Boston Symphony Orchestra Summer 2015

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Summer 2015 summer 2015 boston symphony orchestra andris nelsons music director AndRis Nelsons, Ray and MaRia Stata Music DiRectoR BeRnaRd Haitink, LaCRoix Family Fund ConductoR EmeRitus, Endowed in PeRpetuity Seiji Ozawa, Music DiRectoR LauReate 134th season, 2014–2015 Trustees of the Boston Symphony Orchestra, Inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • CaRmine A. MaRtignetti, Vice-Chair • Arthur I. Segel, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • GeoRge D. Behrakis • Ronald G. Casty • Susan BRedhoff Cohen, ex-officio • RichaRd F. Connolly, JR. • Diddy Cullinane • Cynthia CuRme • Alan J. DwoRsky • William R. ElfeRs • Thomas E. Faust, JR. • Michael GoRdon • BRent L. Henry • Susan Hockfield • BaRbaRa W. Hostetter • ChaRles W. Jack, ex-officio • Stephen B. Kay • Edmund Kelly • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D. • Robert P. O’Block • Susan W. Paine • Peter Palandjian, ex-officio • John Reed • CaRol Reich • Roger T. Servison • Wendy Shattuck • CaRoline TayloR • Roberta S. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • HaRlan E. Anderson • David B. Arnold, JR. • J.P. BaRger • GabRiella Beranek • Leo L. Beranek • DeboRah Davis Berman • Jan BRett • Peter A. BRooke • John F. Cogan, JR. • Mrs. Edith L. Dabney • Nelson J. DaRling, JR. • Nina L. Doggett • Nancy J. Fitzpatrick • Thelma E. GoldbeRg† • ChaRles H. Jenkins, JR. • MRs. Béla T. Kalman • GeoRge KRupp • MRs. HenRietta N. MeyeR† • RichaRd P. MoRse • David MugaR • MaRy S. Newman • Vincent M. O’Reilly • William J. PooRvu • PeteR C. Read • EdwaRd I. Rudman • RichaRd A. Smith • Ray Stata • Thomas G. StembeRg • John Hoyt Stookey • WilmeR J. Thomas, JR.† • John L. ThoRndike • Stephen R. Weiner • Dr. Nicholas T. Zervas Other Officers of the Corporation MaRk Volpe, Managing Director • Thomas D. May, Chief Financial Officer • BaRt Reidy, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Susan BRedhoff Cohen, Co-Chair • Peter Palandjian, Co-Chair NoubaR Afeyan • James E. AisneR • PeteR C. AndeRsen • Lloyd AxelRod, M.D. • Liliana BachRach • Judith W. BaRR • Lucille M. Batal • Linda J.L. Becker • Paul Berz • James L. Bildner • MaRk G. BoRden • PaRtha Bose • KaRen BRessler • Anne F. BRooke • GregoRy E. Bulger • Joanne M. Burke • RichaRd E. Cavanagh • Yumin Choi • Dr. LawRence H. Cohn • ChaRles L. Cooney • William CurRy, M.D. • James C. Curvey • Gene D. Dahmen • Michelle A. Dipp, M.D., Ph.D. • DR. Ronald F. Dixon • Ronald M. DRukeR • Philip J. Edmundson • URsula Ehret-Dichter • SaRah E. Eustis • Joseph F. Fallon • Beth Fentin • Peter Fiedler • Steven S. Fischman • John F. Fish • SanfoRd Fisher • Jennifer MugaR Flaherty • Alexandra J. Fuchs • Robert Gallery • Levi A. GaRRaway • Zoher Ghogawala, M.D. • CoRa H. Ginsberg • Robert R. Glauber • StuaRt HiRshfield • LawRence S. HoRn • Jill HoRnoR • Valerie Hyman • Everett L. Jassy • Stephen J. Jerome • DaRlene Luccio JoRdan, Esq. • Paul L. Joskow • KaRen Kaplan • Stephen R. KaRp • John L. Klinck, JR. • Jay MaRks • Jeffrey E. MaRshall • Paul M. Montrone • Sandra O. Moose • Robert J. MoRRissey • Cecile Higginson Murphy • Joseph Patton • Donald R. Peck • Steven R. Perles • Ann M. Philbin • Wendy PhilbRick • Randy Pierce • Claudio Pincus • Lina S. Plantilla, M.D. • IRene Pollin • Jonathan PooRvu • DR. John Thomas Potts, JR. • William F. Pounds • ClaiRe PryoR • Programs copyright ©2015 Boston Symphony Orchestra, Inc. Cover photo by Marco Borggreve James