Hampartzoum's Letter Collection

Total Page:16

File Type:pdf, Size:1020Kb

Hampartzoum's Letter Collection Hampartzoum’s Letter Collection English Translation 1914-1995 Letters #1-#298 All footnotes and pencil notations are by Zaruhy Sara Chitjian and are not to be altered or amended, and no additional comments are to be rendered. INTERVIEWS ORIGINALLY RECORDED ON FIVE 60-MINUTE AUDIOCASSETTES INTRODUCTION CHITJIAN LETTERS This collection of about 300 letters were written in 1914-15 and 1919-1997 and belonged to Hampartzoum Mardiros Chitjian, a survivor of the 1915 Armenian Genocide. He was born in May of 1901, in Ismail, Western Armenia, and passed away on May 25, 2003, in Los Angeles, California, the United States. The major portion of the letters in this unique and rare collection was personally passed on to Hampartzoum by his elder brother Bedros' son Levon. They did not contain any envelopes. We don't know why the envelopes were not saved. To these were added letters already in Ham- partzoum's possession. The letters were kept by Mardiros Toros Chitjian's five sons: Bedros, Mihran, Kaspar, Hampartzoum, and Kerop Chitjian. But we are not yet certain which brother collected them all together before they reached Hampartzoum's hand. According to the testimony of Hampartzoum Chitjian and her daughter Zaruhy Chitjian, they had seen a large number of letters on Kaspar Chitjian's desk at his store. We think that the letters gathered here are only a portion and not the whole. We don't know how, or most importantly, for what reason some of these letters were kept and brought together. From the content of the letters we can see that the letters collected and kept in this group do not present all the letters that the brothers wrote to each other. In our opin- ion, these letters must have been collected for a specific reason, because many of them are re- plies to each other. A third of the letters in this collection were written in Ottoman Turkish. Those who had survived certain death by the skin of their teeth had taken on Turkish names and lived as "Turks." Despite this, they still lived in fear in horror. As a result, they wrote their letters in Turkish, or gave them to others to write in Turkish, so that they do not get caught. Fear reigned supreme in Turkey. All the letters leaving the country had to pass through the censor. Thus they were unable to convey the true conditions in which they were living. This collection contains correspondences written from 1914-1923 between Mardiros Chitjian, the five Chitjian Brothers, relatives, friends, classmates, neighbors, and fellow villag- ers. The overall number of letters contained is about 300. 215 of them are in Armenian and the rest in Turkish. A. In Armenian: the 1. Mardiros Toros Chitjian - 7 letters (1914/6, 1915/1) From Perri to Chicago 2. Hampartzoum Mardiros Chitjian - 60 letters (1919/2, 1920/10, 1921/10, 1922/30, etc.) 3. Bedros Mardiros Chitjian - 25 letters (1919/1, 1920/10, 1921/14 4. Mihran Mardiros Chitjian -17 letters (1919/6, 1920/5, 1921/4, 1922/1, etc.) 1 5. Kaspar Mardiros Chitjian - 60 letters (1919/19, 1920/25, 1921/12, 1922/2, etc.) 6. Kerop Mardiros Chitjian - 2 letters (1930/1, 1936/1) 7. Relatives: Dickran, Markar, Manoug, Setrag, Baghdasar, Altoon, Yeghsa, Boghos, Hmayag - 37 letters 8. Miscellaneous letters: Hrant Mouradian, Avedis Kezirian, Megerdich Hayrabedian, Vartan Noroyan, Khosrov Yerevanian... Etc. B. In Turkish (1920-1922) 1. Hampartzoum Mardiros Chitjian - 36 letters (1920/14, 1921/20, 1922/1, 1930/1) 2. Kerop Mardiros Chitjian - 17 letters (1921/10, 1922/7) 3. Kaspar Mardiros Chitjian - 3 letters (1920/1, 1921/2,) 4 Aghavnie Toros Chitjian, 1 letter, 1921 5. Altoon Bahgee, 2 letters, 1921 6. Zeki Beg, 4 letters, 1921 7. Miscellaneous: 16 letters, 1920-1921 These letters are primary sources for those who want to investigate the political, econom- ic, moral, and psychological conditions prevalent in Turkey from 1914-1923. The letters are written with the special dialect of Kharpertzees in a very simple and clear style, because the writers of the letters have at best a fifth grade education. Thus the letters are full of many compositional and grammatical mistakes. However, strict attention has been paid to make the translation into English as authentic as possible -- their most beautiful salutations have been retained. Because of grammatical mistakes and also because the handwriting is often unin- telligible, the meaning is often hard to grasp. For this reason, in order for the content to be com- prehended, the exact replicas of the letters have been handwritten again in legible script. The spelling and grammatical mistakes from the originals have been retained. On the other hand, the education level of Eastern Armenia hundred years ago, even in the small villages chafing under atrocious Turkish oppression should be