DOCSLIB.ORG

Kristin Lucas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kristin Lucas Kristin Lucas 5015 39th St, Apt 3B Sunnyside, NY 11104 | [email protected] | 347-645-9587 TABLE OF CONTENTS Education and Professional Appointments, pp. 1-2 Selected Publications, pp. 3-6 Selected Research, pp. 6-13 Selected Scholarly Presentations, pp. 13-16 Research Awards, Grants, and Residencies, pp. 16-17 Representation, p. 17-18 Selected Art Collections, p. 18 EDUCATION 2006 M.F.A., Art Practice, Stanford University, Stanford, CA 1994 B.F.A., The Cooper Union School of Art, New York, NY PROFESSIONAL APPOINTMENTS Fall 2013 – present University of Texas at Austin, Austin, TX Assistant Professor of Transmedia Fall 2008 – Summer 2013 Bard College, Annandale-on-Hudson, NY Assistant Professor of Studio Art Summer 2012, 2013, 2016 New York Arts Practicum, New York, NY 2013 Artist Mentor Summer 2007, 2008, 2011 Milton Avery Graduate School of Arts, Bard College, Annandale-on-Hudson, NY 2007 Guest Artist of Film/Video 2008 Guest Artist of Performance Art 2011 Visiting Artist of Film/Video Fall 2007 California College of Arts, Oakland, CA Lecturer, Media Arts Graduate Adviser 1 Spring 2004 University of Texas at Austin, Austin, TX Visiting Adjunct Professor of Transmedia Graduate Adviser Spring 2001 New York University, New York, NY Instructor, Studio Art Graduate Advisor Spring 2000 Harvard University, Cambridge, MA Visiting Artist, Office for the Arts SELECTED PUBLICATIONS (WRITING ABOUT MY WORK) Selected Books 2020 Barbara London, Video/Art, The First Fifty Years, Phaidon Press, New York, January 2020. 2019 The Art Happens Here: Net Art Anthology, Rhizome, New York, NY, 2019, pp. 249-252. 2018 Leah Shafer and Iskandar Zulkarnain, “Immediacy, Hypermediacy and the College Campus: Using Augmented Reality for Social Critique”, Feminist Interventions in Digital Pedagogy, Routledge, September 14, 2018, pp. 108-117. 2017 "On Names", Edited by Konstantina Georgelou & Janez Janša, Performance Research, Vol. 22, Issue 5, December 19, 2017, pp. 24-27. 2015 Paul Slocum, “A Brief History of And/Or Gallery”, Mass Effect, Edited by Lauren Cornell and Ed Halter, New York: MIT Press and The New Museum, 2015, pp. 124, 134. 2015 Poetics and Politics of Data: The Ambivalence of Life in a Data-driven Society, Edited by Sabine Himmelsbach and Claudia Mareis, HeK (House of Electronic Arts Basel), Basel: Christoph Merian Verlag, 2015, pp. 37, 128. 2015 Les Oracles, Edited by Marisa Olson, Paris: XPO Gallery, with PWR Studio, 2015, pp. 7-8, 11-13. 2013 Marisa Olson, “The Rhetoric of Soft Tools”, Edited by Kathy High, Arts RPI, Sherry Miller Hocking, ETC, and Mona Jimenez, The Emergence of Video Processing Tools: Television Becoming Unglued, Summer 2013, pp. 233-234, 400. 2013 Zhang Ga, “From Time Lapse to Time Collapse or From Representation to Presentation”, Relive: Media Art Histories, Edited by Sean Cubitt and Paul Thomas, Cambridge, London: MIT Press, 2013, p. 31. 2010 REFRESH, Chicago: Soberscove Press, October 1, 2010. 2006 Anna Harding, MAGIC MOMENTS: Collaborations Between Artists and Young People, Black Dog Publishing Ltd,, March 30, 2006. 2003 Michael Rush, Video Art. Thames & Hudson. 2003. 2000 Kristin Lucas: Are you still blam?, O.K Center for Contemporary Arts Upper Austria, Linz, May 2000. 2 1999 Michael Rush, New Media in Late Twentieth Century Art, Thames and Hudson. 1999. Selected Exhibition Catalogs 2018 "Welcome to the Media Jungle", Media Lab, Cinekid Festival, Amsterdam, The Netherlands, 2018, p. 165. 2018 “EarthxImpact”, EarthxFilm, Dallas, TX, Fall 2018. 2018 "Refresh", Net Art Anthology, Rhizome, online publication, March 23, 2018. 