M. Rabb, M.D. • Ronald Rettner • Robert L. Reynolds • Robin S. Richman, M.D. • Dr. CaRmichael Roberts • Graham Robinson • Patricia Romeo-Gilbert • Susan Rothenberg • Joseph D. Roxe • Malcolm S. Salter • Kurt W. SaRaceno • Donald L. ShapiRo • Phillip A. ShaRp, Ph.D. • Christopher SmallhoRn • Michael B. SpoRn, M.D. • Nicole Stata • MaRgery Steinberg • Patricia L. Tambone • Jean Tempel • Douglas Thomas • MaRk D. Thompson • Albert Togut • Joseph M. Tucci • Sandra A. URie • Robert A. Vogt • Dr. Christoph Westphal • June K. Wu, M.D. • Patricia Plum Wylde • MaRillyn ZachaRis • Dr. Michael Zinner • D. BRooks Zug Overseers Emeriti Helaine B. Allen • MaRjoRie Arons-BaRRon • Diane M. Austin • CaRoline Dwight Bain† • Sandra BakalaR • William T. Burgin • Mrs. Levin H. Campbell • EaRle M. Chiles • CaRol Feinberg Cohen • Mrs. James C. Collias • Ranny Cooper • Joan P. Curhan • Phyllis Curtin • TamaRa P. Davis • Mrs. Miguel de BRagança • Paul F. Deninger • JoAnne Walton Dickinson • Phyllis Dohanian • Alan Dynner • HaRRiett Eckstein • GeoRge Elvin • Pamela D. EverhaRt • Judy Moss Feingold • RichaRd Fennell • MyRna H. FReedman • Mrs. James GaRivaltis • Dr. Arthur Gelb • Robert P. Gittens • JoRdan Golding • MaRk R. Goldweitz • Michael Halperson • John Hamill • DeboRah M. Hauser • CaRol Henderson • Mrs. RichaRd D. Hill • Roger Hunt • Lola Jaffe • MaRtin S. Kaplan • Mrs. GoRdon F. Kingsley • Robert I. Kleinberg • David I. Kosowsky • Robert K. Kraft • FaRla H. Krentzman • Peter E. Lacaillade • Benjamin H. Lacy • Mrs. William D. LaRkin • Robert J. Lepofsky • Edwin N. London • FRederick H. Lovejoy, JR. • Diane H. Lupean • Mrs. HaRRy L. MaRks • Joseph B. MaRtin, M.D. • Joseph C. McNay • Dr. MaRtin C. Mihm, JR. • Robert Mnookin • John A. Perkins • May H. Pierce • Dr. Tina Young Poussaint • Daphne BRooks Prout • Robert E. Remis • John Ex Rodgers • Alan W. Rottenberg • Kenan Sahin • Roger A. Saunders • Lynda Anne Schubert • L. Scott Singleton • Gilda Slifka • Samuel ThoRne • Diana Osgood Tottenham • Paul M. VerRochi • David C. Weinstein • James Westra • Mrs. Joan D. Wheeler • MaRgaRet Williams-DeCelles • RichaRd Wurtman, M.D. † Deceased Established 1974 Berkshire Record Outlet Thank you all for your past patronage. After forty-one consecutive summers, our retail store has closed. Please visit our website: www.berkshirerecordoutlet.com Tanglewood The Tanglewood Festival On August 13, 15, and 16, 1936, the Boston Symphony Orchestra gave its fiRst concerts in the BeRkshiRe Hills of westeRn Massachusetts; music diRectoR SeRge Koussevitzky conducted. But those outdooR concerts, attended by a total of 15,000 people, did not take place at Tanglewood: the oRchestRa peRfoRmed neaRby undeR a laRge tent at Holmwood, a foRmer Vanderbilt estate that later became The Center at Foxhollow. In fact, the fiRst BerkshiRe Symphonic Festival had taken place two summers eaRlier, at Interlaken, when, oRganized by a group of music-loving BerkshiRe summer Residents, three outdooR concerts were given by members of the New YoRk PhilhaRmonic, under the diRection of composer/conductoR Henry Hadley. But after a second concert series in 1935, plans foR 1936 pRoved difficult, foR Reasons including Hadley’s health and aspects of the musical programming; so the oRganizing committee instead approached Koussevitzky and the BSO’s TRustees, whose enthusiastic Response led to the BSO’s fiRst concerts in the BerkshiRes. In the winter of 1936, following the BSO’s concerts that summer, Mrs. GoRham BRooks and Miss MaRy Aspinwall Tappan offered