appreciated. It is under extremely treacherous conditions that our letter writers were born, lived, and left behind. There are many letters that were written by very young boys dictated by their parents. Hampartzoum and Kaspar, or whoever knew how to read and write, wrote for the others also: Hampartzoum, Hagop Kazandjian, Levon Gopoyan etc. When together with Hampartzoum's daughter, Zaruhy Chitjian, we decided to publish these letters, our first thought was to arrange them chronologically, according to the dates, in or- der to create a continuity and to make them easier to comprehend. Since we did not have the op- portunity to examine each of these letters when Hampartzoum was still alive, there are letters the authors of which we could not identify, nor could decipher their content. In such cases, we have denoted them with question marks inside square brackets [?], because these names are not men- tioned in Hampartzoum's memoir "A Hair's Breadth from Death," either. 2 A great number of letters that are referred to in some of the letters have not been com- piled in this collection. We think that they were either lost on the way or were not allowed to leave the country because of heavy censorship. In one of these letters, Kaspar writes: "I received a letter dictated by Kaspar from Mezreh, but I was unable to understand anything because many places in the letter had been blacked out by the hand of the censor." They could not write frankly about the goings on and conditions in the letters written in Turkey. Proof of this are the letters written in Turkish. In order not to reveal their true names they hid behind Turkish names, and wrote about certain subjects allegorically. The content and meaning of letters, #3-1914-7/18, #4-1914-9/7, #6-1914-12/20, #7-1915-2/25, etc., are multidi- mensional and very interesting. The mother rights to the son, the son to the parents, brother to brother, brother two sister, wife to husband, etc. There are also letters that are completely filled with the names and surnames of survivors and with the names of relatives being searched by survivors. It is in this manner that survivors found their surviving family members and relatives. Some of the letters describe the devastating, miserable lifestyle of the survivors of the massa- cres. Some others delve into politics and international issues. The Armenian letters contain writings and notations in Ottoman Turkish script, which, regrettably, we weren't able to translate, because of a lack of professional translators who are well versed in Ottoman Turkish. On the other hand, all the letters that were translated into mod- ern Turkish from Ottoman Turkish have been translated into Armenian and English. All the quatrains and songs in Turkish have also been translated into English. As far as we could, I added footnotes to the Armenian version, while Sara Chitjian did the same for the English translation, in order to clarify the incomprehensible statements and the depicted situations, as well to identify the people mentioned in the letters. We hope that interested parties, after reading the names and surnames mentioned in these letters, would want to track down the fate of their acquaintances, relatives, and friends. After conducting serious research, Zaruhy Chitjian was able to find the Mishmishians, and revealed the fates of many members of that family. She traced Shakeh, the daughter of Archbishop Kuid Mkhitarian, and was able to gather information about his activities and fate. She also tracked down the daughter of Tavit, Hampartzoum's close friend in Tavriz, and gathered information on the path that young boy's took. Zaruhy is still searching for new names and people to bring more light to this very dark period in the history of the Armenian People. Letters #1 to #7 in the collection were written between 1914-6/22 and 1915-2/25 by Mardiros Toros Chitjian. Letters #3, 5, 7 were written by him personally, and letters #1, 2, 4 , 6 were dictated to Kaspar, Hampartzoum, and Zaruhy. All seven letters were addressed to Mardiros' sons Bedros and Mihran: "From Perri to Chicago." Mardiros Chitjian was Toros Chitjian's only son. Toros also had two daughters named Marinos and Aghavnie. Marinos had married and moved to Medzgerd -- we do not know her husband's name -- while Aghavnie, who was a mature adult, lived with her father as part of the family. Toros' father was a Bolsetzi who had moved to Dickranagerd, while Toros had moved from Dickranagerd to Ismail. Mardiros married in Ismail and had six children there. In 1903, when Hampartzoum was 2, the family moved to Perri, which at that time was the political, eco- nomic and social-national center of the Charsanjak Province. Mardiros' and Trfanda Mouradi- an's union produced 8 offsprings, six boys and two girls: Bedros, Mihran, the twins Hampart- zoum and Kaspar, Kerop, Nishan, Zaruhy and Sultan.
