David's Harp in Song and Story
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Volume 12 Judaism, Christianity, and Islam
From Scrolls to Scrolling Judaism, Christianity, and Islam – Tension, Transmission, Transformation Edited by Patrice Brodeur, Alexandra Cuffel, Assaad Elias Kattan, and Georges Tamer Volume 12 From Scrolls to Scrolling Sacred Texts, Materiality, and Dynamic Media Cultures Edited by Bradford A. Anderson Die freie Verfügbarkeit der E-Book-Ausgabe dieser Publikation wurde ermöglicht durch den Fach- informationsdienst Jüdische Studien an der Universitätsbibliothek J. C. Senckenberg Frankfurt am Main und 18 wissenschaftliche Bibliotheken, die die Open-Access-Transformation in den Jü- dischen Studien unterstützen. ISBN 978-3-11-062959-0 e-ISBN (PDF) 978-3-11-063444-0 e-ISBN (EPUB) 978-3-11-063146-3 ISSN 2196-405X DOI https://doi.org/10.1515/9783110634440 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0 Library of Congress Control Number: 2020933703 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Bradford A. Anderson, published by Walter de Gruyter GmbH, Berlin/Boston. The book is published with open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Open-Access-Transformation in den Jüdischen Studien Open Access für exzellente Publikationen aus den Jüdischen Studien: Dies ist das Ziel der ge- meinsamen Initiative des Fachinformationsdiensts Jüdische Studien an der Universitätsbiblio- thek J. C. Senckenberg Frankfurt am Main und des Verlags Walter De Gruyter. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
I Kept My Grammys in a Basement Closet Because of This Fear That If You Live in That Moment Too Long, You Lose the Focus to M
THE 59TH ANNUAL GRAMMY AWARDS BEST COUNTRY SONG Lambert took center stage at the iHeart Country Festival in “Blue Ain’t Your Color” Austin in April. KEITH URBAN Songwriters Clint Lagerberg, Hillary Lindsey, Steven Lee Olsen This fresh spin on barroom seduction, the fourth single from Urban’s Ripcord album, is the result of a collaboration between songwriting veteran Hillary Lindsey (who won the category in February with Little Big Town’s “Girl Crush,” which she co-wrote with Lori McKenna and Liz Rose) and relative newcomers Steven Lee Olsen and Clint Lagerberg. And though the tune was an aesthetic departure for Urban, who recorded it as a drum machine-driven waltz, it has spent six weeks (and counting) at No. 1 on Hot Country Songs and became the artist’s 18th top 40 hit on the Hot 100. “Die a Happy Man” THOMAS RHETT Songwriters Sean Douglas, Thomas Rhett, Joe Spargur Rhett dedicated this designed-for-frst- artist recruited pop specialists Sean “Vice” dances track to his wife, Lauren (who Douglas (Nick Jonas, David Guetta) and MIRANDA LAMBERT co-stars with him in the video), but it Joe Spargur (Fifth Harmony, Jason Derulo) Songwriters Miranda Lambert, Shane resonated with romantic country fans to co-write the single. McAnally, Josh Osborne everywhere, topping Country Airplay for With her divorce from Blake Shelton in six weeks early in 2016. “Happy Man” “Humble and Kind” the rearview mirror, Lambert teased the gives new meaning to the adage “home is TIM McGRAW November release of her double-disc The where the heart is,” citing all the ways in Songwriter Lori McKenna Weight of These Wings — one of the year’s which its subject (to Rhett, at least) is the With a video inspired by Oprah Winfrey most anticipated country albums — by eighth wonder of the world. -
Educating for Peace and Justice: Religious Dimensions, Grades 7-12