2017 "Digital World", Media Lab, Cinekid Festival, Amsterdam, The Netherlands, 2017. 2017 Visions of the Now, Edited by Anna Lundh, Sternberg Press, October 2017. 2016 Queens International 2016, Edited by Lindsey Berfond and Hitomi Iwasaki, Queens: Published In-house by Queens Museum and online, 2015. 2014 Franklin Street Works, “It Narratives: The Movement of Objects as Information”, Edited by Brian Droitcour and Zanna Gilbert, Stamford: Franklin Street Works, 2014. Exhibition pamphlet. 2014 Usdan Gallery, Bennington College, “Slipped Gears”, Edited by Roddy Shrock, Bennington College, Portland: Publication Studio, with 4REAL.io, 2014. Reviews 2001 Frank Motz, “Bread and Circus”, Play’s the Thing (Whitney Independent Study Curatorial Program catalogue), May 2001. 2000 Yvonne Volkart, “Tamed Girls Running Wild: Figurations of Unruliness in Contemporary Video Art”, <hers> - Video as Female Terrain, steirischer herbst 7, Graz, Austria. 2000. Selected Articles, Reviews and Interviews 2019 Joan Kee, “DUE PROCESSES: Art by Law”, Artforum, May 2019. 2019 “No Proscenium, Looking for Reasons to Interact at Teknopolis 2019 (The NoPro Review”, March 8, 2019. 2018 Allison Meier, "Dance with Digital Flamingos to Raise Awareness of Habitat Loss", Hyperallergic, September 28, 2018. 2018 Alicia Dietrich, “Dancing with flamingos”, Arts Next, College of Fine Arts, University of Texas at Austin, Fall 2018. 2018 Review, “Kristin Lucas: FLARMINGOS”, BLAU, Berlin, Germany, Fall 2018. 2018 Kevin Duggan, “Common Ground: Art, Data, and Ecology at New York State Field Stations”, New York City Urban Field Station, Harvestworks Digital Media Arts Center and The New York City Urban Field Station, New York, NY, p.16, July 2018. 2018 Aria Dean and Kristin Lucas, "Naming is a Protocol: An Interview with Kristin Lucas", Rhizome, March 23, 2018. 2018 “Broadcasting: EAI at ICA, Institute of Contemporary, Art at the University of Pennsylvania, Philadelphia”,Mousse Magazine, March 10, 2018. 2018 "Transmedia Professor Kristin Lucas launches FLARMINGOS app", Department of Art and Art History, University of Texas at Austin, March 5, 2018. 2018 Carrie Ida Edinger, “Broadcasting: EAI at ICA”, New Media Caucus, February 12, 2018. 2018 “Sneak Peak inside this year’s digiPlaySpace at TIFF”, Canadian Reviewer, February 18, 2018. 2018 Andy Campbell, “Critic’s Pick Los Angeles: Kristin Lucas”, Artforum, January 2018. 2017 Christopher Trout, “’Dance with flARmingos’ in a mixed reality mating ritual”, Engadget, November 10, 2017. 3 2017 Mat Smith, “I wore a (virtual) flamingo head while smelling of the wetlands”, Engadget, November 14, 2017. 2017 Mat Smith, “'Dance with flARmingos' hides a deeper discussion behind goofy dance moves”, 8.5-min video documentary, Engadget, November 22, 2017. 2017 "Proper and Improper Names: Identity in the Information Society", We Make Money Not Art, November 20, 2017. 2017 Djanlissa Pringels, “The hilarious criticism of children on the art of Cinekid”, Creators | Vice, October 25, 2017. 2017 Thomas Dahm, “Ward Janssen: new emotional technology boundaries”, Neon Moire, October 13, 2017. 2017 Elise Vider, “Science Center’s Esther Klein Gallery explores the interdependence of art and science”, Keystone Edge, Philadelphia, PA, September, 13, 2017. 2017 "UT Studio Art Professor Kristin Lucas Awarded $100,000 for Project that Pushes the Boundaries of Alternate Reality", Department of Art and Art History, University of Texas at Austin, September 7, 2017. 2017 Christopher Trout, “The grantees of Engadget’s $500,000 immersive arts program”, Engadget, August 18, 2017. 