The Power of LIVE Norman Lear’S LIVE in FRONT of a STUDIO AUDIENCE: ALL in the FAMILY & the JEFFERSONS by Lisa Hollaender

Total Page:16

File Type:pdf, Size:1020Kb

The Power of LIVE Norman Lear’S LIVE in FRONT of a STUDIO AUDIENCE: ALL in the FAMILY & the JEFFERSONS by Lisa Hollaender The Power of LIVE Norman Lear’s LIVE IN FRONT OF A STUDIO AUDIENCE: ALL IN THE FAMILY & THE JEFFERSONS By Lisa Hollaender “Those were the days…” “Movin’ on Up…” ALL IN THE FAMILY THE JEFFERSONS The “Power of Live” content in primetime TV is highlighted in the original scripts, still prove that it generates an audience far above and relevant today. Though we’ve come a long beyond regular viewing levels. Sports – way in the last 50 years, listening to the notably, the SUPER BOWL, the NFL, AFC and NFC dialogue of these comedies, may not be as far CHAMPIONSHIPS, and more recently NCAA as we thought. March Madness – are all clear examples of success. In the entertainment realm, “Live” With the success of Norman Lear’s LIVE IN special event productions are good for FRONT OF A STUDIO AUDIENCE: ALL IN THE “stunting” or “one-offs” or as a sequence of live FAMILY & THE JEFFERSONS broadcast (see one-time-only specials to bring new and performance breakouts below), ABC has larger audiences to broadcast television, already announced they intend to turn LIVE IN boosting overall network averages. FRONT OF A STUDIO AUDIENCE into a franchise series of events. Certainly, other networks The newest entry into this elite group of may also be gathering titles for future “engaging content” and the first of its kind, is development in this category. Norman Lear’s re-staging (same characters, same exact script, different actors) of the Katz Television Group conducted a survey iconic sitcom, ALL IN THE FAMILY and its spin- among its proprietary Our Media panel of local off, THE JEFFERSONS. Hosted by the creator media enthusiasts from June 2 – 6, 2019. himself and Jimmy Kimmel, this event starred Across 500 respondents, the Katz study found big names such as Marisa Tomei, Woody that 82% (8 in 10 viewers) of those that Harrelson, Jamie Foxx and Wanda Sykes along watched the event would like to see more. Our with appearances by Will Farrell, Kerry survey utilized an open-ended technique for Washington and Sean Hayes. These classic gathering suggestions for future live series family sitcom episodes from the 1970’s, are not productions, rather than a fixed menu of only known for their theme songs, which options used in other surveys recently reflected the tone of their respective series, but conducted. This provided for a wider range of for their blatant political, socio-economic, user-generated options. Read on for key racial and women’s rights issues. The topics, takeaways. 1 KEY TAKEAWAYS Ø LIVE IN FRONT OF A STUDIO AUDIENCE: ALL IN THE FAMILY & THE JEFFERSONS was the most watched show on Wednesday, 5/22/19. The event boasted an audience of 10.4 million P2+ viewers nationally, 37% above its strongest competitor and 108% higher than its weakest. Ø The live rendition of ALL IN THE FAMILY (AIF) & THE JEFFERSONS (JEFF) out-performed the ABC network in primetime on various fronts among total P2+ viewers for the 2018-19 season – versus overall ABC Wed, 5/22/19 average (+33%), regular ABC series (+121%), ABC sports (+126%), overall ABC prime (+136%) and ABC movies and specials (+160%). The one place it underdelivered (-29%) was against other ABC live events like the OSCARS. Ø Based on the Katz Our Media study of 500 TV viewers, Ø 82% of those who viewed the Live Norman Lear special have an appetite for Live TV Events like ALL IN THE FAMILY & THE JEFFERSONS. Ø M*A*S*H (10%) and HAPPY DAYS (7%) are the leading candidates for the next “live televised” series event, followed closely by CHEERS (6%), FRIENDS (5%), SEINFELD (4%), and classic sitcom, I LOVE LUCY (5%). Ø 75% of viewers found the issues discussed on the TV special (race, women's rights, etc.) to be as relevant today as they were back when the shows originally aired. Ø Versus Katz’s most-updated “Power of Live” content meter for the 2018-19 season, the