Tanglewood, the Tappan family estate, with its buildings and 210 acRes of lawns and meadows, as a gift to Koussevitzky and the oRchestRa. The offeR was gRatefully accepted, a two-weekend festival was planned foR 1937, and on August 5 that yeaR, the festival’s laRgest crowd to date assembled under a tent foR the fiRst Tanglewood concert, an all-Beethoven program. At the all-Wagner concert that opened the 1937 festival’s second weekend, Rain and thundeR twice inteRRupted the Rienzi OveRtuRe and necessitated the omission altogetheR of the Siegfried Idyll, music too gentle to be heaRd through the downpour. At the inter- mission, Miss GeRtRude Robinson Smith, one of the festival’s foundeRs, made an appeal to Raise funds foR the building of a permanent structure. The appeal was bRoadened by means of a printed ciRculaR handed out at the two Remaining concerts, and within a shoRt time enough money was Raised to begin active planning foR a “music pavilion.” Eliel SaaRinen, the eminent aRchitect selected by Koussevitzky, proposed an elaboRate design that went faR beyond the festival’s immediate needs, and also well beyond the $100,000 budget. When his second, simplified plans were again deemed too expensive, A banner advertising the 1939 Berkshire Symphonic Festival (BSO Archives) he finally wRote that if the TRustees insisted on Remaining within theiR budget, they would have “just a shed...which any buildeR could accomplish without the aid of an aRchitect.” The TRustees then asked StockbRidge engineeR Joseph FRanz to simplify SaaRinen’s plans fuRtheR, and the “Shed” he eRected—which Remains, with modifica- tions, to this day—was inaugurated on August 4, 1938, with the fiRst concert of that yeaR’s festival. It has Resounded to the music of the Boston Symphony Orchestra every summer since, except foR the waR yeaRs 1942-45, and has become almost a place of pilgrimage to millions of concertgoers. In 1959, as the Result of a collaboRa- tion between the acoustical consultant Bolt Beranek and Newman and aRchi- tect EeRo SaaRinen and Associates, the installation of the then-unique Edmund Hawes Talbot ORchestRa Canopy, along with otheR impRove- After the storm of August 12, 1937, which precipitated a fundraising drive ments, produced the Shed’s present for the construction of the Tanglewood Shed (BSO Archives) woRld-famous acoustics. In 1988, on the occasion of its fiftieth anniveRsaRy, the Shed was Rededicated as “The SeRge Kous- sevitzky Music Shed,” Recognizing the faR-Reaching vision of the BSO’s
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Summer
    SUMMER 2009 BOSTON SYM ON Y ORCH E RA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY r ^ m I &£ V + i HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstenpalleries.com i photo: Icrcsa Nouri I O l \ e Broun and Coral Pink Persian Set They're Not Only Preparing ^ / for a Changing World They're Preparing to Change the World y M 1 what girls have in mind 'J'NZib-iS 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] V Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " 'Hot is the WOrdfor this show. —The New York T Museum of Fine Arts, Boston March 15- August 16, 2009 Tickets: 800-440-6975 or www.mfa.org BOSTON The exhibition is organized by the Museum The exhibition is PIONEER of Fine Arts, Boston and the Mus6e du fcUniCredit Group sponsored by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937. 1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 *f=^y Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M.
