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Stages Vol. 2
STAGESOfficial Magazine of the Englert Theatre Spring 2015 Featuring The Sound of Things to Social Brand Mission Creek Come from the Past Forum Festival SAVING MUSIC HISTORY ONE A PEEK INTO THE MIDWEST’S FATHER JOHN MISTY & MORE TO RECORD AT A TIME PREMIER DIGITAL MARKETING EVENT PLAY THE ENGLERT STAGE PAGE 10 PAGE 18 PAGE 28 M Y L A G O S M Y WAY CAVIAR COLLECTIONS 110 East Washington Street Iowa City, IA 52240 319.351.1700 www.mcginsberg.com lagos_coleco_bscene_8-5x11.indd 1 1/29/2015 2:06:05 PM Welcome to The Englert Theatre Dear Friends & Patrons, I am writing this letter as we face the long tunnel of winter. After a few quiet weeks around the holidays, winter is always a remarkably busy time at the theater as we prepare for Mission Creek Festival (full disclosure: I am a co-founder but many people have their hands in making this event work). This year marks the tenth installment of Mission Creek Festival in Iowa City, and we at the Englert are proud to be the producer of the festival. The lineup often reminds me of the programmatic vision that drives my work at the theater: to present the known and unknown side-by-side, to find a balance between the traditional and the experimental, to be reminded of a familiar feeling and to be rewarded by a new experience. Indeed, part of my job is to bring old favorites like Joan Baez, hot new bands like Lake Street Dive, or an institution of comedy like The Second City. -
NOVEMBER 19-25, 2015 ------Cover Story • Festival of Trees
NOVEMBER 19-25, 2015 ------------------Cover Story • Festival of Trees ---------------- DEC. 4 thru 13, 2015 More and Merrier Arts United Center By Mark Hunter Trees before, after and during the concert if they Delicious family fun and a like. It’s just very exciting to hear these young voices Warm Winter Wishes await you at the Festival of throughout the Embassy Theatre.” Fort Wayne holiday tradition! Trees. What are warm winter wishes? What is the fes- Also on December 2 is Festival of Trees Tots Tchaikovsky’s glorious, gorgeous tival of trees? If either of these questions popped into and Trees Day, from 9 a.m. to 1 p.m. with Holiday holiday tale of Good’s triumph your head when reading this, you’ve either had your Photo Fun on Stage featuring Anna and Elsa, the Jedi head in an igloo the past 31 years or your house over- Knights. over Evil and a spectacular trip looks Whoville. “Icy and the to the Kingdom of Sweets! Warm Winter Wishes is the theme FESTIVAL OF TREES Mad Ant will be Opening weekend with of the 31st Annual Festival of Trees. The here as well,” Festival of Trees is the flagship event November 25-December 2 Richards said. Fort Wayne Philharmonic. of the Embassy Theatre during which Times vary “And we’ve people from all walks of life ooh and got a Peppa Pig TIX: 260.422.4226 aah at the amazingly creative and beau- Embassy Theatre stand-up so kids Limited premium seating; order early! tifully decorated Christmas trees that fill 125 W. -
The Water Tower Vol. 11 Issue 1
volume 11 - issue 1 - tuesday, january 24, 2012 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by julietcritsimilios I am a feminist. Despite what that word may bring to your mind, all that means to me is that I believe women and men should be equal. Actually, I believe that everyone should be equal regardless of their gender, their sexuality, or the sex they identify with. If UVM has taught me anything, it has been openness to new people and new things, an acceptance of difference and an embrace of uniqueness. I’ll never forget saying “that’s so gay,” and my first-year orientation leader saying to me, “No. We don’t say that here. This is UVM. You’ll learn.” I did learn. I learned that gay is not a syn- onym for stupid. I learned about women’s rights much more than I did in high school. I learned about rape culture. I learned about LGBTQ rights. UVM’s curriculum helped me do this, but I was open. I was open to learning about these issues, and I by dansuder carly macconnell let the differences of my peers change me as ast Wednesday, major websites like The answer is different for each group, providers, must then cease dealings with a student and as a human being. There are Wikipedia and Craigslist completely but it boils down to the internet as we know the site in question, and remove any links many people that will never take a Wom- shut down for 24 hours to protest two it being at risk. -
Stop Blaming Civilians for Police Brutality
