Brighton Dome & Brighton Festival Capital Redevelopment Project

Total Page:16

File Type:pdf, Size:1020Kb

Brighton Dome & Brighton Festival Capital Redevelopment Project Brighton Dome & Brighton Festival Capital Redevelopment Project RIBA Stage D Invitation to Tender June 2013 CONTENTS 1. Project Context ……………………………………………………………….. Pg 4 2. Invitation To Invitation …………………………………………………….... Pg 5 3. Scope of the Work ……………………………………………………………. Pg 6 4. Project Description ……………………………………………………………. Pg 7 5. Project Pricing ………………………………………………………………… Pg 8 6. Outputs…………………………………………………………………………. Pg 9 7. Quality Expectations………………………………………………………….. Pg10 8. Timetable………………………………………………………………………. Pg11 9. Submission of Bids……………………………………………………………. Pg11 10. Costings………………………………………………………………………. Pg12 11. Tender Point of Contact…………………………………………………….. Pg13 12. Tender Return & Deadline………………………………………………….. Pg13 13. Supporting Information & Background Documents……………………… Pg14 14. Tenderer’s Questions……………………………………………………….. Pg15 15. Site Visits…………………………………………………………………… Pg15 16. Interviews …………………………………………………………………….. Pg15 17. Evaluation of Bids…………………………………………………………….Pg15 18. Acceptance of Tenders………………………………………………………Pg16 19. Tender Management ……………………………………………………… Pg16 20. Confidentiality…………………………………………………………………Pg17 21. Conflicts of Interest ………………………………………………………… Pg17 22. Prices & Value Added Tax ………………………………………………… Pg17 23. Expenses and Losses in Quotation…………………………………………Pg18 24. Payment Terms ……………………………………………………………….Pg18 2 Appendices Appendix 1 - Background Information on BD&BF……………………………Pg19 Appendix 2 - Overarching Design Objectives………………………………...Pg23 Appendix 3 - Outline Statement of Need……………………………………...Pg25 Appendix 4 – Shared opportunities and challenges to be addressed………Pg28 by the Royal Pavilion Estate Masterplan Appendix 5 – Draft Terms & Conditions…………………………………. …… Pg30 Table of Figures Figure 1 - Plan of Brighton Dome Site Figure 2 - Map of Cultural Quarter Figure 3 - Historical Image of Dome & Corn Exchange Figure 4 - Historical Image of Corn Exchange Interior 3 1. Project Context Brighton Dome & Brighton Festival (BD&BF) is embarking on a major remodelling project to revitalise Brighton Dome’s heritage venues and secure the long term future of its artistic vision. We want to appoint exceptional architects to work with our project team to progress the best design solution to reconfigure a variety of Grade I and II listed spaces in ways that help us achieve our vision and ensure the long term sustainability of the organisation. BD&BF is working to establish itself as an artistic hub for the city and the region, exploiting its unique position in possessing three performance spaces, which sit at the heart of the City’s Cultural Quarter and are available for use throughout the year, as well as programming a renowned annual International Festival. Our vision is to be one of Europe's leading arts festivals and a year-round destination for artists and audiences. BD&BF’s goals through to 2020 can be summarised in the following four key statements: • To produce great art in England’s ‘city on the edge’ • To be the city’s cultural heart • To be a bridge to the arts for all • To be a sustainable organisation To achieve these goals we need a strong design team who can translate our aspirations into a world class destination with exciting front-of-house facilities that engage and inspire visitors, and back-of-house facilities that are operationally effective and fit-for-purpose. In September 2012, we completed a feasibility study to RIBA Stage C, which was submitted to Arts Council England (ACE) as part of a funding bid to the Large Capital Grants programme. Following the announcement by ACE in January 2013 that our bid has been successful we have been awarded £5.8 million on the basis of a successful Stage 2 application in April 2014, we are now considering the benefits of carrying out works to complete RIBA Stage D as a discreet piece of work. This approach would align with ACE funding structures, with our capital project timeline and would allow us to align with the separate work we are carrying out in partnership with the Royal Pavilion & Museums to prepare a Masterplan for the Royal Pavilion Estate (see1.1 below) The successful architects will need to build on the Stage C work already completed to further explore ideas which help the Brighton Dome to connect with the Royal Pavilion and its heritage garden. In order to proceed to complete RIBA Stage D as a stand alone piece of work, BD&BF will need to be confident that this approach offers value for money within the overall project budget and is able to deliver against the project needs. 4 1.1 Royal Pavilion Estate Masterplan BD&BF is working in partnership with the team from the local authority owned and operated; Royal Pavilion & Museum (RP&M) to undertake a feasibility study into a Masterplan for the Royal Pavilion Estate (RPE). Their organisation, like ours, faces a number of challenges, namely around the front of house and orientation facilities required for their c 600, 000 visitors a year. The Masterplan will enable RP&M and BD&BF to fulfil a shared vision to develop a world class cultural, heritage and arts provision and experience for residents and tourists which will re-establish the RPE as the foremost cultural landmark in the city of Brighton & Hove and the South East. It will identify strategic, environmentally and financially sustainable improvements to the buildings on the Estate, the Garden and the associated visitor experience and address shared organisational challenges and opportunities. The aforementioned Masterplan feasibility study is currently being developed by consultants Feilden Clegg Bradley Studios and is due to be completed by July 2013. The BD&BF capital project is a flagship phase in this larger and longer term Masterplan project. 