The Magic Lantern Gazette
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More Banks in Arkansas Form Captive Insurance Companies and Look to Arkansas As the Preferred Domicile
More Banks in Arkansas Form Captive Insurance Companies and look to Arkansas as the Preferred Domicile by Josh Miller, CEO, KeyState Captive Management & Zach Stedman, Member, Mitchell, Williams, Selig, Gates Woodyard PLLC The Growth of Bank Captives companies” said CEO of Indiana Bankers Identifying and Addressing Your Association, Amber VanTil. “We have been There is no avoiding it. Cyber security and Bank’s Unfunded Risks discussing bank captives with other state reputation protection are among today’s It is important to recognize that the captive banking associations throughout the significant, emerging risks, thus creating structure does not typically replace a bank’s country and there’s been tremendous exposures for banks of all sizes. At the same primary commercial insurance program. interest.” time, commercial insurance carriers are However, it does allow a bank to more pushing banks to higher deductibles, so “Arkansas banks are increasingly looking to formally self-insure risks that are currently there remain significant gaps in coverage captive insurance companies as a tool for unfunded or that the bank has considered and exclusions in commercial insurance identifying and funding for risks that are retaining (i.e., increased deductible layers). policies. This creates unfunded risks, which not covered by their commercial insurance Typically, the captive augments commercial must be evaluated as a part of any bank’s program,” notes Lorrie Trogden, CEO of policies in the following ways: enterprise risk management process. the Arkansas Bankers Association. “We are Covers the bank’s commercial deduct- also very pleased that Arkansas Insurance To address the concerns, banks throughout ible layers, including specific deduct- Department Commissioner Allen Kerr has the country are forming captive insurance ibles for more catastrophic losses like developed a robust and business friendly companies to cover these unfunded risks. -
Oxyhydrogen Generator
Oxy-hydrogen Generator ---From Okay Energy 1 Okay Energy Equipment Co.,Ltd 1.What is oxy-hydrogen generator Oxy-hydrogen Generator is also called Brown Gas Generator or HHO Gas Generator,it separates water (H2O) into mixed hydrogen and oxygen. The mixed Oxygen and Hydrogen gas has a wide range of applications, such as heating, welding, cutting, polishing,boiler combustion supporting etc. to replace LPG or other fuels in many industries. When burned, this gas only produces water and has no pollutants , and it can burn 100%.It’s a new energy in 21st century. 2. Why I use oxy-hydrogen generator? 2.1 Maximum Safety a. Steady, reliable fuel delivery. Fuel is available immediately after machine is switched on. No volatile fuel tanks which can rupture or explode. b. Multiple safety devices, including overheating and in-sufficient water cut-off switches, will automatically turn off power to ensure the safety of both equipment and user. 2.2 Environmentally Friendly a. The Fuel generated by our machines burns completely without creating pollutants, toxic fumes, or public nuisance. b. Does not generate hydrocarbons, carbon monoxide, or carbon dioxide. 2 Okay Energy Equipment Co.,Ltd 2.3 High Mobility a. Our generators are equipped with wheels for easy moving the generators to do the job. b. Our generator immediately can generates fuel as soon as you need it, no need of gas tank. c. Fuel can be used for continuous working for long time. 2.4 High Temperature & Calorific value a. Calorific value is 34000Kcal/kg b. The flame temperature is over 2800°, it can melt refractory metals and none-metals 2.5 Low Cost & Maximum Economy a. -
Gilt Bronze Antique Mantel Clock “The Magic Lantern”
Deverberie Gilt Bronze Antique Mantel Clock “The Magic Lantern”, Empire period Case Attributed to Jean-Simon Deverberie (1764 - 1824) Paris, Empire period, circa 1800 Height 46 cm, width 24 cm, depth 13 cm An extremely fine gilt bronze mantle clock of eight-day duration, the white enamel dial with Roman and Arabic numerals and gilt bronze hands for the hours and minutes. The movement, with lever escapement and silk thread suspension, strikes the hour and half hour, with outside count wheel. The case, in the form of a magic lantern, has a beaded bezel and is decorated with blue enamel rosettes; it is surmounted by a flaming torch pierced with stars and hearts. The pendulum bob is formed as a butterfly. The magic lantern is carried on the back of a striding Cupid with enamel eyes who carries a quiver of arrows and a bow. He stands on an oval plinth, featuring a cast frieze with winged putti playing around a central vase, is raised on feathered eagle’s claw feet. Exhibitions Rive Gauche HISTORICAL A clock with a very similar case, but with a patinated bronze Cupid, is illustrated in Pierre Kjellberg, Encyclopédie de la Pendule Française du Moyen Age au XXe Siècle, 1997, p. 447, pl. D. An almost identical gilt bronze clock whose dial is signed “Pinart à L’Orient” is illustrated in Elke Niehüser, Die Französische Bronzeuhr, Eine Typologie der Figürlichen Darstellungen, 1997: detail shot on the front cover; p. 129, colour pl. 210, and p. 230, pl. 658. An almost identical clock case is pictured in the undated catalogue of the François Duesberg museum, p. -
