Nanzan University
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 27, folder “State Visits - Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 27 of The Ron Nessen Papers at the Gerald R. Ford Presidential Library THE EMPEROR OF JAPAN ~ . .,1. THE EMPEROR OF JAPAN A Profile On the Occasion of The Visit by The Emperor and Empress to the United States September 30th to October 13th, 1975 by Edwin 0. Reischauer The Emperor and Empress of japan on a quiet stroll in the gardens of the Imperial Palace in Tokyo. Few events in the long history of international relations carry the significance of the first visit to the United States of the Em peror and Empress of Japan. Only once before has the reigning Emperor of Japan ventured forth from his beautiful island realm to travel abroad. On that occasion, his visit to a number of Euro pean countries resulted in an immediate strengthening of the bonds linking Japan and Europe. -
Why Did Japan Industrialize During the Meiji Period? Objectives: Students Will Examine the Causes for Industrialization in Japan
Why did Japan end its isolation? Why did Japan industrialize during the Meiji Period? Objectives: Students will examine the causes for industrialization in Japan. Introduction Directions: Examine the two documents below and answer the questions that follow. Tokugawa Laws of Japan in 1634 * Japanese ships shall not be sent abroad. *No Japanese shall be sent abroad. Anyone breaking this law shall suffer the penalty of death... *The arrival of foreign ships must be reported to Edo (Tokyo) and a watch kept over them. *The samurai shall not buy goods on board foreign ships. Source: January 2002 Global History and Geography Regents Exam. Source: January 2002 Global History and Geography Regents Exam. Japan Opens Up Japan, under the rule of the Tokugawa clan (1603 to 1867), experienced more than 200 years of isolation. During this period, the emperors ruled in name only. The real political power was in the hands of the shoguns all of whom were from the Tokugawa family. The Tokugawa maintained a feudal system in Japan that gave them and wealthy landowners called daimyo power and control. After negative experiences with Europeans in the 1600s, the shoguns were extremely resistant to trade because they viewed outsiders as a threat to his power. Japan's isolation came to an end in 1853 when Commodore Matthew Perry of the United States Navy, commanding a squadron of two steam ships and two sailing vessels, sailed into Tokyo harbor. He sought to force Japan to end their isolation and open their ports to trade with U.S merchant ships. At the time, many industrialized nations in Europe and the United States were seeking to open new markets where they could sell their manufactured goods, as well as new countries to supply raw materials for industry. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
1 Reexaminating TERAUCHI Masatake's Character
February 2019 Issue Reexaminating TERAUCHI Masatake's Character - As a “Statesman”- KANNO Naoki, Cheif, Military Archives, Center for Military History Introduction What comes to mind when you think of TERAUCHI Masatake (1852 - 1919)? For example, at the beginning of the Terauchi Cabinet (October 1616 - September 1918), it was ridiculed as being both anachronistic and a non-constitutional cabinet. Using NISHIHARA Kamezo, also known as Terauchi's private secretary, he provided funds of up to 110 million yen to the Duan Qirui government in northern China (the Nishihara Loans). The so-called Rice Riots broke out in his final year, and Siberian Intervention began. Terauchi was also called a protégé of YAMAGATA Aritomo, the leading authority on Army soldiers from former Choshu domain (Choshu-han). On the other hand, what about the succeeding Hara Cabinet (September 1918 - November 1921)? Exactly 100 years ago, HARA Takashi had already started the cabinet that consists of all political party members, except for the three Ministers of the Army, Navy, and Foreign Affairs. After the World War I, a full-on party politics was developed in Japan as global diplomatic trends drastically changed. Compared to Hara, Terauchi has not been evaluated. After Chinese-Japanese relations deteriorated following the Twenty-One Demands in 1915, the aforementioned Nishihara Loans, implemented for recovery, were over-extended to the only northern part of China, the Duan Qirui government only for a limited time. Then, ultimately, the Loans did not lead an improvement in relationships. Thus it can be said that, until recently, Terauchi's character has been almost entirely neglected by academia. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
Religion and the Secular State in Japan1
