Saarc Film Festival 2019
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ANNIVERSARY SPECIAL Millenniumpost.In
ANNIVERSARY SPECIAL millenniumpost.in pages millenniumpost NO HALF TRUTHS th28 NEW DELHI & KOLKATA | MAY 2018 Contents “Dharma and Dhamma have come home to the sacred soil of 63 Simplifying Doing Trade this ancient land of faith, wisdom and enlightenment” Narendra Modi's Compelling Narrative 5 Honourable President Ram Nath Kovind gave this inaugural address at the International Conference on Delineating Development: 6 The Bengal Model State and Social Order in Dharma-Dhamma Traditions, on January 11, 2018, at Nalanda University, highlighting India’s historical commitment to ethical development, intellectual enrichment & self-reformation 8 Media: Varying Contours How Central Banks Fail am happy to be here for 10 the inauguration of the International Conference Unmistakable Areas of on State and Social Order 12 Hope & Despair in IDharma-Dhamma Traditions being organised by the Nalanda University in partnership with the Vietnam The Universal Religion Buddhist University, India Foundation, 14 of Swami Vivekananda and the Ministry of External Affairs, Government of India. In particular, Ethical Healthcare: A I must welcome the international scholars and delegates, from 11 16 Collective Responsibility countries, who have arrived here for this conference. Idea of India I understand this is the fourth 17 International Dharma-Dhamma Conference but the first to be hosted An Indian Summer by Nalanda University and in the state 18 for Indian Art of Bihar. In a sense, the twin traditions of Dharma and Dhamma have come home. They have come home to the PMUY: Enlightening sacred soil of this ancient land of faith, 21 Rural Lives wisdom and enlightenment – this land of Lord Buddha. -
Camp Sitting at Chennai, Tamil Nadu Full Commission V
NATIONAL HUMAN RIGHTS COMMISSION (LAW DIVISION – FULL COMMISSION BRANCH) CAMP SITTING AT CHENNAI, TAMIL NADU FULL COMMISSION CAUSE LIST CORAM: Mr. Justice H.L. Dattu - Chairperson Mr. Justice P.C. Pant - Member Mrs. Jyotika Kalra - Member Dr. D.M. Mulay - Member Friday, 13th September, 2019 at 10.00 A.M. Venue: Anna Centenary Library, Gandhi Mandapam Road, Surya Nagar, Kotturpuram, Chennai, Tamil Nadu S. Case No. Complainant/In Name of authority No timation received from 1. 512/22/0/2019 Suo-motu Principal Secretary, Suo-motu cognizance of a news item Labour and published in “Business Line” dated Employment (M2) 21.02.2019 highling the plight of thousands Deptt., Govt of Tamil of garmet factory workers in Tamil Nadu. Nadu 2. 896/22/37/2010 Shri Devika Chief Secretary Illegal arrest of five members of Fact Finding Prasad Director General of Team by Veeravanallur Police, Tiruneveli, Shri Henri Police Tamil Nadu Tiphagne 3. 590/22/42/2019 Shri A.P. Disitrict Collector, Complaint regarding families living without Gowdhamasidha Villupuram, Tamil Nadu shelter in Villupuram District, Tamil Nadu rthan 4. 554/22/12/2017 Shri T.D. Commissioner, Avadi Inaction by District Administration in regard Ramalingam Municipality to the complaint of stagnation of drainage District Collector and rain water in area in Awadi Municipality Tiruvallur 5. 807/22/13/2019 Shri Radhakanta The District Magistrate Complaint regarding gang-rape of a 11 year Tripathy Chennai old deaf girl in Chennai on 17.07.2018 for The Commissioner of which seventeen men were charged. Police,Chennai 6. 308/22/39/2019 Suo-motu Additional Chief Suo-motu cognizance of a news report carried Secretary Home out by “News 18” regarding sexual abuse of 15 (Pol.XII) Department, minor girls who were rescused from a Home in Tamil Nadu Tiruvannamalai, Tamil Nadu. -
Toonaangevende Internationale Festivals Met Prijzen Die Meetellen in De Award Telling in De NFC Database (Speelfilm/Docu/Animatie)