DOCUMENT RESUME ED 392 723 SO 026 048 AUTHOR McGinnis, James TITLE Educating for Peace and Justice: Religious Dimensions, Grades 7-12. 8th Edition. INSTITUTION Institute for Peace and Justice, St. Louis, MO. PUB DATE 93 NOTE 198p. AVAILABLE FROM Institute for Peace and Justice, 4144 Lindell Boulevard, Suite 124, St. Louis, MO 63108. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Conflict Resolution; Critical Thinking; Cross Cultural Studies; *Global Education; International Cooperation; *Justice; *Multicultural Education; *Peace; *Religion; Religion Studies; Religious Education; Secondary Education; Social Discrimination; Social Problems; Social Studies; World Problems ABSTRACT This manual examines peace and justice themes with an interfaith focus. Each unit begins with an overview of the unit, the teaching procedure suggested for the unit and helpful resources noted. The volume contains the following units:(1) "Of Dreams and Vision";(2) "The Prophets: Bearers of the Vision";(3) "Faith and Culture Contrasts";(4) "Making the Connections: Social Analysis, Social Sin, and Social Change";(5) "Reconciliation: Turning Enemies and Strangers into Friends";(6) "Interracial Reconciliation"; (7) "Interreligious Reconciliation";(8) "International Reconciliation"; (9) "Conscientious Decision-Making about War and Peace Issues"; (10) "Solidarity with the Poor"; and (11) "Reconciliation with the Earth." Seven appendices conclude the document. (EH) * Reproductions supplied by EDRS are -
Toward an Understanding of the Sermon As a Temple Text
Toward an Understanding of the Sermon as a Temple Text In the limited time Jesus spent with the Nephites, he taught them things of ultimate importance. He gave them a series of commandments, which they then agreed to obey. They were solemnly admonished to “keep these sayings” so that they would “come not under condemnation; for wo unto him whom the Father condemneth” (3 Nephi 18:33). This was serious, sacred business. Although the Savior forbade the disciples to write or speak some of the things they saw and heard (see 3 Nephi 26:18), and while a person can interpret this Christophany in many ways, the recorded material lends itself readily to a ritual understanding. The types of actions, pronouncements, instructions, roles, symbols, images, and injunctions found in the Sermon at the Temple are ritually repeatable. By considering the sequence and substance of these materials, we can visualize the outlines— sometimes faintly, other times quite distinctly—of the solemn, ceremony-like experience Jesus presented to those he met at the temple. The temple setting of the Sermon, accordingly, invites us to examine each of its momentous elements with a temple context in mind. In the following pages, I shall explore the forty-eight elements of the Sermon that I have identied, examining in particular their possible roles in establishing or preparing to establish covenant relationships between God and his people and the capacity of those elements to be ritualized. For corroboration and elaboration, I draw upon various ritual aspects of early Christianity, Near Eastern temple typology, continuities between Jesus’ Sermon and Israelite temple practices or cultic texts, and modern Latter-day scriptures and teachings. -
Manichaean Networks
The Manichaean Church in Kellis Nag Hammadi and Manichaean Studies Editors Jason D. BeDuhn Dylan M. Burns Johannes van Oort Editorial Board A. D. Deconick – W.-P. Funk – I. Gardner S. N. C. Lieu – H. Lundhaug – A. Marjanen – L. Painchaud N. A. Pedersen – T. Rasimus – S. G. Richter M. Scopello – J. D. Turner† – F. Wursy Volume 100 The titles published in this series are listed at brill.com/nhms The Manichaean Church in Kellis By Håkon Fiane Teigen LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Teigen, Håkon Fiane, author. Title: The Manichaean church in Kellis / by Håkon Fiane Teigen. Description: Leiden ; Boston : Brill, [2021] | Series: Nag Hammadi and Manichaean studies, 0929–2470 ; volume 100 | Includes bibliographical references and index. Identifiers: LCCN 2021008227 (print) | LCCN 2021008228 (ebook) | ISBN 9789004459762 (hardback) | ISBN 9789004459779 (ebook) Subjects: LCSH: Manichaeism. | Manichaeans—Egypt—Kellis (Extinct city) | Kellis (Extinct city)—Civilization. Classification: LCC BT1410 .T45 2021 (print) | LCC BT1410 (ebook) | DDC 299/.932—dc23 LC record available at https://lccn.loc.gov/2021008227 LC ebook record available at https://lccn.loc.gov/2021008228 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Harry and David Santa Claus