Remarks at a White House Meeting with the American Retail Federation May 16, 1984
Remarks at a White House Meeting With the American Retail Federation May 16, 1984 Good afternoon, I'm glad to welcome you -- I know you've probably been welcomed by others already -- you, the merchants of America, back to the White House. It's hard to believe that 2 years have passed since we last met -- 2 short years, but what a difference. As you probably remember, when we met in the Rose Garden, I didn't have very much good news to give you. The American people had paid a steep price for years of good intentions badly misdirected. And as a result, our national economy had nearly reached the breaking point. As a result of that crisis that faced us -- well, we weren't, however, pursuing a program based on the shifting sands of government expediency. Another quick fix certainly would have failed. There was only one way to go, and that was use three simple words as our guide: Trust the people. Lasting economic recovery had to be built on the solid rock of the American free enterprise system. And when I think back to all the critics who cynically said we couldn't possibly get it done, I find myself remembering my previous life in the entertainment world. You know, back in the days of vaudeville, vaudevillians trying to get bookings and even young ones trying to break into the show business would go into an empty theater, and there'd be an agent sitting out there in about the third row, all alone in the theater, cigar in his mouth, wearing a check suit and -- [laughter] -- the vaudevillian would have to show his wares to this cynic. -
Phantasmagoria: Ghostly Entertainment of the Victorian Britain
Phantasmagoria: Ghostly entertainment of the Victorian Britain Yurie Nakane / Tsuda College / Tokyo / Japan Abstract Phantasmagoria is an early projection show using an optical instrument called a magic lantern. Brought to Britain from France in 1801, it amused spectators by summoning the spirits of ab- sent people, including both the dead and the living. Its form gradually changed into educational amusement after it came to Britain. However, with the advent of spiritualism, its mysterious na- ture was re-discovered in the form of what was called ‘Pepper’s Ghost’. Phantasmagoria was reborn in Britain as a purely ghostly entertainment, dealing only with spirits of the dead, be- cause of the mixture of the two notions brought from France and the United States. This paper aims to shed light on the role that phantasmagoria played in Britain during the Victorian period, how it changed, and why. Through observing the transnational history of this particular form of entertainment, we can reveal a new relationship between the representations of science and superstitions. Keywords Phantasmagoria, spiritualism, spectacle, ghosts, the Victorian Britain, superstitions Introduction Humans have been mesmerized by lights since ancient times. Handling lights was considered a deed conspiring with magic or witchcraft until the sixteenth century, owing to its sanctified appearance; thus, some performers were put in danger of persecution. At that time, most people, including aristocrats, were not scientifically educated, because science itself was in an early stage of development. However, the flourishing thought of the Enlightenment in the eighteenth century altered the situation. Entering the age of reason, people gradually came to regard illusions as worthy of scientific examination. -
Magic Lantern Society Click Slide Image for More! Hand-Colored Lantern Slides of Oregon Historical Society Research Library
May Magic Lantern Society Be Sure to LOOK for those Hand-colored Lantern Slides of Oregon Historical Society Research Library Buttons and roll-over effects Glass Slides– What Projector ...................... 2 Lantern Slides in Contemporary Art ................. 5 About 200 Slides For Sale .... 8 For Sale a Magic Lantern Missing Some Parts .............. 9 Creative Interruption For Sale On Ebay ................... 10 Update of VID Historical Archives ............... 12 Click slide image for more! 1 Glass Slides - What Dear David, Projector? Invaluable information! Thank you for the link to From Roberto celsun.com. Rossi [email protected] I may be mechanically handy, but I know next to Dear David, nothing about electricity. Hello. I am very happy to have located your site! Thank you so much for your thoughtful reply. The one plug on the Beseler runs both the light and I’ve been a creator of Toy Theaters for the A cache of glass slides form an art history department the fan, and subbing the LED for the bulb still means past 20 years, and a fan of the analogue visual have come into my possession, and I am keen on finding a way to power the fan - which I assume will spectacle technologies - like the magic lantern. purchasing the right kind of projector for them. still be necessary, even if the LED’s are much cooler. How wonderful to find a kindred community of I was hoping you would be able to help me with enthusiasts online. I think I am going to have to find a smart technician some information, for which I would be very grateful. -
