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Original Vows of Ksitigarbha Bodhisattva Sutra
Original Vows of Ksitigarbha Bodhisattva Sutra Original Vows of Ksitigarbha Bodhisattva Sutra Translated in English by Jeanne Tsai Fo Guang Shan International Translation Center © 2014, 2015 Fo Guang Shan International Translation Center Translated by Jeanne Tsai Book designed by Xiaoyang Zhang Published by the Fo Guang Shan International Translation Center 3456 Glenmark Drive Hacienda Heights, CA 91745 U.S.A. Tel: (626) 330-8361 / (626) 330-8362 Fax: (626) 330-8363 www.fgsitc.org Protected by copyright under the terms of the International Copyright Union; all rights reserved. Except for fair use in book reviews, no part of this book may be reproduced for any reason by any means, including any method of photographic reproduction, without permission of the publisher. Printed in Taiwan. 18 17 16 15 2 3 4 5 Contents Introduction by Venerable Master Hsing Yun. ix Incense Praise. .1 Sutra Opening Verse. .3 Original Vows of Ksitigarbha Bodhisattva Sutra 1. Spiritual Penetration in Trayastrimsa Heaven. .5 2. The Assembly of the Emanations. 51 3. Observing the Karmic Conditions of Living Beings. .65 4. The Karmic Consequences of Living Beings of Jambudvipa. 87 5. The Names of the Hells. .131 6. The Praise of the Tathagata. 149 7. Benefiting the Living and the Deceased. 187 8. The Praise of King Yama and His Retinue. 207 9. Reciting the Names of Buddhas. 243 10. Comparing the Conditions and Virtues of Giving. .261 11. The Dharma Protection of the Earth Spirit . 283 12. The Benefits from Seeing and Hearing. 295 13. Entrusting Humans and Devas. 343 Praise . .367 Praise of Ksitigarbha Bodhisattva . -
Early Buddhist Concepts in Today's Language
1 Early Buddhist Concepts In today's language Roberto Thomas Arruda, 2021 (+55) 11 98381 3956 [email protected] ISBN 9798733012339 2 Index I present 3 Why this text? 5 The Three Jewels 16 The First Jewel (The teachings) 17 The Four Noble Truths 57 The Context and Structure of the 59 Teachings The second Jewel (The Dharma) 62 The Eightfold path 64 The third jewel(The Sangha) 69 The Practices 75 The Karma 86 The Hierarchy of Beings 92 Samsara, the Wheel of Life 101 Buddhism and Religion 111 Ethics 116 The Kalinga Carnage and the Conquest by 125 the Truth Closing (the Kindness Speech) 137 ANNEX 1 - The Dhammapada 140 ANNEX 2 - The Great Establishing of 194 Mindfulness Discourse BIBLIOGRAPHY 216 to 227 3 I present this book, which is the result of notes and university papers written at various times and in various situations, which I have kept as something that could one day be organized in an expository way. The text was composed at the request of my wife, Dedé, who since my adolescence has been paving my Dharma with love, kindness, and gentleness so that the long path would be smoother for my stubborn feet. It is not an academic work, nor a religious text, because I am a rationalist. It is just what I carry with me from many personal pieces of research, analyses, and studies, as an individual object from which I cannot separate myself. I dedicate it to Dede, to all mine, to Prof. Robert Thurman of Columbia University-NY for his teachings, and to all those to whom this text may in some way do good. -
And Daemonic Buddhism in India and Tibet
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Raven and the Serpent: "The Great All- Pervading R#hula" Daemonic Buddhism in India and Tibet Cameron Bailey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE RAVEN AND THE SERPENT: “THE GREAT ALL-PERVADING RHULA” AND DMONIC BUDDHISM IN INDIA AND TIBET By CAMERON BAILEY A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Religion Degree Awarded: Spring Semester, 2012 Cameron Bailey defended this thesis on April 2, 2012. The members of the supervisory committee were: Bryan Cuevas Professor Directing Thesis Jimmy Yu Committee Member Kathleen Erndl Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii ACKNOWLEDGEMENTS I would like to thank, first and foremost, my adviser Dr. Bryan Cuevas who has guided me through the process of writing this thesis, and introduced me to most of the sources used in it. My growth as a scholar is almost entirely due to his influence. I would also like to thank Dr. Jimmy Yu, Dr. Kathleen Erndl, and Dr. Joseph Hellweg. If there is anything worthwhile in this work, it is undoubtedly due to their instruction. I also wish to thank my former undergraduate advisor at Indiana University, Dr. Richard Nance, who inspired me to become a scholar of Buddhism. -
