Hans Knot International Radio Report December 2011
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Sweet at Top of the Pops
1-4-71: Presenter: Tony Blackburn (Wiped) THE SWEET – Funny Funny ELVIS PRESLEY – There Goes My Everything (video) JIMMY RUFFIN – Let’s Say Goodbye Tomorrow CLODAGH RODGERS – Jack In The Box (video) FAME & PRICE TOGETHER – Rosetta CCS – Walkin’ (video) (danced to by Pan’s People) THE FANTASTICS – Something Old, Something New (crowd dancing) (and charts) YES – Yours Is No Disgrace T-REX – Hot Love ® HOT CHOCOLATE – You Could Have Been A Lady (crowd dancing) (and credits) ........................................................................................................................................................ THIS EDITION OF TOTP IS NO LONGER IN THE BBC ARCHIVE, HOWEVER THE DAY BEFORE THE BAND RECORDED A SHOW FOR TOPPOP AT BELLEVIEW STUDIOS IN AMSTERDAM, WEARING THE SAME STAGE OUTFITS THAT THEY HAD EARLIER WORN ON “LIFT OFF”, AND THAT THEY WOULD WEAR THE FOLLOWING DAY ON TOTP. THIS IS THE EARLIEST PICTURE I HAVE OF A TV APPEARANCE. 8-4-71: Presenter: Jimmy Savile (Wiped) THE SWEET – Funny Funny ANDY WILLIAMS – (Where Do I Begin) Love Story (video) RAY STEVENS – Bridget The Midget DAVE & ANSIL COLLINS – Double Barrel (video) PENTANGLE – Light Flight JOHN LENNON & THE PLASTIC ONO BAND – Power To The People (crowd dancing) (and charts) SEALS & CROFT – Ridin’ Thumb YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Everything's All Right YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Superstar T-REX – Hot Love ® DIANA ROSS – Remember Me (crowd dancing) (and credits) ......................................................................................................................................................... -
BBC Oral History Collection, Transcript, Robin Scott
ORAL HISTORY OF THE BBC: ROBIN SC INTERVIEWED BY FRANK GILLARD. SECOND SESSION RECORDED IN BROADCASTING HOUSE, LONDON, 14th January 1981. GILLARD: Let's move on now to the period you spent, quite a brief period really but a very important one, in Radio in the second half of the sixties, when you became Controller Radio 1 8 2. Tell us first of all how the job came to you and forget that I'm here. SCOTT: I had after some three years, three and a half years or so, back with Television Outside Broadcasts, I'd become, not discontented with the job I was doing, but really felt that if I was to realise what I believed to be my potential I should look for an executive position somewhere in the BBC. And thought well why not go back to my first love which was after all Radio, and so I applied for the job of assistant head of Gramophone Department in Broadcasting House. Working therefore to Anna Instone who was Head of the Department for many years, a great many. And I duly applied for this job although it was not at a grade above my own, in fact I don't think it certainly didn't produce any more money, but I wanted in fact to get onto the rung of a different ladder, possibly. I also wanted to get into domestic radio broadcasting which I'd really only contributed programmes to but never enjoyed any kind of executive position, or producer position, having always in radio worked at Bush House. -
The Pirates and Pop Music Radio
SELLING THE SIXTIES Was pirate radio in the sixties a non-stop psychedelic party – an offshore discothèque that never closed? Or was there more to it than hip radicalism and floating jukeboxes? From the mavericks in the Kings Road and the clubs ofSohotothemultinationaladvertisers andbigbusiness boardrooms Selling the Sixties examines the boom of pirate broadcasting in Britain. Using two contrasting models of unauthorized broadcasting, Radios Caroline and London, Robert Chapman situates offshore radio in its social and political context. In doing so, he challenges many of the myths which have grown up around the phenomenon. The pirates’ own story is framed within an examination of commercial precedents in Europe and America, the BBC’s initial reluctance to embrace pop culture, and the Corporation’s