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Nankai Electric Railway Company Profile 2020 Corporate Philosophy
Nankai Electric Railway Company Profile 2020 Corporate Philosophy Based on our Corporate Philosophy, which we have adapted to the latest social trends, and the message of our corporate symbol, the Company considers itself a comprehensive lifestyle provider centered on railway operations. As such, we aim to help build prosperity and contribute to society through broad-based businesses that support every aspect of people’s lifestyles. Corporate Philosophy (Drawn up April 1, 1993) With expertise and dynamism, forging the way to the future ◆ Contribution to the Community Justifying public trust as an all-round lifestyle provider and building a better society ◆ Putting the Customer First Providing excellent services for the customer and bringing living comfort and cultural enrichment ◆ Future Challenges Meeting the needs of coming generations with bold energy and creativity ◆ A Dynamic Workplace Creating a workplace brimming with vitality and harnessing the expertise and personal strengths of every employee Corporate Symbol Our logo symbolizes our striving for the future as a comprehensive lifestyle company. It features two wings, one vivid red and one bright orange. The red, like the sun shining on the southern seas, represents our passion, and the orange the optimism of the human heart. Message from the Management 2 Retail 11 Business Area 3 Leisure and Services 12 Construction and Other 12 Route Map 4 Segment Information 5 Key Themes of the Nankai Group 13 Contents Transportation 7 Management Vision 2027 Real Estate 9 Corporate Information 15 1 Nankai Electric Railway Company Profile 2020 Message from the Management President and CEO Achikita Teruhiko Founded in 1885, Nankai Electric Railway Co., Ltd. -
Leca, Radu (2015) the Backward Glance : Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary Between 1673 and 1704
Leca, Radu (2015) The backward glance : concepts of ‘outside’ and ‘other’ in the Japanese spatial imaginary between 1673 and 1704. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/23673 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. The Backward Glance: Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary between 1673 and 1704 Radu Leca Thesis submitted for the degree of PhD 2015 Department of the History of Art and Archaeology SOAS, University of London 1 Declaration I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
PERRY & the POSSE's 2020 IMMERSIVE JAPAN CRUISE Plus
© en.visitwakayama.jp © Shenghung Lin @flickr “Perry & The Posse Morning Show” PERRY & THE POSSE’S 2020 Enjoy the broadcast aboard IMMERSIVE JAPAN CRUISE the Norwegian Spirit KSSK’s Ultimate Cocktail Party Plus Tokyo, Ise Grand Shrine, Toba, Shirahama, All your favorites plus drinks! Hosted Pre-Cruise Luncheon Mt. Koya, Wakayama & Osaka Shopping In Honolulu! 1 Night Pre-Cruise, 13-Night Premium Cruise & 5 Nights Post-Cruise Hotel Stay with Included Sightseeing and Meals 19 Nights / 21 Days • Escorted from Honolulu • Aboard the Norwegian Spirit COMPLETE PACKAGES! Sail Roundtrip from Tokyo (Yokohama), Japan Tour #1: October 21 – November 10, 2020 • Tour Manager: Bryan Wauke FROM $ * Tour #2: October 21 – November 10, 2020 • Tour Manager: Annette Nishikawa 6477 INCLUDES ROUNDTRIP AIRFARE FROM HONOLULU, 13-NIGHT PREMIUM CRUISE, HOTELS, SIGHTSEEING AS INDICATED ON THE FLYER & ALL TRANSFERS, PRE & POST CRUISE HIGHLIGHTS: TAXES AND FEES Tokyo Skytree • Asakusa Sensoji Temple • Nakamise Shopping EARLY BOOKING JR Super Express Train to Nagoya • Okage Yokocho Street • Ise Jingu Shrine DISCOUNT PER PERSON Mikimoto Pearl Island • Toba Aquarium • Toba Ichibangai • Hashigui Iwa Kumano Nachi Taisha • Senjojiki • Sandanbeki Cave • Umeboshi Factory SAVE $200 † Yuasa Soy Sauce Factory • Wakayama Castle • Okunoin • Kongobuji BOOK BY SEPTEMBER 30, 2019 Kuromon Ichiba Market • Dotonbori • Shinsaibashi • AEON Mall SAVE $100 CRUISE HIGHLIGHTS: BOOK BY DECEMBER 14, 2019† Hakodate, Japan • Otaru (Sapporo), Japan • Kanazawa, Japan Busan, South Korea • Nagasaki, -
