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Toonaangevende Internationale Festivals Met Prijzen Die Meetellen in De Award Telling in De NFC Database (Speelfilm/Docu/Animatie)
Toonaangevende Internationale Festivals met prijzen die meetellen in de Award telling in de NFC database (speelfilm/docu/animatie). Selectie voor deelname in de hoofdprogramma’s met * tellen ook mee in de Award telling. Toonaangevende festivals zijn benoemd in de protocol ’s van het Nederlands Filmfonds. France prize FR - Festival de Cannes *Official Competition Golden Palm *Un certain regard Prix Un Certain Regard *Semaine de la critique Prix Semaine de la cr *Quinzaine des Réalisateurs Camera d’Or FR - Annecy International Animation Festival *Selection competition FR - Clermont Ferrand International Short Film Festival For animation films *Selection international competition FR - SeriesMania *Selection international premiere Germany DE - Berlin International Filmfestival *Official Competition *Panorama *Forum of new cinema *Generation (competition) DE - Drama Series Days (EFM Berlinale) *Selection international premiere Italy IT - La Biennale di Venezia *Official Competition *Orizzonti *Venice days (Giornate degli Autori) *Cetta della mane critique IT - Gifffoni Film Festival *Official Competition Canada CA - Toronto International Filmfestival / Kids *Selection CA - Toronto Hot Docs *Selection CA - Ottawa International Animation Festival *Selection Switzerland CH - Locarno International Filmfestival *Selection Main Competition *Selection Competition for new film directors *Selection Piazza Grande Screening CH - Nyon - Visions du Réel International Documentary Film Festival * Selection Main Competition Spain SP - San Sebastian International -
SAARC Film Festival 2017 (PDF)
Organised by SAARC Cultural Centre. Sri Lanka 1 Index of Films THE BIRD WAS NOT A BIRD (AFGHANISTAN/ FEATURE) Directed by Ahmad Zia Arash THE WATER (AFGHANISTAN/ SHORT) Directed by Sayed Jalal Rohani ANIL BAGCHIR EKDIN (BANGLADESH/ FEATURE) Directed by Morshedul Islam OGGATONAMA (BANGLADESH/ FEATURE) Directed by Tauquir Ahmed PREMI O PREMI (BANGLADESH/ FEATURE) Directed by Jakir Hossain Raju HUM CHEWAI ZAMLING (BHUTAN/ FEATURE) Directed by Wangchuk Talop SERGA MATHANG (BHUTAN/ FEATURE) Directed by Kesang P. Jigme ONAATAH (INDIA/ FEATURE) Directed by Pradip Kurbah PINKY BEAUTY PARLOUR (INDIA/ FEATURE) Directed by Akshay Singh VEERAM MACBETH (INDIA/ FEATURE) Directed by Jayaraj ORMAYUDE AtHIRVARAMBUKAL (INDIA/ SHORT) Directed by Sudesh Balan TAANDAV (INDIA/ SHORT) Directed by Devashish Makhija VISHKA (MALDIVES/ FEATURE) Directed by Ravee Farooq DYING CANDLE (NEPAL/ FEATURE) Directed by Naresh Kumar KC THE BLACK HEN (NEPAL/ FEATURE) Directed by Min Bahadur Bham OH MY MAN! (NEPAL/ SHORT) Directed by Gopal Chandra Lamichhane THE YEAR OF THE BIRD (NEPAL/ SHORT) Directed by Shenang Gyamjo Tamang BIN ROYE (PAKISTAN/ FEATURE) Directed by Momina Duraid and Shahzad Kashmiri MAH-E-MIR (PAKISTAN/ FEATURE) Directed by Anjum Shahzad FRANGIPANI (SRI LANKA/ FEATURE) Directed by Visakesa Chandrasekaram LET HER CRY (SRI LANKA/ FEATURE) Directed by Asoka Handagama NAKED AMONG PUBLIC (SRI LANKA/ SHORT) Directed by Nimna Dewapura SONG OF THE INNOCENT (SRI LANKA/ SHORT) Directed by Dananjaya Bandara 2 SAARC CULTURAL CENTRE SAARC Cultural Centre is the multifaceted realm of to foray into the realm of the SAARC Regional Centre the Arts. It aims to create an publications and research and for Culture and it is based in inspirational and conducive the Centre will endeavour to Sri Lanka. -
1 CHAPTER I INTRODUCTION A. Background of the Study Black Book Is a Drama Action Movie Directed by Paul Verhoeven, and Written B
CHAPTER I INTRODUCTION A. Background of the Study Black Book is a drama action movie directed by Paul Verhoeven, and written by Gerard Soeteman and Verhoeven’s as screenwriter. Actually, this movie is one of his greatest works because it becomes one of the best Dutch films in 2006. It was released on September 14, 2006 in the Netherlands and released in general on 4 April 2007. It has 2 hours and 25 minutes of the duration. The genres of this movie are drama, thriller and war, that the settings of place are the Netherlands and Israel with setting of time in 1944. Black book is a movie which contains moral discourse and human measure. This movie is produced by Motel Films, EgoliTossell Film, Clockwork Pictures, and Fu Works and distributed by Sony Pictures Classics. Black Book movie is directed by Paul Verhoeven, a Holland movie director, producer and actor. Paul Verhoeven was born on July 18, 1938 in Amsterdam, Netherlands. He was born during the dark years of World War II. He is one of the most provocative, daring, challenging and controversial storytellers creating film entertainment. He attended University Of Leiden. He earned a doctorate in mathematics and physics in 1964. He was interested in cinematography during six years at the college and tried to make a documentary movie. The first movie that he made is The Marine Corps; it is a documentary movie with 23 minutes of the duration. 