2017 Janko Roettgers, “Engadget Awards $500,000 to These Five Immersive Art Projects (EXCLUSIVE)”, Variety, August 8, 2017. 2017 Boston Chronicle, “Chronicle: What’s New – Augmented Reality”, WCBV5, July 20, 2017. 2017 Claire Selvin, “Virtual Reality and Public Art Collide in ‘Augmented Landscapes’”, Boston Magazine, May 25, 2017. 2017 Donna Seger, “Spectral Visions on Derby Wharf”, Streets of Salem, May 31, 2017. 2017 Aaron Scott, “Oregon Virtual Reality Incubator Takes Artists Into New Worlds”, Oregon Public Broadcasting, February 24, 2017. 2016 Emily Colucci, “Virtual Viewership: Kristin Lucas and Joe McKay’s ‘Away From Keyboard’”, Master & Dynamic’s The 10,000, January 12, 2016, http://blog.masterdynamic.com/article/away-from-keyboard-postmasters Akiko Ichikawa, “New Media Artists Mourn Tekserve, a Tech Oasis in New York”, Hyperallergic, July 26, 2016. 2016 Wendy Vogel, “Reviews: Kristin Lucas and Joe McKay”, Art in America, March 9, 2016. 2016 Brian Zegeer, “Lawn Furniture”, Queens International 2016, Queens Museum, 2016. 2015 The Art F City Staff, “The Best Shows of 2015”, Art F City, December 31, 2015, 2015 Michael Anthony Farley and Rea McNamara, “This Week’s Must-See Art Events: It’s All About the Turtlenecks”, Art F City, December 8, 2015. 2015 Bad at Sports, Brian Andrews, and Patricia Maloney,"Interview with Tanya Zimbardo", Art Practical (blog and podcast), September 22, 2015. 2015 Sally McKay, “Kristin Lucas’s Refresh: Embodied Imaginings”, RACAR vol. 40, No. 1 (Spring 2015), Montreal: Universities Art Association of Canada, pp. 55-60. 2015 Jeppe Ugelvig, "XPO Gallery presents 'Les Oracles'”, DIS Magazine, February 13, 2015. 2015 Rachel Small, “Where Reality Ends”, Interview Magazine, February 19, 2015. 4 2013 Tyler Colburn, “Highlights 2013”, Frieze Blog, December 20, 2013. 2013 Courtney Fiske, “In the Studio: Kristin Lucas”, Art in America, September 4, 2013. 2009 Charissa N. Terranova, “Reviews: Kristin Lucas, And/Or Gallery”, Art Lies: A Contemporary Art Quarterly, Issue 58, Summer 2009. 2008 Lauren O’Neill-Butler, “Reviews: Kristin Lucas, Postmasters Gallery”, Artforum, January 2008. 2008 Michael Rush, “Review: If Then Else End If”, Art In America, April 2008. 2007 Sara Mameni, “Invasion of the Cybernetic Hand and Other Predicaments”, The Fillip Review, Number 5, Spring 2007. 2006 Marcia Tanner, “KRISTIN LUCAS: Involuntary Reception
Load more

Recommended publications
  • Translation in the Work of Omer Fast Kelli Bodle Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 (Mis)translation in the work of Omer Fast Kelli Bodle Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Bodle, Kelli, "(Mis)translation in the work of Omer Fast" (2007). LSU Master's Theses. 4069. https://digitalcommons.lsu.edu/gradschool_theses/4069 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. (MIS)TRANSLATION IN THE WORK OF OMER FAST A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Kelli Bodle B.A., Michigan State University, 2002 August 2007 Table of Contents Abstract……...……………………………………………………………………………iii Chapter 1 Documentary and Alienation: Why Omer Fast’s Style Choice and Technique Aid Him in the Creation of a Critical Audience……………………………… 1 2 Postmodern Theory: What Aspects Does Fast Use to Engage Audiences and How Are They Revealed in His Work……………………………………….13 3 Omer Fast as Part of a Media Critique……………………….………………31 4 Artists and Ethics……………….……………………………………………39 5 (Dis)Appearance of Ethics in Omer Fast’s Videos..…………………………53 Bibliography……………………………………………………………………………..64 Vita...……………………………………………………………………………………..69 ii Abstract For the majority of people, video art does not have a major impact on their daily lives.