    [Show full text]
  • MAHLER JUGENDORCHESTER CORO DE LA COMUNIDAD DE MADRID PEQUEÑOS CANTORES DE LA COMUNIDAD DE MADRID Director: JONATHAN NOTT Solista: ELENA ZHIDKOVA
    18.Ibermúsica.19 SERIE ARRIAGA A.8 GUSTAV MAHLER JUGENDORCHESTER CORO DE LA COMUNIDAD DE MADRID PEQUEÑOS CANTORES DE LA COMUNIDAD DE MADRID Director: JONATHAN NOTT Solista: ELENA ZHIDKOVA Medio oficial Auditorio Nacional de Música A.8 GUSTAV MAHLER JUGENDORCHESTER Fundada en Viena en la temporada 1986-1987 por iniciativa de Claudio Abbado, está considerada la principal orquesta de jóvenes del mundo y en 2007 fue premiada por la Fundación Cultural Europea. Además de apoyar a jóvenes músicos, Abbado dedicó un especial interés en promover que los jóvenes austriacos pudieran tocar con sus colegas de las repúblicas socialistas de Checoslovaquia y Hungría. De este modo, la GMJO fue la primera orquesta internacional de jóvenes que ofreció audiciones abiertas en los países del antiguo bloque del Este. En 1992, la Orquesta se abrió a músicos de hasta veintiséis años provenientes de toda Europa. Cuenta con el patronazgo del Consejo Europeo. Su repertorio en gira abarca desde la música clásica hasta la contemporánea, con especial énfasis en las grandes obras sinfónicas de los períodos romántico y romántico tardío. Su alto nivel artístico y reconocimiento internacional han atraído a muchos de los más importantes directores y solistas a colaborar con la orquesta. Desde su fundación la han dirigido Abbado, Afkham, Blomstedt, Boulez, Chung, Sir C. Davis, Eötvös, Eschenbach, Fischer, Gatti, Haitink, Järvi, Jansons, Jordan, Jurowski, Metzmacher, Nagano, Neumann, Nott, Ozawa, Pappano, Viotti y Welser-Möst. Entre los solistas que han tocado con la agrupación, cabe destacar a M. Argerich, Y. Bashmet, L. Batiashvili, R. y G. Capuçon, C. Gerhaher, M. Goerne, S. Graham, T.
    [Show full text]
  • Roby Lakatos Trio Feat
    he strings that connect us 21-29 June 2019 Tivat, Montenegro www.menofest.me This June, the beautiful town of Tivat will host the second annual Mediterranean Notes Music Festival. During the first week of summer 2019, some of the world's pre-eminent musicians will come together for a series of unique and remarkable concerts. Tivat’s magnificent Riva will be filled with the sounds of the most beautiful and captivating music ever written. We welcome all music lovers to the gateway of Boka Bay and Montenegro, to join us in a celebration of music and community! Ivan Vukčević Artistic Director 21 -29 June 2019 14 24 June | 21:30 Tivat, Montenegro Luštica Bay Chedi Hotel Ballroom Trio Skride/Vukčević/ 05 de Naverán 21 June | 21:30 Centar za kulturu Tivat Schubert, Kodály, Dohnányi World Music Day 16 Baiba Skride 25 June | 21:30 & The Menuhin Centar za kulturu Tivat Academy Soloists Between Two Mendelssohn, Schubert, Wars – A Soldier’s Tchaikovsky Tale 08 Stravinsky, Bartók 22 June | 21:30 18 Luštica Bay 27 June | 21:30 The Young Virtuosi Centar za kulturu Tivat of The International String Sextets Menuhin Academy R. Kowalski, R. Lakatos, M. Klotz, I. Vukčević, Bartók, Elgar, Piazzola P. de Naverán, H. Krijgh 12 Brahms, Tchaikovsky 23 June | 21:30 20 Centar za kulturu Tivat 29 June | 21:30 Schumann’s Synchro Hall Beethoven Porto Montenegro Quartetto Energie Tivat Nove & Irina Closing Concert Zahharenkova Roby Lakatos Trio feat. Montenegrin Schumann, Beethoven Symphony Orchestra Friday, 21 June | Centar za kulturu Tivat | 21:30 World Music Day Baiba Skride (Latvia) - Violin & The Menuhin Academy Soloists (Switzerland, Oleg Kaskiv - Leader) PROGRAM: F.