Cambridge University Press 978-1-108-48194-6 — Japan's Castles Oleg Benesch , Ran Zwigenberg Index More Information
Cambridge University Press 978-1-108-48194-6 — Japan's Castles Oleg Benesch , Ran Zwigenberg Index More Information Index 10th Division, 101, 117, 123, 174 Aichi Prefecture, 77, 83, 86, 90, 124, 149, 10th Infantry Brigade, 72 171, 179, 304, 327 10th Infantry Regiment, 101, 108, 323 Aizu, Battle of, 28 11th Infantry Regiment, 173 Aizu-Wakamatsu, 37, 38, 53, 74, 92, 108, 12th Division, 104 161, 163, 167, 268, 270, 276, 277, 12th Infantry Regiment, 71 278, 279, 281, 282, 296, 299, 300, 14th Infantry Regiment, 104, 108, 223 307, 313, 317, 327 15th Division, 125 Aizu-Wakamatsu Castle, 9, 28, 38, 62, 75, 17th Infantry Regiment, 109 77, 81, 277, 282, 286, 290, 311 18th Infantry Regiment, 124, 324 Akamatsu Miyokichi, 64 19th Infantry Regiment, 35 Akasaka Detached Palace, 33, 194, 1st Cavalry Division (US Army), 189, 190 195, 204 1st Infantry Regiment, 110 Akashi Castle, 52, 69, 78 22nd Infantry Regiment, 72, 123 Akechi Mitsuhide, 93 23rd Infantry Regiment, 124 Alnwick Castle, 52 29th Infantry Regiment, 161 Alsace, 58, 309 2nd Division, 35, 117, 324 Amakasu Masahiko, 110 2nd General Army, 2 Amakusa Shirō , 163 33rd Division, 199 Amanuma Shun’ichi, 151 39th Infantry Regiment, 101 American Civil War, 26, 105 3rd Cavalry Regiment, 125 anarchists, 110 3rd Division, 102, 108, 125 Ansei Purge, 56 3rd Infantry Battalion, 101 anti-military feeling, 121, 126, 133 47th Infantry Regiment, 104 Aoba Castle (Sendai), 35, 117, 124, 224 4th Division, 77, 108, 111, 112, 114, 121, Aomori, 30, 34 129, 131, 133–136, 166, 180, 324, Aoyama family, 159 325, 326 Arakawa -
Watanabe, Tokyo, E
Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Hiroshi Watanabe The Architecture of Tokyo 348 pp. with 330 ill., 161,5 x 222 mm, soft-cover, English ISBN 3-930698-93-5 Euro 36.00, sfr 62.00, £ 24.00, US $ 42.00, $A 68.00 The Tokyo region is the most populous metropolitan area in the world and a place of extraordinary vitality. The political, economic and cultural centre of Japan, Tokyo also exerts an enormous inter- national influence. In fact the region has been pivotal to the nation’s affairs for centuries. Its sheer size, its concentration of resources and institutions and its long history have produced buildings of many different types from many different eras. Distributors This is the first guide to introduce in one volume the architec- ture of the Tokyo region, encompassing Tokyo proper and adja- Brockhaus Commission cent prefectures, in all its remarkable variety. The buildings are pre- Kreidlerstraße 9 sented chronologically and grouped into six periods: the medieval D-70806 Kornwestheim period (1185–1600), the Edo period (1600–1868), the Meiji period Germany (1868–1912), the Taisho and early Showa period (1912–1945), the tel. +49-7154-1327-33 postwar reconstruction period (1945–1970) and the contemporary fax +49-7154-1327-13 period (1970 until today). This comprehensive coverage permits [email protected] those interested in Japanese architecture or culture to focus on a particular era or to examine buildings within a larger temporal Buchzentrum AG framework. A concise discussion of the history of the region and Industriestraße Ost 10 the architecture of Japan develops a context within which the indi- CH-4614 Hägendorf vidual works may be viewed. -
Tokyo Great Garden Spring Campaign
