Kristin Lucas 5015 39th St, Apt 3B Sunnyside, NY 11104 | [email protected] | 347-645-9587 TABLE OF CONTENTS Education and Professional Appointments, pp. 1-2 Selected Publications, pp. 3-6 Selected Research, pp. 6-13 Selected Scholarly Presentations, pp. 13-16 Research Awards, Grants, and Residencies, pp. 16-17 Representation, p. 17-18 Selected Art Collections, p. 18 EDUCATION 2006 M.F.A., Art Practice, Stanford University, Stanford, CA 1994 B.F.A., The Cooper Union School of Art, New York, NY PROFESSIONAL APPOINTMENTS Fall 2013 – present University of Texas at Austin, Austin, TX Assistant Professor of Transmedia Fall 2008 – Summer 2013 Bard College, Annandale-on-Hudson, NY Assistant Professor of Studio Art Summer 2012, 2013, 2016 New York Arts Practicum, New York, NY 2013 Artist Mentor Summer 2007, 2008, 2011 Milton Avery Graduate School of Arts, Bard College, Annandale-on-Hudson, NY 2007 Guest Artist of Film/Video 2008 Guest Artist of Performance Art 2011 Visiting Artist of Film/Video Fall 2007 California College of Arts, Oakland, CA Lecturer, Media Arts Graduate Adviser 1 Spring 2004 University of Texas at Austin, Austin, TX Visiting Adjunct Professor of Transmedia Graduate Adviser Spring 2001 New York University, New York, NY Instructor, Studio Art Graduate Advisor Spring 2000 Harvard University, Cambridge, MA Visiting Artist, Office for the Arts SELECTED PUBLICATIONS (WRITING ABOUT MY WORK) Selected Books 2020 Barbara London, Video/Art, The First Fifty Years, Phaidon Press, New York, January 2020. 2019 The Art Happens Here: Net Art Anthology, Rhizome, New York, NY, 2019, pp. 249-252. 2018 Leah Shafer and Iskandar Zulkarnain, “Immediacy, Hypermediacy and the College Campus: Using Augmented Reality for Social Critique”, Feminist Interventions in Digital Pedagogy, Routledge, September 14, 2018, pp. 108-117. 2017 "On Names", Edited by Konstantina Georgelou & Janez Janša, Performance Research, Vol. 22, Issue 5, December 19, 2017, pp. 24-27. 2015 Paul Slocum, “A Brief History of And/Or Gallery”, Mass Effect, Edited by Lauren Cornell and Ed Halter, New York: MIT Press and The New Museum, 2015, pp. 124, 134. 2015 Poetics and Politics of Data: The Ambivalence of Life in a Data-driven Society, Edited by Sabine Himmelsbach and Claudia Mareis, HeK (House of Electronic Arts Basel), Basel: Christoph Merian Verlag, 2015, pp. 37, 128. 2015 Les Oracles, Edited by Marisa Olson, Paris: XPO Gallery, with PWR Studio, 2015, pp. 7-8, 11-13. 2013 Marisa Olson, “The Rhetoric of Soft Tools”, Edited by Kathy High, Arts RPI, Sherry Miller Hocking, ETC, and Mona Jimenez, The Emergence of Video Processing Tools: Television Becoming Unglued, Summer 2013, pp. 233-234, 400. 2013 Zhang Ga, “From Time Lapse to Time Collapse or From Representation to Presentation”, Relive: Media Art Histories, Edited by Sean Cubitt and Paul Thomas, Cambridge, London: MIT Press, 2013, p. 31. 2010 REFRESH, Chicago: Soberscove Press, October 1, 2010. 2006 Anna Harding, MAGIC MOMENTS: Collaborations Between Artists and Young People, Black Dog Publishing Ltd,, March 30, 2006. 2003 Michael Rush, Video Art. Thames & Hudson. 2003. 2000 Kristin Lucas: Are you still blam?, O.K Center for Contemporary Arts Upper Austria, Linz, May 2000. 