Volume 15, Number 2 Spring 2002 the CASE for MAGIC LANTERN
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Gilt Bronze Antique Mantel Clock “The Magic Lantern”
Deverberie Gilt Bronze Antique Mantel Clock “The Magic Lantern”, Empire period Case Attributed to Jean-Simon Deverberie (1764 - 1824) Paris, Empire period, circa 1800 Height 46 cm, width 24 cm, depth 13 cm An extremely fine gilt bronze mantle clock of eight-day duration, the white enamel dial with Roman and Arabic numerals and gilt bronze hands for the hours and minutes. The movement, with lever escapement and silk thread suspension, strikes the hour and half hour, with outside count wheel. The case, in the form of a magic lantern, has a beaded bezel and is decorated with blue enamel rosettes; it is surmounted by a flaming torch pierced with stars and hearts. The pendulum bob is formed as a butterfly. The magic lantern is carried on the back of a striding Cupid with enamel eyes who carries a quiver of arrows and a bow. He stands on an oval plinth, featuring a cast frieze with winged putti playing around a central vase, is raised on feathered eagle’s claw feet. Exhibitions Rive Gauche HISTORICAL A clock with a very similar case, but with a patinated bronze Cupid, is illustrated in Pierre Kjellberg, Encyclopédie de la Pendule Française du Moyen Age au XXe Siècle, 1997, p. 447, pl. D. An almost identical gilt bronze clock whose dial is signed “Pinart à L’Orient” is illustrated in Elke Niehüser, Die Französische Bronzeuhr, Eine Typologie der Figürlichen Darstellungen, 1997: detail shot on the front cover; p. 129, colour pl. 210, and p. 230, pl. 658. An almost identical clock case is pictured in the undated catalogue of the François Duesberg museum, p. -
CONTENTS in THIS ISSUE Fighting Malware and Spam
JUNE 2011 Fighting malware and spam CONTENTS IN THIS ISSUE 2 COMMENT 2128 ADDRESSES Education, education, education ‘Under IPv6, spammers could send out one piece of spam per IPv6 address, discard it and then move on to the next address for the next 10,000 years and 3 NEWS never need to re-use a previous address.’ Terry Zink explains why mail providers are not thrilled about Standalone comparatives using IPv6 to handle email. Apple adds daily defi nition checks page 4 Mobile insecurity CLASSES OF BROWSER MALWARE Aditya Sood and Richard Enbody propose a 3 VIRUS PREVALENCE TABLE taxonomy of browser malware with the aim to provide a better insight into the techniques and tactics used. FEATURES page 8 4 Digging through the problem of IPv6 and email 20 YEARS OF EICAR 8 A browser malware taxonomy Eddy Willems reports 13 New targeted attack via Google Images on some of the topics, debates and research presented 16 CONFERENCE REPORT at the EICAR 2011 conference. EICAR 2011: A 20th anniversary in Austria page 16 18 END NOTES & NEWS ISSN 1749-7027 COMMENT ‘In the fi ght While the perpetual debate about the effi cacy of user education runs on, a clear IT security policy in the against cybercrime workplace, along with guidance on how to adhere to knowledge can be such a policy, is surely one of the most basic steps an a very powerful organization can take to help safeguard its systems. Ensuring that employees understand their responsibilities weapon.’ – and that they are fully aware of the ramifi cations for any breaches of the policy – are also important factors. -
Phantasmagoria: Ghostly Entertainment of the Victorian Britain
Phantasmagoria: Ghostly entertainment of the Victorian Britain Yurie Nakane / Tsuda College / Tokyo / Japan Abstract Phantasmagoria is an early projection show using an optical instrument called a magic lantern. Brought to Britain from France in 1801, it amused spectators by summoning the spirits of ab- sent people, including both the dead and the living. Its form gradually changed into educational amusement after it came to Britain. However, with the advent of spiritualism, its mysterious na- ture was re-discovered in the form of what was called ‘Pepper’s Ghost’. Phantasmagoria was reborn in Britain as a purely ghostly entertainment, dealing only with spirits of the dead, be- cause of the mixture of the two notions brought from France and the United States. This paper aims to shed light on the role that phantasmagoria played in Britain during the Victorian period, how it changed, and why. Through observing the transnational history of this particular form of entertainment, we can reveal a new relationship between the representations of science and superstitions. Keywords Phantasmagoria, spiritualism, spectacle, ghosts, the