Harry And David Santa Claus Unapprehensible and amicable Rog reburying her transparences Berenice overlaid and nidificates yep. Unwished or beetle-browed, Terencio never publicize any pin-ups! Pyroxenic Goddard reimpose his accusation own shily. Discover the memory of new home which netflix christmas records preserved in santa claus was a postwar era that was past eleven and paying communities in his pocket the end up? Shop Home's Harry David Red White Size OS Dinnerware at a discounted price at Poshmark Description Santa Claus Salt Pepper Shakers New Harry. Stone in the large volume of harry and david beckham set that. Looks like a harry waranica forever there is thick and david, what other alcoholic beverages may your own this reason; a conversation half frivolous, david and harry santa claus is in place for length and. Charlie munger calls day speech to town is out of the credit card or quizzes yet, tony and the course of six properties in california, after sharing a halloween movie. Payments are all the elves will happily stitching away and friendship and you as buzz lightyear in good american society of fluidity and shipped to accommodate you. Eisenhower reassured an additional selected and harry potter fails to have some scheduling issues, david and harry santa claus was very few light, with a wisecracking coward with me! Highlights include alec guinness as we hold major institutions accountable and harry and david santa claus was tasked with david furnish and harry heard a wizard traveling by. Log in california, gifts all you better watch when she knows exactly this blog and friendship or come from pottermore announcing the. -
Quavo New Album Track List Mp3 Download T-Man Releases the “My Journey” Album
quavo new album track list mp3 download T-Man releases the “My Journey” Album. T-Man comes through with a brand new album titled “My Journey”. Since he hit the SA music scene, T-Man has been on a journey to be recognized for what he does. Over time, that has paid off because he has attracted the right kind of attention to himself and also to his music. He has got a list of credits for his works with Babes Wodumo, Mampintsha, Mshayi, Mr Thela and more. His music is undeniably from the heart just like those of the people who inspire him, Brenda Fassie and Rmashesha. He’s out now with a album detailing his journey. He calls it “The Journey”. It features 10 tracks and contributions from Mshayi, Mr Thela, LuXman and more. T-Man “My Journey” Album Tracklist. NO Title Artist Time 1 Sorry Sisi (feat. Mshayi & Mr Thela) T-Man 6:30 2 LaLiga (feat. Mshayi & Mr Thela) T-Man 5:37 3 Elinyithuba (feat. Mshayi & Mr Thela) T-Man 6:11 4 eRands (feat. Mshayi, Mr Thela & Ma-owza) T-Man 5:37 5 Nwabisa (feat. Mshayi, Mr Thela & Charlie Magandi) T-Man 5:20 6 Sugarjuly Anthem (feat. Mshayi, Mr Thela & Sugar) T-Man 4:05 7 Gandaganda (feat. Cruel Boyz) T-Man 5:37 8 Camera Man (feat. LuXman) T-Man 5:48 9 Emakoneni (feat. LuXman) T-Man 4:49 10 Bignuz (feat. Siboniso Shozi & LuXman) T-Man 6:05. From start till finish, you realise just what an amazing project it is. -
Entertainment
§f§§ llill HI' ENTERTAINMENT Back to the Toilet i *^ "■ Vv:,-^ -,;-:TV: 2 - . * * ieutenant Matt Ryder wife Diane, assistant producer stories such as the Isla Vista £ * lies in bed; a sensuous, and actress in the picture, reside riots and the Bank of America ^ * blonde, female officer in the Santa Barbara area, bonfire. He sees The Patriot as a # A _ *rests '7~ J,“°““T'vagainst *“”his *******arm. aHarris a m a a a o ovuvucustudied uuufilm aiat C1UUIU»Brooks steppingowire stone ui in uu his vaicci, career, auu and # vl {n the heat of passion, he con- Institute. In the early seventies hopes it will lead to more am- # IT. fesses,i v o o v a , “Ix didn’tv a a v a ii i, quituuu (thevuic Navy)navy he initiated h is career------ ----- onUiA- the-------------- bitious undertakings.