Volume 126, No. 102 Tuesday, March 21, 2017 NEWS Women describe working at CSU PAGE 4 24-year-old Nina Askew had her arm broken by a Greeley offi cer after leaving a party that had been shut down. She was found guilty of resisting arrest and not guilty of disorderly conduct. Askew will appear back in court on April 17. PHOTOS COURTESY OF NINA ASKEW COLLEGIAN COLUMNIST SPORTS CSU opens up spring football Stop blaming civilians PAGE 9 for police brutality Chicago or the neighborhoods haustion, Askew perked up and of Ferguson. ‘Police brutality’ agreed to go to a party with her Allec is a phrase that leaves the most boyfriend, Lavelle Sanders, and Watch the Brust unsavory taste in the mouths his cousin, Brian Berkley. After video with the @allecbrust of Americans. For many, it is drinking one margarita, Askew, story online at: abstract; a story only tangible Sanders, and Berkley set o on a through the screens of our tele- fi ve minute walk to their friend’s collegian.com visions or the shares on our Face- party on 10th Ave The trio Editor’s Note: All opinion book. We are subject to this vio- walked carefully, as the alleyway section content refl ects the views lence everyday no matter what was covered in a slick ice. struggled to hold their footing of the individual author only and city we live in. Yet, we forget the The night was normal for on the icy path, using each other does not represent a stance taken reality of what abusing authority January. -
Mono No Aware: March New Album Reviews
Mono No Aware: March New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world Don’t you just love March? Spring has finally reared its head, people begin to remember that it doesn’t hurt to smile, and there is a horde of great music appearing in your local record shop. This week we’ll be highlighting some great new albums which only a complete and utter fool would dare to miss. We have the rap brilliance of Porter Ray, the classic house grooves of Octo Octa, the deep ambiance of Anjou and Marc Romboy, the languid rock of Real Estate, and lots more. So, before all this sun goes to my head, we had better begin… Every so often a rap album comes along which illustrates how fantastic and exciting this most abused of genres can be. Last year fabulous long-players from De La Soul and A Tribe Called Quest showed all the new kids how proper hip hop is done. After a slow start to 2017, March heralds the arrival of Watercolor by Porter Ray, the year’s first essential rap LP. Out now on iconic grunge label Sub Pop, the album follows releases by Shabazz Palaces and Clipping. to demonstrate how the Seattle label isn’t just about slacker vocals and crashing guitars. Gloriously laidback, yet with many tracks containing a welcome bass crunch, Watercolor is a record which looks to the highs of the past while striving to create something vital and new. With guests including THEESatisfaction, Nate Jack and Shabazz Palaces, the album is a blast from beginning to end. -
Columbia Chronicle (02/15/2016)
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 2-15-2016 Columbia Chronicle (02/15/2016) Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (2/15/2016)" (February 15, 2016). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Tattoos go beyond skin to cover emotional scars Feb. PAGE 20 “Empire” star shares insight about diversity Volume 51, Issue 19 ColumbiaChronicle.com in show business 15 PAGE 13 2016 Fewer students, more money Students pay up forStudent enrollment drop Insert CrushingSuccess $950 Student MediocreMediocre Here! Success DEBT JobsJob Crushing Crushing CrushingDEBT Student CrushingDEBT DEBT Student DEBT Successexperience DEBT » ALEXANDER AGHAYERE/CHRONICLE » LAUREN KOSTIUK though we recognize the big challenge for is directly linked to tuition, but Birch said During the SGA meeting, Kim said it is CAMPUS EDITOR some of our students—gives the college a the college continues to strengthen its more cost-effective to focus on retaining little bit of leeway to invest,” Kim said. endowment and fundraising abilities to students than recruiting students, aligning THE COLLEGE HAS announced a 4 percent tui- The college promises students more eventually reduce the amount of tuition with the college’s push to spend more on tion increase for the 2016–2017 academic investments in the “student experience” but needed to support the college’s budget. -
Book-3 Web.Pdf
ARTIST: ROSE COUSINS TITLE: BRAVADO GENRE: FOLK/AMERICANA RELEASE DATE: FEBRUARY 21, 2020 lp: out9132lp upc: 623339913218 12” slip sleeve, black vinyl cd: out9132cd upc: 623339913225 digipak natomy, Supergirl and Nashville among others. LP CD OVERVIEW Over the last decade, Real Estate have crafted warm yet meticulous, pop-minded music, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. While 2017’s In Mind longed for normalcy against the backdrop of a life as strange as a touring musician’s. The Main Thing brings that longing to a universal and urgent place, acknowledging the anxieties inherent in protecting a quiet existence. What emerges is a superlative collection of interrogative songs as full of depth, strangeness and contradictions as they are lifting hooks. “I’ve got this family, and I feel this responsibility to gild this crazy world,” says guitarist, singer and primary songwriter Martin Courtney. The record’s most sentimental moments, then, are crystallized home movie flashes directed at Courtney’s children. “I can’t imagine what will be / in your earliest memories,” he sings on “You.” These mentions are set against darker realities; on “A Silent World,” he pleads, “Can’t let you wander off / Out in this wicked world.” Then there’s guitarist Julian Lynch’s first authored song for the band, “Also A But,” in which disembodied vocals intone “a poison bloom” and “mushroom cloud” apocalypse, set against sci-fi synths, unresolved guitars and propulsive drums. Instead of exploiting the juxtapositions between these opposing emotional modes, Real Estate embraces cohabiting contradictions. “It didn’t feel dark to me,” Courtney clarifies. -