    [Show full text]
  • Summer 2019 Boston Symphony Orchestra
    boston symphony orchestra andris nelsons music director summer 2019 EXPERIENCE THE For the Discriminating NEW MET SEASON Shopper PHOTO: PAOLA KUDACKI / MET OPERAPHOTO:/ PAOLA KUDACKI The Met’s 2019 – 20 season features five new productions, including Philip Glass’s Akhnaten, starring Anthony Roth Costanzo (pictured) as the Egyptian pharaoh opposite J’Nai Bridges as Nefertiti. Tickets go on sale June 23 — or curate your own series of performances and save up to 15%. Peter Gelb GENERAL MANAGER Learn more at metopera.org/tickets or by Yannick Nézet-Séguin world class calling 212.362.6000. JEANETTE LERMAN-NEUBAUER MUSIC DIRECTOR C+I 2019 studs.indd 2 8/29/19 12:15 PM Tanglewood_Jun_SingleTickets.indd 2 5/29/19 9:18 AM For the Discriminating Shopper world class BRANDS ManchesterDesignerOutlets.com C+I 2019 studs.indd 3 8/29/19 12:15 PM Tanglewood_Jun_SingleTickets.indd 2 5/29/19 9:18 AM C+I 2019 studs.indd 4 8/29/19 12:16 PM Andris Nelsons, Ray and Maria Stata Music Director Bernard Haitink, LaCroix Family Fund Conductor Emeritus Seiji Ozawa, Music Director Laureate Thomas Adès, Deborah and Philip Edmundson Artistic Partner Thomas Wilkins, Germeshausen Youth and Family Concerts Conductor 138th season, 2018–2019 Trustees of the Boston Symphony Orchestra, Inc. Susan W. Paine, Chair • Joshua A. Lutzker, Treasurer William F. Achtmeyer • Noubar Afeyan • David Altshuler • Gregory E. Bulger • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Cynthia Curme • William Curry, M.D. • Alan J. Dworsky • Philip J. Edmundson • Thomas E. Faust, Jr. • Todd R. Golub • Michael Gordon • Nathan Hayward, III • Ricki Tigert Helfer • Brent L.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • S E at T Le S Y M P Hony Ludo Vic Morlo T
    IVES SYMPHONY NO. 4 NO. SYMPHONY SYMPHONY NO. 3 NO. SYMPHONY CENTRAL PARK IN THE DARK CENTRAL PARK THE UNANSWERED QUESTION SEATTLE SYMPHONY LUDOVIC MORLOT CHARLES IVES Symphony No. 4 Prelude: Maestoso .............................................................. 3:27 Comedy: Allegretto .......................................................... 12:07 Fugue: Andante moderato ................................................ 6:39 Finale: Largo maestoso ..................................................... 8:59 Cristina Valdés, piano; Joseph Adam, organ; Stilian Kirov, David Alexander Rahbee, Julia Tai, assistant conductors; Seattle Symphony Chorale The Unanswered Question .........................................................6:50 David Gordon, trumpet Central Park in the Dark ............................................................. 11:22 Symphony No. 3, “The Camp Meeting” Old Folks Gatherin’: Andante maestoso ..........................7:41 Children’s Day: Allegro ....................................................... 6:50 Communion: Largo ................................................................7:47 TOTAL TIME .................................................................71:49 SEATTLESYMPHONY.ORG � & © 2016 Seattle Symphony Media. All rights reserved. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited without prior written permission from the Seattle Symphony. Benaroya Hall, 200 University Street, Seattle, WA 98101 MADE IN USA Photo: Larey McDaniel Larey Photo: SEATTLE
    [Show full text]
  • [email protected] MANFRED HONECK to Conduct
