Front July 18
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Business at the Start Thousands of Dollars
20 - MANCHESTER HERALD. Thurs.. Dec. 9. 1982 BUSINESS League revamp Kate Smith: 'assano rebuts Ipartial comeback Bennet critics Big savings possible on taxes for 1983 talk begins anew King's t o close ...page 9 . page 13 . page 6 NEW TAX SAVER: Starting in 1982, public utility (Kdilor's note: This is the second in a len-parl shareholders can exclude otherwise taxable dividends 10 more stores series on saving on your 1982 taxes.) paid in the utility’s newly issued common stock if the utility has established a dividend reinvestment plan. If the new Congress does not eliminate the '83 tax cut Y o u r Maximum exclusion: $750 per year ($1,500 on a joint HARTFORD (UPl) — A weak economy has pushed into the 1981 law by President Reagan in his forced the parent company of King's department honeymoon days, countless numbers of the wealthier M o n e y 's return). • On Schedule D — Profit (or Loss) from Business or stores to tighten its belt and close 10 more stores in citizens among you will be paying tax rates for 1983 a Profession: Two new questions have been added at the Connecticut and 48 others across the country. full 10 percent lower than 1982’s — and thereby saving W o r t h Chance of snow Manchester, Conn. KDT Industries of Newton, Mass . blamed the beginning asking if the firm was in business at the start thousands of dollars. Sylvia Porter of 1982 and how many months in 1982 it was in business. Friday, Dec. 10. -
Crime Network Will Find an Endless Source of Inspiration in Hill’S Account of Mafia Life
Network News April 2010 Bedrock Game’s Bi-Monthly Newsletter Book Review Wise Guy by Nicholas Pillegi BY BRENDAN DAVIS Even if you haven’t read Wise Guy, there is a good chance you already know the story of Henry Hill. Martin Scorsese based his hit film “Goodfellas” on this 1985 tell-all book, and the movie remains one of the highest rated gangster films of all time. Anyone who enjoyed the movie will absolutely love the book and anyone who plays Crime Network will find an endless source of inspiration in Hill’s account of mafia life. Written by Nicholas Pileggi (who also wrote Goodfel- las), Wise Guy provides a street level view of life in the Lucchese crime family from the perspective of Henry Hill, a lowly associate. Hill Explains, in vivid detail, how crimes are committed, how people are murdered and how a crime family operates. He even explains how stolen goods are sold on the street. Reading the book is like being beside Hill as he greases hands and lights fires for Lucchese capo, Paul Vario. Henry’s narrative isn’t just a peephole into a rarely seen underworld of vice; criminal. The book’s author, Pileggi, describes Vario as it drags the reader into that world as deeply as Tolkein a someone who moved “in the lumbering manner of a drags the reader into Middle Earth. man who knew that people and events waited for him.... [h]e seemed invulnerable. deliberate. He exhorted the Pileggi does the right thing by keeping his ego in check sort of lethargy that sometimes accompanies absolute and allowing Henry Hill to tell the tale in mostly his power”. -
The Story of Henry Hill
Bulletin of the Kenton County Historical Society Website: www.kentonlibrary.org Email: [email protected] P.O. Box 641, Covington, Kentucky 41012-0641 (859) 491-4003 January/February 2011 Daniel Henry Holmes Hall Ratcliff College - Cambridge, Massachusetts Other Stories Inside: How Well Do You Know Your Neighbor? The Story of Henry Hill Ronnin Einhaus Daniel Henry Holmes Hall Ratcliff College - Cambridge, Massachusetts Carol A. Hudson Upon graduating from Holmes High School, I thought I knew a little history about Daniel Henry Holmes. As students, we learned he had been the wealthy proprietor of D. H. Holmes Department Store in New Orleans, a local landowner, and patri- arch of an immensely successful family. Holmesdale, his estate in the south of Covington, was purchased in 1915 by the Covington School Board.1 