Imagining Ritual and Cultic Practice in Koguryŏ Buddhism
International Journal of Korean History (Vol.19 No.2, Aug. 2014) 169 Imagining Ritual and Cultic Practice in Koguryŏ Buddhism Richard D. McBride II* Introduction The Koguryŏ émigré and Buddhist monk Hyeryang was named Bud- dhist overseer by Silla king Chinhŭng (r. 540–576). Hyeryang instituted Buddhist ritual observances at the Silla court that would be, in continually evolving forms, performed at court in Silla and Koryŏ for eight hundred years. Sparse but tantalizing evidence remains of Koguryŏ’s Buddhist culture: tomb murals with Buddhist themes, brief notices recorded in the History of the Three Kingdoms (Samguk sagi 三國史記), a few inscrip- tions on Buddhist images believed by scholars to be of Koguryŏ prove- nance, and anecdotes in Memorabilia of the Three Kingdoms (Samguk yusa 三國遺事) and other early Chinese and Japanese literary sources.1 Based on these limited proofs, some Korean scholars have imagined an advanced philosophical tradition that must have profoundly influenced * Associate Professor, Department of History, Brigham Young University-Hawai‘i 1 For a recent analysis of the sparse material in the Samguk sagi, see Kim Poksun 金福順, “4–5 segi Samguk sagi ŭi sŭngnyŏ mit sach’al” (Monks and monasteries of the fourth and fifth centuries in the Samguk sagi). Silla munhwa 新羅文化 38 (2011): 85–113; and Kim Poksun, “6 segi Samguk sagi Pulgyo kwallyŏn kisa chonŭi” 存疑 (Doubts on accounts related to Buddhism in the sixth century in the Samguk sagi), Silla munhwa 新羅文化 39 (2012): 63–87. 170 Imagining Ritual and Cultic Practice in Koguryŏ Buddhism the Sinitic Buddhist tradition as well as the emerging Buddhist culture of Silla.2 Western scholars, on the other hand, have lamented the dearth of literary, epigraphical, and archeological evidence of Buddhism in Kogu- ryŏ.3 Is it possible to reconstruct illustrations of the nature and characteris- tics of Buddhist ritual and devotional practice in the late Koguryŏ period? In this paper I will flesh out the characteristics of Buddhist ritual and devotional practice in Koguryŏ by reconstructing its Northeast Asian con- text. -
Essays on Monkey: a Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston
University of Massachusetts Boston ScholarWorks at UMass Boston Critical and Creative Thinking Capstones Critical and Creative Thinking Program Collection 9-1997 Essays on Monkey: A Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/cct_capstone Recommended Citation Ping-I Mao, Isabelle, "Essays on Monkey: A Classic Chinese Novel" (1997). Critical and Creative Thinking Capstones Collection. 238. http://scholarworks.umb.edu/cct_capstone/238 This is brought to you for free and open access by the Critical and Creative Thinking Program at ScholarWorks at UMass Boston. It has been accepted for inclusion in Critical and Creative Thinking Capstones Collection by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ESSAYS ON MONKEY: A CLASSIC . CHINESE NOVEL A THESIS PRESENTED by ISABELLE PING-I MAO Submitted to the Office of Graduate Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1997 Critical and Creative Thinking Program © 1997 by Isabelle Ping-I Mao All rights reserved ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL A Thesis Presented by ISABELLE PING-I MAO Approved as to style and content by: Delores Gallo, As ciate Professor Chairperson of Committee Member Delores Gallo, Program Director Critical and Creative Thinking Program ABSTRACT ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL September 1997 Isabelle Ping-I Mao, B.A., National Taiwan University M.A., University of Massachusetts Boston Directed by Professor Delores Gallo Monkey is one of the masterpieces in the genre of the classic Chinese novel. -