    [Show full text]
  • Pressemappe Deutsch
    ¬ UNDABDIEPOST2002 - Fünftes Festival der neuenNeuen Kunst ¬ insideout 15.09.15.09. - - 20.10.2002 20.10.2002 BunkerBunker an an der der Reinhardtstraße Reinhardtstraße Berlin-MitteBerlin-Mitte Der Bunker Reinhardtstraße, Ecke Albrechtstraße erbaut 1942 Inhalt Pressemitteilung Liste der Künstler und Kuratoren Veranstaltungsort Veranstalter Kooperationspartner Künstler Kuratoren Impressum Pressemitteilung Kunst und Raum - Symbiose oder Konfrontation? Das Festival kombiniert Dynamik und Statik an einem historischen Ort, dem überirdischen Bunker an der Reinhardtstraße, Berlin-Mitte. Aus militärischer Hilflosigkeit entstanden, stellt sich der Bunker heute nur selbst dar. Die Dominanz des Bauwerkes fordert die Künstler heraus, den Ort mit Leben zu erfüllen, welches die Statik dieses Raumes aufbricht. INSIDEOUT ist darauf ausgerichtet, Berliner Kunst neuen Positionen anderer Metropolen gegenüberzustellen. Das Festival zeigt künstlerische Tendenzen beispielhaft an den signifikant Impulse gebenden Weltstädten Prag, Berlin und New York. INSIDEOUT wird das Innere des Bunkers erstmalig für Neue Kunst zugänglich machen und leitet damit den Prozeß des Umbaus in einen internationalen Ausstellungsraum ein. Ziel ist es, diesen ungewöhnlichen Raum künstlerisch zu erschließen und für eine kontinuierliche Bespielung zu sorgen. Der Eigentümer, die Nippon Development Corporation, wird den Bunker im Anschluß an das Festival im Zuge einer Komplettsanierung neu gestalten. Die Berliner Kunstlandschaft wird um eine ungewöhnliche und dauerhafte Kunststätte reicher. INSIDEOUT Eröffnung 14.09.2002 um 20:00 Uhr Dauer 15.09.2002 – 20.10.2002 Öffnungszeiten Sonntag - Donnerstag, 11:00 - 21:00 Uhr Freitag - Samstag, 11:00 - 24:00 Uhr Eintritt 4,-- EUR, montags 2,-- EUR Veranstaltungsort Bunker an der Reinhardtstraße, Berlin-Mitte Kuratoren Johann Nowak (Berlin), Simona Mehnert (Prag), Eva Scharrer (New York) Veranstalter aktions galerie e.V., Auguststraße 21, 10117 Berlin Schirmherrschaft S.E.
    [Show full text]
  • Download PDF of CV
    Productions & Exhibitions 2019 Web-Retro, SeMA, Buk-Seoul Museum of Art, South Korea 2018 NEGOCIO, Caja Blanca del Centro Cultural Las Cigarreras, Alicante, Spain curated by David Machado Gutierrez, Alba Garcia Martinez, Beatriz Martinez-Villagrasa, Miguel Soria Andurell Future Perfect, curated by Nadav Assor, Hygienic Art Gallery, New London, Connecticut as part of Intersections: the 16th Biennial Symposium on Arts & Technology, Connecticut College OS 2018, curated by Flavia Souza, The Clemente Soto Velez Cultural and Educational Center, Manhattan, NY 2017 Art In Odd Places, El Museo del Barrio, NYC, curated by Nicolás Dumit Estévez Raful with Rocío Aranda (El Museo) and Jodi Waynberg (Artists Alliance Inc) Stronger Together, Knockdown Center, NYC, curated by Leaders in Software and Art (LISA) Interface/Landscape 2016 New Media Exhibition, Ithaca College, NY, curated by Claudia Costa and Dale Hudson for the Finger Lakes Environmental Film Festival 7th International Video Art Festival Camaguey, Cuba, curated by Jorge Luis Santana Unnatural Election: Artists Respond to the 2016 US Presidential Election, Kimmel Galleries, New York University, curated by Andrea Arroyo 2016 CURRENTS 2016 International New Media Festival, El Museo Cultural de Santa Fe, NM curated by Mariannah Amster and Frank Ragano Lettuce, Artichokes, Red Beets, Mangoes, Broccoli, Honey and Nutmeg: The Essex Street Market as Collaborator, Cuchifritos Gallery + Project Space, curated by Nicolas Dumit Estevez 2015 Electronic Arts and Video Festival Transitio_MX,curated by
    [Show full text]
  • Presseheft CONTINUITY