1 2 Black Book movie is set during the last years of the Second World War. The film opens with Ronnie a Dutch woman who is on a tourist package trip in Israel. -
TRANS-PACIFIC PARTNERS: the Commercial, Capital and Cultural Exchange Between Hong Kong and California
TRANS-PACIFIC PARTNERS: The commercial, capital and cultural exchange between Hong Kong and California LAEDC Hong Kong Report 0918.indd 3 9/18/19 1:35 PM TRANS-PACIFIC PARTNERS: The commercial, capital and cultural exchange between Hong Kong and California Los Angeles County Economic Development Corporation 444 S. Flower Street, 37th Floor • Los Angeles, CA 90071 (888) 4-LAEDC-1 • www.LAEDC.org Supported by: HONG KONG TRADE DEVELOPMENT COUNCIL (HKTDC) SEPTEMBER 2019 This research was commissioned by the Hong Kong Trade Development Council. The LAEDC Institute for Applied Economics provides objective economic and policy research for public agencies and private firms. The group focuses on economic impact studies, regional industry analyses, economic forecasts and issue studies, particularly in workforce development, transportation, infrastructure and environmental policy. LAEDC has made every reasonable effort to ensure that the data contained herein reflect the most accurate and timely information possible and they are believed to be reliable. The report is provided solely for informational purposes and is not to be construed as providing advice, recommendations, endorsements, representations or warranties of any kind whatsoever. LAEDC Hong Kong Report 0918.indd 4 9/18/19 1:35 PM Los Angeles County Economic Development Corporation Table of 4 – Looking Back and Thinking Ahead 20 US-Hong Kong Relations 20 Impacts of Trade War 20 Contents 5 – Tourists & Students – Crossing Shores 23 Tourism between Hong Kong and California 23 1 - Introduction -
SEE NL Youth and Family Films from the Netherlands Fall 2016/Spring 2017 Index Introduction
SEE NL Youth and Family films from the Netherlands Fall 2016/Spring 2017 Index Introduction 2 Introduction It all began back in the 1990s when a former teacher called Burny 5 Testament of Youth Bos decided that film entertainment for kids didn’t have to be American and dubbed. Before Bos, there were no Dutch children’s Selected releases films in the cinemas. After Bos, the Netherlands is arguably the 8 Storm Letter of Fire leading European producer of films within the kids sector. 9 The Day My Father Became A Bush “Burny started off with The Flying Liftboy, and then there was 10 Mister Twister At The Pitch Miss Minoes and Winky’s Horse and many, many others, and he 11 Enough! proved that it was possible to make smart, serious, entertaining, 12 Owls & Mice sophisticated children’s films from the Netherlands, spoken in 13 Siv Sleeps Astray Dutch, attracting huge audiences and able to travel across borders,” 14 Master Spy says Netherlands Film Fund CEO Doreen Boonekamp. “He started 15 The Club of Saint Nicholas getting families to Dutch films because the films he produced were 16 Mr Frog so good.” 17 Woozle and Pip 18 Monkey Business And the Dutch industry embraced the cause, with numerous 19 Dummie the Mummie filmmakers going on to win international renown, such as 20 Keet and Koen Maria Peters, Martin Koolhoven, Joram Lûrsen, Ben Sombogaart, 21 Code M Boudewijn Koole, Dennis Bots and Nicole van Kilsdonk and many 22 Little Gangster more. These directors attracted Dutch kids (and adults) to cinemas 23 Kidnap in their millions. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Imag(in)ed Diversity in a Small Nation: Constructing Ethnic Minorities in Dutch Cinema by Arne Saeys Thesis for the degree of Doctor of Philosophy April 2018 ii UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Thesis for the degree of Doctor of Philosophy ABSTRACT Imag(in)ed Diversity in a Small Nation: Constructing Ethnic Minorities in Dutch Cinema Arne Saeys This thesis investigates how non-Western ethnic minorities have been represented in Dutch cinema mainly during the last two decades. While it has been argued that national cinema contributes to the imagination of a cohesive national identity, migration and the resulting ethnic diversity in contemporary societies urges us to rethink the role of cinema in the construction of national identities. -