A Comparative Study of Bhavacakra Painting
Historical Journal Volume: 12 Number: 1 Shrawan, 2077 Deepak Dong Tamang A Comparative Study of Bhavacakra Painting Deepak Dong Tamang Abstract The Bhavacakra is a symbolic representation of Samsara, a powerful mirror for spiritual aspirants and it is often painted to the left of Tibetan monastery doors. Bhavacakra, ‘wheel of life’ consists of two Sanskrit words ‘Bhava’ and ‘Cakra’. The word bhava means birth, origin, existing etc and cakra means wheel, circle, round, etc. There are some textual materials which suggest that the Bhavacakra painting began during the Buddha lifetime. Bhavacakra is very famous for wall and cloth painting. It is believed to represent the knowledge of release from suffering gained by Gautama Buddha in the course of his meditation. This symbolic representation of Bhavacakra serves as a wonderful summary of what Buddhism is, and also reminds that every action has consequences. It can be also understood by the illiterate persons not needing high education and it shows the path of enlightenment out of suffering in samsara. Mahayana Buddhism is very popular in Asian countries like northern Nepal, India, Bhutan, China, Korean, Japan and Mongolia. So in these countries every Mahayana monastery there is wall painting and Thānkā painting of Bhavacakra. But in these countries there are various designs of Bhavacakra due to artist, culture and nation. Key words: Bhavacakra, wheel of life, Mandala, Karma, Samsāra, Sukhāvati bhuvan, Thānkā Introduction In Buddhism, art has been one of the best tools to understand the Buddha teaching. The wheel of life is very famous for walls and cloth painting. This classical image from the Tibetan Buddhist tradition depicts the psychological states, or realm of existence, associated with an unenlightened state. -
Diamond Sutra) 『菩薩於法,應無所住,行於布施
Buddhism 101: Introduction To Buddhism Lecture 9 – Carrying Out the Six Prajna Paramitas Sponsored By Pure Land Center & Buddhist LiBrary 1120 E. Ogden Avenue, Suite 108 Naperville, IL 60563 http://www.amitabhalibrary.org Tel: (630) 428-9941; Fax: (630) 428-9961 Presenter: Bert T. Tan / Consultant: Venerable Wu Ling Slide 1 Buddhism 101: Introduction To Buddhism Lecture 9 – Carrying Out the Six Prajna Paramitas q A quick review Ø Topic One : The Basics èBuddhism is an education, not a religion or a philosophy n It teaches us how to recover our wisdom and regain our Buddha nature n It teaches us how to solve our proBlems through wisdom – an art of living èThe Law of Causality governs everything in the universe èAll sentient Beings possess the same Buddha nature n Our Buddha nature is temporarily lost due to delusion n Our lost Buddha nature can be recovered only via cultivation èKarma refers to an action and its retriBution under the Law of Causality n Good and bad karmas do not offset each other – prevailing ones occur first n Karmas, good or Bad, accumulate over time and do not disappear n When many Bad karmic retriButions come together, they form disasters èCultivation means to stop planting Bad seeds and nurturing Bad conditions, and to, instead, plant good seeds and nurture good conditions Last updated Nov. 2016 Presenter: Bert T. Tan / Consultant: Venerable Wu Ling Slide 2 Buddhism 101: Introduction To Buddhism Lecture 9 – Carrying Out the Six Prajna Paramitas q A quick review Ø Topic Two : The Three Refuges and the Four Reliance -
1 Seated Emma (Yama-Rāja) 2 Seated Ten Kings of Hell 3 Standing Fudō Myōō (Acalanātha) 4 Danda-Dō 5 Jōhari-No-Kagami 6 Le
