Framing the City
FRAMING THE CITY : Windows, Newspapers and the Illusion of Reality in Theodore Dreiser's Sister Carrie ∗ Stephanie M. Lee Through the lenses of urban planning, consumerism, and print and visual culture, this paper explores Theodore Dreiser’s unsettled vision of the fin de siècle American metropolis as expressed in Sister Carrie (1900). The novel’s troubling discrepancy between the appearance and true nature of things calls into question the apparent success achieved by the title character and envisioned by others. To tease out the implications of this discrepancy, it is important to consider the novel’s representations of windows and newspapers—the media of modern perception through which the novel’s protagonists, Carrie Meeber and G.W. Hurstwood, view the city. Acts of window-gazing and newspaper-reading trigger idealized images of life that challenge each character to transform his or her fantasy into reality. Yet, whether in the workplace, the home, or the streets, successfully bridging the two ultimately remains illusory. Subject categories: Literature Keywords : Theodore Dreiser; Sister Carrie; American literature; turn of the century; naturalism; urban history; cultural history; Chicago; New York; visual culture; journalism; windows; newspapers; 1900 INTRODUCTION : SISTER CARRIE AND THE CITY n 1900, Theodore Dreiser stepped forth into a spectacular world. Turn-of-the-century I New York surged with clamor and color, diners and theaters, billboards and saloons, auctioneers and confidence men. Yet the city of his dreams, as the American author called it, deceived as much as it dazzled. It seemed “marble and serene” upon first impression, so a casual observer might believe “that all the world was inordinately ∗ Stephanie M.
[Show full text]