Victorian Britain, superstitions Introduction Humans have been mesmerized by lights since ancient times. Handling lights was considered a deed conspiring with magic or witchcraft until the sixteenth century, owing to its sanctified appearance; thus, some performers were put in danger of persecution. At that time, most people, including aristocrats, were not scientifically educated, because science itself was in an early stage of development. However, the flourishing thought of the Enlightenment in the eighteenth century altered the situation. Entering the age of reason, people gradually came to regard illusions as worthy of scientific examination. -
Magic Lantern Society Click Slide Image for More! Hand-Colored Lantern Slides of Oregon Historical Society Research Library
May Magic Lantern Society Be Sure to LOOK for those Hand-colored Lantern Slides of Oregon Historical Society Research Library Buttons and roll-over effects Glass Slides– What Projector ...................... 2 Lantern Slides in Contemporary Art ................. 5 About 200 Slides For Sale .... 8 For Sale a Magic Lantern Missing Some Parts .............. 9 Creative Interruption For Sale On Ebay ................... 10 Update of VID Historical Archives ............... 12 Click slide image for more! 1 Glass Slides - What Dear David, Projector? Invaluable information! Thank you for the link to From Roberto celsun.com. Rossi [email protected] I may be mechanically handy, but I know next to Dear David, nothing about electricity. Hello. I am very happy to have located your site! Thank you so much for your thoughtful reply. The one plug on the Beseler runs both the light and I’ve been a creator of Toy Theaters for the A cache of glass slides form an art history department the fan, and subbing the LED for the bulb still means past 20 years, and a fan of the analogue visual have come into my possession, and I am keen on finding a way to power the fan - which I assume will spectacle technologies - like the magic lantern. purchasing the right kind of projector for them. still be necessary, even if the LED’s are much cooler. How wonderful to find a kindred community of I was hoping you would be able to help me with enthusiasts online. I think I am going to have to find a smart technician some information, for which I would be very grateful. -
American Scientist the Magazine of Sigma Xi, the Scientific Research Society
A reprint from American Scientist the magazine of Sigma Xi, The Scientific Research Society This reprint is provided for personal and noncommercial use. For any other use, please send a request to Permissions, American Scientist, P.O. Box 13975, Research Triangle Park, NC, 27709, U.S.A., or by electronic mail to [email protected]. ©Sigma Xi, The Scientific Research Society and other rightsholders Engineering Next Slide, Please Henry Petroski n the course of preparing lectures years—against strong opposition from Ibased on the material in my books As the Kodak some in the artistic community—that and columns, I developed during the simple projection devices were used by closing decades of the 20th century a the masters to trace in near exactness good-sized library of 35-millimeter Carousel begins its intricate images, including portraits, that slides. These show structures large and the free hand could not do with fidelity. small, ranging from bridges and build- slide into history, ings to pencils and paperclips. As re- The Magic Lantern cently as about five years ago, when I it joins a series of The most immediate antecedent of the indicated to a host that I would need modern slide projector was the magic the use of a projector during a talk, just previous devices used lantern, a device that might be thought about everyone understood that to mean of as a camera obscura in reverse. Instead a Kodak 35-mm slide projector (or its to add images to talks of squeezing a life-size image through a equivalent), and just about every venue pinhole to produce an inverted minia- had one readily available. -
The Fandom of the Opera