First half :Sep. 12th to Oct. 4th, 2020 Second half:Oct. 6th to Nov. 3rd, 2020 ▶Format and ▶Exhibition ▶No. ▶Title ▶Provenance ▶Date Materials ▶Location and Owner Term 1. Nishi-Shichijō Emmadō 1 Seated Emma (Yama-Rāja) Kamakura Period Wood Nishi-Shichijō Emmadō Nambokucho- Wood Nishi-Shichijō Emmadō 2 Seated Ten Kings of Hell MuromachiPeriod 3 Standing Fudō Myōō (Acalanātha) Kamakura Period Wood Nishi-Shichijō Emmadō Shōwa Period Wood Nishi-Shichijō Emmadō 4 Danda-dō ;dated1935 Shōwa Period Wood,Mirror Nishi-Shichijō Emmadō 5 Jōhari-no-Kagami ;dated1935 Original;Shōwa period Original;Ink on Nishi-Shichijō Emmadō 6 Legend of Emmadō ;dated1936 paper 2.What's “Afterlife” in Buddhism? Kamakura Period; Printed ink on Ōjōyōshū , Essentials for Rebirth in the Pure Land Ryukoku University 7 dated 1253 paper Ōjōyōshū , Essentials for Rebirth in the Pure Land, in Japanese Edo period /published 1671, Printed ink on Ryukoku University 8 characters with Illustrations reprinted 1843 paper Printed ink on Edo period-Meiji era Ryukoku University 9 Illustrated Hell and Pure Land paper 3. Jizō and Jūō 10 Seated Figure from the Ten Kings of Hell Kamakura-Nambokucho Period Wood 11 Seated Emma (Yama-Rāja) Edo Period Wood 12 Seated Datsueba (Hag of Hell) and Head of Datsueba Edo Period Wood 13 Jūō-saidan Muromachi Period Ink on paper Ryukoku University Jizō-Jūōkyō (Kṣitigarbha and the Ten Edo Period Ink on paper Ryukoku University 14 Kings of Hell Sutra) Jūō-sandan-shūzenshō-zue (Illustrated Excerpts of the Ten Kings By Tetsugai Edo Period;dated 1853 Ink on paper Ryukoku University 15 Extolment of Good Deeds) Two Deities, the Ten Kings of Hell 16 Kamakura-Nambokucho Period Color on silk Kiyama-ji,Okayama First Half. -
Joseph Elacqua
Citragupta: A Case Study in Esoteric Buddhist Appropriation1 Introduction For several decades, the Mahākaruṇā-garbhodbhava-maṇḍala2 大悲胎藏生曼荼攞, an iconographic, visual, and ritual device characteristic of Japanese Shingon 眞言 Buddhism, has been a rich source for academic scholarship on Esoteric Buddhism. First appearing in the Mahāvairocanābhisambodhi-sūtra,3 variants of the Garbhodbhava-maṇḍala are discussed in seven of its chapters as well as in a wealth of supplementary literature.4 For lack of a better term to refer collectively to these texts, I have employed the term “Garbhodbhava cycle.” Several studies relating to the Garbhodbhava-maṇḍala have blazed new trails, constructing a wholly new framework for present maṇḍala scholars. Toganoo Shōun’s 栂尾祥雲 study of maṇḍalas5 provided a crucial framework for the field of maṇḍala studies. Tajima Ryūjun 田嶋隆純 analysed both the Garbhodbhava- 1 I would like to express my deep and profound gratitude to Bernard Faure and Michael Como, each of whom provided invaluable assistance as the seeds of this project first began to sprout. I am also heavily indebted to Rolf Giebel for his unending assistance in the restoration of potential Sanskrit text titles. Sanskrit terms in this paper are romanized according to the IAST system, but with one slight variation. Rather than utilizing the Sanskrit anusvāra using the vague “ṃ” of IAST, I have elected to romanize this sound more strictly. When occurring before a plosive consonant, the anusvāra is romanized as the appropriate class nasal (ex: “saṅgraha” rather than “saṃgraha.” In all other cases—such as occurrence before non-plosives or at the end of any morpheme—the anusvāra is romanized as “ṃ.” 2 The Maṇḍala Arising from the Matrix of Great Compassion. -
Karma and the Animal Realm Envisioned Through an Early Yogācāra Lens
Article Becoming Animal: Karma and the Animal Realm Envisioned through an Early Yogācāra Lens Daniel M. Stuart Department of Religious Studies, University of South Carolina, Rutledge College, Columbia, SC 29208, USA; [email protected] Received: 24 April 2019; Accepted: 28 May 2019; Published: 1 June 2019 Abstract: In an early discourse from the Saṃyuttanikāya, the Buddha states: “I do not see any other order of living beings so diversified as those in the animal realm. Even those beings in the animal realm have been diversified by the mind, yet the mind is even more diverse than those beings in the animal realm.” This paper explores how this key early Buddhist idea gets elaborated in various layers of Buddhist discourse during a millennium of historical development. I focus in particular on a middle period Buddhist sūtra, the Saddharmasmṛtyupasthānasūtra, which serves as a bridge between early Buddhist