Toonaangevende Internationale Festivals met prijzen die meetellen in de Award telling in de NFC database (speelfilm/docu/animatie). Selectie voor deelname in de hoofdprogramma’s met * tellen ook mee in de Award telling. Toonaangevende festivals zijn benoemd in de protocol ’s van het Nederlands Filmfonds. France prize FR - Festival de Cannes *Official Competition Golden Palm *Un certain regard Prix Un Certain Regard *Semaine de la critique Prix Semaine de la cr *Quinzaine des Réalisateurs Camera d’Or FR - Annecy International Animation Festival *Selection competition FR - Clermont Ferrand International Short Film Festival For animation films *Selection international competition FR - SeriesMania *Selection international premiere Germany DE - Berlin International Filmfestival *Official Competition *Panorama *Forum of new cinema *Generation (competition) DE - Drama Series Days (EFM Berlinale) *Selection international premiere Italy IT - La Biennale di Venezia *Official Competition *Orizzonti *Venice days (Giornate degli Autori) *Cetta della mane critique IT - Gifffoni Film Festival *Official Competition Canada CA - Toronto International Filmfestival / Kids *Selection CA - Toronto Hot Docs *Selection CA - Ottawa International Animation Festival *Selection Switzerland CH - Locarno International Filmfestival *Selection Main Competition *Selection Competition for new film directors *Selection Piazza Grande Screening CH - Nyon - Visions du Réel International Documentary Film Festival * Selection Main Competition Spain SP - San Sebastian International -
Trends of Pakistani Films: an Analytical Study of Restoration of Cinema
Trends of Pakistani films: An analytical study of restoration of cinema Fouzia Naz* Sadia Mehmood** ABSTRACT People prefer to go to the cinema as compared to theaters because of its way of execution and performance. Background music, sound effects, lights, direction attract people, and its demonstrations relate people to their lives. It is true that films have a unique and powerful connection between human behavior and societal culture. Pakistani film industry faced the downfall and now it is doing its best to make the films on international standards. In this research article, the background of Pakistani cinema and causes of downfall will be discussed. The main idea of this research article is to identify and study the development of Pakistani film industry. Qualitative and quantitative data collection will be used as the research method of this research. This research article helps in observing different mass media theory based on Pakistani cinema. Moreover, it will be explained what filmmakers critiques and people say regarding revival or restoration. Keywords: downfall, revival, the impact of the Pakistani film industry, Lollywood *Assistant professor, Mass Communication, University of Karachi) **Assistant professor, Mass Communication, University of Karachi) 33 Jhss, Vol. 8, No. 2 , July to December, 2017 The definition of cinema can be explained as “another word of moving a picture”1This is the place where films are shown to the public. Most of the people who are not into the arts get confused in cinema and theater. The theater is the building where live performance is performed2. The similarity between cinema and theaters are both of them execute act and created for public entertainment. -
44Th Convocation University of Sri Jayewardenepura
44th Convocation University of Sri Jayewardenepura Gamhewa Manage Pesala Madhushani Gamage Wijayalathpura Dewage Poornimala Madushani FACULTY OF HUMANITIES Hansani Nisansala Gamage Madugodage Dinusha Madushani AND SOCIAL SCIENCES Meepe Gamage Chathurika Hansamali Gamage Peduru Hewa Harshika Madushani Panawenna Ranadewage Thayomi Dulanji Gansala Amaraweera Wikkrama Gunawardana Lasuni Madushika Liyanagamage Gayan Diyadawa Gamage Niluka Maduwanthi Parana Palliyage Thisara Gayathri Herath Mudiyanselage Shanika Maduwanthi Kongala Hettiarachchige Koshila Gimhani Hewa Rahinduwage Ruwani Maduwanthi Kalubowila Appuhamilage Nipuni Wirajika Gunarathna Sikuradhi Pathige Irosha Maduwanthi Aluth Gedara Champika Prabodani Gunathilaka Wijesekara Gunawardhana Gurusinha Arachchige Maheshika Ahangama Vithanage Maheshika Gunathilaka Dissanayake Mudiyanselage Nadeeka Malkanthi Mestiyage Dona Nihari Manuprabhashani Gunathilaka Hewa Uluwaduge Nadeesha Manamperi Withana Arachchillage Gaya Thejani Gunathilaka Gunasingha Mudiyanselage Rashika Manel Ayodya Lakmali Guniyangoda Widana Gamage Shermila Dilhani Manike Nisansala Sandamali Gurusingha Koonange Mihiri Kanchana Mendis Kariyawasam Bovithanthri Prabodha Hansaji Nikamuni Samadhi Nisansala Mendis Kanaththage Supuni Hansika Warnakulasooriya Wadumesthrige Nadeesha Chathurangi Ranagalage Pawani Hansika Mendis Gama Athige Harshani Morapitiyage Madhuka Dhananjani Morapitiya Rambukkanage Kaushalya Hasanthi Munasinghe Mudiyanselage Uthpala Madushani Munasinghe Henagamage Piyumi Nisansala Henagamage Ella Deniyage Upeksha -