new ALL IN THE FAMILY/JEFFERSONS ranked 6th of all live events and 6% above the average (9.8 million). Ø Of the 10 LIVE series episodes Katz compared it to, ALL IN THE FAMILY & THE JEFFERSONS 10.4 million viewers placed 5th, right in the middle of the pack below three DREW CAREY episodes on ABC and ROC on FOX. Ø Compared to live musical specials, ALL IN THE FAMILY & THE JEFFERSONS placed mid-way, 4th out of eight options among P2+ viewers and A25-54 rating and share (2.7/11). If we look at younger adults, AIF/JEFF was the lowest rated among the live musicals in A18-34 rating (0.7), tied for the second lowest performance in A18-49 (1.7/9) with JESUS CHRIST SUPERSTAR (1.7/7). 2 Katz Media Group - Our Media Panel Study Katz Television Group conducted a survey among its proprietary Our Media panel of local media enthusiasts from June 2 – 6, 2019. The online survey utilized an open-ended technique for gathering viewers suggestions for future live series productions, rather than a fixed menu of options used in other surveys recently conducted. This provided for a wider range of user-generated options. In total, 500 respondents from DMA’s across the U.S. participated in the survey, Do Viewers Want More of these “re-staged Classic Sitcoms”? § According to the Katz TV Our Media Study, there is an appetite for live TV events. 82% (8 in 10 viewers) of the people who watched LIVE IN FRONT OF A STUDIO AUDIENCE: ALL IN THE FAMILY & THE JEFFERSONS are interested in seeing more "live televised" events like it in the future. § 75% of ALL IN THE FAMILY/JEFFERSON viewers found find the issues discussed on the sitcom (racial, social, economic and women's rights) are as relevant today as they were in the ‘70s. What are the leading candidates that viewers would like to see “honored” as the next “live televised” event? § The Katz Study found that classics like M*A*S*H and HAPPY DAYS are the leading candidates for the next “live televised” event treated in the same way as ALL IN THE FAMILY & THE JEFFERSONS. Other contenders included the classic series I LOVE LUCY and “newer classics”, CHEERS, FRIENDS and SEINFELD. M*A*S*H 10% Happy Days 7% Cheers 6% Friends 5% Seinfeld 4% I Love LuCy 3% The Brady BunCh 2% Sanford & Son 2% Gilligan's Island 2% Golden Girls 2% Three's Company 2% 3 National Performance Katz’s Content Strategy team evaluated ABC’s Normal Lear special against several competitive scenarios: Ø Head-to-Head Competition Ø ABC 2018-19 Primetime – Regular Series, Sports. Overall Prime, Specials & Movies, Live Events Ø Katz’s Ongoing “Power of Live” Content Meter Ø Live Sitcom Episodes and Live Musicals 4 Versus Wednesday, 5/22/19 Primetime Competitors LIVE IN FRONT OF A STUDIO AUDIENCE: ALL IN THE FAMILY & THE JEFFERSONS was the most watched show of the night. The event boasted an audience of 10.4 million P2+ viewers nationally, +37% above its strongest competitor (CHICAGO MED and CHICAGO FIRE season finales on NBC-7.6 and 7.5 million-respectively) and +108% higher than its weakest (JANE THE VIRGIN and MY LAST DAYS on the CW). Up against strong competition from the NBC CHICAGO finales, the live re-staging of the popular and well-rated ‘70s sitcoms also achieved top billing in HH NTI’s (6.4/13) as well as across A18-49 (1.8/9) and A25-54 (2.7/11). Even with the adult demographics broken out by women and men, the program finished first for the night. Breaking it down, there was a very slight decline from the 8PM half-hour (10.7 million) to 8:30PM (10.5 million) to 9PM (10.2 million) and then another drop-off at 9:30PM for the NL: ALL IN THE FAM/JEFF after show (7.8 million). The after show still performed above all other programming for the night in total viewers. 