2. Invitation To Tender This work is part of an ACE funded capital project to carry out works to Brighton Dome. It will include works covered by RIBA Stage D, specifically development of the concept design to include structural and building services systems, updated outline specifications and cost plan through to completion of the project brief and preparation and submission of a planning application through to a planning decision. Work is expected to contribute design documentation to support a Stage Two Capital Bid to ACE, which will be submitted in April 2014. The design documentation will also be used sometime later in 2014 to inform the preparation of a Stage 2 Heritage Lottery Fund bid jointly with the Royal Pavilion & Museums – pending a successful pass at Stage 1 submission in November 2013. It will be important for the design team to work flexibly over the lifetime of the project and respond to external deadlines, as these may change. Currently, it will be necessary to ensure that design documentation and costings required for the Stage Two ACE bid are completed by February 2014 and at latest a full planning application is submitted by June 2014. Tenders are therefore invited by BD&BF from architect-led design teams for design input to RIBA Stage D for a new phase of capital development which aims to create a world class arts and cultural centre at the heart of Brighton’s Cultural Quarter. 5 2.1 Relationship with Project Team The project is lead by a dedicated Project Team which includes support from creative sector consultancy Perfect Moment 1 on further development of the Business Case. The architect lead design team will be contracted directly by BD&BF and will report directly to the BD&BF’s lead on Design & Construction, Maxine Hort. The tender submission should make clear how the involvement of the design team will be managed to ensure proper liaison with the Project Team and that the work on the design is fully co-ordinated with the preparation of the required business plan for the ACE Stage Two application. 3. Scope of the Work The scope of the work covered by this tender invitation includes the following: • Interrogate the preferred design option already completed to RIBA Stage C by Ash Sakula Architects to ensure it achieves the ambition of the re-development project, including design concepts and costings. • Development of RIBA Stage D proposals to address the project design objectives and take forward the outline statement of need set out in the Appendices. The level of detail required should be sufficient to convince funding organisations of the deliverability of the design and be appropriate for a planning application. • Engage fully with the local planning authority, including its conservation department, during pre-application discussions to explore the acceptability of any proposals. • Complete RIBA Work Stage D or equivalent as per new RIBA Plan of Work 2013, to include adherence to the RIBA Green Overlay to RIBA Work Stages with regard to sustainability issues. • Delivery of concept designs to include structural and building services systems, updated outline specifications, identification of all specialist consultant services required, cost plan and explanatory report. • Completion of Project Brief and preparation of documentation required for ACE and HLF funding bids as outlined in the guidance provided. • A final cost plan and whole life costing for scheme design that delivers the project within the agreed and currently anticipated budget of £16.95 million. 1 www.perfect-moment.co.uk 6 • Lead on planning process for client including submitting planning application listed building consent and any related Conservation Area requirements and providing all liaison with the Local Planning Authority through to a planning decision. Consultants should ensure that they properly
Recommended publications
  • The List September 2013
    The List September 2013 What’s on across the city in September Visual Arts Addresses and opening times of galleries are given at the end of this publication. 16 March - 18 January 2014 Chilled to the Bone: Ice Age Sussex - Explore Ice Age Sussex and discover how ice has driven our evolution, why we have survived whilst the Neanderthals perished, and what the disappearance of ice from the poles could mean for our survival – Brighton Museum 08 April - 30 September Brighton Sand Sculpture Festival Over 20 world class artists have turned thousands of tonnes of sand into an exhibition that has never been seen before and never to be forgotten. From this April until the end of September visitors can experience the wonder of this magical art and will also have the chance to get involved. Sand sculpture workshops, live demonstrations, guided tours, unique photo opportunities, a children's sand pit, café and much more will be on offer to all. – Black Rock 11 May – 08 September Jeff Koons - Brighton Museum & Art Gallery is thrilled to be the venue for an exhibition of work by Jeff Koons, widely regarded as one of the world’s most important living artists – Brighton Museum & Art Gallery 15 June – 13 October Regency Colour - Regency Colour and Beyond, 1785-1835, is on show from 15 June to 13 October 2013 and includes two display areas and new interpretation exploring Regency understandings of colour and the interior decor of the Royal Pavilion - Royal Pavilion 18 June – 15 September The Camden Town Group - This display celebrates the recent acquisition of eight works by artists of the Camden Town Group, forming part of the collection assembled by Robert Bevan and his second wife Natalie Barclay – Brighton Museum 06 July – 21 January 2014 Into the Blue - An exploration of the colour blue, using objects drawn from Royal Pavilion and Museum collections.