American Scientist the Magazine of Sigma Xi, the Scientific Research Society
A reprint from American Scientist the magazine of Sigma Xi, The Scientific Research Society This reprint is provided for personal and noncommercial use. For any other use, please send a request to Permissions, American Scientist, P.O. Box 13975, Research Triangle Park, NC, 27709, U.S.A., or by electronic mail to [email protected]. ©Sigma Xi, The Scientific Research Society and other rightsholders Engineering Next Slide, Please Henry Petroski n the course of preparing lectures years—against strong opposition from Ibased on the material in my books As the Kodak some in the artistic community—that and columns, I developed during the simple projection devices were used by closing decades of the 20th century a the masters to trace in near exactness good-sized library of 35-millimeter Carousel begins its intricate images, including portraits, that slides. These show structures large and the free hand could not do with fidelity. small, ranging from bridges and build- slide into history, ings to pencils and paperclips. As re- The Magic Lantern cently as about five years ago, when I it joins a series of The most immediate antecedent of the indicated to a host that I would need modern slide projector was the magic the use of a projector during a talk, just previous devices used lantern, a device that might be thought about everyone understood that to mean of as a camera obscura in reverse. Instead a Kodak 35-mm slide projector (or its to add images to talks of squeezing a life-size image through a equivalent), and just about every venue pinhole to produce an inverted minia- had one readily available. -
1. Exposure Data
1. EXPOSURE DATA 1.1 Description of major welding are used as part of the welding process (e.g. the processes and materials shielding gas) (ISO, 2009). While there are many welding processes Welding is a broad term for the process routinely employed in occupational settings, the of joining metals through coalescence (AWS, most common arc welding processes are manual 2010). Welding techniques tend to be broadly metal arc (MMA, ISO No. 111), gas metal arc classified as arc welding or gas welding. Arc (GMA, ISO No. 13), flux-cored arc (FCA, ISO Nos welding uses electricity to generate an arc, 114 and 136), gas tungsten arc (GTA, ISO No. 14), whereas gas or oxyfuel welding (ISO 4063:2009 and submerged arc (SA, ISO No. 12) (Table 1.2 process numbers 3, 31, 311, 312, and 313) uses fuel and Table 1.3). Electric resistance welding (ER, gases such as acetylene or hydrogen to generate ISO Nos 21 and 22) is also commonly used for spot heat. Welding results in concurrent exposures or seam welding, and uses electric currents and including welding fumes, gases, and ionizing force to generate heat. In occupational settings, and non-ionizing radiation, and coexposures these processes are most commonly used to weld from other sources such as asbestos and solvents mild steel (MS, low carbon) or stainless steel (SS). (Table 1.1). Flame cutting (ISO No. 81), the process of using Welding fumes are produced when metals oxygen (O) and a fuel to cut a metal, is a closely are heated above their melting point, vapourize related process that is often grouped occupation- and condense into fumes. -
The Fandom of the Opera
TheThe FandomFandom ofof thethe Opera:Opera: HowHow thethe AudienceAudience forfor aa FourFour --CenturyCentury --OldOld ArtArt FormForm HelpedHelped CreateCreate thethe ModernModern MediaMedia WorldWorld Mark 8chubin, NYU -Poly, 2012 April 27 1 TraditionalTraditional MediaMedia HistoryHistory 1876: Bell files patent for the telephone st 1879: 1 Edison light bulb demonstration st 1895: 1 movie theater st 1920: 1 commercial radio station st 1927: 1 sound movie 1939: TV introduced at New York World ’s Fair st 1954: 1 NTSC color TV show st 1961: 1 FM stereo broadcast Mark 8chubin, NYU -Poly, 2012 April 27 2 TraditionalTraditional OperaOpera 1876: Bell files patent for 1849: Havana Opera electrical the telephone voice -transmission experiments st 1879: 1 Edison light bulb 1849: Paris Opera electric -light demonstration effect in Le Proph ète st 1895: 1 movie theater 1886: opera movie system st st 1920: 1 commercial 1910: 1 radio broadcasts radio station of operas st 1927: 1 sound movie 1900: opera sound movies 1939: TV introduced at 1936: opera Pickwick on TV New York World ’s Fair before its opening night st 1954: 1 NTSC color TV show 1953: NBC Carmen in NTSC color st 1961: 1 FM stereo 1925: Berlin Opera stereo radio broadcast broadcasts Mark 8chubin, NYU -Poly, 2012 April 27 3 Mark 8chubin, NYU -Poly, 2012 April 27 4 Mark 8chubin, NYU -Poly, 2012 April 27 5 WhatWhat IsIs Opera?Opera? Latin:Latin: opusopus == work,work, operaopera == worksworks SingingSinging InstrumentalInstrumental MusicMusic StorytellingStorytelling -
Supporting the Creative Industries of Massachusetts Creativenext Listening Tour Summary Report