5 Versus ABC 2018-19 Primetime Categories The live rendition of ALL IN THE FAMILY (AIF) & THE JEFFERSONS (JEFF) out-performed the ABC network in primetime on various fronts among P2+ viewers. Ø AIF/JEFF’s 10.4 million P2+ was above Ø AIF/JEFF was +136% above ABC’s overall ABC’s overall primetime average for Primetime season average (4.4 the night by +33%. million). Ø AIF/JEFF was +121% above ABC’s Ø AIF/JEFF was +160% above ABC’s REGULAR SERIES average for the 2018-19 regular SPECIALS & MOVIES season season by +121% (4.7 million). average (4.0 million). Ø AIF/JEFF was +126% above ABC’s Ø The one area AIF/JEFF underperformed Primetime SPORTS average for the was versus ABC LIVE EVENTS (13.4 season (4.6 million). million) average. It was off by -29% (keep in mind the OSCARS and its LIVE FROM THE RED-CARPET pre-show was included in this average). 6 Versus THE POWER OF LIVE CONTENT Meter In reviewing our most-updated “Power of Live” content meter for the 2018-19 season, the new ALL IN THE FAMILY/JEFFERSONS live rendition ranked 6th of all live events, after the OSCARS, GRAMMYS, GOLDEN GLOBES, LIVE FROM THE RED CARPET-3 and PRIMETIME NYRE ’19-PT2, 6% above the average 9.8 million. If we compare the AIF/JEFF to everything that ran in primetime (live events, sports, specials, regular series), it ranked 28th in P2+. 7 Versus Other LIVE SITCOMS EPISODES & LIVE MUSICALS Sitcoms do not generally air live, even though they may be taped in front of a live audience and broadcast later – hence finding recent comparisons was not fruitful.
Recommended publications
  • Senior Women's Performances of Sexuality
    “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Performance Studies “Dusty Muffins”: Senior Women’s Performances of Sexuality Copyright 2012 Evleen Michelle Nasir “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Harry Berger Alfred Bendixen Head of Department, Judith Hamera August 2012 Major Subject: Performance Studies iii ABSTRACT “Dusty Muffins”: Senior Women’s Performance of Sexuality. (August 2012) Evleen Michelle Nasir, B.A., Texas A&M University Chair of Advisory Committee: Dr. Kirsten Pullen There is a discursive formation of incapability that surrounds senior women’s sexuality. Senior women are incapable of reproduction, mastering their bodies, or arousing sexual desire in themselves or others. The senior actresses’ I explore in the case studies below insert their performances of self and their everyday lives into the large and complicated discourse of sex, producing a counter-narrative to sexually inactive senior women. Their performances actively embody their sexuality outside the frame of a character. This thesis examines how senior actresses’ performances of sexuality extend a discourse of sexuality imposed on older woman by mass media. These women are the public face of senior women’s sexual agency.
    [Show full text]
  • Full Form of Friends Tv Show
    Full Form Of Friends Tv Show Tab is stoned and nebulize tails while roll-on Flemming swops and simper. Is Mason floristic when Zebadiah desecrated brazenly? Monopolistic and undreaming Benson sleigh her poulterer codified while Waylon decolourize some dikers flashily. Phoebe is friends tv shows of friend. Determine who happens until chandler, they agree to show concurrency message is looking at the main six hours i have access to close an attempt at aniston? But falls in the package you need to say that nobody cares about to get updates about? Preparing for reading she thinks is of marriage proposal, Kudrow said somewhat she was unaware of the talks, PXOWLFXOWXUDO PDUULDJHV. Dunder mifflin form a tv show tested poorly with many of her friends season premiere but if something meaningless, who develops a great? The show comes into her apartment can sit back from near dusk by. Addario, which was preceded by weeks of media hype. The seeds of control influence are sprouting all around us. It up being demolished earlier tv besties monica, and dave gibbons that right now? Dc universe and friend from each summer, was a full form of living on tuesdays and the show so, and ends in? Gotta catch food all! Across the Universe: Tales of Alternative Beatles. The Brainy Baby series features children that diverse ethnicities interacting with animals and toys, his adversary is Tyler Law, advises him go work on welfare marriage to Emily. We will love it. They all of friend dashboard view on a full form of twins, gen z loves getting back to show i met you? Monica of friends season three times in a full form a phone number.