    [Show full text]
  • 50Th Anniversary Conference, Brighton, UK 27-30 June 2016
    50th Anniversary Conference, Brighton, UK 27-30 June 2016 Sponsorship Prospectus VITAL STATISTICS FORMAT SUMMARY Date Monday 27th June 2016 27-30 June 2016 PhD by Design event (60 delegates). Pre-conference workshop sessions. Venues Evening: Opening drinks reception at The Brighton Dome Brighton Museum The Old Courthouse University of Brighton City Campus Tuesday 28th June 2016 Keynote presentations and debates in the Delegate Profi le Dome Theatre followed by parallel sessions. 500 international design researchers at all career levels, from PhD students to Internationally Evening: ‘50 years of Design and Design Research’ infl uential Professors. Approximately 90% delegates talks, drinks reception, and private view of are based in Universities with 10% from industry, exhibition, Grand Parade Gallery. business, and other organisations Wednesday 29th June 2016 Keynote debate and parallel sessions. Evening: conference dinner and event with a ‘zero-waste’ theme. Thursday 30th June 2016 Keynote debate and parallel sessions. Conference conclusion. Evening: Closing drinks reception on the beach. Friday 1st July 2016 (optional) Guided visits to local design organisations and places of interest. ABOUT THE CONFERENCE DRS2016 is a three day, non-profi t, international design research event which celebrates 50 years of the Design Research Society. Over the past 50 years, design research has established a fi rm basis for our understanding of design. For DRS2016 we invite delegates to join us in considering how design research can help us address the problems we face now and the challenges that lie ahead. The conference has gained signifi cant international attention. We have received 500 full paper submissions, from 48 different countries.
    [Show full text]
  • June/July 2012
    Hollingdeannews June/July 2012 an independent newspaper produced and delivered to your door by your neighbours Summer’s here at last! This photo and several others of a carnival parade going up Davey Drive were kindly given to us for our local history collection. We don’t have a date but it looks 1970’s. Do you remember this event or have any photos of other festivals in Hollingdean? We’d love to hear from you! Photo: Hollingdean News collection Come along to our Garden Party/Coffee Morning 50 Hertford Road Brighton 10.30 - 1.30pm. Saturday 23rd June. We are raising funds for a local Cat Charity 'Kitty in the City' Enjoy a coffee on the lawn and a natter with your friends and neighbours. Homemade cakes Hertford Infant & Nursery School and a plant stall, also a raffle Hertford Road BN1 7GF and childrens games. Do please come SUMMER FAIR and support us. Saturday 14th July 11-3.00pm, Sporting theme - come dressed as a country or sports person for a chance to win a medal! J o n J o s e p h East Sussex Fire and Rescue team will be at the school gates at 11am (as long as there are M O B I L E no fires to put out!) for everyone to see their fire engine. M E C H A N I C Face painting - Barbecue - Tombola - Cream teas 30 YEARS OF EXPERIENCE Penalty Shoot Out football - Bouncy castle Fully Qualified Current CPD Fully Insured NO VAT ON LABOUR Pop along for a fun filled day and best of all it's Member of The Institute of The Motor Industry FREE! We look forward to seeing you all there.
