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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Night Ranger (From the 1983 Album MIDNIGHT MADNESS) Transcribed by Roadkill Words and Music by Jack Blades, Brad Gillis, Alan Francis Fitzgerald
WHEN YOU CLOSE YOUR EYES As recorded by Night Ranger (From the 1983 Album MIDNIGHT MADNESS) Transcribed by Roadkill Words and Music by Jack Blades, Brad Gillis, Alan Francis Fitzgerald Gadd2/B C6 Em7add4 Dm7add4 A7sus4 Am7 Gadd2 G Gmaj7 C x 7 fr. xx 7 fr. x 7 fr. x x 5 fr. x 5 fr. 5 fr. xx 3 fr. x x 3 fr. x x 3 fr. Cadd11 Fadd2 D B E G/B Em D/C Dsus4 G5 x x 3 fr. x x 5 fr. x ` x x ` x 6 fr. x x x 7 fr. x x 7 fr. x x 5 fr. xxx 3 fr. Cmaj7 G/F C/F Dm7 Cmaj9 F/C F C/D x x 3 fr. x x x x x 5 fr. x x 3 fr. x x 5 fr. x x 5 fr. A Intro Moderate Rock = 140 P Gadd2/B C6 Gtr II f (Keyboards play chords) ^ ^ ^ R V V V 1 g P V V V V V V V P V V V V I 4 u u u z u v 1/2 vib. w/bar Gtr I f (Brad Gillis) [[[[[[ M Note:*1 [[[[[[ [[[[[[[[ T 12 (12) O A 12 14 12 14 14 12 12 14 12 14 B H P H Em7add4 ^ 8va ^ ^ V V V V V V V W 5 g c P V V V V I V V V c z u u Trem. bar * Note:*2 7 V 1/2 vib. w/bar Full M A.H. -
CFP Edition 01-09-20
75¢ COLBY Thursday January 9, 2014 Volume 125, Number 005 Serving Thomas County since 1888 8 pages FFREEREE PPRESSRESS Challenge kicks off with torch A Quinter doctor showed off mer Olympics. He ran through the the torch he carried for the 2012 English town of Ascot, near Lon- London Olympics as he gave a don, with athletes and nonathletes pep talk Monday to kick off the of all ages. Runners in the relay Thomas County Wellness Chal- pass the Olympic flame between lenge, urging everyone to live gas burners within their torches, healthy in the new year. Gruenbacher said, so they got to Dr. Doug Gruenbacher spoke keep their torches. His had 8,000 to about 35 people Monday in holes in it to represent each of the the Student Union at Colby Com- torchbearers that year. munity College to open the chal- “My kids always say, ‘Oh, this lenge, which starts Monday. The one’s you, Dad,’” he said with a audience heard about his efforts smile. at keeping himself and others The audience got to pass Gru- healthy and fit. enbacher’s torch around as he “Expectations are huge,” Gru- showed pictures of him and his enbacher said. “They (kids) don’t family in England and France. think twice about being physically He did not compete in the active.” games, but is an avid runner who After-school trip to China He said his son Eli had insisted regularly runs in races here. This on running a 10-kilometer race – summer, he said, he ran 50 miles SAM DIETER/Colby Free about six miles. -
The GAVIN REPORT SINCE 1958
ISSUE 1562 JUNE 21, 1985 the GAVIN REPORT SINCE 1958 ONE HALiLIDIE PLAZA, SUITE 725, SAN FRANCISCO, CALIFORNIA 94102 415.392.7750 RONN EV His brand new single 1'1 EF FT ESUN j ( In the Still of the Night)" .................................. ................................................................... FRO HIS CURRENT ALBUM "GREATEST HITS, VOLUE 2" \-000.0-\ RC,' Records and Cassettes the GAVIN REPORT Editor: Dave Sholin TOP 40 MOST ADDED El MI El 3. 1. 1. PHIL COLLINS - Sussudio (Atlantic) 5. 4. 2. PRINCE - Raspberry Beret (Warner Bros.) //va1Lwf 10. 5. 3. DURAN DURAN - A View To A Kill (Capitol) AND THE NEWS 1. 3. 4. Bryan Adams - Heaven (A&M) 2. 2. 5. Madonna - Angel (Sire/Warner Brothers) 9. 6. 6. A HUEY LEWIS & THE NEWS Survivor - The Search Is Over (Scotti Bros.) The Power Of Love 15. 9. 7. PAUL YOUNG - Every Time You Go Away (Columbia) 12. 10. (Chrysalis) 8. EURYTHMICS - Would I Lie To You (RCA) 20. 182 Adds 15. 9. MADONNA - Into The Groove (Sire/Warner Bros.) 13. 11. 10. CYNDI LAUPER - The Goonies "R" Good Enough (Portrait) BRYAN ADAMS 17. 14. 11. 'TIL TUESDAY - Voices Carry (Epic) Summer Of '69 7. 7. 12. Mary Jane Girls - In My House (Gordy) (A&M) 26. 18. 13. BRUCE SPRINGSTEEN - Glory Days (Columbia) 101 Adds 21. 17. 14. WHITNEY HOUSTON - You Give Good Love (Arista) 19. 16. 15. John Cafferty - Tough All Over (Scotti Bros.) ARETHA FRANKLIN 29. 23. 16. \STING - If You Love Somebody Set Them Free (A&M) Freeway Of Love 25. 22. 17. NIGHT RANGER - Sentimental Street (Camel/MCA) (Arista) 24. -