theories of mind and karma, and later more developed theories. This third- century South Asian Buddhist Sanskrit text on meditation practice, karma theory, and cosmology psychologizes animal behavior and places it on a spectrum with the behavior of humans and divine beings. It allows for an exploration of the conceptual interstices of Buddhist philosophy of mind and contemporary theories of embodied cognition. Exploring animal embodiments—and their karmic limitations—becomes a means to exploring all beings, an exploration that can’t be separated from the human mind among beings. Keywords: Buddhism; contemplative practice; mind; cognition; embodiment; the animal realm (tiryaggati); karma; yogācāra; Saddharmasmṛtyupasthānasūtra 1. Introduction In his 2011 book Becoming Animal, David Abram notes a key issue in the field of philosophy of mind, an implication of the emergent full-blown physicalism of the modern scientific materialist episteme. -
Vii Five Desti Atio S (Pa Cagati)
96 VII FIVE DESTIATIOS ( PACAGATI ) COTETS 1. Hell ( iraya ) 2. Animal Realm ( Tiracchana ) 3. Ghost Realm ( Peta ) 4. Human Realm ( Manussa ) 5. World of Gods ( Devas and Brahmas ) 6. Lifespan of Hell Beings and Petas 7. Lifespan of Celestial Devas 8. Lifespan of Brahmas 9. References 10. Explanatory Notes Five Destinations • 97 What are the Five Destinations? In the Mahasihananda Sutta , Majjhima ikaya Sutta 130, the Buddha mentioned five destinations ( pancagati ) for rebirth. What are the five? Hell , the animal realm, the realm of ghosts, human beings and gods . Hell, animal and ghost realms are woeful states of existence ( duggati ) while the realms of humans and gods are happy states of existence ( sugati ). Here “gods” include the sensuous gods (devas ), the non-sensuous gods of the form plane ( rupa brahmas ), and the non-sensuous gods of the formless plane ( arupa brahmas ). Hell or niraya is believed to exist below the earth’s surface. For example, the Lohakumbhi (Iron Cauldron) hell of hot molten metal mentioned in the Dhammapada Commentary , where the four rich lads had to suffer for committing adultery, is said to be situated below the earth’s crust. The animal, ghost, and human realms exist on the surface of the earth. These realms are not separate, but the beings move about in their own worlds. The gods are believed to live above the earth and high up in the sky in celestial mansions that travel swiftly through the sky ( Vimanavatthu or Mansion Stories). 1. Hell ( iraya ) In Buddhism, beings are born in hell due to their accumulation of weighty bad kamma . -
Encountering Nonduality Through Buddhism and Phenomenology
Portland State University PDXScholar University Honors Theses University Honors College 2-28-2020 Creating an Ethics of Love: Encountering Nonduality through Buddhism and Phenomenology Dakota Parmley Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Parmley, Dakota, "Creating an Ethics of Love: Encountering Nonduality through Buddhism and Phenomenology" (2020). University Honors Theses. Paper 812. https://doi.org/10.15760/honors.831 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. CREATING AN ETHICS OF LOVE: ENCOUNTERING NONDUALITY THROUGH BUDDHISM AND PHENOMENOLOGY by Dakota Parmley An undergraduate honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in University Honors and Philosophy Thesis Advisor Monica Mueller, Ph.D Portland State University 2020 1 Introduction It seems that many people have a hard time not despairing about the direction the world is heading in the current era. All around us, negativity seems to abound and the question of where humanity is heading starts to ring like a bell in the minds of those who question. Certainly, people have valid reasons to despair at the current state of affairs. Climate change is a pressing issue and many people cannot seem to believe that such an issue exists or matters; it seems that divisiveness is increasing; the amount of raw information and data people are inundated with constantly has created an ignorance by which “facts” can no longer be fully discerned.