    FOR IMMEDIATE RELEASE March 28, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] MANFRED HONECK To Conduct SIBELIUS’s Violin Concerto with NIKOLAJ ZNAIDER as Soloist Mr. Honeck’s Arrangement of DVOŘÁK’s Rusalka Fantasy Selections from TCHAIKOVSKY’s Sleeping Beauty May 3–5 and 8, 2018 NIKOLAJ ZNAIDER To Make New York Philharmonic Conducting Debut TCHAIKOVSKY’s Symphony No. 1, Winter Dreams ELGAR’s Cello Concerto with JIAN WANG in Philharmonic Subscription Debut May 10–12, 2018 Manfred Honeck will return to the New York Philharmonic to conduct Sibelius’s Violin Concerto, with Nikolaj Znaider as soloist; Mr. Honeck’s own arrangement of Dvořák’s Rusalka Fantasy, orchestrated by Tomáš Ille; and selections from Tchaikovsky’s Sleeping Beauty, Thursday, May 3, 2018, at 7:30 p.m.; Friday, May 4 at 11:00 a.m.; Saturday, May 5 at 8:00 p.m.; and Tuesday, May 8 at 7:30 p.m. The following week, Nikolaj Znaider will make his New York Philharmonic conducting debut leading Elgar’s Cello Concerto, with Jian Wang in his subscription debut, and Tchaikovsky’s Symphony No. 1, Winter Dreams, Thursday, May 10, 2018, at 7:30 p.m.; Friday, May 11 at 8:00 p.m.; and Saturday, May 12 at 8:00 p.m. Manfred Honeck and Nikolaj Znaider previously collaborated on Sibelius’s Violin Concerto with the Pittsburgh Symphony Orchestra (PSO), in Pittsburgh and on tour in 2012. Mr. Znaider also conducted the PSO that year in music by Elgar, Wagner, and Mozart. Manfred Honeck completed his arrangement of Dvořák’s Rusalka Fantasy in 2015 and led its first performances with the Pittsburgh Symphony Orchestra shortly after.
    [Show full text]
  • Tsotoronto Symphony Orchestra
    Toronto 11.12 Symphony ANNUAL Orchestra REPORT tso Peter Oundjian, Music Director 11.12 90 th Season Big Number. Bold Season. From our Music Director Ninety is an interesting age for an orchestra. In the context of a lifetime, the TSO has had a relationship with several generations of Torontonians and guest artists. Within the context of the composers who inspire us and their repertoire which has truly stood the test of time, 90 is quite young. At 90, the Toronto Symphony Orchestra presented a landmark season of bold musical experiences which continue to connect, transcend, and enrich our community. We are a vibrant orchestra, fresh at 90, and powered by the traditions of greatness from which we draw our repertoire. Our commitment to creating art and refreshing our art form was reflected in the celebration of new music and composers throughout the 2011.2012 programme, in our New Creations Festival, and in welcoming 28 débuting artists during the 90th season. We are passionate about enriching our community through art and the power of music, as evidenced so clearly by the major 90th season Residencies featuring three of the greatest artists performing today. I am indebted to, and inspired by, the talented musicians of the TSO, who every day share their passion and commitment towards exceptional orchestral performances. I thank you, the audience, for your enthusiasm in these live concert experiences. Sincerely, Peter Oundjian MUSIC DIRECTOR 3 Chair’s Message The Toronto Symphony Orchestra’s 90th season was an opportunity to celebrate the achievements of the organization and to present an extraordinary season of stellar guest artists, remarkable artistic programming, and special celebrations, including our major fundraising event, Celebrate 90 , which was a landmark for the organization.