The newly acquired thirty-two room mansion, “the Castle,” was used as the local high school until 1936. Much more was learned over the years, but only recently was the story of Daniel Henry Holmes Hall discovered. So how did Radcliffe College, and later Harvard University, become part of the story? Radcliffe was founded in 1879 as an institution devoted solely to educating young women. At first, the school was known as Harvard Annex but the name was changed to Radcliffe College in 1898. Merging of Radcliffe and Harvard started in 1963 with the conferring of joint diplomas. Both schools signed a formal merger agreement in 1977, but not until 1999 did the two fully integrate. With that agreement, Daniel Henry Georgine Holmes, circa 1860 courtesy Kenton County Public Library Holmes Hall became part of the Harvard University residential system.2 Through the guidance of both schools, Radcliffe College became Radcliffe Institute On March 8, 1950, The Harvard Crimson published for Advanced Study.3 the following description of Holmes Hall. -
Abrams 1 for the People?: the Role of Prosecutorial Misconduct in The
Abrams 1 For the People?: The Role of Prosecutorial Misconduct in the Rise of Progressive Prosecution in Brooklyn, 1964-2019 Kayla Abrams Undergraduate Senior Thesis Department of History Columbia University March 2021 Seminar Advisor: Professor Samuel Roberts Second Reader: Professor Kellen Funk Abrams 2 Abstract In this paper, I investigate how “progressive prosecution” arose in Brooklyn in the early 2010s. I argue that “progressive prosecution” emerged in reaction to the prosecutorial misconduct that characterized the Office for most of its history. To prove this, I show that the history of the Brooklyn DA’s Office is one in which the Office was constantly combating the reality and perception of malpractice. While the Office was able to limit corruption when it professionalized in the late 1960s, it was unable to do the same with prosecutorial misconduct due to a lack of political pressure or the respective DA’s “insider” status—and often both. Therefore, Ken Thompson was able to capitalize on this inability to deal with prosecutorial misconduct throughout those fifty years, along with a growing national desire for a less punitive criminal justice system, to bring progressive prosecution to Brooklyn. As Brooklyn is the fifth largest jurisdiction in the country, with an estimated population of over 2.5 million people, any change in Brooklyn always has national implications. However, while my analysis has this specific regional focus, the story I tell is not just a Brooklyn story. Although every Office does have their own unique history, the factors I discuss – continual prosecutorial misconduct, changing public opinion on the punitiveness of the justice system, and “progressive” candidates – were present in other cities who in the ensuing decade have similarly elected “progressive prosecutors”, such as Chicago, Philadelphia, Boston, St. -
Henry Hill, Mobster and Movie Inspiration, Dies at 69
Henry Hill, Mobster of ‘Goodfellas,’ Dies at 69 - T... https://www.nytimes.com/2012/06/14/nyregion/he... https://nyti.ms/NzfSF7 N.Y. / REGION Henry Hill, Mobster and Movie Inspiration, Dies at 69 By MARGALIT FOX JUNE 13, 2012 Henry Hill, an associate in the Luchese organized-crime family whose decision to turn federal informer, and subsequent itinerant life in and out of the federal witness protection program, inspired Martin Scorsese’s acclaimed film “Goodfellas,” died on Tuesday in Los Angeles. He was 69 and had lived openly in Topanga, Calif., in recent years. He had previously lived — far less openly — in Seattle; Cincinnati; Omaha; Butte, Mont.; and Independence, Ky., among many other places, as well as in the United States Penitentiary in Lewisburg, Pa. His death, in a hospital, came after a series of health problems that included heart disease and the toll of years of heavy smoking, his fiancée, Lisa Caserta, said. A native New Yorker of half-Irish, half-Sicilian parentage, Mr. Hill was involved with the Luchese family, considered the most powerful of the city’s original five Mafia families, from his youth in the 1950s until 1980. That year, arrested on drug-trafficking charges and facing the prospect of a long prison term, to say nothing of possible execution by his former bosses, Mr. Hill became a government witness against his past associates. His testimony in multiple trials helped send dozens of people to prison. 1 of 5 12/1/19, 5:19 PM Henry Hill, Mobster of ‘Goodfellas,’ Dies at 69 - T... https://www.nytimes.com/2012/06/14/nyregion/he.. -