Scottsdaleperformingarts.Org
Oct. 1-5, 20101111 Presents I COTl&ll[E IN itlffl OO ~TI ONAL ;:-I Sponsored By • Q,' llarlfins 11arlfins cametview 5 . flleatres (7001 E Highland Ave) ULT IMATE MOVIEGOING 0 2010 2011 SEASON John Lithgow in Stories by Heart Venice Baroque Orchestra with Robert McDuffie André Watts Michael Feinstein: The Sinatra Project The Capitol Steps ARTrageous Starring Bernadette Peters A John Waters Christmas Spalding Gray: Stories Left to Tell The Legendary Count Basie Orchestra Kodo Drummers L.A. Theatre Works Merce Cunningham Dance Company Ramsey Lewis Trio Mark Morris Dance Group 480.994.ARTS (2787), ext. 2 & Music Ensemble ScottsdalePerformingArts.org David Sedaris 7380 E. Second St., Scottsdale Aquila Theatre, March 24–25, 2011. Photo: Lois Greenfield BE OUR CO-STAR! Experience six days of great food and drink at the SCOTTSDALE 33rd Annual Scottsdale Culinary Festival. CULINARY You’ll have fun with friends and family all while FESTIVAL giving back to the arts community. BE A SPONSOR You know the value of 40,000 (hungry and thirsty) guests. Show us what you bring to the table as a Festival sponsor! BE A VOLUNTEER You’re enthusiastic about supporting the arts. Prove it by lending your time — and that smile of yours — as a Festival volunteer! FESTIVAL DATES ARE APRIL 5 - 10, 2011 Reserve your spot in the action now! Visit www.ScottsdaleCulinaryFestival.org for our volunteer application and sponsorship opportunities. 100% of proceeds from the Scottsdale Culinary Festival, hosted by the Scottsdale League for the Arts, fund diverse art and art education programs in Arizona. We rely on dedicated community volunteers and local and national sponsors to make our Festival a great success for our community. -
About Singapore Film Commission About Info
2 0 2 1 ABOUT INFO- ABOUT COMMUNICATIONS SINGAPORE MEDIA DEVELOPMENT FILM AUTHORITY COMMISSION The Infocomm Media Development Authority (IMDA) leads Singapore’s digital The Singapore Film Commission (SFC), part of the Infocomm transformation with infocomm media. To do this, IMDA will develop a dynamic Media Development Authority (IMDA), is charged with digital economy and a cohesive digital society, driven by an exceptional infocomm developing Singapore’s film industry and nurturing media (ICM) ecosystem – by developing talent, strengthening business capabilities, filmmaking talent. It is advised by a committee comprising and enhancing Singapore’s ICM infrastructure. members from the film, arts and cultural community. IMDA also regulates the telecommunications and media sectors to safeguard Since 1998, the SFC has supported more than 800 short consumer interests while fostering a pro-business environment, and enhances films, scripts, feature films, as well as film-related events Singapore’s data protection regime through the Personal Data Protection in Singapore that showcase homegrown talent and works. Commission. Some notable films by Singapore filmmakers include POP AYE (Kirsten Tan), Ramen Teh (Eric Khoo), A Land Imagined For more news and information, visit imda.gov.sg or follow IMDA on Facebook (Yeo Siew Hua), Ilo Ilo (Anthony Chen), the Ah Boys To Men IMDAsg and Twitter @IMDAsg series (Jack Neo), and 881 (Royston Tan). MADE-WITH-SINGAPORE CONTENT CAPTIVATING GLOBAL AUDIENCES Despite the challenges posed by COVID-19, Singaporeans continue to enjoy films in their homes for some respite, turning to OTT platforms and “watch parties” online. Now as the media industry takes tentative steps to reopen cinemas and resume production, following safe management measures, local films returned to the silver screen. -
Isabel Coixet