    [Show full text]
  • Seattle Symphony Named Orchestra of the Year at the 2018 Gramophone Classical Music Awards
    IMMEDIATE RELEASE SEPTEMBER 13, 2018 Shiva Shafii Public Relations Manager 206.215.4758 | [email protected] Rosalie Contreras Vice President of Communications 206.215.4782 | [email protected] SEATTLE SYMPHONY NAMED ORCHESTRA OF THE YEAR AT THE 2018 GRAMOPHONE CLASSICAL MUSIC AWARDS Pictured L to R: Seattle Symphony Music Director Ludovic Morlot, Seattle Symphony and Seattle Symphony Music Director Designate Thomas Dausgaard. Photography by Brandon Patoc. NOMINATION FOR THE AWARD WAS BASED ON THE ORCHESTRA’S “EXCEPTIONAL CONTRIBUTION” (GRAMOPHONE) TO RECORDED MUSIC IN PAST YEAR SEATTLE, WA – Today, Gramophone announced the Seattle Symphony has won the Orchestra of the Year Award, an award that recognizes the artistic excellence of an ensemble. The winner of the Orchestra of the Year Award was announced at the 2018 Gramophone Classical Music Awards ceremony in the Grand Connaught Rooms in London. The Seattle Symphony was among seven other international ensembles nominated for the award, and the only nominee outside of Europe. Selected by Gramophone’s editors and critics, finalists were chosen from recordings made from June 2017 through May 2018 and the winner was voted on by the general public. The Gramophone Classical Music Awards celebrate the most outstanding recordings of the past year, and this new award gave listeners the opportunity to vote for an orchestra they believe has made an exceptional contribution to recorded music. “The Seattle Symphony has a long and highly distinguished tradition of making recordings, and that tradition has continued under the musical directorship of Ludovic Morlot and his successor Thomas Dausgaard. The orchestra’s dynamic work in concert and the resulting recordings have clearly captured the public’s imagination who delivered an astounding 47 percent of votes to make the Seattle Symphony our inaugural Orchestra of the Year, an Award sponsored for the first time by Apple Music,” commented James Jolly, Editor in Chief for Gramophone.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007, Subscription, Volume 02
    v^. \i.> 2006-2007 SEASON BOSTON SYM PHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Lead a richer life. * r _ }*,p00* i *v!' * MB _ {* ' John Hancock is proud t Boston Symphony Orchestra. A DS Manulife Financial Company the future is yours A World-Class Alcohol and Drug Treatment Program 11 Hi;: View from The McLean Center, Princeton, MA -v. E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment www.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teachingfacility Partners. ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. Israel A teaching hospital of Beth Deaconess Harvard Medical School Medical Center Affiliated with Joslin Clinic | A Research Partner of the Boston Red Sox Dana-Farber/Harvard Cancer Center | Official Hospital of r James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Baiba Skride & Friends