Recommended publications
  • The Songs of Bob Dylan
    The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
    [Show full text]
  • Corvus Review: Fall 2015 Company
    [TYPE THE CORVUS REVIEW: FALL 2015 COMPANY NAME] CONTENTS Belle 78 Kopp 84 Editorial 3 Deeren 95 Cover Art/Editor Bio’s 4 Parrish 98 Kratz 101 PROSE Soto 105 Cairns 107 Silver 5 Carlton 119 Davis 17 Ferrell 122 Half-Pillow 21 Wall 124 McNulty 29 Kane 126 Phillips 35 Bensoussan 134 Laing 38 Campbell 137 Duquette 47 Roberts 139 Dukowitz 54 Rank 156 Sheehan 66 Price 77, 89 POETRY George 185 Sears 163 Prihoda 187 Ahern 164 Mydosh 191 Plath 165 Garcia-Bassier 194 Hamilton 167 Corey 195 Ingram 168 Semtex 197 Garrett 169 Plenefisch 199 Pearce 170 Gregg 201 Davis, J 172 Brownstein 203 Grey 173 Scharwath 205 Kanev 175 Bacher 207 Beck 177 Vince 208 Burt 179 Soricelli 210 Demaree 181 Roth 212 Boucheron 182 Haynes 214 Kushner 183 Johnson 216 Del Col Brown 184 3 EDITORIAL Dear Reader, With pleasure, I present the Fall issue of Corvus Review. This is our largest issue to date, over 200 pages of quality work, and I couldn’t be prouder. Each piece offers a glimpse into each writer’s mind. You might like what you see and you might not, but I challenge you, dear reader, to peruse this issue to its end. For this issue, I opened the door to new editors. Andy Tu and Luciana Fitzgerald generously gave of their time and expertise and, as a whole, I feel allowing them into Corvus’ inner sanctum proved most productive. Special thanks to them for their help sorting out the bones. When I began this little lit journal around this time last year, I never imagined it would reach so many.
    [Show full text]
  • The New Testament by Johannes Greber
    CONTENTS PACE Introduction ............................................................................... 5— 16 The Gospel according to Matthew ................................................ 17— 70 The Gospel according to Mark ..................................................... 71—104 The Gospel according to Luke ..................................................... 105—163 The Gospel according to John ..................................................... 164—206 The Acts of the Apostles .............................................................. 207—264 The Epistle of Paul the Apostle to the Romans ............................. 265—290 The First Epistle of Paul the Apostle to the Corinthians ................. 291—315 The Second Epistle of Paul the Apostle to the Corinthians ............ 316—332 The Epistle of Paul the Apostle to the Galatians ............................ 333—341 The Epistle of Paul the Apostle to the Ephesians .......................... 342—350 The Epistle of Paul the Apostle to the Philippians ......................... 351—356 The Epistle of Paul the Apostle to the Colossians ......................... 357—362 The First Epistle of Paul the Apostle to the Thessalonians ............ 363—367 The Second Epistle of Paul the Apostle to the Thessalonians ....... 368—370 The First Epistle of Paul the Apostle to Timothy ............................ 371—377 The Second Epistle of Paul the Apostle to Timothy ....................... 378—382 The Epistle of Paul the Apostle to Titus .......................................