TheThe FandomFandom ofof thethe Opera:Opera: HowHow thethe AudienceAudience forfor aa FourFour --CenturyCentury --OldOld ArtArt FormForm HelpedHelped CreateCreate thethe ModernModern MediaMedia WorldWorld Mark 8chubin, NYU -Poly, 2012 April 27 1 TraditionalTraditional MediaMedia HistoryHistory 1876: Bell files patent for the telephone st 1879: 1 Edison light bulb demonstration st 1895: 1 movie theater st 1920: 1 commercial radio station st 1927: 1 sound movie 1939: TV introduced at New York World ’s Fair st 1954: 1 NTSC color TV show st 1961: 1 FM stereo broadcast Mark 8chubin, NYU -Poly, 2012 April 27 2 TraditionalTraditional OperaOpera 1876: Bell files patent for 1849: Havana Opera electrical the telephone voice -transmission experiments st 1879: 1 Edison light bulb 1849: Paris Opera electric -light demonstration effect in Le Proph ète st 1895: 1 movie theater 1886: opera movie system st st 1920: 1 commercial 1910: 1 radio broadcasts radio station of operas st 1927: 1 sound movie 1900: opera sound movies 1939: TV introduced at 1936: opera Pickwick on TV New York World ’s Fair before its opening night st 1954: 1 NTSC color TV show 1953: NBC Carmen in NTSC color st 1961: 1 FM stereo 1925: Berlin Opera stereo radio broadcast broadcasts Mark 8chubin, NYU -Poly, 2012 April 27 3 Mark 8chubin, NYU -Poly, 2012 April 27 4 Mark 8chubin, NYU -Poly, 2012 April 27 5 WhatWhat IsIs Opera?Opera? Latin:Latin: opusopus == work,work, operaopera == worksworks SingingSinging InstrumentalInstrumental MusicMusic StorytellingStorytelling -
Om: One God Universal a Garland of Holy Offerings * * * * * * * * Viveka Leads to Ānanda
Om: One God Universal A Garland of Holy Offerings * * * * * * * * Viveka Leads To Ānanda VIVEKNANDA KENDRA PATRIKĀ Vol. 22 No. 2: AUGUST 1993 Represented By Murari and Sarla Nagar Truth is One God is Truth . God is One Om Shanti Mandiram Columbia MO 2001 The treasure was lost. We have regained it. This publication is not fully satisfactory. There is a tremendous scope for its improvement. Then why to publish it? The alternative was to let it get recycled. There is a popular saying in American academic circles: Publish or Perish. The only justification we have is to preserve the valuable contents for posterity. Yet it is one hundred times better than its original. We have devoted a great deal of our time, money, and energy to improve it. The entire work was recomposed on computer. Figures [pictures] were scanned and inserted. Diacritical marks were provided as far as possible. References to citations were given in certain cases. But when a vessel is already too dirty it is very difficult to clean it even in a dozen attempts. The original was an assemblage of scattered articles written by specialists in their own field. Some were extracted from publications already published. It was issued as a special number of a journal. It needed a competent editor. Even that too was not adequate unless the editor possessed sufficient knowledge of and full competence in all the subject areas covered. One way to make it correct and complete was to prepare a kind of draft and circulate it among all the writers, or among those who could critically examine a particular paper in their respective field. -
CONTENTS in THIS ISSUE Fighting Malware and Spam
APRIL 2007 Fighting malware and spam CONTENTS IN THIS ISSUE 2 COMMENT FUTURE TESTING Magical lights shine on you What lies ahead for anti-virus testing programmes with the introduction of new protection schemes that move away from scanner-based detection? 3 NEWS Richard Ford and Attila Ondi look to the future of VB2007 programme revealed AV testing. Third round for US anti-spyware bill page 6 ESTABLISHED RESPONSIBILITIES 3 VIRUS PREVALENCE TABLE Who is responsible when a person uses a computer that is infected with malicious software? Can the user be liable even when unaware of the infestation? 4 VIRUS ANALYSIS Can the user be liable even if they do not own or Wormhole attacks Solaris station control the computer? Patrick Knight considers what is needed to achieve justice in the digital age. page 9 FEATURES 6 Testing times ahead? VB100 ON LINUX 9 (In)justice in the digital age In this month’s VB100 test John Hawes April 2007 put 16 AV products through their paces on SUSE Linux. Find out how each of 11 COMPARATIVE REVIEW them fared. Novell SUSE Linux Enterprise Server 10 page 11 22 END NOTES & NEWS This month: anti-spam news & events, and Martin Overton catalogues some of the changes that have been seen in the 419 scam over the last few years. ISSN 1749-7027 COMMENT ‘The anti-malware is unwanted), thus revealing the presence of the trojan to the user. This would put the evidence gathering at risk: a industry has the criminal who detects a surveillance trojan on his habit of developing system would likely then delete all the evidence before the investigators have obtained it. -
Encryption Regulation in the Wake of September 11, 2001: Must We Protect National Security at the Expense of the Economy?