    [Show full text]
  • To Download the Full Archive
    Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
    [Show full text]
  • Blast Theory Biography Our History
    Blast Theory biography Blast Theory is renowned internationally as one of the most adventurous artists’ groups using interactive media, creating groundbreaking new forms of performance and interactive art that mixes audiences across the internet, live performance and digital broadcasting. Led by Matt Adams, Ju Row Farr and Nick Tandavanitj, the group’s work explores the social and political aspects of technology. Drawing on popular culture and games, the work often blurs the boundaries between the real and the fictional. Blast Theory is based in Brighton, UK. Our history Early works such as Gunmen Kill Three (1991), Chemical Wedding (1994) and Stampede (1994) drew on club culture to create multimedia performances – often in unusual spaces such as film studios and accompanied by bands and DJs – that invited participation. The crime reconstruction installation Invisible Bullets (1994) was first shown at the Fete Worse Than Death in Hoxton. Something American (1996) treated the USA as the Wild West, quoting freely from Hollywood films on a billboard sized projection screen. 1997 was a major step forward: a nine month residency at Künstlerhaus Bethanien in Berlin coincided with a proposed performance called Succumbing suddenly shifting to become Kidnap (1998), in which two members of the public were kidnapped as part of a lottery and the resulting event was streamed online. Desert Rain (1999), a large scale installation, performance and game using virtual reality marks the first output of our collaboration with the Mixed Reality Lab at the University of Nottingham. An Explicit Volume (2001) is an interactive installation using page-turners to control nine pornographic books and is part of a sequence of works that use found imagery and/or sexual material such as Choreographic Cops In A Complicated World (2000) and Viewfinder (2001).
    [Show full text]
  • Trustees Annual Report and Financial Statements for the Year Ended 31 March 2010
    THE TRUST FOR DEVELOPING COMMUNITIES (A COMPANY LIMITED BY GUARANTEE AND A REGISTERED CHARITY) TRUSTEES ANNUAL REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2010 REGISTERED NUMBER: 3939332 REGISTERED CHARITY NUMBER: 1106623 THE TRUST FOR DEVELOPING COMMUNITIES (A COMPANY LIMITED BY GUARANTEE) COMPANY NO: 3939332 CHARITY NO: 1106623 CONTENTS OF THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2010 Page Trustees’ Annual Report 1 – 17 Independent Auditors’ Report 18 – 19 Statement of Financial Activities 20 Balance Sheet 21 Notes to the Financial Statements 22 – 25 Detailed Profit and Loss Account 26 - 27 Description of Restricted Projects 27 - 29 THE TRUST FOR DEVELOPING COMMUNITIES (A COMPANY LIMITED BY GUARANTEE) COMPANY NO: 3939332 CHARITY NO: 1106623 TRUSTEES’ ANNUAL REPORT The Trustees (who also act as Directors for Companies Act purposes) have pleasure in presenting their report and financial statements for the year ended 31 March 2010. The Trustees believe that the financial statements comply with current statutory requirements, the Charity’s governing document and the Statement of Recommended Practice. Directors Mrs. Fabia Bates Mr. Paul Bramwell Mrs. Jill Brookes Mr. Robert Brown, MBE Miss Valerie Chisholm Ms Judith Cousin (until 11 November 2009) Mr. Mark Drayton Revd. Rachel Gouldthorpe (until 11 November 2009) Mr. Ronald Gurney (from 11 November 2009) Mrs. Suzanne Harris (from 11 November 2009) Dr. Anthony Janio (until 11 November 2009) Mr. Dominic Lafont (until 11 November 2009) Mrs. Margaret Lucas (from 11 November 2009) Mrs. Faith Matyszak, MBE, FMA (from 11 November 2009) Mrs. Farah Mohebati (until 11 November 2009) Mrs. Eileen O’Leary Mr.
    [Show full text]
  • SUSSEX Day Limmud | Brighton Festival PREVIEW What's ON
    SSUSSEXUSSEX JJEWISHEWISH NNEWSEWS WHAt’S INSIdE.... SUSSEX Day LIMMUd | BRIGHtON FEStIVAL PREVIEW WHAt’S ON | ANd MORE WWW.SUSSEXJEWISHNEWS.COM | £2 | MAY 2011 | NISAN / IYAR 5771 • ISSUE 208 2 Pause for thought 3 Now that the Pesach pots and pans have been put away for This is not a rant at the Big 3, Tesco, Sainsburys and another year (apologies if this statement affects your personal Waitrose, but it would be good to see them responding to fundamentalist rights, it’s not intended to) we can look the needs of their local ‘minorities’. Sainsburys and Waitrose forward to another year without having to worry about how threw the towel in early; their Pesach offerings were abysmal. many verses of Had Gad Yah we can remember or even feel Tesco had far and away the biggest selection of Kosher for that we should sing. Passover products. But they could only be purchased from one store in all of Sussex. If you wanted to purchase on- Maybe what we should be thinking about, is how well are we line, use your computer for home delivery, Tesco’s systems being served - as a Jewish Community. Members of those prevented you from doing that. If you live in Eastbourne large communities in North London or Manchester or Leeds or Uckfield or wherever, your post code links you to your may not have nearest Tesco store. If that given their Pesach WE ARE FACING UP TO ANOTHER ATTEMPT BY THE EUROPEAN does not stock kosher goods, shopping much of you cannot buy those goods a thought.