    BAIBA SKRIDE & FRIENDS DI 05.12.2017 KONZERTHAUS DORTMUND Brückstraße 21 / 44135 Dortmund T 0231–22 696 200 / F 0231–22 696 222 [email protected] www .konzerthaus-dortmund.de SO KLINGT NUR DORTMUND SAISON 2 0 17 / 1 8 BAIBA SKRIDE VIOLINE GERGANA GERGOVA VIOLINE BRETT DEAN VIOLA AMIHAI GROSZ VIOLA ALBAN GERHARDT VIOLONCELLO Abo: Streichquartett In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handy- klingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 2,50 E Baiba Skride 4 / 5 Johannes Brahms WOLFGANG AMADEUS MOZART (1756 – 1791) Streichquintett C-Dur KV 515 (1787) Allegro Andante Menuetto. Allegretto Allegro BRETT DEAN (GEB. 1961) »Epitaphs« für Streichquintett (2010) »Only I will know« – in memory of Dorothy Porter. Gently flowing, with intimate intensity »Walk a little way with me« – in memory of Lyndal Holt. Moderato scorrevole »Der Philosoph« – in memory of Jan Diesselhorst. Slow and spacious, misterioso »György meets the ›Girl Photographer‹« – in memory of Betty Freeman, hommage à György Ligeti. Fresh, energetic »Between the spaces in the sky« – in memory of Richard Hickox. Hushed and fragile – Pause ca. 21.00 Uhr – JOHANNES BRAHMS (1833 – 1897) Streichquintett Nr. 2 G-Dur op. 111 (1890) Allegro non troppo ma con brio Adagio Un poco allegretto Vivace ma non troppo presto – Ende ca. 22.00 Uhr – 6 / 7 PROGRAMM Gergana Gergova Brett Dean 8 / 9 FAST ZU ERNST Zeitung«. Doch die Werke waren Ladenhüter, der Verlag verlängerte daher das Subskriptions- Wolfgang Amadeus Mozart Streichquintett C-Dur KV 515 Angebot bis zum 1.
    [Show full text]
  • BAIBA SKRIDE Gothenburg Symphony SANTTU-MATIAS ROUVALI
    LEONARD BERNSTEIN ERICH WOLFGANG KORNGOLD MIKLÓS RÓZSA AMERICAN CONCERTOS BAIBASKRIDE Gothenburg Symphony Tampere Philharmonic Orchestra SANTTU-MATIAS ROUVALI CD 1 58’43 LEONARD BERNSTEIN (1918–1990) Serenade für Violine und Streichorchester, Harfe und Schlagwerke nach Platos Symposium (1954) 1 Phaedrus – Pausanias: Lento – Allegro marcato 6’46 2 Aristophanes: Allegretto 4’46 3 Eryximachus: Presto 1’36 4 Agathon: Adagio 7’38 5 Socrates – Alcibiades: 11’05 Molto tenuto – Allegro molto vivace ERICH WOLFGANG KORNGOLD (1897–1957) Konzert für Violine und Orchester D-Dur op. 35 (1945) 6 Moderato nobile 10’00 7 Romance. Andante 9’14 8 Finale: Allegro assai vivace 7’33 BAIBA SKRIDE Gothenburg Symphony SANTTU-MATIAS ROUVALI CD 2 57’21 MIKLÓS RÓZSA (1907–1995) Konzert für Violine und Orchester op. 24 (1953) 1 Allegro non troppo ma passionato 13’20 2 Lento cantabile 9’41 3 Allegro vivace – Meno mosso – Più mosso 8’53 LEONARD BERNSTEIN West Side Story: Symphonic Dances (1960) 4 Prologue. Allegro moderato 4’38 5 Somewhere. Adagio 4’46 6 Scherzo. Vivace e leggiero 1’32 7 Mambo. Meno Presto 2’35 8 Cha-cha. Andantino con grazia 1’03 9 Meeting Scene. Meno mosso 0’56 10 Cool, Fugue. Allegretto 3’53 11 Rumble. Molto allegro 2’03 12 Finale. Adagio 3’46 BAIBA SKRIDE Tampere Philharmonic Orchestra SANTTU-MATIAS ROUVALI Bernstein – Korngold – Rózsa Violinkonzerte „Die technischen Herausforderun- erzählenden, aber viel aussagen- gen sind zweifellos enorm in die - den, in ihrer Verwandtschaft so un - sen Werken. Für mich ist jedoch terschiedlichen Sätzen.” entscheidend, dass diese rein gei - gerischen Schwierigkeiten und Baiba Skride, im Juni 2018 Herausforderungen bei der Auffüh - rung nicht im Vordergrund stehen.
    [Show full text]