: Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Jede Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in den §§ 45 bis 63 Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig. © Deutschlandradio - unkorrigiertes Exemplar - insofern zutreffend. 1. Stunde Atmozuspiel (Filmanfang Berlin-Jerusalem) Klaviermusik, Explosionen, Schüsse, Sirenen, Radiostimmen auf Hebräisch, Helikopterrotor. Zuspiel (Amos Gitai) A: «I consider that I am a witness, you know. Since my position during the Kippur war, I find myself as a witness…» E: «…And I think, that it deserves a strong cinema, not complaisant, not caressing, but engaging with this history.» Sprecher Josef Tratnik Ich denke, seit dem Jom-Kippur-Krieg bin ich ein Zeuge, der aufgrund merkwürdiger Umstände überlebt hat, als mein Helikopter abgeschossen wurde. Ich bin extrem interessiert, fasziniert und verstört von diesem Land. Und ich denke, es braucht ein starkes Kino, kein schmeichelndes oder wohlgefälliges, sondern ein Kino, das sich mit der Geschichte