CHAPTER ONE Introduction
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Alumni Revue! This Issue Was Created Since It Was Decided to Publish a New Edition Every Other Year Beginning with SP 2017
AAlluummnnii RReevvuuee Ph.D. Program in Theatre The Graduate Center City University of New York Volume XIII (Updated) SP 2016 Welcome to the updated version of the thirteenth edition of our Alumni Revue! This issue was created since it was decided to publish a new edition every other year beginning with SP 2017. It once again expands our numbers and updates existing entries. Thanks to all of you who returned the forms that provided us with this information; please continue to urge your fellow alums to do the same so that the following editions will be even larger and more complete. For copies of the form, Alumni Information Questionnaire, please contact the editor of this revue, Lynette Gibson, Assistant Program Officer/Academic Program Coordinator, Ph.D. Program in Theatre, The Graduate Center, City University of New York, 365 Fifth Avenue, New York, NY 10016-4309. You may also email her at [email protected]. Thank you again for staying in touch with us. We’re always delighted to hear from you! Jean Graham-Jones Executive Officer Hello Everyone: his is the updated version of the thirteenth edition of Alumni Revue. As always, I would like to thank our alumni for taking the time to send me T their updated information. I am, as always, very grateful to the Administrative Assistants, who are responsible for ensuring the entries are correctly edited. The Cover Page was done once again by James Armstrong, maybe he should be named honorary “cover-in-chief”. The photograph shows the exterior of Shakespeare’s Globe in London, England and was taken in August 2012. -
Hawthorne's Conception of History: a Study of the Author's Response to Alienation from God and Man
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1979 Hawthorne's Conception of History: a Study of the Author's Response to Alienation From God and Man. Lloyd Moore Daigrepont Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Daigrepont, Lloyd Moore, "Hawthorne's Conception of History: a Study of the Author's Response to Alienation From God and Man." (1979). LSU Historical Dissertations and Theses. 3389. https://digitalcommons.lsu.edu/gradschool_disstheses/3389 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
A Tentative Defense for the Villain Roger Chillingworth in the Scarlet Letter
Journal of Literature and Art Studies, July 2020, Vol. 10, No. 7, 575-583 doi: 10.17265/2159-5836/2020.07.008 D DAVID PUBLISHING A Tentative Defense for the Villain Roger Chillingworth in The Scarlet Letter ZHANG Bao-cang Beijinng Foreign Studies University;Henan Agricultural University, Henan, China The paper makes a tentative defense for the villain Roger Chillingworth in The Scarlet Letter, regarding that the characterization with a devil’s image, cruel and cold-blooded is related to religious and artistic purposes. Actually, with the truth shifted from religious to psychological one, textual evidence shows that Chillingworth is far from that bad, and as one of the protagonists, she also deserves the pity and sympathy from the reader. Keywords: Nathaniel Hawthorne, Roger Chillingworth, defense 1. Introduction As a man of letters, Nathaniel Hawthorne had struggled in literary circle for more than two decades in obscurity, before the publication of his masterpiece The Scarlet Letter (1850), which finally brought him both good reputation and profit with a soaring sale. With this work, it seems overnight Hawthorne was known to the public, as within ten days the work had a sale of 2500 copies, and in the next 14 years this book brought Hawthorne the profit as much as $1500. The Scarlet Letter, set in the 1640s New England, narrates the story of adultery and redemption of a young lady Hester Prynne. From the masterpiece, the reader will always generate an endless number of meanings from different perspectives. So far, scholars have conducted their researches from different perspectives, such as redemption of religion, feminism, Freud’s psychoanalysis, prototype theory and character analysis. -
The Wild Child: Children Are Freaks in Antebellum Novels