    CONTINUITY – Film von / by Omer Fast CONTINUITY Film von / film by Omer Fast, Deutschland 2012, 41 min Synopsis Torsten und Katja, verheiratet und mittleren Alters, bereiten einen festlichen Empfang in ihrem Haus vor. Sie fahren zum Bahnhof und holen Daniel ab, ein schlaksiger junger Mann in Bundeswehruniform, der auf sie wartet. Das Treffen ist unbeholfen: die Eltern werden emotional, während der Sohn immer distanzierter und passiver wird, unsicher und komisch. Zuhause erwidert er die elterliche Zuneigung nicht, was sie verstört und aufwühlt. Katja macht einen letzten Versuch, ihren Sohn zu erreichen, indem sie ihn leidenschaftlich streichelt als er schon im Bett ist. Er stellt sich aber schlafend und sie gibt auf. Am nächsten Tag sitzen Torsten und Katja wiederum in ihrem Auto und fahren zum Bahnhof. Die Stimmung zwischen ihnen ist angespannt. Sie sprechen kaum. Ein anderer junger Mann in Bundeswehruniform wartet an der gleichen Stelle. Am nächsten Tag fahren Torsten und Katja erneut zum Bahnhof... English A young German soldier returns to his parents' house after serving in Afghanistan; the action repeats three times, with the soldier played by a different actor in each version. CONTINUITY is the story of a family seeking to reconstruct their lost son's return by hiring a series of male prostitutes. Uraufführung / premiere am 7. Juni 2012 auf der / June the 7th, 2012 at dOCUMENTA13 in Kassel Pressestimmen / press "If Omer Fast’s creepy and incestuous Continuity made me want to take a shower (the expert film follows a bourgeois German couple as they hire male escorts to enact the speculative homecoming of the son that they lost in Afghanistan)." (art-agenda.com) "Tief verstörend, geradezu deprimierend und schmerzhaft der Film „Continuity“ von Omer Fast: Ein Ehepaar lässt Callboys ihren in Afghanistan gefallenen Sohn spielen.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vitae Education 2006 M.F.A., Art Practice, Stanford University, Stanford, CA 1994 B.F.A., The Cooper Union School of Art, New York, NY Teaching Experience Fall 2013 – present University of Texas at Austin, Austin, TX Assistant Professor of Transmedia Digital Foundations Video Art I: Video Art Video Art I: Experimental Video and the Internet Video Art I: Art and the Internet Video Art II/III: Moving Image Installation Video Art II/III: Performance Art, Media and Location Expanded Media Art I Expanded Media Art II/III Independent Study: Undergraduate and Graduate Graduate Critique Graduate Seminar: Moving Image Art from Screen to Headset Fall 2008 – Summer 2013 Bard College, Annandale-on-Hudson, NY Assistant Professor of Studio Art Sculpture I: Introduction to Sculpture Sculpture II: Video Installation Sculpture II: Network Art Sculpture II: The Artists Body Scuplture II: Electric Café (Electronics, Physical Computing) Sculpture III: Live Art/Performance Art Sculpture III: Let’s Get Physical (Digital Fabrication, Locative Media) Independent Study Summer 2012, 2013, 2016 New York Arts Practicum, New York, NY 2012 Site Visit 2013 Artist Mentor 2016 Site Visit Summer 2007, 2008, 2011 Milton Avery Graduate School of Arts, Bard College, Annandale-on-Hudson, NY 2007 Guest Artist of Film/Video 2008 Guest Artist of Performance Art 2011 Visiting Artist of Film/Video Fall 2007 California College of Arts, Oakland, CA Lecturer, Media Arts Media Arts II: Navigation in the Middle Ground Graduate Adviser Spring 2004 University of Texas at Austin,
    [Show full text]
  • Artist Bio: Kristin Lucas
    KRISTIN LUCAS EDUCATION 2006 MFA, Stanford University, Stanford, CA 1994 BFA, The Cooper Union School of Art, New York, NY SOLO EXHIBITIONS / PERFORMANCES 2019 Speculative Habitat for Sponsored Seabirds, Whitney Museum, Generative 3D Animation for the Web AR Interventions, Studio REV at Spring/Break Art Show, New York, NY 2016 Kristin Lucas: Weird Object, Aurora Picture Show, Houston, TX 2015 Kristin Lucas: Dance with flARmingos, Gallery Protocal, Gainesville, FL Involuntary Reception, The Box, The Wexner Center for the Arts, Columbus, OH 2014 Air on the Go, XPO Gallery, Paris, France 2013 Refresh Cold Read, Visions of the Now Festival, Flykingen, Stockholm, Sweden 2012 Yard Sale in the Sky, Commissioned by Art Alliance Austin/Fusebox, Festival Austin, TX The Sole Ripper, Rhizome Download Series, Rhizome, New York, NY Speed Show, Living Space Internet Café, London, UK 2011 Everyone Loves My Cocoa Krispies, Commisioned by Low Lives 3: Networked Performance Festival, UMFA, Salt Lake City, UT 2010 Video Check Out, Wisconsin Union Galleries, Madison, WI 2009 Edith Russ Site for Media Art, Oldenburg, Germany Versionhood Party, Edith Russ Site for Media Art, Oldenburg, Germany 2008 Show #14: Kristin Lucas, And/Or Gallery, Dallas, TX Versionhood: Libra Party, Centraltrak, University of Texas, Dallas, TX 2007 If Then Else End If, Postmasters, New York, NY Outside, John Erickson Museum of Art (JEMA), Location variable: Weimar, Germany 2006 if lost then found, Or Gallery, Vancouver, BC 2005 Tribute, Postmasters, New York, NY Draw on Experience, San