eventual assimilation of pirate programming into its own pop service, Radio One. Selling the Sixties utilizes previously unseen evidence from the pirates’ own archives, revealing interviews with those directly involved, and rare audio material from the period. This fascinating look at the relationship between unauthorized broadcasting and the growth of pop culture will appeal not only to students of communications, mass media, and cultural studies but to all those with an enthusiasm for radio history, pop, and the sixties. Robert Chapman’s broadcasting experience includes BBC local radio in Bristol and Northampton. He has also contributed archive material to Radios One and Four. He is currently Lecturer and Researcher in the Department of Performing Arts and Media Studies at Salford College of Technology. Selling the Sixties THE PIRATES AND POP MUSIC RADIO ROBERT CHAPMAN London and New York First published 1992 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. -
The First World AIDS Day
1 On June 5, 1981, the United States Centre for Disease Control and Prevention (CDC) issued its first warning about a relatively rare form of pneumonia among a small group of young gay men in Los Angeles, which was later deter- mined to be AIDS-related. Since that time, tens of millions of people have been infected with HIV worldwide. The Global HIV/AIDS Timeline is designed to serve as an ongoing reference tool for the many political, scientific, cultural, and community developments that have occurred over the history of the epidemic. Started in 1988, World AIDS Day is not just about raising money, but also about increasing awareness, fighting prejudice and improving education. World AIDS Day is important in reminding people that HIV has not gone away, and that there are many things still to be done. ~avert.org, 2006 2 While 1981 is generally referred to as the beginning of the HIV/AIDS epidemic, scientists believe that HIV was present years before the first case was brought to public attention. In 1959, The first known case of HIV in a human occurs in a person who died in the Congo, later confirmed as hav- ing HIV infection from his preserved blood samples. The authors of the study did not sequence a full virus from his samples, writing that "attempts to amplify HIV-1 fragments of >300 base pairs were unsuccessful, . Howev- er, after numerous attempts, four shorter sequences were obtained" that represented small portions of two of the six genes of the complete AIDS virus. In New York City, on June 28, 1959, Ardouin Antonio, a 49-year-old Jamaican-American shipping clerk dies of Pneumocystis carinii pneumonia, a disease closely associated with AIDS. -
Top of the Pops 18/04/68
TOP OF THE POPS 18/04/68 TOP OF THE POPS 13/06/68 Introduced by Alan Freeman & Stuart Henry Introduced by Pete Murray Englebert Humperdinck - A Man Without Love (Studio) Des O’Connor - I Pretend (Studio) (rpt) John Rowles - If I Only Had Time (Studio) Don Partridge - Blue Eyes (Studio) (rpt) Reparata & The Delrons - Captain Of Your Ship (Studio) (rpt) Donovan - Hurdy Gurdy Man (Studio) Spanky & Our Gang - Like To Get To Know You (Studio) Esther & Abi Ofarim - One More Dance (Studio) Box Tops - Cry Like A Baby (Disc/Dancers) John Rowles - Hush Not A Word To Mary (Studio) Kinks - Wonderboy (Studio) Julie Driscoll, Brian Auger & The Trinity - This Wheel’s On Fire (Studio) (rpt) Paper Dolls - Something Here In My Heart (Studio) Marmalade - Lovin’ Things (Studio) Showstoppers - Ain’t Nothing But A Houseparty (Studio) Gary Puckett & The Union Gap - Young Girl (Promo) Louis Armstrong - What A Wonderful World (Promo) TOP OF THE POPS 20/06/68 TOP OF THE POPS 25/04/68 Introduced by Stuart Henry Introduced by Jimmy Savile Cliff Richard - I’ll Love You Forever Today (Studio) 1910 Fruitgum Co - Simon Says (Disc) Des O’Connor - I Pretend (Studio) (rpt) Honeybus - I Can’t Let Maggie Go (Studio) (rpt) Don Partridge - Blue Eyes (Studio) (rpt) Jacky - White Horses (Studio) Lulu - Boy (Studio) (rpt) Sandie Shaw - Don’t Run Away (Studio) Marmalade - Lovin’ Things (Studio) Scott Walker - Joanna (Studio) Equals - Baby Come Back (Studio) Herd - I Don’t Want Our Loving To Die (Studio) (rpt) Rolling Stones - Jumping Jack Flash (Disc/Dancers) Hollies - Jennifer -