OF INNOCENCE Track
MONDAY, JUNE 19, 2017 PAGE 25 At one of her film screenings With their children E mail : [email protected] At their wedding Some of her awards With Geetha Kumarasinghe in Akke Mata Awasara Books written by them both ONE CHANGE IN LIF ORTRAIT I would have liked to have more grandchildren. MOST MEMORABLE MOMENTS We wanted to travel to Denmark from Germany once. A friend dropped us at a railway station and told us to get off the train once it stops and get on the other train which will be on the next OF INNOCENCE track. We were carrying the huge reels of Tharanaya then. The train stopped in a very remote area. We got off but there were no other trains in sight. We tried asking for directions but could not find anyone speaking English. After a while we saw a German lady looking at us. We RUWINI JAYAWARDANA gave her a Ceylon Tea bag and spoke to her. She finally told us how to nnocence seems to be her hallmark and according to seasoned journalist Arthur get to the harbour. Once in the harbour we encountered a problem because we did not have visas. My friend had told us that will not U Amarasena, this is the first thought that hit him when he lay eyes on a photo- be an issue. We explained our purpose to the officers there and graph of her for the first time in the early 1960s. After tying the knot in 1964 since the authorities were not in sight they let us go. -
The Fukuoka City Public Library Movie Hall Ciné-Là Film Program Schedule December 2015
THE FUKUOKA CITY PUBLIC LIBRARY MOVIE HALL CINÉ-LÀ FILM PROGRAM SCHEDULE DECEMBER 2015 ----------------------------------------------------------------------------------------------------------------- ARCHIVE COLLECTION VOL.9 ACTION FILM ADVENTURE WITH YASUAKI KURATA December 2-6 No English subtitles ----------------------------------------------------------------------------------------------------------------- SRI LANKA FILMS CENTERED ON LESTER JAMES AND SUMITRA PERIES December 9-26 English subtitles ----------------------------------------------------------------------------------------------------------------- Our library and theater will be closed for the New Year Holidays from December 28-January 4 ENGLISH HOME PAGE INFORMATION THE FUKUOKA CITY PUBLIC LIBRARY http://www.cinela.com/english/ This schedule can be downloaded from: http://www.cinela.com/english/newsandevents.htm http://www.cinela.com/english/filmarc.htm ARCHIVE COLLECTION VOL.9 Action Film Adventure with Yasuaki Kurata A collection of films starring action film star Yasuaki Kurata. December 2-6 No English subtitles TATAKAE! DRAGON VOL.1 Director: Toru Toyama, Shozo Tamura Cast: Yasuaki Kurata, Bruce Liang, Makoto Akatsuka 1974 / Digital / Color / 80 min./ No English subtitles STORY: 4 episodes from the 1974 TV series pitting a karate expert as the protagonist who goes against an underworld syndicate. (Episodes 1-4) TATAKAE! DRAGON VOL.2 Director: Toru Toyama Cast: Yasuaki Kurata, Fusayo Fukawa, Noboru Mitani / Digital / Color / 80 min./ No English subtitles STORY: 4 episodes from the 1974 TV series pitting a karate expert as the protagonist who goes against an underworld syndicate. (Episodes 14, 15, 25, 26) FINAL FIGHT SAIGO NO ICHIGEKI Director: Shuji Goto Cast: Yasuaki Kurata, Yang Si, Simon Yam 1989 / 35mm/ Color / 96min./ No English subtitles STORY: A former Asian karate champion struggles as he makes a comeback. A big hit that was shown in 33 countries. -
Interstellar 39