    [Show full text]
  • Rachel Urkowitz
    Rachel Urkowitz www.rachelurkowitz.com Solo and 2 Person Exhibitions 2020 2019 Hot House, DeChiara Projects, New York/Berlin; Kingston Project Space 2006 Like, with Ryan Humphrey, curated by S. Reisman, PS 122 Classroom Gallery, NY 2004 Permanent Foliage, Michael Steinberg Fine Art, New York, NY Up and Coming, (w/Augusto Arbizo), Michael Steinberg Fine Art at ARCO, Madrid, Spain 2003 Flat Garden, Galerie Michael Neff, Frankfurt, Germany 2002 White Room (Everything Must Go), White Columns, New York, NY 1993 Penn Central, Maxwell's, Hoboken, NJ 1991 Utensils, San Francisco Art Institute, San Francisco, CA Selected Group Exhibitions 2020 The Making Of…, DeChiara Projects, Artport Kingston, Kingston, NY 2019 Second Nature, DeChiara Projects, Kingston, NY Derek Haffar/Rachel Urkowitz, faculty showcase, Parsons School of Design, NY Summertime Bliss, Jamie Forbes Gallery, Center Moriches, NY Winter Show, Westbeth Gallery 2018 Faculty Showcase, Microscopic Landscapes, Parsons School of Design, NY 2017 Holiday Pop Up Show, De Chiara Projects, Hudson Valley, NY Haus Warming, De Chiara Projects, Hudson Valley, NY Winter Show, Westbeth Gallery, NY Meet Us Here, De Chiara Project Space, Mitte, Berlin, Germany 2016 De Chiara Projects booth and outdoor installation @Market Art + Design Fair, Bridgehampton, NY 2014 Five Myles Benefit Exhibition and Auction, Five Myles Gallery, Brooklyn, NY Color Formed, curated by Jim Osman, Five Myles Gallery, Brooklyn, NY Artpark, Pop up Gallery, curated by ArtPOD, Berlin/NYC 2012 Small Sculpture (by big people), Big
    [Show full text]
  • C:\Dokumente Und Einstellungen\Administrator
    ¬ UNDABDIEPOST2002 - Fünftes Festival der neuen Kunst UNDABDIEPOST2002 - Fifth Festival of Contemporary Art ¬ insideout 15.09.09.15. - - 20.10.2002 10.20.2002 BunkerBunker an in der the Reinhardtstraße Reinhardtstraße Berlin-MitteBerlin-Mitte The Bunker Reinhardtstraße, corner of Albrechtstraße built 1942 Contents Press Announcement List of Artists and Curators Location Organiser Partners Artists Curators Imprint Press Announcement Art and locality - symbiosis or confrontation? The festival confronts dynamism and stability at a historic location, the above- ground bunker in the Reinhardtstraße, Berlin-Mitte. Originally constructed as a reaction to military helplessness, the bunker today signifies for us nothing beyond its own dominant presence, the hulking, weighty nature of the building challenging the artists to invest its innards with a softening vitality. INSIDEOUT is conceived with the intention of bringing Berlin art face to face with artistic positions of other cities; the festival draws exemplary impulses from the important centres Prague, Berlin and New York. INSIDEOUT is the first step towards transformation of the bunker into an exhibition space for new art in an international context. Our goal is to recuperate these unusual rooms for a continual programme of activities. Owners of the building Nippon Development Corporation will after closure of the exhibition begin a complete restoration and conversion of the building. More detailed information can be found appended to this press release. INSIDEOUT Opening 09.14.2002 Duration 09.15.2002 – 10.20.2002 Opening Times Sunday - Thursday, 11:00 am – 9:00 pm Friday - Saturday, 11:00 am - 12:00 pm Admission 4, - EUR, on mondays 2, - EUR Location The bunker in the Reinhardtstraße, Berlin-Mitte Curators Johann Nowak (Berlin), Simona Mehnert (Prague), Eva Scharrer (New York) Organiser aktions galerie e.