Jacky Levy Costume Designer
Jacky Levy Costume Designer Credits include: TED LASSO Directors: Declan Lowney, Elliot Hegarty, Tom Marshall Comedy Series Showrunner: Bill Lawrence Exec Producers: Brendan Hunt, Jeff Ingold Liza Katzer, Jason Sudeikis Featuring: Jason Sudeikis, Teresa Mahoney, James Lance Production Co: Doozer / Warner Brothers / Apple TV+ Golden Globe Nomination for Best Television Series - Musical or Comedy Broadcast Film Critics Association Award for Best Comedy Series AFI Award for TV Program of the Year WGA Award for Best Comedy and New Series TCA Award for Outstanding New Program TCA Award for Outstanding Achievement in Comedy TCA Award for Program of the Year Award GRACE Directors: John Alexander, Julia Ford Detective Crime Drama Series Producer: Kiaran Murray-Smith Featuring: John Simm Production Co: Second Act Productions / Tall Story Pictures Vaudeville Productions / ITV TRACES Directors: Rebecca Gatward, Mary Nighy Mystery Crime Thriller Producer: Juliet Charlesworth Featuring: Laura Fraser, Martin Compston, Vincent Regan Production Co: Red Productions / UKTV / Alibi YEARS AND YEARS Directors: Simon Cellan-Jones, Lisa Mulcahy Dystopian Drama Series Producer: Karen Lewis Featuring: Emma Thompson, Russell Tovey, Rory Kinnear Production Co: Red Productions / BBC One RTS Nomination for Best Mini-Series SILENT WITNESS Directors: Charlie Palmer, Destiny Ekaragha Crime Drama Series Diarmuid Goggins, Thaddeus O’Sullivan, Colin Teague Producer: Kiaran Murray-Smith Featuring: Emilia Fox, David Caves, Liz Carr Production Co: BBC One LAST TANGO IN HALIFAX -
Jack Jackson: the DJ Who Made Radio Fun
Jack Jackson: the DJ who made radio fun Blending music and humour from the austere Forties to the swinging Sixties. By Derek Lamb. With radio and TV relatively limited in the 1950s and early 1960s, it required some determination to tune into a favourite programme or presenter. An unmissable part of my weekend listening was Jack Jackson's Record Roundabout. Linking popular music with clips from well-known comedy shows, his programme was original, witty and very funny. Like many DJs from the 40s and 50s, Jack Jackson came from a popular music background; he was a successful dance band leader. The band had a residency at the Dorchester Hotel in London for much of the 1930s. Through records and radio broadcasts, Jack was a household name. The band also appeared on pre-war television from Alexandra Palace and, in 1939, had its own series on Radio Luxembourg. Released from the formality of the BBC, Jack began to use his humorous personality to enliven the introductions to the music, which proved popular with listeners. Jack Jackson at Radio Luxembourg collection: Dick Offringa When dance bands failed to regain their popularity post-war, Jack changed direction. With his engaging microphone style and his credibility as a trumpet player, he was a natural choice as compere for the BBC's Light Programme’s Band Parade and Jazz Club. Listening figures were soon rivalling those of the most popular shows like ITMA. This led to a more mainstream residency on Housewives’ Choice; from here Jack was given a Saturday afternoon record show This was something of a blank canvas. -
Radio-Caroline-Venmo
Carl=FRmcd-c3 cr .._ e?` t .`_.` - s_ /.i; -'- e, N :,,r , ,t..+ekd..: Io / . - Z o . A Landmark Press Publication RADIO CAROLINE RADIO CAROLINE The story of the first British off -shore radio station by JOHN VENMORE-ROWLAND THE LANDMARK PRESS LAVENHAM SUFFOLK 1967 Published by THE LANDMARK PRESS 1967 Printed in Great Britain by THE LAVENHAM PRESS LIMITED LAVENHAM SUFFOLK Cover Design by ALAN WRIGHT 0 John Venmore-Rowland 1967 To Saffron (Variety palustris kallistos) - "quite rightly." Who always said it was possible if only... 4 V u LS, f . ^ "r", n 4 ' . ' . _ 9oug MacKenz'n. Rcnan 0'Rahilly CONTENTS Page FOREWORD 9 INTRODUCTION 13 PART ONE .. 