    [Show full text]
  • William B. Evans Appointed Police Commissioner of The
    VOL. 118 - NO. 3 BOSTON, MASSACHUSETTS, JANUARY 17, 2014 $.30 A COPY William B. Evans Appointed Police Commissioner of the Boston Police Department William Gross Named Superintendent in Chief root causes of violence and agement team as Superin- Department. As a Patrol make sure everyone feels tendent of the Bureau of Officer he spent many years safe in our city,” said Mayor Field Services. Commis- in the Gang Unit and Drug Walsh. “He understands that sioner Evans is a 2008 Control Unit, as well as serv- we can’t just react to crime graduate of Harvard Univer- ing as an Academy Instruc- — we must work together to sity, John F. Kennedy School tor. He rose through the prevent it from happening in of Government and recently ranks, achieving the ranks the first place.” completed a certificate pro- of Sergeant and Sergeant Commissioner Evans is a gram for Senior Executives Detective and was promoted 33-year veteran of the Bos- in State and Local Govern- to Deputy Superintendent in ton Police Department and ment and participated in 2008, where he became a has held leadership roles the National Preparedness member of the Command within the Department for Leadership Initiative, John Staff of the Department. As several years. Evans has F. Kennedy School of Gov- Deputy Superintendent, had notable roles in the suc- ernment/Harvard School of Gross served as the Com- cessful, peaceful handling Public Health as well as mander of Zone 2, which Superintendent in Chief Boston Police Commissioner of the 70-day occupation of National Post-Graduate is comprised of Area B-2 of the Boston Police WILLIAM B.
    [Show full text]
  • ENEGADE IP 'J.JV.JYJ.J, Therip
    . .,· .---· , . ..· Protests . , . co.ntinue. \ •' .. ' . ;~..-- · hn1nigrati,,u ,·;·,11~ ai \l!lrtio Lu&hcr .~in~ Park 01, ( ·~,ar Cha\·~, D.t}. ) ... --. l .. · · 1 · News, Page 3 J ' , I . ' • • ot • • I - ·' ENEGADE IP 'J.JV.JYJ.J, therip. com Vol. 78 • No. 5 Bakersfield College Apri! 11, 2007 I Burgl~r • BC students voted for their caught by representatives in the Student Government Association during Spring Fling week lv1arch 26-Ma.cch 30. security By TAYLOR M. GOMBOS tgombo~baJ:.ersfiela'college.edu Rip staff writer • Car burglary suspect appprehended by. campus public Attention students of Bakmfield College: You have a safety officers in the parking lot new leader. John Lopez, BC computer science major, defeated the on M~.rch 21. SGA veteran Alan Crane to win the presidency of me Stu­ dent Government Association. · . By ~'YLE BEALL Lopez defeated Crane by securi.ag 66% (364 votes) of kbeall@bakersfieldc(}//ege.edu Rip staff \•.triter i.;~ \v.¢:i wailc U.llltc ouly ~-ureo 33.3% (184 votes) of the Votes. Crane said that he was a little swprised by the 66% mar' A burglary suspcc-t was apprehended and ar­ gin oot added. "'ibe students have spoken and said that the!' rested on the po.rt.ing lot at the northeast side of , 1;llffipo5 three Wllllt John as a president. I am sure he will do a fine job. He for felony count$ of car burglary, including one felooy count of possession of will have the support of a team whlch is absolutely ~ moo burglary qualified exocuti~ team ever put together Ill BC." tools end a felony coont of grand theft Cnne, who cwn:ntly seTYes as .legislatiYc liaison of the auto, SGA aw ~It of the statewide ·suadent senate, lklded The arrest .,.,as made on campus by 8~Ll College public safety officers after IY',..e of the of­ tb.l.t be is planning 10 go back to being a regular sni&:nt when his Sfll1c term is up in J\D'le.