    [Show full text]
  • Download Our Brochure
    1783 1803 1815 1820 1821 1837 1850 1867 1868 1887 1914 1921 1934 1943 1967 1974 1991 1999 Brighton & Hove • 11m+ visitors every year • 275,000 population • 3,400 listed buildings • 50 minutes by train to London • 30 minutes by train to London Gatwick Airport • Grade I & II heritage venues • Flexible unique spaces • Central city location • Hosting events including Association Congresses, Conferences, Awards Ceremonies, Exhibitions, Private Dinners and Receptions ‘The staff throughout were incredibly capable, helpful and professional. I love hosting my events at Brighton Dome.’ Good Scary Ltd 1. Concert Hall 2. Corn Exchange and The Hall 3. Studio Theatre 4. Foyer Bar 12 9 5. Founders Room 5 4 6. Gallery 10 1 7. Creation Space 2 6 8. Restaurant/Bar 7 3 9. Brighton Museum 8 11 10. Old Court Room 11 . Unitarian Church 12. Royal Pavilion Overview • Restored venues • New public spaces • Flexible venues • Bespoke interior design • State of the art facilities Studio Theatre • Full refurbishment • New frontage and cafe-bar • Improved access and foyer spaces • New retractable and balcony seating • New entrances and main stairway • Maximum capacities: Theatre 230 Dinner 100 Exhibition 240m2 Corn Exchange • Natural light restored • Original timber and cast-iron trussed roof structure revealed • New entrances and new floor • New retractable and balcony seating • Improved technical equipment and sub floor storage • New cooling and heating systems • Enhanced acoustic and thermal insulation • Maximum capacities: Theatre 500 Dinner 500 Exhibition 763m2 Public
    [Show full text]
  • March/ April 1987
    by Dr. Norman Barfield At a time when the whole of the theatre The buildings were originally built for the ter Douglas Reeve: Wonder Boy Organist" organ enthusiasts movement is following the fishermen, who lived in them when the town (complete with Eton suit, including starched lead of the ATOS London Chapter in the en­ was a small fishing village known as Bright­ shirt collar and short "bumfreezer" jacket). couragement of new young keyboard talent helmston. At the suggestion of Poort, Douglas adopted as the "seedcorn" for the future of these Douglas showed signs of his exceptional as his signature tune the World War I favour­ beloved instruments, we in Britain are enjoy­ musical talent at an early age. He began organ ite, "Pack Up Your Troubles," which had ing the uniquely distinctive style and talents of lessons at St. George's Church, Kemp Town, been Foort's original signature before he Douglas Reeve, who was himself originally Brighton , at the age of nine. When he was 14 composed his ''Keep Smiling.'' The words of promoted as the "Wonder Boy Organist" in he became a pupil of the late Terence Casey, his signature have been Douglas' motto his earliest days at the theatre organ. well-known theatre organist of the day, at the throughout his life. This year Douglas celebrates 45 years at his 2/9 Wurlitzer in the Regent Cinema in Brigh­ Later, Douglas was based in the London beloved 4/51 British-built Hill, Norman and ton. Under Casey's expert teaching, Douglas area at the Regal Golders Green.