21 Chapter 1 23 Chapter 2 33 Chapter 3 .. 45 Chapter 4 57 Chapter 5 .. 77 Chapter 6 97 Chapter 7 113 Chapter 8 .. .. 119 Chapter 9 .. .. 131 PART TWO 151 Introduction .. 152 Chapter 10 The Case Against Caroline 153 (A) The Post Office .. 153 (B) Phonographic Performance Ltd. .. 159 (C) Musicians Union .. 164 (D) Performing Right Society Ltd. 171 Chapter 11 (A) The Case for Caroline 174 (B) Competition in Radio 176 Appendix A - Cash Casino 178 Appendix B - Beat Fleet .. 180 Appendix C - Notes on Wireless Equipment 181 List of Illustrations AHERN Mike 30-142 LEIGHTON Jerry 142 AINLEY Barry 98 LODGE Tom 40 ALLEN Don 26 LUVZIT Mick 148 ALLEN Mike 148 MARY Josephene 20 ARNOLD Eddy 68 McRAE Ian 80 BAILEY Nick 43 MI AMIGO 34 BACHELORS The 16 MULDERY H. Ship's Engineer 102 BEATLES The 48 NASMITH Michael 44 BLACK Cilla 16 NIGHTINGALE Pamela 86 BLACKBURN Tony 58 NOBLE Paul 76 BURKE Gerry 76-111 OFFSHORE 1 92 CAROLINE North 12 O'RAHILLY Ronan 6 CAROLINE South 34-94 PERSON Radio Engineer 102 Cash Casino 112 PETER and GORDON 66 COLLINGWOOD Frobisher 106 PRINCE Tony 64 CONWAY Carl 64 RADIO ATLANTA 34 CURTIS K. -
Selling the Sixties : the Pirates and Pop Music Radio Pdf, Epub, Ebook
SELLING THE SIXTIES : THE PIRATES AND POP MUSIC RADIO PDF, EPUB, EBOOK Robert Chapman | 308 pages | 16 Apr 1992 | Taylor & Francis Ltd | 9780415079709 | English | London, United Kingdom Selling the Sixties : The Pirates and Pop Music Radio PDF Book Other stations dotted around the coast served Scotland and the North. You can blend together multiple channels on AccuRadio. Please deactivate your ad blocker in order to see our subscription offer. But the shady deals turned very sour in the summer of when Reg Calvert, founder of the fort-based Radio City station, accepted an offer from Radio Caroline investor Major Oliver Smedley to provide a new transmitter for Radio City in return for a share of his business, only to find that the mast was 30 years old and virtually useless. Would you like to blend into? The rise of the Nashville and Bakersfield Sounds, and the emergence of country legends. Political programming has been a feature of the many black community pirate radio stations that have grown in the UK since the s. It was a difficult time. During rough weather it was far from unknown for DJs to break off from their spiel to vomit, due to the inevitable bouts of seasickness. It kicked off its programming with one of the many reformed pirate DJs, Tony Blackburn, in September The phrase pirate radio conjures an image of wild times on the high seas as free-spirited DJs in the s stick it to The Man by giving the kids their rock 'n' roll. The first of these was Radio Invicta , regarded as Europe's first soul music station first broadcasting in Like publicizing his pirate radio station. -
Classic Radio 1 Schedules (1967-2004)
Frequency Finder UK (www.frequencyfinder.org.uk) Classic Radio 1 Schedules (1967-2004) October 1967 In the early years, Radio 1 was very different. It was originally conceived as a general popular music network, broadcasting easy listening, jazz, folk and country as well as pop and rock music. The intention was that it would opt out of the Light Programme with music when the Light was carrying a speech programme. This was largely the pattern in the first few years, with a lot of sharing between Radios 1 and 2, though the two stations did carry separate music programmes at breakfast and late afternoon. The daytime schedules didn't fully separate until the 1970s. Another feature of the early schedule is that many programmes featured different presenters on different days or in different weeks. A lot of the presenters floated between several shows. Saturday Monday to Friday 05:30 As Radio 2 05:30 As Radio 2 07:00 Tony Blackburn 07:00 Tony Blackburn 08:30 Junior Choice with Leslie Crowther (also on R2) 08:30 Family Choice with a guest presenter (also on R2) 10:00 Saturday Club with Keith Skues 10:00 Jimmy Young (also on R2 until 11:00) 12:00 Emperor Rosko 12:00 Midday Spin with Simon Dee (Mon), Duncan 13:00 Jack Jackson (also on R2) Johnson (Tue), Kenny Everett (Wed), David Rider 14:00 Chris Denning (also on R2) (Thur) and Stuart Henry (Fri) (also on R2) 15:00 Pete Murray (also on R2) 13:00 (Mon) Dave Cash - Live Music 16:00 Pete Brady (also on R2) 13:00 (Tue) Keith Fordyce - Live Music 17:30 Country Meets Folk with Wally Whyton (also on 13:00 (Wed) Bob Miller and The Millermen with R2) Parade of the Pops - Live orchestral pop 18:30 Scene and Heard - magazine with Johnny Moran 13:00 (Thur) Pop North with the Northern Dance 19:30 As Radio 2 Orchestra 22:00 Pete Murray (easy listening, also on R2) 13:00 (Fri) The Joe Loss Show - Live orchestral pop 00:00-02:00 Night Ride with Sean Kelly (easy listening, 14:00 Pete Brady (also on R2 15:00-16:15) also on R2) 16:30 What's New 17:30 David Symonds Sunday 19:30 As Radio 2 except.. -
UK Popular Music and Society in the 1970S John Mullen
UK Popular Music and Society in the 1970s John Mullen To cite this version: John Mullen. UK Popular Music and Society in the 1970s. Revue française de civilisation britannique, CRECIB - Centre de recherche et d’études en civilisation britannique, 2017, The United Kingdom and the Crisis in the 1970s, XXII (hors-série), 10.4000/rfcb.1695. hal-01766603 HAL Id: hal-01766603 https://hal-normandie-univ.archives-ouvertes.fr/hal-01766603 Submitted on 13 Apr 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Revue Française de Civilisation Britannique French Journal of British Studies XXII- Hors série | 2017 The United Kingdom and the Crisis in the 1970s UK Popular Music and Society in the 1970s La musique populaire et la société britannique dans les années 1970 John Mullen Electronic version URL: http://journals.openedition.org/rfcb/1695 DOI: 10.4000/rfcb.1695 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference John Mullen, « UK Popular Music and Society in the 1970s », Revue Française de Civilisation Britannique [Online], XXII- Hors série | 2017, Online since 30 December 2017, connection on 02 January 2018. -
Broadcast Speech and the Effect of Voice Quauty
BROADCAST SPEECH AND THE EFFECT OF VOICE QUAUTY ON THE LISTENER: A STUDY OF THE VARIOUS COMPONENTS WHICH CATEGORISE LISTENER PERCEPTION OF VOCAL CHARACTERISTICS JOHN CHARLES HERBERT PhD Thesis Department of English Language, University of Sheffield OCTOBER 1988 CONTENTS SUMMARy 1 CHAPTER ONE: 2 VOICE QUALITY AND THE BROADCASTER'S ART CHAPTER TWO: 11 DESCRIPTION AND FEATURES OF VOICE QUALITY The notion of voice quality in literature; early British writings; the American elocutionists; voice quality description; gender differences. CHAPTER THREE: 37 ATTRIBUTES OF VOICE QUALITY Physical; psychological; social information in voice quality; vocal characteristics and personality perception; voice dynamics. CHAPTER FOUR: S4 ACCENTS AND THE BROADCAST VOICE Radio accent; status of accents; listener personality variants; importance on radio; the 'BBC' voice; pronunciation prestige; accent persuasiveness; the 'world service' voice; the 'ILR' voice; the 'reporter's' voice; voice quality questionnaire; the 'radio speech register'. CHAPTER FIVE: 78 VOICE QUALITY CONTROL Reflex control mechanism of the larynx; use of the larynx in language; laryngeal adjustments in voice and speech production; voice features; articulation; voice quality deviations; skeletal framework for respiratory activity; inhalation muscles; sequence of respiratory muscular activity; respiratory activity associated with suprasegmental features; prosodic features; speech production; speech sounds; formant frequencies; resonance and the resonators; resonance and voice quality; supraglottic resonators; the oral cavity; the nasal cavity; experiment. CHAPTER SIX: 117 DISORDERS OF VOICE QUALITY AND THEIR EFFECf ON THE BROADCASTER Vowel resonance; pharyngeal resonators; balanced broadcast quality; resonance and hyperfunction; taut pharynx; faulty tongue position; mouth opening problems; improper palatal movement; resonance disorders; the tongue; articulation disorders; strident voice; improving oral resonance; nasality; voice mismanagement; laryngitis; cord thickening; vocal nodules; vocal polyps.