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 The Wild Child: Children are Freaks in Antebellum Novels Heathe Bernadette Heim Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1711 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Wild Child: Children are Freaks in Antebellum Novels by Heather Bernadette Heim A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 Heim ii Heim © 2013 HEATHER BERNADETTE HEIM All Rights Reserved iii Heim This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy Hildegard Hoeller_______________________ __________ ______________________________________ Date Chair of Examining Committee Mario DiGangi__________________________ ___________ ______________________________________ Date Executive Officer Hildegard Hoeller______________________________ William P. Kelly_______________________________ Marc Dolan___________________________________ Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Heim Abstract The Wild Child: Children are Freaks in Antebellum Novels by Heather Bernadette Heim Advisor: Professor Hildegard Hoeller This dissertation investigates the spectacle of antebellum freak shows and focuses on how Phineas Taylor Barnum’s influence permeates five antebellum novels. The study concerns itself with wild children staged as freaks in Margaret by Sylvester Judd, City Crimes by George Thompson, The Scarlet Letter by Nathaniel Hawthorne, Uncle Tom’s Cabin by Harriet Beecher Stowe and Our Nig by Harriet Wilson. -
The Scarlet Letter
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 5, No. 10, pp. 2164-2168, October 2015 DOI: http://dx.doi.org/10.17507/tpls.0510.26 A Brief Study on the Symbolic Meaning of the Main Characters’ Name in The Scarlet Letter Nan Lei Yangtze University, China Abstract—As a great romantic novelist in American literature in the 19th century and a central figure in the American Renaissance, Nathaniel Hawthorne is outstanding for his skillful employment of symbolism and powerful psychological insight. The Scarlet Letter, which is considered to be the greatest accomplishment of American short story and is often viewed as the first American symbolic and psychological novel, makes Nathaniel Hawthorne win incomparable position in American literature. With a brief introduction into The Scarlet Letter and a brief study on the two literary terms, i.e. symbol and symbolism, the paper attempts to expound Hawthorne’s skillful employment of symbolism in his masterpiece through the analysis of the symbolic meaning of the main characters’ name in this great novel. Index Terms—The Scarlet Letter, symbol, symbolism, character, name I. A BRIEF INTRODUCTION TO THE SCARLET LETTER The Scarlet Letter is the masterpiece of Nathaniel Hawthorne, one of the most significant and influential writers in American literature in the 19th century. It is also regarded as the first symbolic novel in American literature for Hawthorne’s skillful use of symbolism and allegory. In the novel, the settings (the scarlet letter A, the prison, the scaffold, the rosebush, the forest, the sunshine and the brook) and the characters’ images, words and names are all endowed with profound symbolic meaning by Hawthorne. -
Cotton Mathers's Wonders of the Invisible World: an Authoritative Edition
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 1-12-2005 Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition Paul Melvin Wise Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Wise, Paul Melvin, "Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition." Dissertation, Georgia State University, 2005. https://scholarworks.gsu.edu/english_diss/5 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. COTTON MATHER’S WONDERS OF THE INVISIBLE WORLD: AN AUTHORITATIVE EDITION by PAUL M. WISE Under the direction of Reiner Smolinski ABSTRACT In Wonders of the Invisible World, Cotton Mather applies both his views on witchcraft and his millennial calculations to events at Salem in 1692. Although this infamous treatise served as the official chronicle and apologia of the 1692 witch trials, and excerpts from Wonders of the Invisible World are widely anthologized, no annotated critical edition of the entire work has appeared since the nineteenth century. This present edition seeks to remedy this lacuna in modern scholarship, presenting Mather’s seventeenth-century text next to an integrated theory of the natural causes of the Salem witch panic. The likely causes of Salem’s bewitchment, viewed alongside Mather’s implausible explanations, expose his disingenuousness in writing about Salem. Chapter one of my introduction posits the probability that a group of conspirators, led by the Rev. -
English Data Sheets Title: the Scarlet Letter___Author