Enlightenment with Asakura style philosophy 7RN\R Former AsakuraAsakura Fumio Garden (Asakura Museum of Sculpture, Taito) 7-18-10 Yanaka, Taito-ku 103-3821-4549 *UHDW National - designated Place of Scenic Beauty "Former Asakura Fumio Garden" Asakura Sculpture Museum is the building that was a studio and residence of Fumio Asakura (1883 ~1964) a leading sculptor of modern Japan. Asakura designed and supervised the building which was completed in 1935. Asakura died in 1964, but the building was opened to the public as a Asakura Sculpture Museum since 1967 by the family of the deceased (transferred to Taito-ku in 1986), in 2001 the building is registered in the tangible cultural heritage of the country. In 2008 the integration of architecture and gardens were admitted for their value and artistic appreciation and *DUGHQ the entire site has been designated as a national scenic spot as "The former gardens of Fumio Asakura". Since 2009 to 2013 was carried out conservation and restoration works on a large scale and appearance could be restored even when Asakura was alive. Admission General 500 yen (300 yen). Elementary, middle and high school students 250 yen (150 yen) *( ) inside is a group rate of more than 20 people *Persons holding the Handicapped person's passbook or a Certificate Issued for Specific Disease Treatment and their caregivers is free Yearly Passport: 1,000 yen (same price for all visitors) 6SULQJ Open 9:30 - 16:30 (Admission until 16:00) Closed Mondays and Thursdays Open on holidays and Closed on the day following a holidays Year-end and New Year holidays *During changing exhibitions, etc. -
The Akamon of the Kaga Mansion and Daimyō Gateway Architecture in Edo1
AUTOR INVITADO Mirai. Estudios Japoneses ISSN-e: 1988-2378 http://dx.doi.org/10.5209/MIRA.57100 Painting the town red: The Akamon of the Kaga mansion and daimyō gateway architecture in Edo1 William H. Coaldrake2 Abstract: Built in 1827 to commemorate the marriage of the daimyō Maeda Nariyasu to a daughter of the shogun Tokugawa Ienari, the Akamon or ‘Red Gateway’ of the University of Tokyo, is generally claimed to be a unique gateway because of its distinctive colour and architectural style. This article uses an inter- disciplinary methodology, drawing on architectural history, law and art history, to refute this view of the Akamon. It analyses and accounts for the architectural form of the gateway and its ancillary guard houses (bansho) by examining Tokugawa bakufu architectural regulations (oboegaki) and the depiction of daimyō gateways in doro-e and ukiyo-e. It concludes that there were close similarities between the Akamon and the gateways of high ranking daimyō in Edo. This similarity includes the red paint, which, it turns out, was not limited to shogunal bridal gateways but was in more general use by daimyō for their own gateways by the end of the Edo period. Indeed, the Akamon was called the ‘red gateway’ only from the 1880s after the many other red gateways had disappeared following the fall of the Tokugawa shogunate. The expression ‘to paint the town red’ refers not only to the way the Akamon celebrated the marriage of Yōhime, but also more broadly to characterize the way many of the other gateways at daimyō mansions in the central sectors of Edo had entrances that were decorated with bright red paint. -
The Durability of the Bakuhan Taisei Is Stunning