2 1999 Michael Rush, New Media in Late Twentieth Century Art, Thames and Hudson. 1999. Selected Exhibition Catalogs 2018 "Welcome to the Media Jungle", Media Lab, Cinekid Festival, Amsterdam, The Netherlands, 2018, p. 165. 2018 “EarthxImpact”, EarthxFilm, Dallas, TX, Fall 2018. 2018 "Refresh", Net Art Anthology, Rhizome, online publication, March 23, 2018. 2017 "Digital World", Media Lab, Cinekid Festival, Amsterdam, The Netherlands, 2017. 2017 Visions of the Now, Edited by Anna Lundh, Sternberg Press, October 2017. 2016 Queens International 2016, Edited by Lindsey Berfond and Hitomi Iwasaki, Queens: Published In-house by Queens Museum and online, 2015. 2014 Franklin Street Works, “It Narratives: The Movement of Objects as Information”, Edited by Brian Droitcour and Zanna Gilbert, Stamford: Franklin Street Works, 2014. Exhibition pamphlet. 2014 Usdan Gallery, Bennington College, “Slipped Gears”, Edited by Roddy Shrock, Bennington College, Portland: Publication Studio, with 4REAL.io, 2014. Reviews 2001 Frank Motz, “Bread and Circus”, Play’s the Thing (Whitney Independent Study Curatorial Program catalogue), May 2001. 2000 Yvonne Volkart, “Tamed Girls Running Wild: Figurations of Unruliness in Contemporary Video Art”, <hers> - Video as Female Terrain, steirischer herbst 7, Graz, Austria. 2000. Selected Articles, Reviews and Interviews 2019 Joan Kee, “DUE PROCESSES: Art by Law”, Artforum, May 2019. 2019 “No Proscenium, Looking for Reasons to Interact at Teknopolis 2019 (The NoPro Review”, March 8, 2019. 2018 Allison Meier, "Dance with Digital Flamingos to Raise Awareness of Habitat Loss", Hyperallergic, September 28, 2018. 2018 Alicia Dietrich, “Dancing with flamingos”, Arts Next, College of Fine Arts, University of Texas at Austin, Fall 2018. 2018 Review, “Kristin Lucas: FLARMINGOS”, BLAU, Berlin, Germany, Fall 2018. 2018 Kevin Duggan, “Common Ground: Art, Data, and Ecology at New York State Field Stations”, New York City Urban Field Station, Harvestworks Digital Media Arts Center and The New York City Urban Field Station, New York, NY, p.16, July 2018. 2018 Aria Dean and Kristin Lucas, "Naming is a Protocol: An Interview with Kristin Lucas", Rhizome, March 23, 2018. 2018 “Broadcasting: EAI at ICA, Institute of Contemporary, Art at the University of Pennsylvania, Philadelphia”,Mousse Magazine, March 10, 2018. 2018 "Transmedia Professor Kristin Lucas launches FLARMINGOS app", Department of Art and Art History, University of Texas at Austin, March 5, 2018. 2018 Carrie Ida Edinger, “Broadcasting: EAI at ICA”, New Media Caucus, February 12, 2018. 2018 “Sneak Peak inside this year’s digiPlaySpace at TIFF”, Canadian Reviewer, February 18, 2018. 2018 Andy Campbell, “Critic’s Pick Los Angeles: Kristin Lucas”, Artforum, January 2018. 2017 Christopher Trout, “’Dance with flARmingos’ in a mixed reality mating ritual”, Engadget, November 10, 2017. 3 2017 Mat Smith, “I wore a (virtual) flamingo head while smelling of the wetlands”, Engadget, November 14, 2017. 2017 Mat Smith, “'Dance with flARmingos' hides a deeper discussion behind goofy dance moves”, 8.5-min video documentary, Engadget, November 22, 2017. 