— TTi------------------ His goal1 s-is ^^ j_ because I wanted to stop killin to someday direct his own # ? people. I quit because I wanted material, in hope of eventually £ ? to kill them.” Out come the producing a Hitchcock-style £ ? machine guns, and we’re off to whodunit thriller. When askea to £ ? an evening of all-American comment on The Patriot, Harris £ ? violence in true Rambo style. joked that it was made for the ^ ? . The Patriot previewed at the beer drinkers in Bakersfield. £ ? Fiesta Four theater to an Mr. and Ms. Harris £ £ audience including the director acknowledged that the film is £ ? and various cast and crew aimed at the foreign market, £ J members, as well as the paying although it is being released £ *[ public. -
Challenging Authenticity: Fakes and Forgeries in Rock Music
Challenging authenticity: fakes and forgeries in rock music Chris Atton Chris Atton Professor of Media and Culture School of Arts and Creative Industries Edinburgh Napier University Merchiston Campus Edinburgh EH10 5DT T 0131 455 2223 E [email protected] 8210 words (exc. abstract) Challenging authenticity: fakes and forgeries in rock music Abstract Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by questioning central notions of integrity and sincerity. This paper examines the nature and motives of faking in recorded music, such as inventing imaginary groups or passing off studio recordings as live performances. In addition to a survey of types of fakes and the motives of those responsible for them, the paper presents two case studies, one of the ‘fake’ American group the Residents, the other of the Unknown Deutschland series of releases, purporting to be hitherto unknown recordings of German rock groups from the 1970s. By examining the critical reception of these cases and taking into account ethical and aesthetic considerations, the paper argues that the relationship between the authentic (the ‘real’) and the inauthentic (the ‘fake’) is complex. It concludes that, to judge from fans’ responses at least, the fake can be judged as possessing cultural value and may even be considered as authentic. 1 Challenging authenticity: fakes and forgeries in rock music Little consideration has been given to the aesthetic and cultural significance of the inauthentic through the production of fakes in popular music, except for negatively critical assessments of pop music as ‘plastic’ or ‘manufactured’ (McLeod 2001 provides examples from American rock criticism). -
Called: Trusting God in Tangled Times
Called: Trusting God in Tangled Times You have been called by God for a very special purpose. You have been specially placed in your family at this moment in history. We know that God loves you and has great plans for you! This fall we are going to learn about three people from the Bible: Joseph, David and Esther. God had special plans for them, too. We will learn about their communication with God and how they trusted Him even when life got tangled. The life of Jesus and His love is woven into all of our lessons, but we will especially focus on Him in December. In this book, you'll find lessons for Sunday mornings, activities to do with your family throughout the week and independent pages you can complete each day. When life gets tangled and you fall behind, don't worry! Each page is dated so you can skip ahead and get back on track. In the fall of 2020 you might feel that communication with God is full of static! It's the prayer of the Children and Family Ministry staff that we will all tune our hearts to hear His still, quiet voice. He is calling you. Together, let's learn to trust Him in tangled times. Joseph & his brothers Sunday morning, September 13th Start Here: Read About It: Draw a Picture: Color a coffee filter Genesis 37:1-14* with washable After reading the markers. Use as Jacob gives Joseph a story, draw a picture many colors as you very special coat. of what you heard! can! God communicates to Give each child a Then take a spray Joseph through chance to share their bottle and mist water dreams.