    [Show full text]
  • Bob Dylan's Song Lyrics
    BobBob Dylan’sDylan’s SongSong LLLyricsyrics Bob Dylan’s Song Lyrics Introduction I’ve often had a bit of a Dylan lyric running through my head, and failed to identify the song it was from, or how the next line went. This is a response to that need in the belief others may find it useful to have them handy as an ebook too. These are the lyrics to all Bob Dylan’s songs, from 51 albums. If I have left any out, please tell me and I’ll rectify it. It is organised alphabetically, all titles beginning with each letter are grouped together, and individually bookmarked to aid fast access. You can also do a search if the line doesn’t summon up the song title immediately, type the words in and see where it finds them. DISCOGRAPHY 1. Bob Dylan 27. Infidels 2. The Freewheelin' 28. Real Live 3. The Times They Are A-Changin' 29. Empire Burlesque 4. Another Side Of Bob Dylan 30. Biograph 5. Bringing It All Back Home 31. Knocked Out Loaded 6. Highway 61 Revisited 32. Dylan And The Dead 7. Blonde On Blonde 33. Down In The Groove 8. Bob Dylan's Greatest Hits 34. Oh Mercy 9. John Wesley Harding 35. Under The Red Sky 10. Nashville Skyline 36. The Bootleg Series Vols.1-3 11. Self-Portrait 37. Good As I Been To You 12. New Morning 38. The 30th Anniversary Concert Celebration 13. Bob Dylan's Greatest Hits Vol.2 39. World Gone Wrong 14. Pat Garrett And Billy The Kid 40.
    [Show full text]
  • Lonesomehighway Issue4.Pdf
    In the fair city of Detroit, nestled among the garage- rock nooks and country crannies, lurks the music of Blanche. Husband and wife Dan and Tracee Miller trade intense and haunting vocals over an uneasy sea of pedal steel, banjo, raw guitar sounds, and sparse, driving drumming. The moods created in the songs seem to define Blanche. Some songs are sad and pretty, while others have a powerful, spooky feel. The melodies trick you into singing along with tales of superstitions, garbage picking, fading trust, and feelings of lost hope. The sound combines the intense desperation of the Gun Club, the sincere sadness of the Carter Family, and the creepy playfulness of Lee Hazlewood Intro taken from the biography on the Blanche website which is well worth a visit and a wonderful design. www.blanchemusic.com INTERVIEW BY STEVE RAPID | PHOTOGRAPHY BY RONNIE NORTON Tell us what the secret of Little Amber Bottles is? Feeny on the pedal steel and his singing. That’s what is most important that overall sound, everyone bringing Well Tracee wrote that song so that’s more for her. I think you can find the answers to little amber bottles in dif- what they have to it. ferent ways, because they can be medication, something that helps you, or you can look to little amber bottles for the wrong reasons. It’s whichever way you use them. I think people rely on medication too much. But you have done some solo shows? Well every once in awhile I do it. I think I’ve done three.
    [Show full text]
  • The Adventures of Bon Scott Dissertation
    CREATIVE WRITING COMPONENT: BAD BOY BOOGIE — THE ADVENTURES OF BON SCOTT DISSERTATION: BON SCOTT AND THE BLUES LYRIC FORMULA James P. Quinton Bachelor of Arts (Hons.), UWA. Bachelor of Landscape Architecture (Hons.), UWA. This thesis is presented for the degree of Master of Arts (Creative Writing) at The University of Western Australia. School of Humanities 2015 ABSTRACT Creative Component: Bad Boy Boogie —The Adventures of Bon Scott Dissertation: Bon Scott and the Blues Lyric Formula Bad Boy Boogie — The Adventures of Bon Scott is a historical fiction on the life of Bon Scott. Scott was the original singer in the Australian band AC/DC. He was 33, in 1980, when he died. The novel intentionally blurs the boundaries between fact and fiction. By drawing on available literature and interviews with people who knew Scott, the novel develops a picture and chronology of his life. With this picture I distorted the chronology for dramatic effect. Some of the characters are based on real people, and some are fabricated. The objective is to bring Scott to life. The hope is that readers will get a sense of the context and circumstances that bought about his choices. The intended style of the novel is the picaresque form. The rogue protagonist, Bon Scott, works his way through life moving from one injustice to another. Scott meets most challenges with wit and humour. He is barely able to hold his job and often flirts with the boundaries of criminality. When it appears the main character has finally achieved his goal, once again something or someone conspires to restrict his advance.