Von Seiner Beteiligung an Projekten Wie Nordic Union Oder Avantasia
Von seiner Beteiligung an Projekten wie Nordic Union oder Avantasia mal Songs irgendwie mit dem Leben, aber eher auf abgesehen, kennt man die Powerröhre Ronnie Atkins vorrangig als Frontmann melancholische, emotionale und reflektorische Art und Weise. Aber nicht nur meine Krankheit, der PRETTY MAIDS. Mit "One Shot" legt der auf den bürgerlichen Namen Paul sondern auch die Pandemie, der Klimawandel, Christensen hörende Däne nun sein erstes Soloalbum vor. Welcher welcher im Song „Picture Yourself“ behandelt Schicksalsschlag ihn dazu veranlasste und weiteres Wissenswertes zu der wird oder die Unruhen in den USA haben mich Scheibe erzählte mir die bestens aufgelegte Frohnatur mittels Skype-Interview. beim Schreiben der Texte beeinflusst. Haupt- sächlich Dinge, zu denen der Normalbürger In folgendem Gespräch soll´s vorrangig um der sie noch durch Schlagzeugspuren etc. ver- einen Bezug hat. Momentan steckt ja die ge- dein Soloalbum "One Shot" gehen. Ich finde feinert hat. Er hat großartige Arbeit geleistet. samte Welt in einer ziemlich beschissenen Situ- die Scheibe saustark. Ein guter Mix aus har- Ich betrachte ihn sogar als einen Bruder und bin ation. Da gibt es also mehr als genug ernsthafte tem Metal-Stoff und Sachen aus der Pop/ echt stolz auf unsere Zusammenarbeit. Sachen, über die man mal nachdenken müsste. Es geht also weniger um Ritter und Drachen Rock-Richtung. Was war denn deine Inten- Chris hat das Album auch produziert, oder? oder Sex, Drugs & Rock´n´Roll. (lacht) tion, eine Soloscheibe zu veröffentlichen? Richtig! Chris hatte sozusagen den Gesamt- Wie du sicher weißt, wurde 2019 bei mir Lun- überblick über das ganze Projekt. Er hat alles Meine beiden Lieblingsstücke auf dem Album genkrebs diagnostiziert. -
I 100 Migliori Dischi Glam Metal
I TIFONI 5 www.tsunamiedizioni.com Web Tsunami Facebook Copyright © 2012 A.SE.FI. Editoriale Srl Tsunami Edizioni è un marchio registrato di proprietà di A.SE.FI. Editoriale Srl Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com - [email protected] Prima edizione, ottobre 2012 - I Tifoni 5 Curatore: Federico Martinelli Progetto copertina: Moreno Lissoni Gra ca interna: Eugenio Monti Stampato in digitale nel mese di ottobre 2012 da Rotomail Italia S.p.A ISBN: 978-88-96131-46-6 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato, senza l’autorizzazione scritta dell’Editore Sebbenewww.tsunamiedizioni.com sia stato fatto ogni sforzo per rintracciare i titolari dei diritti delle foto pubblicate, ciò non è stato sempre possibile. L’editore rimane a disposizione per essere contattato dagli aventi diritto. i 100 migliori dischi glam metal www.tsunamiedizioni.com INDICE Introduzione ..........................................................................................................9 Aerosmith permanent vacation .......................................................... 14 Alice Cooper Trash .......................................................................................... 16 alleycat scratch deadboys in trash city .................................................... 18 almighty (the) soul destruction ................................................................20 asphalt ballet asphalt ballet .....................................................................22 Babysitters (THE) -
January 1992
VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments -
Rockfest 80'S Returns for Year Three!