2017 "Proper and Improper Names: Identity in the Information Society", We Make Money Not Art, November 20, 2017. 2017 Djanlissa Pringels, “The hilarious criticism of children on the art of Cinekid”, Creators | Vice, October 25, 2017. 2017 Thomas Dahm, “Ward Janssen: new emotional technology boundaries”, Neon Moire, October 13, 2017. 2017 Elise Vider, “Science Center’s Esther Klein Gallery explores the interdependence of art and science”, Keystone Edge, Philadelphia, PA, September, 13, 2017. 2017 "UT Studio Art Professor Kristin Lucas Awarded $100,000 for Project that Pushes the Boundaries of Alternate Reality", Department of Art and Art History, University of Texas at Austin, September 7, 2017. 2017 Christopher Trout, “The grantees of Engadget’s $500,000 immersive arts program”, Engadget, August 18, 2017. 2017 Janko Roettgers, “Engadget Awards $500,000 to These Five Immersive Art Projects (EXCLUSIVE)”, Variety, August 8, 2017. 2017 Boston Chronicle, “Chronicle: What’s New – Augmented Reality”, WCBV5, July 20, 2017. 2017 Claire Selvin, “Virtual Reality and Public Art Collide in ‘Augmented Landscapes’”, Boston Magazine, May 25, 2017. 2017 Donna Seger, “Spectral Visions on Derby Wharf”, Streets of Salem, May 31, 2017. 2017 Aaron Scott, “Oregon Virtual Reality Incubator Takes Artists Into New Worlds”, Oregon Public Broadcasting, February 24, 2017. 2016 Emily Colucci, “Virtual Viewership: Kristin Lucas and Joe McKay’s ‘Away From Keyboard’”, Master & Dynamic’s The 10,000, January 12, 2016, http://blog.masterdynamic.com/article/away-from-keyboard-postmasters Akiko Ichikawa, “New Media Artists Mourn Tekserve, a Tech Oasis in New York”, Hyperallergic, July 26, 2016. 2016 Wendy Vogel, “Reviews: Kristin Lucas and Joe McKay”, Art in America, March 9, 2016. 2016 Brian Zegeer, “Lawn Furniture”, Queens International 2016, Queens Museum, 2016. 2015 The Art F City Staff, “The Best Shows of 2015”, Art F City, December 31, 2015, 2015 Michael Anthony Farley and Rea McNamara, “This Week’s Must-See Art Events: It’s All About the Turtlenecks”, Art F City, December 8, 2015. 2015 Bad at Sports, Brian Andrews, and Patricia Maloney,"Interview with Tanya Zimbardo", Art Practical (blog and podcast), September 22, 2015. 2015 Sally McKay, “Kristin Lucas’s Refresh: Embodied Imaginings”, RACAR vol. 40, No. 1 (Spring 2015), Montreal: Universities Art Association of Canada, pp. 55-60. 2015 Jeppe Ugelvig, "XPO Gallery presents 'Les Oracles'”, DIS Magazine, February 13, 2015. 2015 Rachel Small, “Where Reality Ends”, Interview Magazine, February 19, 2015. 4 2013 Tyler Colburn, “Highlights 2013”, Frieze Blog, December 20, 2013. 2013 Courtney Fiske, “In the Studio: Kristin Lucas”, Art in America, September 4, 2013. 2009 Charissa N. Terranova, “Reviews: Kristin Lucas, And/Or Gallery”, Art Lies: A Contemporary Art Quarterly, Issue 58, Summer 2009. 2008 Lauren O’Neill-Butler, “Reviews: Kristin Lucas, Postmasters Gallery”, Artforum, January 2008. 2008 Michael Rush, “Review: If Then Else End If”, Art In America, April 2008. 2007 Sara Mameni, “Invasion of the Cybernetic Hand and Other Predicaments”, The Fillip Review, Number 5, Spring 2007. 2006 Marcia Tanner, “KRISTIN LUCAS: Involuntary Reception