Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Boo-Hooray Catalog #10: Flyers
Catalog 10 Flyers + Boo-hooray May 2021 22 eldridge boo-hooray.com New york ny Boo-Hooray Catalog #10: Flyers Boo-Hooray is proud to present our tenth antiquarian catalog, exploring the ephemeral nature of the flyer. We love marginal scraps of paper that become important artifacts of historical import decades later. In this catalog of flyers, we celebrate phenomenal throwaway pieces of paper in music, art, poetry, film, and activism. Readers will find rare flyers for underground films by Kenneth Anger, Jack Smith, and Andy Warhol; incredible early hip-hop flyers designed by Buddy Esquire and others; and punk artifacts of Crass, the Sex Pistols, the Clash, and the underground Austin scene. Also included are scarce protest flyers and examples of mutual aid in the 20th Century, such as a flyer from Angela Davis speaking in Harlem only months after being found not guilty for the kidnapping and murder of a judge, and a remarkably illustrated flyer from a free nursery in the Lower East Side. For over a decade, Boo-Hooray has been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Evan, Beth and Daylon. -
The Roots Music Magazine Including Rock'n'roll, R&B, Soul, Jazz, Folk
www.tftw.org.uk £1/19/11d - £2.00 - €3.00 - $3.75 The Roots Music Magazine including Rock'n'Roll, R&B, soul, jazz, folk, The Roots Music Networking Group country and 58 much more ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK The sound of Robb Davis’s double bass being slapped as Brian ‘Bunter’ Clark’s drums whacked the offbeat, Claire Hamlin from the Alabama Slammers, her fingers pounding the keyboards, and John Spencely’s guitar starting to riff as the House Band kicked off ‘Tales From The Woods’ rock party at the ‘Inn On The Green’ in Portobello, W11. The beginning of a real night of fifties Rock’n'Roll with many singers sitting in throughout the evening including Cliff Edmunds (the Avengers), a perfect rendering of ‘Move It’ and ‘Brand New Cadillac’; Pete Stockton ‘Girl Of My Best Friend’; Dave Sampson (the Hunters) sang ‘Love Me’; Danny Rivers, ‘Can’t You Hear My Heart’ plus Ray Lee (Dream Lover) and of course Rockin' Gerry Champion of the 2i’s coffee bar, rocked ‘I Go Ape’. Everybody was here not only to celebrate Keith’s birthday but also to thank him for all his great efforts in keeping the faith and attracting musicians from that magic time, way back when I was really young and played or jived the night away in Soho town. We even had a Skiffle group and Allan Bailey, (Soho Leg-ends) sang ‘Rock Island Line’. A friend shouted in my ear that “No tea chest bass sounded as good as the ones made for PG Tips!” In fact Ken Major had brought his original one from back in 1956. -
Discography of the Turbo Label
The Labels of Joe and Sylvia Robinson The All-Platinum Label was formed by Joe and Sylvia Robinson, husband and wife in New Jersey in 1969. Sylvia Robinson was one-half of the duo Mickey and Sylvia of “Love is Strange” fame. George Kerr and the Robinson’s were responsible for A&R. Joe Robinson had parlayed a music publishing company that he established years before in New York into the All-Platinum, Stang, and Turbo record labels. Artists included his wife Sylvia, The Moments, Brother to Brother, Shirley and Company, Linda Jones, Jack McDuff and Chuck Jackson The labels were All-Platinum, Stang, Turbo and Vibration. All-Platinum distributed Charisma (US) which released Malcolm X recordings, More which released Eldridge Cleaver recordings and Maple which released R&B and Psychedelic. In the late 70’s All-Platinum went bankrupt. The Robinson’s then formed Sugar Hill Records in 1979 with Milton Malden and financial funding of Morris Levy, the owner of Roulette Records and pioneered Rap Music The Sugar Hill label's first record was "Rapper's Delight" (1979) by The Sugarhill Gang, which was also the first Top 40 hip hop single. Afterwards Grandmaster Flash, The Sequence, Funky Four Plus One, Crash Crew, Kool Moe Dee, The West Street Mob, and Melle Mel joined the label. Sugar Hill's in-house producer and arranger was Clifton "Jiggs" Chase. The in-house recording engineer was Steve Jerome. Al Goodman, leader of The Moments, ran the show and George Kerr was a major producer. Joe and Sylvia's sons Joey and Leland were also active in the business. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Die Beach-Party-Filme (1963-1968) Zusammengestellt Von Katja Bruns Und James Zu Hüningen