    [Show full text]
  • DJ Music Catalog by Title
    Artist Title Artist Title Artist Title Dev Feat. Nef The Pharaoh #1 Kellie Pickler 100 Proof [Radio Edit] Rick Ross Feat. Jay-Z And Dr. Dre 3 Kings Cobra Starship Feat. My Name is Kay #1Nite Andrea Burns 100 Stories [Josh Harris Vocal Club Edit Yo Gotti, Fabolous & DJ Khaled 3 Kings [Clean] Rev Theory #AlphaKing Five For Fighting 100 Years Josh Wilson 3 Minute Song [Album Version] Tank Feat. Chris Brown, Siya And Sa #BDay [Clean] Crystal Waters 100% Pure Love TK N' Cash 3 Times In A Row [Clean] Mariah Carey Feat. Miguel #Beautiful Frenship 1000 Nights Elliott Yamin 3 Words Mariah Carey Feat. Miguel #Beautiful [Louie Vega EOL Remix - Clean Rachel Platten 1000 Ships [Single Version] Britney Spears 3 [Groove Police Radio Edit] Mariah Carey Feat. Miguel And A$AP #Beautiful [Remix - Clean] Prince 1000 X's & O's Queens Of The Stone Age 3's & 7's [LP] Mariah Carey Feat. Miguel And Jeezy #Beautiful [Remix - Edited] Godsmack 1000hp [Radio Edit] Emblem3 3,000 Miles Mariah Carey Feat. Miguel #Beautiful/#Hermosa [Spanglish Version]d Colton James 101 Proof [Granny With A Gold Tooth Radi Lonely Island Feat. Justin Timberla 3-Way (The Golden Rule) [Edited] Tucker #Country Colton James 101 Proof [The Full 101 Proof] Sho Baraka feat. Courtney Orlando 30 & Up, 1986 [Radio] Nate Harasim #HarmonyPark Wrabel 11 Blocks Vinyl Theatre 30 Seconds Neighbourhood Feat. French Montana #icanteven Dinosaur Pile-Up 11:11 Jay-Z 30 Something [Amended] Eric Nolan #OMW (On My Way) Rodrigo Y Gabriela 11:11 [KBCO Edit] Childish Gambino 3005 Chainsmokers #Selfie Rodrigo Y Gabriela 11:11 [Radio Edit] Future 31 Days [Xtra Clean] My Chemical Romance #SING It For Japan Michael Franti & Spearhead Feat.
    [Show full text]
  • Party Tunes Dj Service Artist Title 112 Dance with Me 112 It's Over Now 112 Peaches & Cream
    Party Tunes Dj Service www.partytunesdjservice.com Artist Title 112 Dance With Me 112 It's Over Now 112 Peaches & Cream 112 Peaches & Cream (feat. P. Diddy) 112 U Already Know 213 Groupie Love 311 All Mixed Up 311 Amber 311 Creatures 311 It's Alright [Album Version] 311 Love Song 311 You Wouldn't Believe 702 Steelo [Album Edit] $th Ave Jones Fallin' (r)/M/A/R/R/S Pump Up the Volume (ToraDora!) Hashimoto Yukari Ame iro Rondo (ToraDora!) Hashimoto Yukari Chance Chase Classroom (ToraDora!) Hashimoto Yukari Creme Brule no Tsukurikata (ToraDora!) Hashimoto Yukari Duty of love (ToraDora!) Hashimoto Yukari Eyecatch (ToraDora!) Hashimoto Yukari Great escape (ToraDora!) Hashimoto Yukari Happy Monday (ToraDora!) Hashimoto Yukari Hey! You are lucky girl (ToraDora!) Hashimoto Yukari Kanchigai Hour (ToraDora!) Hashimoto Yukari Kaze wo Kiite (ToraDora!) Hashimoto Yukari Ki Me Ze Fi Fu (ToraDora!) Hashimoto Yukari Kitchen In The Dark (ToraDora!) Hashimoto Yukari Kotori no Etude (ToraDora!) Hashimoto Yukari Lost my pieces (ToraDora!) Hashimoto Yukari love on the balloon (ToraDora!) Hashimoto Yukari Magic of love (ToraDora!) Hashimoto Yukari Monochrome set (ToraDora!) Hashimoto Yukari Morning Glory (ToraDora!) Hashimoto Yukari Next Mission (ToraDora!) Hashimoto Yukari Onna no Ko no Kimochi (ToraDora!) Hashimoto Yukari Psychocandy (ToraDora!) Hashimoto Yukari READY STEADY GO! (ToraDora!) Hashimoto Yukari Small Heaven (ToraDora!) Hashimoto Yukari Sora iro no Houkago (ToraDora!) Hashimoto Yukari Startup (ToraDora!) Hashimoto Yukari Tears of dragon (ToraDora!) Hashimoto Yukari Tiger VS Dragon (ToraDora!) Hashimoto Yukari Todoka nai Tegami (ToraDora!) Hashimoto Yukari Yasashisa no Ashioto (ToraDora!) Hashimoto Yukari Yuugure no Yakusoku (ToraDora!) Horie Yui Vanilla Salt (TV-SIZE) (ToraDora!) Kugimiya Rie, Kitamura Eri & Horie Yui Pre-Parade (TV-SIZE) .38 Special Hold on Loosely 1 Giant Leap f.