Data Sheet 1 English Data Sheets Title: The Scarlet Letter_______________ Significant details about the author: Author: Nathaniel Hawthorne__________ Nathaniel Hawthorne was born in Salem, Massachusetts in Date of Publication: 1850_____________ 1804. He is descended from the infamous Judge Hathorn, who Source of Information: SparkNotes_____ was instrumental in convicting people of witchcraft during the Salem Witch Trials. Many of his works focus on the Puritans, and are harshly critical of them. Provide information about the time period Hawthorne attended college with Henry Wadsworth (literary, historical, philosophical, etc.): Longfellow, a famous poet, and Franklin Pierce, the fourteenth President. He also became good friends with Herman Melville, The 1800s saw the passing of the Founding Fathers and marked Robert Browning, and Elizabeth Barrett Browning, all famous a rise in strife that would lead to the Civil War. As new states writers. were added to the growing Union, the fight over whether they Hawthorne died in 1864. would be admitted as a free state or a slave state (thus enhancing that faction’s power) raged in the halls of power. The year the novel was published saw the passing of the Fugitive Slave Law, which allowed owner’s to re-claim slaves who had escaped north to freedom. Of course, not all those Provide the major plot points: captured under the auspices of the law had actually been former slaves, driving up the tension. A young Puritan woman, Hester Prynne, has committed Amazingly, Hawthorne chose to focus on the evils he perceived adultery in the absence of her husband. She is sentenced in his own family history rather than the division occupying the to stand on a scaffold in the middle of town, holding her rest of the country. -
Teacher's Guide to the Scarlet Letter
A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF NATHANIEL HAWTHORNE’S THE SCARLET LETTER By ELIZABETH POE, Ph.D. SERIES EDITORS: W. GEIGER ELLIS, ED.D., UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of Nathaniel Hawthorne’s The Scarlet Letter 2 INTRODUCTION Although written almost 150 years ago, Nathaniel Hawthorne’s The Scarlet Letter contains concepts and insights relevant to contemporary readers. The themes of alienation and breaking society’s rules are ones to which many teenagers can readily relate. Viewed in this light, the novel can be approached as the story of a woman who let her heart rule her head and suffered the consequences. Hester Prynne’s plight can arouse sympathy, Arthur Dimmesdale’s hypocrisy can provoke anger, and Roger Chillingworth’s evil revenge can elicit disgust among today’s high school readers. This teacher’s guide presents a teaching approach to The Scarlet Letter that encourages student involvement. Rather than treating The Scarlet Letter as an artifact we must study as a cultural obligation, this approach emphasizes the significance this classic literary work holds for the lives of its readers. Many of the activities suggested in this teacher’s guide are inductive. They frequently focus primarily upon the individual reader’s experience while reading the work and the sharing of these experiences with other readers. The approach incorporates reading, writing, speaking, listening, and creative thinking as they relate to the literary work. This guide is divided into three sections. -
The Scarlet Letter, an Overview . . . Synopsis the Story Takes Place In
The Scarlet Letter, an overview . Synopsis The story takes place in the Puritan village of Boston, Massachusetts, during the first half of the 17th Century. Several years before the novel begins, Hester Prynne came to the New World to await the arrival of her husband who had business to conclude in Europe. However, Hester's husband was captured by Indians upon his arrival in New England and did not arrive in Boston as Hester expected. While living alone in Boston and believing her husband dead, Hester committed adultery and became pregnant. The village magistrates imprisoned her for this sin and decreed she must wear a scarlet "A" on the bodice of her dress for the rest of her life. While in prison, Hester, highly skilled in needlework, elaborately embroidered scarlet letter with gold thread. Before her release from prison, Hester was forced to stand on the public scaffold where all the villagers could see her. As the story opens, Hester is leaving the prison to take her position on the scaffold. She wears the scarlet letter and carries with dignity her three-month-old daughter Pearl. As Hester endures this public disgrace, Roger Chillingworth, an old man new to the village, asks members of the crowd about her and learns as much of her story as is commonly known. When he asks the identity of the child's father, he discovers Hester has refused to divulge this information. From the balcony overlooking the scaffold, the young Reverend Arthur Dimmesdale also asks for this information and eloquently appeals to Hester to publicly name her partner in sin. -
Gender, Tragedy, and the American Dream