Federal Communications Law Journal Volume 55 Issue 2 Article 7 3-2003 Encryption Regulation in the Wake of September 11, 2001: Must We Protect National Security at the Expense of the Economy? Matthew Parker Voors Indiana University School of Law Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Administrative Law Commons, Communications Law Commons, Internet Law Commons, and the Law and Economics Commons Recommended Citation Voors, Matthew Parker (2003) "Encryption Regulation in the Wake of September 11, 2001: Must We Protect National Security at the Expense of the Economy?," Federal Communications Law Journal: Vol. 55 : Iss. 2 , Article 7. Available at: https://www.repository.law.indiana.edu/fclj/vol55/iss2/7 This Note is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. VOORS FINAL 3/6/2003 11:20 AM NOTE Encryption Regulation in the Wake of September 11, 2001: Must We Protect National Security at the Expense of the Economy? Matthew Parker Voors* I. INTRODUCTION ............................................................................ 332 II. HISTORY OF ENCRYPTION............................................................ 335 A. What Is Encryption? ............................................................. 335 B. Background on Encryption................................................... 337 C. Recent Encryption Advancements ........................................ 338 D. Use of Encryption by Business and the Service Industry ..... 339 E. Use of Encryption by Terrorist Organizations ..................... 340 III. ENCRYPTION REGULATION OVER THE LAST DECADE ................. 343 A. The Struggle Between National Security and an Evolving Global Economy .................................................................. -
Augmenting Reality: on the Shared History of Perceptual Illusion And
Augmenting reality: On the shared history of perceptual illusion and video projection mapping Alvaro Pastor Computer Science, Multimedia and Telecommunications Department. Universitat Oberta de Catalunya. Barcelona, Spain. [email protected] Abstract Perceptual illusions based on the spatial correspondence between objects and displayed images have been pursued by artists and scientists since the 15th century, mastering optics to create crucial techniques as the linear perspective and devices as the Magic Lantern. Contemporary video projection mapping inherits and further extends this drive to produce perceptual illusions in space by incorporating the required real time capabilities for dynamically superposing the imaginary onto physical objects under fluid real world conditions. A critical milestone has been reached in the creation of the technical possibilities for all encompassing, untethered synthetic reality experiences available to the plain senses, where every surface may act as a screen and the relation to everyday objects is open to perceptual alterations. Introduction The advancement and popularization of computer technologies over the past three decades has had a significant effect not only on the way images are created, but also on the techniques and technologies which enable their presentation. One of the most popular emerging practices is video projection mapping, also referred as video mapping or 3D mapping, a terminology which stands for a set of imaging techniques in service of the spatially coherent projection of bi dimensional images onto physical three dimensional objects [1, 2]. Despite its seemingly novelty in its use in the fields of arXiv:2005.14317v1 [cs.MM] 28 May 2020 communication, advertising and visual arts in the recent years, the current practice of video projection mapping is the result of several centuries of development and perfecting of a vast set of techniques derived from optics and the sciences of human perception, as well as mathematical operations for image transformations, and the evolution projection devices. -
A Brief History of Law Enforcement Hacking in the United States
SAYAKO QUINLAN AND ANDI WILSON A BRIEF HISTORY OF LAW ENFORCEMENT HACKING IN THE UNITED STATES SEPTEMBER 2016 About the Authors About the Cybersecurity Initiative The Internet has connected us. Yet the policies and Sayako Quinlan is a former intern at New America's debates that surround the security of our networks are Cybersecurity Initiative, where she researched incidents too often disconnected, disjointed, and stuck in an around government hacking and the landscape for unsuccessful status quo. This is what New America’s cyber capacity building. She is a junior at Georgetown Cybersecurity Initiative is designed to address. Working University's School of Foreign Service, majoring in Science, across our International Security program and the Open Technology, and International Affairs with a concentration Technology Institute, we believe that it takes a wider in Business Growth and Development. She is pursuing a network to face the multitude of diverse security issues. career in cybersecurity. We engage across organizations, issue areas, professional fields, and business sectors. And through events, writing Andi Wilson is a policy analyst at New America’s Open and research, our aim is to help improve cybersecurity in Technology Institute, where she researches and writes ways that work—for the countries, for companies and for about the relationship between technology and policy. individuals. With a specific focus on cybersecurity, Andi is currently working on issues including encryption, vulnerabilities Our work is made possible through the generous support equities, surveillance, and internet freedom. of the William and Flora Hewlett Foundation, the Arizona State University, Microsoft Corporation, Symantec Inc., The Acknowledgments Home Depot, Endgame Inc., and Facebook. -
Kenneth R.M. Short Motion Picture Film and Lantern Slide Collection
KENNETH R. M. SHORT MOTION PICTURE FILM AND LANTERN SLIDE COLLECTION Mss. 4849, 5091 Inventory Compiled by Mark E. Martin Louisiana and Lower Mississippi Valley Collections Special Collections, Hill Memorial Library Louisiana State University Libraries Baton Rouge, Louisiana State University 2012/2014 KENNETH R. M. SHORT LANTERN SLIDE AND MOTION PICTURE Mss. 4849, 5091 FILM COLLECTION Circa. 1870-1968 SPECIAL COLLECTIONS, LSU LIBRARIES CONTENTS OF INVENTORY SUMMARY .................................................................................................................................... 3 BIOGRAPHICAL/HISTORICAL NOTE ...................................................................................... 4 SCOPE AND CONTENT NOTE ................................................................................................... 6 LIST OF SUBGROUPS, SERIES AND SUBSERIES .................................................................. 8 SERIES DESCRIPTIONS ............................................................................................................ 11 INDEX TERMS ............................................................................................................................ 15 CONTAINER LIST ...................................................................................................................... 18 Use of manuscript materials. If you wish to examine items in the manuscript group, please fill out a call slip specifying the materials you wish to see. Consult the Container List for location information