    [Show full text]
  • Songbook.Cwk
    CHORD TRANSPOSING CHARTS POPULAR MAJOR KEYS 1 2m 3m 4 5 6m 7dim Bb Cm Dm Eb F Gm Adim F Gm Am Bb C Dm Edim C Dm Em F G Am Bdim G Am Bm C D Em F#dim D Em F#m G A Bm C#dim A Bm C#m D E F#m G#dim E F#m G#m A B C#m D#dim EQUIVALENT MINOR KEYS 1m 2dim 3 4m 5m 6 7 Gm Adim Bb Cm Dm Eb F Dm Edim F Gm Am Bb C Am Bdim C Dm Em F G Em F#dim G Am Bm C D Bm C#dim D Em F#m G A F#m G#dim A Bm C#m D E C#m D#dim E F#m G#m A B Using the above major and minor progressions as a template non-diatonic chords can be found. For example b7 indicates a major chord based on the flatted seventh note of a major key (Bb in the key of C, F in the key of G, etc.). #1dim indicates a diminished chord on the raised first degree of a key (C#dim in the key of C, G#dim in the key of G, etc.) Complex chords may be played as major or minor. For example 1+7 (major seventh) or 37 can be played as a simple major chord. 2m7 (minor seventh) may be played as a simple minor chord. (Diminished chords must be played as diminished.) MEASURES AND LINES Songs are in 4/4 time unless indicated.
    [Show full text]
  • American Square Dance Vol. 60, No. 3
    SQU "The Inter ancing • Blarney Castle the place where callers learned it 4 2 all; or so 1 they say... Happy St. Patrick's Day! HANKIRST'S TAPE El RECORD SERVICE THE PROFESSIONAL SOURCE FOR CALLERS & CUERS GRADUATION DIPLOMAS! LARGEST SELECTION AVAILABLE! LASER-PRINTED MASTERS COLORFUL HIGH QUALITY CERTIFICATES Basic Mainstream Plus a Oar Iliftwmflprim s^1.svp.r• ell Advanced yr 1. Pima... Mort, a" /r Not Spry Ad, the* meg* ai Obit&r #11/ailsaffax Spas Om" Challenge eel virarold • ftlifp• a Spry Osenip roam., am . Rounds Clogging Contra Dance Line Dancing • American Square Dancing Celebrate • Community Dance Program Graduation! • Country Couple Dancing Certificate of Appreciation "WOW! Your service is fast. Thanks."-R.M. "1 ordered records on Sunday and had them on Tuesday morning. I couldn't believe the great service" - L.K. 1-800-445-7398 (USA & Canada) Phone: 800-445-7398 or 603-876-3636: Fax: 800-346-4867 or 603-876-4001 Foreign Toll Free: AT&T USA Direct Service Access Number plus Phone: 877-445-7398 or Fax: 877-346-4867 E-mail: [email protected] Come visit the largest website for information on Square & Round Dance Music & Sound Systems! 100°0 Secure Shopping! Single ClickTM Convenience! FREE Online Music Previews - Click...Listen...Buy! 100% Secure Online Shopping www.Dosado.com/Music 2 . ....... American Square Dance, March 2005 AMERICAN r1( SQUAREDANCE "The International Magazine of Square Dancing" Subscribe Today! 1Year 2 Years (12 Issues) (24 Issues) USA $27.50* $50.00* CANADA $35.00 USPS First Class Mail FOREIGN $92.50** $69.50** USPS Surface Mail *Florida Residents add 7% sales tax **Foreign subscription rate applies to most countries - price subject to change due to international postal rates.
    [Show full text]