Tokugawa Yoshimune versus Tokugawa Muneharu: Rival Visions of Benevolent Rule by Tim Ervin Cooper III A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mary Elizabeth Berry, Chair Professor Irwin Scheiner Professor Susan Matisoff Fall 2010 Abstract Tokugawa Yoshimune versus Tokugawa Muneharu: Rival Visions of Benevolent Rule by Tim Ervin Cooper III Doctor of Philosophy in History University of California, Berkeley Professor Mary Elizabeth Berry, Chair This dissertation examines the political rivalry between the eighth Tokugawa shogun, Yoshimune (1684‐1751, r. 1716‐45), and his cousin, the daimyo lord of Owari domain, Tokugawa Muneharu (1696‐1764, r. 1730‐39). For nearly a decade, Muneharu ruled Owari domain in a manner that directly contravened the policies and edicts of his cousin, the shogun. Muneharu ignored admonishments of his behavior, and he openly criticized the shogun’s Kyōhō era (1716‐36) reforms for the hardship that they brought people throughout Japan. Muneharu’s flamboyance and visibility transgressed traditional status boundaries between rulers and their subjects, and his lenient economic and social policies allowed commoners to enjoy the pleasures and profits of Nagoya entertainment districts that were expanding in response to the Owari lord’s personal fondness for the floating world. Ultimately, Muneharu’s fiscal extravagance and moral lenience—benevolent rule (jinsei), as he defined it—bankrupted domain coffers and led to his removal from office by Yoshimune. Although Muneharu’s challenge to Yoshimune’s political authority ended in failure, it nevertheless reveals the important role that competing notions of benevolence (jin) were coming to play in the rhetoric of Tokugawa rulership. -
JLGC NEWSLETTER Japan Local Government Center ( CLAIR, New York ) Issue No
DECEMBER 2015 ISSUE #83 JLGC NEWSLETTER Japan Local Government Center ( CLAIR, New York ) Issue no. 83 December 2015 1. Introduction of New JLGC Staff Arisa Maruno, Assistant Director, Representative of Wakayama Prefecture Hello. I’m Arisa Maruno from Wakayama in Japan. I’m dispatched by the Wakayama pre- WASHINGTON DC SEMINAR (PAGE5-6) fectural government to New York and I’ve ISSUE NO. 83 been a JLGC staff member since this April. DECEMBER 2015 1. Introduction of New In this office, I’m mainly in charge of things JLGC Staff (Page1-4) related to JETAA in the U.S. such as grant- ing subsidies for their activities and com- municating and coordinating with chapters. 2. JLGC’s Washington DC I talk about that part of my job in the article Seminar 2015 was held in about the JETAA US conference, so I would October (Page 5-6) like to let you know about my hometown, Wakayama Prefec- ture, in this article. I think many people know Osaka, but 3. Great American Opportu- nities, Great JET Alumni I’m afraid that you don’t know Wakaya- (Page7-8) ma even though it is located just south of Osaka. Wakayama has an abundance of both farm and marine products and 4. JETAA US Conference has many historical buildings. 2015 in Detroit ( Page 9) 5. JETAANY Career Forum and JET Welcome back Re- JAPAN LOCAL GOVERNMENT CENTER ception in New York ( Page10) 6. Tohoku Report :Building 3 Park Avenue, 20th Floor New Communities in Toho- New York, NY 10016-5902 ku(Page11-13) 212.246.5542 office • 212.246.5617 fax www.jlgc.org 1 DECEMBER 2015 ISSUE #83 There is Wakayama Castle, near our office in Wakayama City. -
Diss Master Draft-Pdf
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Visual and Material Culture at Hokyoji Imperial Convent: The Significance of "Women's Art" in Early Modern Japan Permalink https://escholarship.org/uc/item/8fq6n1qb Author Yamamoto, Sharon Mitsuko Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gregory P. A. Levine, Chair Professor Patricia Berger Professor H. Mack Horton Fall 2010 Copyright by Sharon Mitsuko Yamamoto 2010. All rights reserved. Abstract Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto Doctor of Philosophy in History of Art University of California, Berkeley Professor Gregory Levine, Chair This dissertation focuses on the visual and material culture of Hōkyōji Imperial Buddhist Convent (Hōkyōji ama monzeki jiin) during the Edo period (1600-1868). Situated in Kyoto and in operation since the mid-fourteenth century, Hōkyōji has been the home for women from the highest echelons of society—the nobility and military aristocracy—since its foundation. The objects associated with women in the rarefied position of princess-nun offer an invaluable look into the role of visual and material culture in the lives of elite women in early modern Japan. -