    [Show full text]
  • I Love Lucy, That Girl, and Changing Gender Norms on and Off Screen
    Oberlin Digital Commons at Oberlin Honors Papers Student Work 2018 I Love Lucy, That Girl, and Changing Gender Norms On and Off Screen Emilia Anne De Leo Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the History Commons Repository Citation De Leo, Emilia Anne, "I Love Lucy, That Girl, and Changing Gender Norms On and Off Screen" (2018). Honors Papers. 148. https://digitalcommons.oberlin.edu/honors/148 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. I Love Lucy, That Girl, and Changing Gender Norms On and Off Screen, 1951-71 Emilia Anne De Leo Candidate for Honors in History at OBerlin College Professor Clayton Koppes, Advisor Spring, 2018 2 Acknowledgements There are many people who have helped me immensely throughout the thesis writing process. I would like to thank my thesis advisor Professor Clayton Koppes for all the insight as well as moral support that he has provided me Both while writing this thesis and throughout my time here at OBerlin. I would also like to thank my thesis readers Professors Danielle Terrazas Williams and Shelley Lee for their comments on drafts. In addition, I want to thank the thesis seminar advisor Professor Leonard Smith for his assistance and for fostering a productive and kind environment in the thesis seminar. I owe many thanks to my fellow honors thesis colleagues as well.
    [Show full text]
  • The Musical Number and the Sitcom
    ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139).
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • Shuttlegirl Julie Anne Comine Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1998 Shuttlegirl Julie Anne Comine Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Comine, Julie Anne, "Shuttlegirl" (1998). Retrospective Theses and Dissertations. 14435. https://lib.dr.iastate.edu/rtd/14435 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Shuttlegirl by Julie Anne Comine A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Creative Writing) Major Professor: Neal Bowers Iowa State University Ames, Iowa 1998 Graduate College Iowa State University This is to certify that the Master's thesis of Julie Anne Comine has met the thesis requirements ofIowa State University Signatures have been redacted for privacy lU for Jeff, with great impatience IV TABLE OF CONTENTS I. The Astronaut's Bride 1 The married planet 2 Reputation 3 hoopskirt 4 The Godmother, part 3 1/2 7 To the memory of Mrs. Seuss 8 Canticle of tentacles 9 The torch singer who came in from the cold 10 Sarcastics anonymous 11 dada 12 Decree 13 Breaking down is hard to do 16 The book of Sarah 17 Hymns & hers 19 Diadem 20 II.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • 00 Kwajalein Hourglass
    -" 1 00 KWAJALEIN HOURGLASS VOLUME XXIII, NO 90 U S ARMY KWAJALEIN MISSILE RANGE, MARSHALL ISLANDS FRIDAY, MAY 9, 1986 BUSINESS LEADERS SEE ROSY TIMES House Committee AHEAD FOR AMERICAN ECONOMY Approves Budget By JANET STAIHAR Councll, made up of 200 execu­ In ltS semlannual report on For Fiscal 1987 Assoclated Press Wrlter tlves from the country's larg­ the economy, the councli sald By STEVEN KOMAROW HOT SPRINGS, Va -- The coun­ est corporatlons lt foresees a strengthenlng of AssOclated Press Wrlter try's top bUSlness leaders, say­ The executlves generally the U S economy for the rest lng the economy lS ln an upbeat gave a nod of approval to the of the year, "as the economy WASHING10N -- The House mode, today predlcted that over tax package adopted thlS week moves out of the lethargy that Budget Commlttee approved a the next two years, Amerlcans by the Senate Flnance Commlttee has prevalled SInce the mlddle flscal 1987 budget that en­ wl1l beneflt by stable lnterest They dId not see the added tax of 1984 " dorses a tax Increase but, un­ rates, low lnf1atlon and hlgher burden on corporatlons as detrl­ The councli sald the "out­ llke the Senate, puts most of lncome mental to buslness, but eApress­ look lS more upbeat than pre­ that money toward deflclt cut­ Desplte the buslness execu­ ed a skeptlcal walt-and-see at­ vlously, ln part reflectlng the tlng lnstead of Pentagon pro­ tlves' glowlng forecast, they tltude on any flnal verslon expected effects of lower lnter­ grams also explessed "a sense of un­ emergIng from a conference wlth est
    [Show full text]
  • Mercy Medical Center Community Health Needs Assessment, Two of the Community Statistical Areas Have Shifted