    [Show full text]
  • Read Full Report
    WELCOME FROM THE BAI Dear Friends, The 2020 academic year ended in a way that was quite different from what we had originally envisioned. In mid-March, Brown made the difficult but correct decision to move all operations remote in the wake of the beginning of the COVID-19 pandemic. In the midst of the early-pandemic confusion, the BAI was able to shift its programming, creating a BAI@ Home website to continue bringing arts events to our audiences. This year we completed our first three-year theme focused on arts and the environment, presenting the TERRA symposium, which explored our relationship to land, and how it sustains us. We were also thrilled to welcome (in conjunction with our community partner, FirstWorks) Taylor Mac, who presented A 24-Decade History of Popular Music (Abridged). Through the following pages, we will bring you through the strangest year we’ve experienced, and how we came out on the other side, and how the arts helped us find our community during a time of increased isolation. Until next time, Team BAI ABOUT BROWN ARTS INITIATIVE The Brown Arts Initiative (BAI) at Brown University seeks to cultivate creative expression and foster an interdisciplinary environment where faculty and students learn from one another and from artists and scholars in a wide range of fields across the campus and around the world. A consortium of six arts departments and two programs that encompass the performing, literary and visual arts, the BAI works collaboratively to enhance curricular and co-curricular offerings, directly engage students with prominent artists working in all genres and media, and support a diverse program of concerts, performances, exhibitions, screenings, lectures and symposia each year.
    [Show full text]
  • Open Studios May 19Th – 20Th | the Clemente
    (/) ABOUT (HTTP://WWW.THECLEMENTECENTER.ORG/ABOUT/) EVENTS (HTTP://WWW.THECLEMENTECENTER.ORG/EVENTS/) View all Events (/events) SPACE (HTTP://WWW.THECLEMENTECENTER.ORG/SPACE/) VISIT (HTTP://WWW.THECLEMENTECENTER.ORG/VISIT/) IN RESIDENCE (HTTP://WWW.THECLEMENTECENTER.ORG/IN-RESIDENCE/) OPEN CALL (HTTP://WWW.THECLEMENTECENTER.ORG/OPEN-CALL/) NEWS (HTTP://WWW.THECLEMENTECENTER.ORG/NEWS/) Open Studios May 19th – 20th May 19 – 20, 2017 Entertainment The Clemente Open Studio Event, May 19th & 20th, 2017 The Clemente Soto Velez Cultural and Educational Center is hosting its annual Building-Wide Visual & Performing Arts Open Studios Event on Friday, May 19th, from 6-9pm and Saturday, May 20th, from 2-9pm and will feature performance, dance and musical events. All events are FREE and open to the public. Come explore this culturally diverse community which houses 11 visual and performing arts organizations and over 46 visual artists’ studios in the beautiful, former PS 160 designed by Charles B. J. Snyder in the collegiate neo-gothic style in 1897. In addition, there will be two gallery exhibitions, Unknown and Unidentified: Art and artifacts from the ABC No Rio Collection in the Abrazo Gallery, located on the 2nd floor (May 6-25), and an exhibition of sculptural works by resident and guest artists in the LES Gallery, located on the 1st floor (May 6-25). A Capoeira Warrior Stick performance and class for children and teens, an Open Drum Circle, and The Visionary Youth Orchestra are only some of the free events in the Clemente’s Flamboyan theater. Friday, May 19th, 6 – 9pm & Saturday, May 20th 2 – 8pm Open Studios: Over 46 artists studios, their guest artists, and four AAI artists residency studios are open to the public on the 3rd 4th & 5th floors.Saturday, May 20th, 6 – 9pmReception for Unknown and Unidentified: Art and artifacts from the ABC No Rio Collection in the Abrazo Gallery, 2-9 PERFORMING ARTS AND PERFORMANCE ART Friday, May 19th CAPOEIRA In the Flamboyan Afro Brazil Arts Capoeira and drum circle.