Mafias on the Move
Mafi as on the Move M a fi as on the Move how organized crime conquers new territories Federico Varese princeton university press princeton & oxford Copyright © 2011 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW press.princeton.edu Cover art: Four-headed Man with Nail. 1980. Oil on canvas. 195 ϫ 235 cm by Oleg Tselkov. All Rights Reserved Second printing, and fi rst paperback printing, 2013 Paperback ISBN 978-0-691-15801-3 Th e Library of Congress has cataloged the cloth edition of this book as follows Varese, Federico. Mafi as on the move : how organized crime conquers new territories / Federico Varese. p. cm. Includes bibliographical references and index. ISBN 978-0-691-12855-9 (hardcover : alk. paper) 1. Mafi a— History. 2. Organized crime —History. 3. Transnational crime —History. I. Title. HV6441.V37 2011 364.106—dc22 2010040304 British Library Cataloging-in-Publication Data is available Th is book has been composed in Adobe Garamond Printed on acid-free paper. ∞ Printed in the United States of America 10 9 8 7 6 5 4 3 2 Contents Acknowledgments vii One Introduction 1 T w o M a fi a Transplantation 13 Three Th e `Ndrangheta in Piedmont and Veneto 31 Four Th e Russian Mafi a in Rome and Budapest 65 Five Lessons from the Past: Sicilian Mafi osi in New York City and Rosario, circa 1880–1940 101 Six Th e Future of the Mafi as? Foreign Triads in China 146 Seven Mafi a Origins, Transplantation, and the Paradoxes of Democracy 188 Notes 203 References 237 Index 263 Acknowledgments Th is book stands on the shoulders of four hard working and dedicated as- sistants. -
GOOD FELLAS by Nicholas Pileggi and Martin Scorcese Based on The
GOOD FELLAS by Nicholas Pileggi and Martin Scorcese Based on the book Wiseguys by Nicholas Pileggi Shooting Draft January 3, 1989 Revised 1/12/89 FADE IN: JUNE 11, 1970S QUEENS, NEW YORK. THE SUITE - NIGHT A smoky, overdecorated cocktail lounge and nightclub on Queens Boulevard. Sergio Franchi is in full voice on the jukebox. It is after midnight. It has bean a long night.. Balloons and empty glasses litter the place. BILLY BATTS, a 50-year-old hood in an out-of-date suit, court at the bar. WE SEE a younger, more sharply-dressed HOOD walk in with a BEEHIVE GIRLFRIEND and hug BATTS. HOOD Billy. You look beautiful. Welcome home. BAITS (laughing and turning to the bartender) What are you having? Give 'em what they're drinking. WE SEE FOUR OTHER MEN, including HENRY HILL and JIMMY BURKE, standing near BILLY BATTS at the bar, raise their glasses in salute. TOMMY DESIMONE and ANOTHER BEEHIVE BLONDE enter. BILLY BATTS looks up and sees TOMMY. BILLY Hey, look at him. Tommy. You grew up. TOMMY (preening a little) Billy, how are you? BILLY (smiling broadly at Tommy and the girl) Son of a bitch. Get over here. TOMMY walks over and BILLY, too aggressively, grabs TOMMY around the neck. TOMMY doesn't like it. TOMMY (forcing a laugh) Hey, Billy. Watch the suit. BILLY (squeezing Tommy's cheek, a little too hard) Listen to him. "Watch the suit," he says. A little pisser I've known all my life. Hey, Tommy, don't go get too big. TOMMY Don't go busting my balls. -
Learning to Live with Crime