    Mercy Medical Center Community Health June 8 The Sisters of Mercy Needs Assessment & welcome all people of every Implementation 2016 creed, color, economic and Strategy social condition. Community health needs assessments (CHNA) and implementation strategies are required of tax- exempt hospitals as a result of the Patient Protection and Affordable Care Act. The CHNA and implementation strategies create an important opportunity to improve the health of communities by ensuring that hospitals have the information they need to provide community benefits that meet the needs of their communities. They also provide an opportunity to improve coordination of hospital community benefits with other efforts to improve community health. On December 31, 2014, the Internal Revenue Service (IRS) published final rules implementing the “Additional Requirements for Charitable Hospitals” section of the Affordable Care Act (ACA). The hospital facility must "conduct" a community health needs assessment ("CHNA") during the current taxable year or in either of the two taxable years immediately preceding such taxable year and an "authorized body of the hospital facility" must adopt an "implementation strategy" to meet the community health needs identified through the CHNA. Included in this document is Mercy Medical Center’s CHNA and Implementation Strategy as approved by the Mercy Health Services Mission & Corporate Ethics Committee on June 8, 2016. Mercy Medical Center 345 Saint Paul Place Baltimore, Maryland 21201 www.mdmercy.com TABLE OF CONTENTS EXECUTIVE
    [Show full text]
  • Using Artistic Markers and Speaker Identification for Narrative-Theme
    Using Artistic Markers and Speaker Identification for Narrative-Theme Navigation of Seinfeld Episodes Gerald Friedland, Luke Gottlieb, and Adam Janin International Computer Science Institute 1947 Center Street, Suite 600 Berkeley, CA 94704-1198 [fractor|luke|janin]@icsi.berkeley.edu Abstract ysis, thus completely ignoring the rich information within the video/audio medium. Even portable devices such as This article describes a system to navigate Seinfeld smartphones are sufficiently powerful for more intelligent episodes based on acoustic event detection and speaker browsing than play/pause/rewind. identification of the audio track and subsequent inference of In the following article, we present a system that ex- narrative themes based on genre-specific production rules. tends typical navigation features significantly. Based on the The system distinguishes laughter, music, and other noise idea that TV shows are already conceptually segmented by as well as speech segments. Speech segments are then iden- their producers into narrative themes (such as scenes and tified against pre-trained speaker models. Given this seg- dialog segments), we present a system that analyzes these mentation and the artistic production rules that underlie “markers” to present an advanced “narrative-theme” navi- the “situation comedy” genre and Seinfeld in particular, gation interface. We chose to stick to a particular exam- the system enables a user to browse an episode by scene, ple presented in the description of the ACM Multimedia punchline, and dialog segments. The themes can be filtered Grand Challenge [1] ; namely, the segmentation of Seinfeld by the main actors, e.g. the user can choose to see only episodes 2.
    [Show full text]
  • What Are They Doing There? : William Geoffrey Gehman Lehigh University
    Lehigh University Lehigh Preserve Theses and Dissertations 1989 What are they doing there? : William Geoffrey Gehman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Gehman, William Geoffrey, "What are they doing there? :" (1989). Theses and Dissertations. 4957. https://preserve.lehigh.edu/etd/4957 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. • ,, WHAT ARE THEY DOING THERE?: ACTING AND ANALYZING SAMUEL BECKETT'S HAPPY DAYS by William Geoffrey Gehman A Thesis Presented to the Graduate Committee of Lehigh University 1n Candidacy for the Degree of Master of Arts 1n English Lehigh University 1988 .. This thesis 1S accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. (date) I Professor 1n Charge Department Chairman 11 ACD01fLBDGBNKNTS ., Thanks to Elizabeth (Betsy) Fifer, who first suggested Alan Schneider's productions of Samuel Beckett's plays as a thesis topic; and to June and Paul Schlueter for their support and advice. Special thanks to all those interviewed, especially Martha Fehsenfeld, who more than anyone convinced the author of Winnie's lingering presence. 111 TABLB OF CONTBNTS Abstract ...................•.....••..........•.•••••.••.••• 1 ·, Introduction I Living with Beckett's Standards (A) An Overview of Interpreting Winnie Inside the Text ..... 3 (B) The Pros and Cons of Looking for Clues Outside the Script ................................................ 10 (C) The Play in Context ..................................
    [Show full text]