The Black Keys . the Rapture . David Cronenberg . Dorian
THE BLACK KEYS . THE RAPTURE . DAVID CRONENBERG . DORIAN . PETER HOOK . THE DRESDEN DOLLS o1*A *Añ ño1 1 *A ño ñ A o * 1 1 * A o ñ ñ o A 1 * * 1 A o ñ ñ o A 1 * * 1 A o # ñ ñ o A 2 1 * * 1 A o ñ ñ o A 1 * ™ Conoce nuestros puntos de distribución en: www.FILTERMexico.com/encuentranos /FILTERMexico EN PORTADA @FILTERMexico 32 Bajo el sombrero de TOM WAITS PRINCIPALES 22 THE BLACK KEYS: Una breve historia de cómo lo lograron 26 DAVID CRONENBERG: Explotando el ego 28 THE RAPTURE: El renacimiento ARTISTA DEL MES 20 THE DRESDEN DOLLS TRUBUTO 44 PETER HOOK: Lo que no sabías del Unknown Pleasures de Joy Division PAISAJES SONOROS 12 SUECIA: Way Out West Festival de Suecia LES PRESENTAMOS A… 14 REAL ESTATE 15 GOTYE 16 LINDSTRØM YA DEBERÍAS CONOCER A… 18 DORIAN ENDNOTE 46 CAMERON CROWE y su fijación por los setlists 1 . F I L T E R ™ Publisher Breakfast Media Director Editorial Milton Barboza [email protected] Editor en Jefe Andrés Díaz Traducción y Redacción Mara Vargas, Anna Stephens, Paulina García, Paola del Castillo Corrección de Estilo Berenice Andrade Coordinador de Arte Oliver Barrón Fotografía Rodrigo Jardón Gerente de Producción & Operación Paola Palazón Seguel [email protected] Editora Web Paulina García Ventas Miguel Ángel Gómez [email protected] FILTER México, Año 1, No. 2, (15 de diciembre 2011 a 31 de enero 2012), es una publicación de una periodicidad de cada 6 semanas editada y publicada por Breakfast Media, S.A. de C.V. -
Download Digital Booklet
1 (VOL.1) THUNDER 2 - Jim James appears courtesy of ATO Records - “THUNDER” (VOL.1) Copyright Ice Nine Publishing/Universal Music Publishing Group; used by permission. (Garcia / Hunter) 01. TOUCH OF GREY • THE WAR ON DRUGS 04. CASSIDY • MOSES SUMNEY, JENNY LEWIS & FRIENDS Adam Granduciel ∙ vocals, guitars, Juno 60, harmonica / Dave Hartley ∙ bass, tambourine, guitar / Robbie Bennett ∙ piano, arp quartet / Charlie Moses Sumney ∙ vocals / Jenny Lewis ∙ vocals Hall ∙ drums - - Aaron Dessner ∙ electric guitar / Bryce Dessner ∙ electric guitar / Bryan Produced by The War On Drugs Devendorf ∙ drums / Scott Devendorf ∙ bass / Nick Lloyd ∙ wurlitzer 200A, Recorded at a few different places by a few different friends: Jeff Zeigler hammond B3, moog voyager / Josh Kaufman ∙ piano, acoustic guitar, (Boulevard in Los Angeles, CA), Jonathan Low (Miner Street Recordings in electric guitar Philadelphia, PA) and Jon Ashley (Echo Mountain in Asheville, NC). - - Produced by Aaron Dessner, Bryce Dessner and Josh Kaufman Mixed by Jonathan Low at Miner Street Recordings in Philadelphia, PA Recorded by Jonathan Low at Dreamland Recording Studios in West Hurley, NY - Mixed by Jonathan Low at Miner Street Recordings in Philadelphia, PA Copyright Ice Nine Publishing/Universal Music Publishing Group; used by - permission. (Hunter / Garcia) Jenny Lewis appears courtesy of Warner Records - Copyright Ice Nine Publishing/Universal Music Publishing Group; used by 02. SUGAREE • PHOSPHORESCENT, JENNY LEWIS & permission. (Weir / Barlow) FRIENDS Matthew Houck ∙ vocals / -
Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature
Decolonizing Diasporas Decolonizing Diasporas Radical Mappings of Afro- Atlantic Literature Yomaira C. Figueroa- Vásquez northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2020 by Northwestern University Press. Published 2020. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data Names: Figueroa- Vásquez, Yomaira C, author. Title: Decolonial diasporas : radical mappings of Afro Atlantic literatures / Yomaira C. Figueroa- Vásquez. Description: Evanston, Illinois : Northwestern University Press, 2021. | Includes bibliographical references and index. Identifiers: LCCN 2020018934 | ISBN 9780810142428 (paperback) | ISBN 9780810142435 (cloth) | ISBN 9780810142442 (ebook) Subjects: LCSH: Caribbean literature (Spanish)— History and criticism. | Equatorial Guinean literature (Spanish)— History and criticism. | African diaspora in literature. | Postcolonialism in literature. Classification: LCC PQ7361 .F54 2021 | DDC 860.99729— dc23 LC record available at https://lccn.loc.gov/2020018934 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Figueroa-Vásquez, Yomaira C. Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature. Evanston, Ill.: Northwestern University Press, 2020. The following material is excluded from the license: Images, previously published material For permissions beyond the scope of this license, visit http://www.nupress. northwestern.edu/ An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good.