Learning to Live with Crime Learning to Live with Crime American Crime Narrative in the Neoconservative Turn Christopher P. Wilson T h e O h i O S T a T e U n i v e r S i T y P r e ss / C O l U m b us Copyright © 2010 by The Ohio State University. all rights reserved. library of Congress Cataloging-in-Publication Data Wilson, Christopher P. (Christopher Pierce), 1952– learning to live with crime : american crime narrative in the neoconservative turn / Christopher P. Wilson. p. cm. includes bibliographical references and index. iSBN 978-0-8142-1137-3 (cloth : alk. paper)—iSBN 978-0-8142-9236-5 (cd-rom) 1. True crime stories—United States—history and criticism. 2. Crime in literature. 3. Criminal investigation in literature. 4. Crime on television. i. Title. Pn56.C7W55 2010 810.9'3556—dc22 2010012826 This book is available in the following editions: Cloth (iSBN 978-0-8142-1137-3) CD-rOm (iSBN 978-0-8142-9236-5) Cover design by laurence J. nozik Text design by Juliet Williams Type set in adobe Sabon Printed by Thomson-Shore, inc. The paper used in this publication meets the minimum requirements of the american national Standard for information Sciences—Permanence of Paper for Printed library materials. ANSi Z39.48–1992. 9 8 7 6 5 4 3 2 1 Contents Acknowledgments vii Introduction 1 Chapter 1 Getting Wise(guys): The Witness Protection narrative 21 Chapter 2 The box in the box: Putting interrogation in Prime Time 49 Chapter 3 The Time of the Crime: Cold Case Squads and Neoconservative Social memory 77 Chapter 4 Risk management: Frank abagnale Jr. -
75 Years of Criminal Investigation History
DOWNLOADED FROM: Family Guardian Website http://famguardian.org Download our free book: The Great IRS Hoax: Why We Don’t Owe Income Tax TABLE OF CONTENTS Introduction .....................................................................................5 Foreword ........................................................................................... 7 Profdes .............................................................................................. 9 History of the Intelligence Unit, 1919-1936 Organization and Functions of the Intelligence Unit .................... 23 Tax F:vasion Investigations .......................................................... 27 Dishonest Public Officials Pmsccuted as Tax Evaders ................28 Leading Gangsters Sent to Penitentiary 33 Motion Picture Stars Investigated- Several Million Dollars Collected 447 TzEvasion Cases Involving Prominent Individuals and Businesa Concerns 48 Women Tax Evaders Involvcd in Outstanding Fraud Cases ............................................................ 55 Aliens Seek to Evade Taxes - Treasury Recovers Many Millions in This Class of Tax Dodging ......................................... 57 Investigations of Offen in Compromise Result in Detecting Concealment of Assets 59 Miscellaneous Tax Investigations ................................................ 61 Record of Investigations of Revenue Personnel, Tax Accountantsand Enrolled Agents ......................................... 62 Indirect Results of Investigations - Fear of Prnalties and Punishment Deter Luge -
Messages, Sages, and Ages, Vol. 3, No. 1, (2016) DOI: 10.1515/Msas-2016-0001
Messages, Sages, and Ages, Vol. 3, No. 1, (2016) DOI: 10.1515/msas-2016-0001 Nicoleta Cinpoeş Institute of Humanities and Creative Arts University of Worcester Henwick Grove, Worcester, WR2 6AJ, UK email: [email protected] “BY LOOKING LIKING”: BAZ LUHRMANN’S WILLIAM SHAKESPEARE’S ROMEO+JULIET Abstract Twenty years since its release onto the big screen, Baz Luhrmann’s William Shakespeare’s Romeo+Juliet continues to attract viewers, divide critics and remain unchallenged, in a league of its own, when it comes to film adaptation of Shakespeare’s plays. This article begins with taking stock of reception directions which still dispute the field of film adaptation. Cued by Worthen’s “Performance Paradigm”, my argument positions Luhrmann’s film (his second at the time and the one to propel the Australian director into Hollywood fame) firmly in the cinematic and sees the film narrative not as opposed to the textual and/or spoken one, but as a complex citational practice developed at the level of oral, visual and written discourse. Keywords: Romeo and Juliet, adaptation, citation, suture, fragmentation, surrogation. Classical adaptation criticism discusses Shakespeare films – as Jack Jorgens (1991: 8) argues – “by measuring their relative distance from language and conventions of the theatre”, with the purpose of analysing the shift from powerfully said to “powerfully seen to be effective on film”. Most reviews of Luhrmann’s 1996 film William Shakespeare’s Romeo+Juliet largely discuss it against textual authority and therefore classify it as a bad translation of the text into a twentieth-century context, full of inconsistencies and incoherent in interpretation. -