Feature Films
FEATURE FILMS FEATURE FILMS TURKISH CINEMA BROTHER’S KEEPER OKUL TIRAŞI Turkey, Romania, 2021, 85’, colour Director: Ferit Karahan Producer: Kanat Doğramacı Script: Gülistan Acet, Ferit Karahan DoP: Türksoy Gölebeyi Editing: Sercan Sezgin, Hayedeh Safiyari, Ferit Karahan Ferit Karahan’s short films Before Cast: Samet Yıldız, Ekin Koç, Mahir İpek, Melih Selçuk, Cansu Fırıncı The Flood and Yusiv’s Dream have been screened at numerous festivals and have won awards and Yusuf and his best friend Memo are pupils at a boarding honorable mentions. His feature debut The Fall From Heaven school for Kurdish boys, secluded in the mountains of premiered at the Antalya FF and Eastern Anatolia. When Memo falls mysteriously ill, Yusuf won Best Film. Also won Best First is forced to struggle through the bureaucratic obstacles Film Prize at the Ankara FF, and put up by the school’s repressive authorities to try to was later screened at more than help his friend. But by the time the adults in charge finally 15 festivals and won more than 10 awards. Ferit’s second feature film understand the seriousness of Memo’s condition and try to Brother’s Keeper will be premiered get him to the hospital, the school has been buried under a in Berlinale Panorama. sudden, heavy snowfall. With no way out and now desperate to reach help, teachers and pupils engage in a blame game Filmography where grudges, feelings of guilt and hidden secrets emerge, The Fall From Heaven, 2013 as time ticks mercilessly on and threatens to run out. Yusiv’s Dream, 2011 (short) Before the Flood, 2010 (short) Contact Asteros Film - Kanat Doğramacı [email protected] 4 TURKISH CINEMA DIALOGUE DİYALOG Turkey, 2021, 92’, colour Director: Ali Tansu Turhan Producer: Burcu Uğuz, Ali Tansu Turhan Script: Burcu Uğuz, Ali Tansu Turhan DoP: Bertan Özer Editing: Osman Sarp Altay, Burcu Uğuz, Ali Tansu Turhan Ali Tansu Turhan was born in 1991, Music: Michelle Gurevich, Tuğçe Şenoğul Ankara. -
Fine Japanese and Korean Art I New York I March 20, 2019
Fine Japanese and Korean Art and Korean Fine Japanese I New York I March 20, 2019 I March I New York 25415 Fine Japanese and Korean Art New York I March 20, 2019 Fine Japanese and Korean Art New York | Wednesday March 20 2019, at 1pm BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS www.bonhams.com/25415 Thursday March 14 Takako O’Grady, Front cover: Lot 247 10am to 5pm Administrator Inside front cover: Lot 289 Friday March 15 Please note that bids should be +1 (212) 461 6523 Back cover: Lot 390 10am to 5pm summited no later than 24hrs [email protected] Inside back cover: Lot 287 Saturday March 16 prior to the sale. New bidders 10am to 5pm must also provide proof of Sunday March 17 identity when submitting bids. REGISTRATION 10am to 5pm Failure to do this may result in IMPORTANT NOTICE your bid not being processed. Monday March 18 Please note that all customers, 10am to 5pm irrespective of any previous activity Tuesday March 19 LIVE ONLINE BIDDING IS with Bonhams, are required to 10am to 3pm AVAILABLE FOR THIS SALE complete the Bidder Registration Please email bids.us@bonhams. Form in advance of the sale. The SALE NUMBER: 25415 com with “Live bidding” in form can be found at the back the subject line 48hrs before of every catalogue and on our the auction to register for this website at www.bonhams.com CATALOG: $35 service.