KYOKO KIMPARA Religion and the Secular State in Japan1 I. SOCIAL CONTEXT The contemporary society of Japan appears to be comprised of both secular and religious influences. The reality is that the Japanese society reflects an ambivalent feeling towards religion shared by the majority of the Japanese people and is the key to understanding the social, political and legal context in the theme of “Religion and the Secular State.” In this setion of the report, both the current breakdown of religious affiliations in Japan and a brief historical explanation of the major religious traditions in Japan are given. According to the latest reliable statistics available concerning the religious affiliation of the Japanese, 51.2 percent are Shintoists (Shinto is traditional polytheistic religion of Japan), 43.3 percent are Buddhists, 1.0 percent are Christians, and 4.4 percent are other religions. The total number of Shintoists and Buddhists combined make up approximately two hundred million, which is almost twice as many as the total population of the country. How could that be explained? First, as the statistics are based on a questionnaire answered by religious communities, each community may have declared a number slightly more than actual membership. Another explanation could be the possibility that each community counted the number of people who had simply participated in some religious events of the community or worshipped in some way or other, even though there is no such clear-cut sign of one’s religious affiliation in Shinto and Buddhism as baptism is in Christianity. Many Japanese tend to participate in religious events of different religions, such as the New Year’s celebrations at Shinto shrines or Buddhist temples, Saint Valentine’s Day and Christmas Eve, romantic wedding ceremonies at Christian churches, and funeral ceremonies done in a Shintoist or Buddhist style. -
Document 5 the SOCIAL EFFECTS of the MEIJI RESTORATION in Japan in 1853, Only 3% of the Population Was Receiving a Formal Education
Document 5 THE SOCIAL EFFECTS OF THE MEIJI RESTORATION In Japan in 1853, only 3% of the population was receiving a formal education. The farmers, tradesmen, and soldiers received their own specific training, but no formal education. By 1878, however, 25% were; by 1885, 42%; and by 1897, 95% were receiving some formal education, at least at the primary level, which would be equal to our elementary schools. This had a great effect on Japan because, with these educated people, it was then possible for Japan to rapidly man factories for steel, iron, and rubber production, and train people to grow more food with the aid of new farm tractors. Because of this last innovation, the Japanese people at better and became healthier. Eventually, their population skyrocketed and Japan became a very crowded chain of islands. To reduce this crowding, and to search for supplies of raw materials, Japan began to look for new lands to expand into; with their new modern weapons and methods, they began to build an empire in Asia. The Emperor Meiji knew that for Japan to be successful in her modernization effort she would have to copy many western ways. Here are some examples. -The government also built model factories in the steel, cement, plate glass, fire brick, woolen textiles, and spinning industries. They were set up on a profit-making basis but with the primary aim of introducing European production methods and techniques into Japan. -Reforms in other fields were far reaching: education was made compulsory, all restrictions were lifted on Japanese going abroad, Christianity was permitted, vaccinations, postal service, telegraphs, and steamships were introduced, torture was abolished, European dress was prescribed for officials (with the Emperor showing the way by adopting Western military dress), and European and American advisers were freely employed. -
“Modernization” of Buddhist Statuary in the Meiji Period
140 The Buddha of Kamakura The Buddha of Kamakura and the “Modernization” of Buddhist Statuary in the Meiji Period Hiroyuki Suzuki, Tokyo Gakugei University Introduction During Japan’s revolutionary years in the latter half of the nineteenth century, in particular after the Meiji Restoration of 1868, people experienced a great change in the traditional values that had governed various aspects of their life during the Edo period (1603-1867). In their religious life, Buddhism lost its authority along with its economic basis because the Meiji government, propagating Shintoism, repeatedly ordered the proclamation of the separation of Shintoism and Buddhism after the Restoration. The proclamation brought about the anti-Buddhist movement haibutsu kishaku and the nationwide movement doomed Buddhist statuary to a fate it had never before met.1 However, a number of statues were fortunately rescued from destruction and became recognized as sculptural works of Buddhist art in the late 1880s. This paper examines the change of viewpoints that occurred in the 1870s whereby the Buddha of Kamakura, a famous colossus of seated Amida (Amitâbha) from the mid-thirteenth century, was evaluated afresh by Western viewers; it also tries to detect the thresholds that marked the path toward a general acceptance of the idea that Buddhist statuary formed a genre of sculptural works in the fine arts during the Meiji period (1868-1912). Buddhist statuary in the 1870s It is widely known that the term bijutsu was coined in 1872, when the Meiji government translated the German words Kunstgewerbe (arts and crafts) and bildende Kunst (fine arts) in order to foster nationwide participation in the Vienna World Exposition of 1873. -