    [Show full text]
  • Familiengeschichte Kröck Teil III FIVE CEN T U R I E S of a K R O C K
    Familiengeschichte Kröck Teil III Auszüge aus der weltweiten Famliengeschichte von Donald Kroeck USA D E S C E N D A N T S O F J O H A N N J U S T U S K R O C K CIRCA 1628, WUNSCHENSUHL, DUCHY OF THURINGA - NOVEMBER 20,1703, HOLZHAUSEN AN DER HAIDE, DUCHY OF HESSE FIVE CEN T U R I E S OF A K R O C K / K R O E C K F A M I L Y FEATURING A 2 0 0 0 A. D. C A L E N D A R OF BIRTHDAYS AND WEDDING ANNIVERSARIES, A F A M I L Y P H O T O E S S A Y A N D C O L L A G E S, A F A M I L Y T R E E , AND A D E M O G R A P H I C / L O N G E V I T Y D A T A C O L L E C T I O N JOHANN JUSTUS KROCK # 1, PUBLICATIONS WHERE EVER IN THE WORLD NOVEMBER 20, 1999 46 Rolling Lane Hamilton Square New Jersey November 20, 1999 1 v 93 Fam. Kröck Teil III 2 v 93 Fam. Kröck Teil III DIRECTORY TABLE OF CONTENTS FOR 2000 KROCK/KROECK PUBLICATION Page Topic Page Topic 01 Directory Contents for 2000 Publication 02 Directory Contents for 2002 Publication 03 COVER - TITLE 54 SECTION THREE BM Map D Wuert. 04 Author Letter to K Families 55 Maps A,E&H ThNurNJ 05 Author Letter to State Archives - P-1 56 Maps F&G Ohio 06 “ “ “ “ P-2 57 Photos -Hesse 07 COVER - TITLE 58 -Nurnberg 08 TABLE OF CONTENTS 59 - Ohio 09 SECTION ONE - TITLE Family Considerations 60 - Can/NJ 10 Table of Contents 61 SECTION FOUR - TITLE - Family Tree 11 Dedication of 2000 62 Table of Contents 12 In Memorium P-1 63 SECTION FIVE - TITLE -DEMOGRPHCS 13 “ “ P-2 64 Table of Contents 14 Origin of K Name 65 Fam Req Delete 15 Acknowledgment 66 SECTION SIX TITLE WORK IN PROGRSS 16 Authors Comments 67 OTHER USEFULL
    [Show full text]
  • Sterling Ruby
    Sterling Ruby Bibliographie / Bibliography Bücher und Kataloge (Auswahl) / Selected books and catalogues 2019 Gartenfeld, Alex / Respini, Eva: Sterling Ruby, Munich, DE: Prestel Verlag; Miami, FL: Institute of Contemporary Art; Boston, MA: Institute of Contemporary Art. Morse, Jed: Sterling Ruby: Sculpture, Esslingen, DE: Cantz. Nakanishi, Hiroyuki / Ikeda, Ayumi / Stephens, Christopher: Abstraction: Aspects of Contemporary Art, Osaka, JP: The National Museum of Art. Porter, Jenelle: Sterling Ruby: ACTS + TABLES, New York, NY: Gagosian. Respini, Eva, et al.: Huma Bhabha: They Live., New Haven, CT: Yale University Press; Boston, MA: Institute of Contemporary Art. Dior: From Paris to the World, Dallas, TX: Dallas Museum of Art. La Source, Paris, FR: David Desrimais Editeur, Fondation Carmignac. REFLECTIONS Seoul, KR: Gana Art Center. 2018 Berardini, Andrew: Sterling Ruby: HEARTS + CLUBS, Brussels, BE: Pierre Marie Giraud. Betsky, Aaron: Jim Olson: Building, Nature, Art, London, UK: Thames & Hudson. Böhm, Elisabeth, et al.: Proof of Life, Bremen, DE: Weserburg Museum für moderne Kunst. Britt, Tyler: Sterling Ruby: DRFTRS, Brussels, BE: Xavier Hufkens. Fleming, Jeff / Peña, Theodore / Clark, Garth: Sterling Ruby: Ceramics, Des Moines, IA: Des Moines Art Center. Ruby, Sterling: Sterling Ruby: VERT, Tokyo, JP: Taka Ishii Gallery. Ruby, Sterling: Sterling Ruby: WIDW, Brussels, BE: Xavier Hufkens. Simons, Raf / Ruby, Sterling, et al.: Beyond the Collaboration, Berlin, DE: Sternberg Press; Cambridge, MA: Havard University, Graduate School of Design. Sinding, Adam Katz: This is Not A F*cking Street Style Book, Kempen, DE: TeNeues Publishing Group. Zana, Charles / Vignal, Marion: Charles Zana: The Art of Interiors, New York, NY: Rizzoli. 2017 Acevedo, Melanie, et al.: The Authentics, New York, NY: Clarkson Potter.
    [Show full text]