Inside: Weather
(Hnnn^rttrut Satlg (HampitB Serving Storrs Since 1896 Vol. LXXXVII No. 96 The University of Connecticut Friday, March 23, 1984 Reagan delays decision on aid until after El Salvador's elections Sunday WASHINGTON (AP)—The support this new financing le- the leftist govemmerff«of Ni- Reagan administration Thurs- vel. caragua and $150 million tdr day bowed to Democratic de- Kennedy called the com- drought relief in Africa. mands to delay congressional promise reasonable but no- action on further military aid ted that senators would be Sen. Claiborne Pell of to El Salvador until after Sun- free to offer amendments to Rhode Island, the ranking day's Salvadoran elections lower or raise the amount. Democrat on the Foreign Relations Committee, said and accepted a compromise He said it was wise to wait on the amount of assistance. until after the election "when some members of that com- we will have a clearer idea mittee, including himself, The agreement, announ- might not vote for the amount ced in the Senate by Republi- about who will be receiving suggested by Inouye. can Leader Howard Biker of the resources and what kind Tennessee, calls for the Se- of a regime we will be sup- nate to act Tuesday^or Wed- porting." The House Foreign Affairs nesday on an aid package Senate Democratic Leader Committee is expected to providing an extra % 1.7 mil- Robert Byrd of West Virginia meet early next week, after lion for El Salvador* in the cur- said he would support the the Salvadoran election, to rent fiscal year. Inouye amendment, but re- consider a Democratic pro- Reagan sought supplemen- served judgment on the bill as posal providing for no further tal'aid of $178.7 million, on top ftntbul.e. -
Goodfellas Martin Scorsese USA 1990 146 Minutes
Goodfellas Martin Scorsese USA 1990 146 minutes Cast: Robert De Niro (James Conway), Ray Liotta (Henry Hill), Joe Pesci (Tommy De Vito), Lorraine Bracco (Karen Hill), Paul Sorvino (Paul Cicero), Frank Vincent (Billy Batts) A brash, menacing hightail through the death of the mob ... Scorsese’s 1990 masterpiece zips along with relish, and his acting A-team – De Niro, Pesci, Liotta – are on top form as this brilliant comic nightmare unfolds ‘Being a gangster was better than being president of the United States!” Is it less of a choice than ever? The rerelease of Martin Scorsese’s brash and brilliant mob masterpiece from 1990 – about the rise and fall of Irish-Italian criminal Henry Hill, from the 60s to the 80s – is a reminder of what his very best work looks like, and you can feel again the stunning impact of his A-team: Robert De Niro as Jimmy “The Gent” Conway and the Oscar-winning Joe Pesci as his psychopathic buddy Tommy DeVito, with Paul Sorvino as the malevolent and slow- moving capo Paulie Cicero and the director’s mother Catherine Scorsese superb in her cameo as Tommy’s artistically inclined mom. Ray Liotta gives a thrillingly livewire and career-defining performance as the wide-eyed aspirational tough guy Henry himself, whose gorgeous gravelly voice gives this film its sensational voiceover, along with Lorraine Bracco, imperious and charismatic as Henry’s loyal, mistreated wife Karen, perhaps the one character who emerges from the story with something approaching dignity. Since the movie’s original release, Bracco and Michael Imperioli (the hapless Spider) went on to star in HBO’s The Sopranos, which developed and amplified the movie’s theme that being a gangster isn’t as great as it used to be.