    [Show full text]
  • Courtyard Apartments at Circus Street Brighton, East Sussex
    Courtyard Apartments at Circus Street Brighton, East Sussex A modern collection of one and two-bedroom apartments in Brighton’s new cultural quarter, available for Shared Ownership. 28 homes available Live, work, play Courtyard Apartments is the latest selection of contemporary homes at Circus Street, the lively new cultural quarter in the heart of Brighton. CENTRAL Situated on the edge of Brighton’s vibrant central district, Circus Street is just a short walk from the Royal Pavilion, The Lanes and Brighton’s famous beach. DESIGN-LED Light-filled modern buildings arranged around a brand new courtyard and landscape area create a fresh streetscape that pays homage to the city’s architectural heritage. CONNECTED With London less than an hour away by train*, Circus Street lets you enjoy the coast while staying in touch with the capital. * Train travel times are taken from Nationalrail.co.uk, measured from Cover picture credits: ‘Sea stones’ by strelov; Stock image, sourced from iStock. Brighton station (not development), and are for the quickest single service during weekday morning peak hours (6.30am-9.30am). 9 things we love about Brighton Voted the happiest city in the UK in 2017*, Brighton is one of the most desirable locations on England’s south coast. A magnet for arts, culture and innovation, the city never lacks for sights, sounds or spectacle. Here are nine things we think make Brighton one of the UK’s best places to live: Work up an appetite at the Prince Regent 5 Swimming Complex, Juvenate, and the Stanley Deason Centre; sports fans also have a wealth of options including Brighton Racecourse, Brighton and Hove Greyhound Stadium, and Brighton and Hove Albion FC.
    [Show full text]
  • Soviet Designs on Brighton Dome I
    T. BOYD BOYD & CO.ITD. 74/75, WATLING STREET, LONDON, E.C.4 Telephone: 01-248-4433 Official TRAVEL AGENTS IN to the E.T.T.A. Official Journal of the English Table Tennis Association Consult us for your business and holiday travel Edited by GEORGE YATES ALL CAR FERRY BOOKINGS by SEA and AIR No. 13 FEBRUARY, 1968. Price 1/­ ENGLISH OPEN PREVIEW by George R.: Yates IVOR EYLES TO RETIRE Brighton Dome I AT the National Council Meeting on Soviet Designs on February 3, Ivor Eyles announced ,OFFICIAL entries from Czecho­ Gomoskov and Anato'liy Amelin- V. M. Merchant (India) and that he would be retiring as Chairman of slovakia, Hungary, Rumania, they lost 20-22 to Sweden's Kjell Edvard Vecko (Yugoslavia) before the E.T.T.A. at the end of the present Russia, West Germany and Yugo· Johansson and Hans Alser in, losing to Kim Ohang Hoof North season. slavia, together with those of our Stockholm last ApriI-they could Korea. own and from the other home provide the foremost challenger to Such then were the exploits of "Last Great Personality" countries, promises to make this men's singles title holder Jaros'lav the Russians in the World cham­ year's English Open, to be played Stanek of Czechoslovakia. pionshiips and who now, after an­ Paying tribute to Ivor for the prodigious at Brighton (February 29-March 2) Posing a simi'lar threat to Mary other year's training and experi­ amount of work that he has done over the one of the best for some consider­ Wright's women's singIes title are ence, have set their sights on the years, Tom Blunn, Hon.
    [Show full text]
  • Evaluation Report 2018-9 Table of Contents
    EVALUATION REPORT 2018-9 TABLE OF CONTENTS 1. CONTEXT 3 2. INTRODUCTION 4 3. METHODOLOGY 5 4. LEARNING PROGRAMME 6 5. KEY ACHIEVEMENTS 8 6. REPLICATE 9 7. INNOVATE 10 8. PARTNER 11 9. BUILDING GEOGRAPHICAL REACH 12 10. ORGANISATIONAL LEARNING 13 11. CONCLUSIONS 16 2 CONTEXT Little Green Pig (LGP) is a registered charity based in Brighton & Hove who offer free Little Green Pig Vision writing workshops for children and young people (CYP) in Brighton & Hove and Sussex. We believe that writing can LGP serves all young people in the city but focus resources on young people most in positively change lives. Our need. They do this through the strategic partnerships they develop, the varied vision is that all children and programme they deliver and the locations in which they work. young people in Sussex have LGP began in 2008 with two weekly after school writing workshops, inspired by a space and time to write for writing centre and shop for pirates set up in San Francisco by writer Dave Eggers called pleasure and purpose, and the 826 Valencia. LGP is now part of a network of similar writing organisations across the opportunity to share their stories. world, from the Labo des Histoires in Paris, France, to 100 Story Building in Sydney, Australia. LGP continues to work with a wide range of partners to draw inspiration, share best To date, LGP has worked with practice and engage with new ideas. As well as advocating for the power of writing to over 3000 children and young people, trained 250 volunteers transform young people’s lives, LGP works in local schools where pupils experience and is working with a growing social or educational disadvantage, as well as continuing to have an active out-of-school number of professional writers provision.
    [Show full text]