Faith and Power in Japanese Buddhist Art, 1600-2005
japanese art | religions graham FAITH AND POWER IN JAPANESE BUDDHIST ART, 1600–2005 Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. The chapters elucidate the thread of change over time in the practice of Bud- dhism as revealed in sites of devotion and in imagery representing the FAITH AND POWER religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally as- sociated with institutional Buddhism but whose faith inspires their art. IN JAPANESE BUDDHIST ART The author makes a persuasive argument that the neglect of these ma- terials by scholars results from erroneous presumptions about the aes- thetic superiority of early Japanese Buddhist artifacts and an asserted 160 0 – 20 05 decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s persistent and compelling presence at all levels of Japanese society. The book is divided into two chronological sections. The first explores Buddhism in an earlier period of Japanese art (1600–1868), emphasiz- ing the production of Buddhist temples and imagery within the larger political, social, and economic concerns of the time. The second section addresses Buddhism’s visual culture in modern Japan (1868–2005), specifically the relationship between Buddhist institutions prior to World War II and the increasingly militaristic national government that had initially persecuted them. -
Evolving Cultural Landscape and Development of Modern Japan
IKEGAYA, MAKOTO, M.A. Geographic Study of Historic Preservation: Evolving Cultural Landscape and Development of Modern Japan. (2013) Directed by Dr. Susan M. Walcott. 131 pp. The development of new architectural styles, infrastructure and construction materials in the Meiji period (1868-1912 CE), is tied to the creation of a modern Japanese identity. Despite recent developments toward preserving important historic property in Japan, many lesser known historical and vernacular sites continue to be ignored and have been ruined over time. An academic study of historic preservation is rare in Japan and in geography. The main purpose of this research is to clarify the role of historic preservation and to identify it with the rise of Japanese nationalism, economic development, and construction of the built environment during the pivotal Meiji period. The natural setting and history of Japan was examined and strategic plans for potential improvement in the field of Japanese historic preservation in the future are illustrated using case studies of the preservation projects of the Ise Jingu, Horyu-ji, the Tomioka Silk Mill, the Tokyo Station, and the Meiji Mura. Keywords: Built environment, cultural landscape, historic preservation, Meiji-Japan, national identity GEOGRAPHIC STUDY OF HISTORIC PRESERVATION: EVOLVING CULTURAL LANDSCAPE AND DEVELOPMENT OF MODERN JAPAN by Makoto Ikegaya A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 2013 Approved by Committee Chair APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
The Making of an American Shinto Community
THE MAKING OF AN AMERICAN SHINTO COMMUNITY By SARAH SPAID ISHIDA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2007 Sarah Spaid Ishida 2 To my brother, Travis 3 ACKNOWLEDGMENTS Many people assisted in the production of this project. I would like to express my thanks to the many wonderful professors who I have learned from both at Wittenberg University and at the University of Florida, specifically the members of my thesis committee, Dr. Mario Poceski and Dr. Jason Neelis. For their time, advice and assistance, I would like to thank Dr. Travis Smith, Dr. Manuel Vásquez, Eleanor Finnegan, and Phillip Green. I would also like to thank Annie Newman for her continued help and efforts, David Hickey who assisted me in my research, and Paul Gomes III of the University of Hawai’i for volunteering his research to me. Additionally I want to thank all of my friends at the University of Florida and my husband, Kyohei, for their companionship, understanding, and late-night counseling. Lastly and most importantly, I would like to extend a sincere thanks to the Shinto community of the Tsubaki Grand Shrine of America and Reverend Koichi Barrish. Without them, this would not have been possible. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT.....................................................................................................................................7 -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first.