37? /VQti N@* 37 & THE AMERICAN EVE: GENDER, TRAGEDY, AND THE AMERICAN DREAM DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Kim Martin Long, B.A., M.A. Denton, Texas May, 1993 37? /VQti N@* 37 & THE AMERICAN EVE: GENDER, TRAGEDY, AND THE AMERICAN DREAM DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Kim Martin Long, B.A., M.A. Denton, Texas May, 1993 Long, Kim Martin. The American Eve; Gender. Tragedy, and the American Dream. Doctor of Philosophy (English), May, 1993, 236 pp., works cited, 176 titles. America has adopted as its own the Eden myth, which has provided the mythology of the American dream. This New Garden of America, consequently, has been a masculine garden because of its dependence on the myth of the Fall. Implied in the American dream is the idea of a garden without Eve, or at least without Eve's sin, traditionally associated with sexuality. Our canonical literature has reflected these attitudes of devaluing feminine power or making it a negative force: The Scarlet Letter. Mobv-Dick. Adventures of Huckleberry Finn. The Great Gatsbv. and The Sound and the Fury. To recreate the Garden myth, Americans have had to reimagine Eve as the idealized virgin, earth mother and life-giver, or as Adam's loyal helpmeet, the silent figurehead. But Eve resists her new roles: Hester Prynne embellishes her scarlet letter and does not leave Boston; the feminine forces in Mobv-Dick defeat the monomanaical masculinity of Ahab; Miss Watson, the Widow Douglas, and Aunt Sally's threat of civilization chase Huck off to the territory despite the beckoning of the feminine river; Daisy retreats unscathed into her "white palace" after Gatsby's death; and Caddy tours Europe on the arm of a Nazi officer long after Quentin's suicide, Benjy's betrayal, and Jason's condemnation. -
WALL STREET in the AMERICAN NOVEL Wayne W. Westbrook A
WALL STREET IN THE AMERICAN NOVEL Wayne W. Westbrook A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1972 p © 1972 WAYNE WILLIAM WESTBROOK ALL RIGHTS RESERVED IH ABSTRACT Wall Street is construed to represent the American financial center, La Salle Street in Chicago, State StreetiinbBoston and Third Street in Philadelphia as well as New York's lower Manhattan district. The novels and stories considered are those in which the financial center serves a primary function, either in influencing plot, character or in providing the background and atmosphere for the main action, Both archetypal and textual analysis are applied in seeing the recurrent motifs in the novel of high finance, patterns and themes which are fully articulated and developed in the late nineteenth-century version, yet which are not found to bear an influence on later financial fiction. The reason for this is that the American literary artist has had a prejudicial view of high finance and speculation which is rooted in his cultural heritage of the Puritan opposition to playing or gaming as a way to wealth and success. The writer's attitude, therefore, is largely con demnatory, regarding an individual's involvement with the financial marketplace as a form of personal corruption, profligacy and degen eracy. Further, the idea of the sin and evil of Wall Street has as its probable historical source the volatile course that American finance has traced since the post-Civil War industrial age, in the highly cyclical and repetitive pattern of boom and bust periods. -
Of Nathaniel Hawthorne
N9 se, ?69 THE FUNCTION OF THE PIVOT IN THE FICTION OF NATHANIEL HAWTHORNE THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Paula Traynham Ricco, B. A. Denton, Texas May, 1980 Ricco, Paula Traynham, The Function of the Pivot in the Fiction of Nathaniel Hawthorne. Master of Arts (Eng- lish), May, 1980, 144 pp., bibliography, 66 titles. In traditional romance, the hero takes a mythical journey into the underworLd where he meets and overcomes evil antagonists. Hawthorne has transferred much of that hero's role to a pivotal character whose paradoxical func- tion is to cause the central conflict in the tale or novel while remaining almost entirely passive himself. The movement of the tale or novel depends on the pivot's humanization, that is, his return to and integration within society. Works treated are "Alice Doane's Appeal," "Peter Goldthwaite's Treasure," "Roger Malvin's Burial," "Rap- paccini' s Daughter," "Lady Eleanore's Mantle," "The Minister's Black Veil," "The Antique Ring," "The Gentle Boy," Fanshawe, The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, and The Marble Faun. TABLE OF CONTENTS Page Chapter I. INTRODUCTION ... ...... ...... 1 II. THE SHORTER WORKS.. ...... ... 11 III. FANSHAWE... ........ ......... 36 IV. THE SCARLET LETTER ..... ......... 48 V. THE HOUSE OF THE SEVEN GABLES. ...... 65 VI. THE BLITHEDALE ROMANCE. ..... ..... 85 VII. THE MARBLE FAUN: OR, THE ROMANCE OF MONTE BENI ............... ....... 105 VIII. CONCLUSION.... ... ........ 127 BIBLIOGRAPHY . .......... ......... 139 Some of these mountains, that looked at no such mighty distance, were at least forty or fifty miles off, and appeared as if they were near neighbors and friends of other mountains, from which they were still farther removed.