Written & directed by ISABEL COIXET Based on the novel by Penelope Fitzgerald “A good book is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life, and as such it must surely be a necessary commodity.” Penelope Fitzgerald - The Bookshop PITCH A town that lacks a bookshop isn’t always a town that wants one. LOGLINE England 1959. In a small East Anglian town, Florence Green decides, against polite but ruthless local opposition, to open a bookshop. SYNOPSIS Based on Penelope Fitzgerald’s novel of the same name; The Bookshop is set in 1959, Florence Green (Emily Mortimer), a free-spirited widow, puts grief behind her and risks everything to open up a bookshop – the first such shop in the sleepy seaside town of Hardborough, England. Fighting damp, cold and considerable local apathy she struggles to establish herself but soon her fortunes change for the better. By exposing the narrow-minded local townsfolk to the best literature of the day including Nabokov’s scandalising Lolita and Ray Bradbury’s Fahrenheit 451, she opens their eyes thereby causing a cultural awakening in a town which has not changed for centuries. Her activities bring her a kindred spirit and ally in the figure of Mr.Brundish (Bill Nighy)who is himself sick of the town’s stale atmosphere. But this mini social revolution soon brings her fierce enemies: she invites the hostility of the town’s less prosperous shopkeepers and also crosses Mrs. Gamart (Patricia Clarkson), Hardborough’s vengeful, embittered alpha female who is herself a wannabe doyenne of the local arts scene. -
Bollywood Box Office Verdict Koimoi
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Humour and Irony in Dutch Post-War Fiction Film FRAMING FILM
HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of EYE Filmmuseum. With this series, Amsterdam University Press and EYE aim to support the academic research community, as well as practitioners in archive and restoration. SERIES EDITORS Giovanna Fossati, EYE Filmmuseum & University of Amsterdam, the Netherlands Leo van Hee, EYE Filmmuseum Frank Kessler, Utrecht University, the Netherlands Patricia Pisters, University of Amsterdam, the Netherlands Dan Streible, New York University, United States Nanna Verhoeff, Utrecht University, the Netherlands EDITORIAL BOARD Richard Abel, University of Michigan, United States Jane Gaines, Columbia University, United States Tom Gunning, University of Chicago, United States Vinzenz Hediger, Goethe University Frankfurt, Germany Martin Koerber, Deutsche Kinemathek, Germany Ann-Sophie Lehmann, University of Groningen, the Netherlands Charles Musser, Yale University, United States Julia Noordegraaf, University of Amsterdam, the Netherlands William Uricchio, Massachusetts Institute of Technology, United States Linda Williams, University of California at Berkeley, United States PETER VERSTRATEN HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM AMSTERDAM UNIVERSITY PRESS This publication is made possible by grants from the Nederlands Filmfonds and the Netherlands Society of Cinematographers. Published by EYE Filmmuseum / Amsterdam University Press Cover illustration: Borgman © Drafthouse Films. Design: Brandon Schaefer. Cover design and lay-out: Magenta Ontwerpers, Bussum Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 943 0 e-isbn 978 90 4852 837 0 doi 10.5117/9789089649430 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) P. -
Company | Flinck Film Films & Projects 2014 | Dutch Spirit
Company | Flinck Film Company profile Film Producers Producers Flinck Film is a Film and TV productionNe therlandcompany focuseds on making quality feature films, TV series and other media projects for a wide audience was founded in 2009 by Sabine Veenendaal and Michiel de Rooij. Jeroen Beker joined them in 2012. Flinck Film produced a.o. the positively acclaimed television series ‘A’DAM - E.V.A.’ (2011), the family film ‘Mijn Avonturen Door V. Swchwrm’ (2012) and the radio musical ‘Heerlijk Duurt Het Langst’ (2012). Together with Scandinavia and Germany, Flinck Film co-produced the Sabine Veenendaal international feature film ‘Simon And The Oaks’ (2012), and in Belgium the feature film ‘Tot Michiel de Rooij Altijd’ (2012). In December 2013 their family film ‘Finn’ wasFilms released &in TheProjects Netherlands, 2014Jeroen Beker| Dutch Spirit which is also selected for Berlinale Generation 2014. In 2014 Jeroen Beker and Sabine Veenendaal will join content media company Caviar (www.caviarcontent.com) to set up Contact details Flinck Film/Caviar Film & TV Sarphatistraat 51 1018 EW Amsterdam logo The Netherlands T +31 (0)20 570 31 30 [email protected] www.flinckfilm.nl/www.caviarcontent.com 1 Films & Projects 2014 | Dutch Spirit Index Film Producers Netherlands 2 Funding and contacts in the Netherlands 4 Members Film Producers Netherlands Bijker Film & TV 6 Lemming Film 36 BosBros Productions 8 Mulholland Pictures 38 Cadenza Films 10 Phanta Film 40 Circe Films 12 Pupkin Film 42 Cool Beans 14 PVPictures 44 CTM Pictures 16 Rinkel Film 46