Contact: Roy Anthony Rockfest Concerts, LLC. [email protected] Rockfest 80’s Returns For Year Three! Brand New Venue And The Ultimate Line Up To Date, Bringing The Best 80’s Music Festival In The Country. One “Rockin” Veterans Day Weekend ----- 16 Rock Icons Will Grace The Stage (Miramar, FL – July 2018) – Get ready for round three, with the most ultimate line-up set to ignite South Florida this fall for the third Annual Rockfest 80’s festival event. The epic two-day event is coming to Miramar Amphitheater, Saturday November 10th & Sunday November 11th, 2018 – Doors open noon to 10:30pm each day. Tickets are on-sale: http://www.rockfest80s.com This year’s spectacular lineup features: Vince Neil, Ace Frehley, Cinderella’s Tom Keifer, Night Ranger, Sebastian Bach, KIX, Winger, Mr Big’s Eric Martin, Trixter, Firehouse, Steelheart, Nelson, Zebra and Kickin Valentina. Paying homage to South Florida’s local music scene, Rockfest 80’s always brings the best of the best. The local band scene joining the line-up thus far: Stellar Revival and Big Rock Band. Miramar Amphitheater (Home to Rockfest 80's) located in Miramar, FL. is the center piece of the Miramar Regional Park. The completion of the Miramar Amphitheater came in spring of 2017 with a July 4th grand opening. This State of the Art Amphitheater is the only Amphitheater in South Florida with a canopy covering its 3,000 luxury seats, flanked by a general admission lawn that holds an additional 2,000 people. Being one of Broward County’s premier parks and extremely popular serving Miramar, Pembroke Pines, Hollywood and both Ft Lauderdale and Miami. -
Exten.Sions of Remarks the 1930 Anniversary of the U.S
July 1, 1968 EXTENSIONS OF REMARKS 19555 EXTEN.SIONS OF REMARKS THE 1930 ANNIVERSARY OF THE U.S. $100 million of its program represents of river waterways and canals. Virtually ARMY CORPS OF ENGINEERS about 10,000 jobs. Viewed from another all our major cities, and scores of mil angle, the $110 million already deducted lions of our people, stand in our river from the corps' program this year by our valleys secure from flood, thanks to the HON. MICHAEL J. KIRWAN oon1n1ittee because of the serious fiscal Corps of Engineers. Their hydroelectric OF OHIO situation represents the abolition of power generation facillties which will IN THE HOUSE OF REPRESENTATIVES 11,000 job~uiva.lent to wiping out the pass the 10,000,000-kilowatt milestone Monday, July 1, 1968 economy of a medium -sized city. This is this year, have given rise to major indus something to think about at a time when trial centers in the Midwest, the North Mr. KmWAN. Mr. Speaker, last we are investing billions of dollars to re west, and the South. The recreation pro n1onth n1arked the 193d anr,Uversary of lieve unemployment and poverty and why vid~d at their lakes, pools, and beaches the U.S. Army Corps of Engineers. we urged the House last week to make no amounts to the colossal total of some On June 16, 1775, Gen. George Wash further reductions in the public works half-billion visitor days each year-more ington appointed Col. Richard Gridley bill for water and power resources devel than double the attendance of all forms as the first Chief Engineer of the Army opment. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Wavelength (September 1986)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1986 Wavelength (September 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1986) 71 https://scholarworks.uno.edu/wavelength/62 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NS SIC MAGA u........s......... ..AID lteniiH .... ., • ' lw•~.MI-- "I'm not sure, but I'm almost positive, that all music came from New Orleans." -Ernie K-Doe, 1979 Features The Party ... .... .. .. ... 21 The Faith . .... .. ....... 23 The Saints . .... .... .. 24 Departments September News ... ... .. 4 Latin ... ... .. ..... .. 8 Chomp Report ...... .. .. 10 Caribbean . .. .. ......... 12 Rock ........ ... ........ 14 Comedy ... ... .... .. ... 16 U.S. Indies .. .. ... .. ... 18 September Listings ... ... 29 Classifieds ..... ..... 33 Last Page . .. .. .... .... 34 Cover Art by Bunny MaHhews A1mlbzrot NetWCSfk Pubaidwr ~ N.. un~.,~n S ~·ou F:ditor. Cnnn~ /..c;rn.ih Atk 1 n~ Assonat• FAI1lor. (it.:n..: S4.at.&mU/It) Art Dindor. Thom~... Oul.an Ad,mL-Jn •. Fht.ah.:th hlf1l.J•~ - 1>1.:.tn.a N.M.l~'-' COft· tributon, Sl(\\.' Armf,ru,tcr. St (M.."tlfl!C Hry.&n. 0..-t> C.n.Jh4:llll, R1d. Culcnun. Carul Gn1ad) . (iu'U GUl'uuo('. Lynn H.arty. P.-t Jully. J.mlC' l.k:n, Bunny M .anhc~'· M. 11.k Oltvter. H.1mmnnd ~·,teL IAlm: Sll'l"t:l. -
Rough Edge: Lillian Axe CD Reviews
Rough Edge: Lillian Axe CD Reviews http://www.roughedge.com/cdreviews/l/lillianaxe.htm LILLIAN AXE Choose a Release 6 "Waters Rising" (Locomotive; 2007) Reviewed by Metal Mark It's seems that every hard rock act that began in the 1980s has come back in recent years hoping to cash in. So many times you only get one original member and that's the case here as guitarist Steve Blaze is the sole original member of Lillian Axe left in the band. All too often recent outputs by returning 80s bands tend to be mere shells of what once was. However, this band and their output might actually shatter some of that thinking. "Waters Rising" is a commendable effort at combining some of the band's old sound with a slightly different direction. That direction is generally heavier and more complex as well. It took me about four or five listens for all the contents of "Waters Rising" to sink in because the band is really trying to do a great deal here. Songs like "Antarctica" and the title track are real go-for-the-throat pieces that certainly don't play it safe. Tracks like "Fear of Time" and "Deep in the Black" hear the band masterfully controlling pace changes and styles. On this CD, I think the band transcends all that I have heard from them in the past. They throw a lot of ideas out there and at times they are combining hard rock, metal and progressive music in a rather relentless manner. You know what? I think they have a winner here.