See Inside Quote of the Week “I listened, motionless and still; And, as 2. Personal Essays 6. Star Related I mounted up the hill, The music in my 3. Short Story 7. Literary heart I bore, Long after it was heard no 4-5. News 8. Interview more.” -William Wordsworth Saturday, May 28, 2016 Vol. 1, No. 39 Star Educational Society Weekly Interstellar (adjective): situated or occurring between the stars; conducted, or existing between two or more stars Star brings luck! A message by Rahmatullah Iqbalzada, a Senior Teacher at B Branch t was 2008 tional Society lish stories, and arguing logically in gath- nuances of teaching and studying, I suc- when my family We entered its office, asking for in- erings and among friends. ceeded in the Kankoor Examination, en- and I deserted formation. It was hard to come across a My burgeoning English skills were tering the Faculty of Engineering in Kabul Ghazni province person speaking Persian as all were com- fostered by and indebted to firm, con- University. as the security municating in English; for a while, we crete, and constructive course work and My brother, similarly, acquired the situation became moreI intense; finding thought we had come to an institution class policies at Star, where I delivered scholarship granted by India in an open that it was no longer safe to commute to unsuitable to our needs. We thought pos- presentations in English, discussed my contest. The English skills my brother school, play football outdoors, and attend sibly it might not have been an educa- ideas in English and wrote in English. -
As the Old Adage Goes
Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 1 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 2 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 3 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 4 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 5 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 6 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 7 As the old adage goes Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 8 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 9 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 10 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 11 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 12 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 13 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 14 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 15 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 16 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 17 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 18 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 19 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 20 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 21 Sosia&Pistoia srl - Tel.: 06.3219252 - eMail: [email protected] - Pagina 22 Rabu, 06 Januari 2016 How to Upgrade Infinix Hot Note Pro x551 & Infinix Hot x507 to Lollipop 5.1 - Huawei has announced the follow-up to last year's Nova (and Nova Plus). -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Profile Profile
MARWAR INDIA I MARCH-APRIL 2018 20 PROFILE 21 WITCHING OVER FROM THE BUSINESS OF MAKING rakhis (an ornamental thread that serves as an amulet which sisters ritualistically tie around the wrists of their brothers on Raksha Bandhan) to something as glamorous as producing films may seem hard to conceive, but for Shrikant Mohta and Mahendra Soni it happened as if by divine intervention. Not only did the cousins’ foray into filmdom happen against all odds, but success greeted them from the get-go. The growth has continued SHOOTING unabated for over two decades since and today their company, SVF Entertainment, is the largest film production and distribution TO FAME house in Eastern India. College kids to film distributors The Mohtas originally belong to Bikaner in Rajasthan, but have been living in Kolkata for the last three generations, where they own one of the country’s biggest rakhi manufacturing companies. Rather than pick up the baton, as is the usual practice among Marwaris, Shrikant Mohta and cousin Mahendra Soni decided to turn their efforts in another direction, which led to the foundation of Shree Venkatesh Films (now renamed SVF Entertainment), which has grown phenomenally over the years, earning the sobriquet ‘Yashraj Films of the East’. So how did it all begin? “We started way back in 1995,” says Shrikant Mohta, who is 43 now and the creative muscle of SVF Entertainment. “We were two young energetic boys still in college pursuing a bachelor’s degree in commerce when we thought we can become dream merchants, but with no idea on how to sell dreams, as till then we were only involved in our family For Shrikant Mohta and Mahendra Soni, there is no business like Many of SVF's films went on show business.