Supporting the Creative Industries of Massachusetts CreativeNEXT Listening Tour Summary Report INTRODUCTION This report provides an overview of the CreativeNEXT listening tour, an event series which engaged the creative industries of Massachusetts throughout the summer of 2012. The purpose of these roundtable events was to evaluate the needs and opportunities that exist within the creative industries and to provide insights to guide the development of the Massachusetts Creative Economy Council’s priority focus areas. The Patrick-Murray Administration’s Creative Economy Industry Director Helena Fruscio and the Massachusetts Creative Economy Council reached over 580 businesses, organizations, and individuals during the twenty-one events and discussed the growth and sustainability of the creative industries and their future in Massachusetts. Additionally, the CreativeNEXT tour: Gathered Input: Engaged individuals working in the creative industries in a discussion about needs and provided an opportunity to be “part of the solution”. Collected Data: Polled the industry about the size and scope of their businesses and organizations. Mobilized Support: Provided an opportunity for community leaders and business support organizations to engage with the creative industries. Enhanced Visibility: Increased profile of the creative industries across the Commonwealth. BACKGROUND What are the creative industries? In Massachusetts, the creative industries include the many interlocking industry sectors that provide creative services or create and promote -
Generation of Oxyhydrogen Gas for Internal Combustion of a Minor Vehicle, Chemical Engineering Transactions, 82, 445- 450 DOI:10.3303/CET2082075
445 A publication of CHEMICAL ENGINEERING TRANSACTIONS VOL. 82, 2020 The Italian Association of Chemical Engineering Online at www.cetjournal.it Guest Editors: Bruno Fabiano, Valerio Cozzani, Genserik Reniers Copyright © 2020, AIDIC Servizi S.r.l. DOI: 10.3303/CET2082075 ISBN 978-88-95608-80-8; ISSN 2283-9216 Generation of Oxyhydrogen Gas for Internal Combustion of a Minor Vehicle Shaibert Abrahan Veramendi Caicoa, Carlos Alberto Castañeda Oliveraa, Jhonny a,b a a Wilfredo Valverde Flores , Jorge Jave Nakayo , Verónica Tello Mendivil , Elmer a,* Benites-Alfaro aUniversidad César Vallejo, C.P. 15314, Lima 39, Perú bUniversidad Nacional Agraria La Molina, C.P. 15026, Lima 39, Perú [email protected] In the research, an oxyhydrogen gas generating system was built and installed for use in a smaller vehicle. The aim was to check the ability to use oxyhydrogen gas as ecological technology in a 0.2 L internal combustion engine. A linear motorcycle was used for the study and the experimental tests were carried out in parallel with both gasoline and oxyhydrogen gas to compare its efficiency. The results showed yields of 10 km / sol and 92 km / sol for gasoline and oxyhydrogen gas, respectively. Furthermore, with oxyhydrogen gas a favorable reduction in the emission of polluting gases into the environment was found. Finally, the research shows that there are strong reasons to opt for the use of oxyhydrogen gas as an alternative fuel, and it could easily be adapted in vehicle engines. 1. Introduction Air pollution and concern for the care of the environment encourage looking for new alternatives to find the best use of natural resources such as their use of energy for various human activities. -
Prize-Winning Microscopy Image Lights up Times Square in New York 21 May 2014
Prize-winning microscopy image lights up Times Square in New York 21 May 2014 on a large, high-resolution screen in New York's iconic Times Square. "The image is of a mouse sperm cell, also known as a spermatocyte, highlighted with three fluorescent labels that show DNA (blue), KASH5 protein (green) and the SCP3 protein (red), which is required for the pairing of chromosomes," explains Wright. "This image was a particularly striking example when we captured it—the orientation of the proteins we were studying and the two sperm cells stained in blue on both sides made it aesthetically pleasing." The image was the result of a collaboration between Wright, head of the IMB Microscopy Unit (IMU), Horn, a senior research fellow, and the research teams of Colin Stewart and Brian Burke, also of the IMB, who discovered that the KASH5 protein is vital for successful chromosomal movements during meiosis—the division of cells necessary for successful sexual reproduction1. The prize-winning image of a developing mouse sperm Sperm and eggs need accurate chromosome cell, captured by A*STAR researchers Graham Wright pairing if they are to mature correctly, so without and Henning Horn. The locations of DNA (blue), KASH5 chromosomal activity guided by the KASH5 protein, protein (green) and SCP3 protein (red) were revealed fertility is adversely affected. using immunofluorescence staining. Credit: A*STAR Institute of Medical Biology The researchers collected the image on a GE DeltaVision OMX microscope, which enables biological samples to be imaged in superresolution in three dimensions. Wright and Horn spent time Science and show business may sound like an perfecting their sample preparation and honing the unusual combination, but advances in technology settings on the microscope to acquire their high- mean that scientists can now capture dramatic resolution prize-winning image.