Kieler Beiträge zur Filmmusikforschung, 5.4, 2011 // 623 Die Beach-Party-Filme (1963-1968) Zusammengestellt von Katja Bruns und James zu Hüningen Inhalt: Alphabetisches Verzeichnis der Filme Chronologisches Verzeichnis der Filme Literatur Als Beach Party Movies bezeichnet man ein kleines Genre von Filmen, das sich um die Produktionen der American International Pictures (AIP) versammelt. Zwar gab es eine Reihe von Vorläufern – zuallererst ist die Columbia-Produktion GIDGET aus dem Jahre 1959 zu nennen (nach einem Erfolgsroman von Frederick Kohner), in dem Sandra Dee als Surferin aufgetreten war –, doch beginnt die kurze Erfolgsgeschichte des Genres erst mit BEACH PARTY (1963), einer AIP-Produktion, die einen ebenso unerwarteten wie großen Kassenerfolg hatte. AIP hatte das Grundmuster der Gidget-Filme kopiert, die Geschichte um diverse Musiknummern angereichert, die oft auch als performances seinerzeit populärer Bands im Film selbst szenisch ausgeführt wurden, und die Darstellerinnen in zahlreichen Bikini-Szenen ausgestellt (exponierte männliche Körper traten erst in den Surfer-Szenen etwas später hinzu). Das AIP-Konzept spekulierte auf einen primär jugendlichen Kreis von Zuschauern, weshalb – anders, als noch in der GIDGET-Geschichte – die Rollen der Eltern und anderer Erziehungsberechtigter deutlich zurückgenommen wurden. Allerdings spielen die Auseinandersetzungen mit Eltern, vor allem das Erlernen eines selbstbestimmten Umgangs mit der eigenen Sexualität in allen Filmen eine zentrale dramatische Rolle. Dass die Jugendlichen meist in peer groups auftreten und dass es dabei zu Rang- oder Machtkämpfen kommt, tritt dagegen ganz zurück. Es handelte sich ausschließlich um minimal budgetierte Filme, die on location vor allem an den Stränden Kaliforniens (meist am Paradise Cove) aufgenommen wurden; später kamen auch Aufnahmen auf Hawaii und an anderen berühmten Surfer-Stränden zustande. -
Nieuwsbrief XIV – Mei 2014
Nieuwsbrief XIV – mei 2014 Bibliotheek Koninklijk Conservatorium Antwerpen Nieuws uit de boekentoren Nieuwtjes uit de bibliotheek, de zangeres van ‘This World Today is A Mess’ en een selectie van de recente aanwinsten, dat vindt u allemaal in deze nieuwsbrief. Berichten uit de bibliotheek - Het tijdschrift Dans. Magazine voor dans in Vlaanderen wijdde in zijn eerste nummer van 2014 een pagina aan de danscollectie in onze bibliotheek. Onder de titel Een tempel der wijsheid. De bibliotheek van het Antwerpse Conservatorium wordt de danscollectie op de uitleendienst en in de leeszaal voorgesteld. Het slot van het artikel wil ik u niet onthouden: ‘Zowel in de leeszaal als in de bibliotheek [bedoeld is de uitleendienst] werken vriendelijke en behulpzame mensen die je op tal van vragen kunnen antwoorden. Wie op zoek is naar een specifiek werk kan op de website van het conservatorium de database van de bibliotheek raadplegen, om er zeker van te zijn niet van een kale reis terug te komen. Hoe dan ook is een bezoek aan beide tempels van artistieke wijsheid meer dan de moeite waard! Er is altijd wel een of andere ontdekking te doen, voor zij die van dans, architectuur, theater en/of muziek houden.’ En zo hoort u het eens van iemand anders. - Historische opera- en balletpartituren gedigitaliseerd i.s.m. een Amerikaanse universiteit en Internet Archive Nadat er eerder een twintigtal historische operapartituren uit onze collectie werden gescand en via Internet Archive digitaal raadpleegbaar werden gemaakt (zie Nieuwsbrief XII), ondergingen de voorbije maanden nog een tachtigtal historische opera- en balletpartituren uit onze bibliotheek dezelfde behandeling. -
James Brown Ain't It Funky Mp3, Flac, Wma
James Brown Ain't It Funky mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Ain't It Funky Country: UK Released: 1970 Style: Funk MP3 version RAR size: 1840 mb FLAC version RAR size: 1838 mb WMA version RAR size: 1844 mb Rating: 4.6 Votes: 806 Other Formats: AIFF AU MP4 DMF WAV MMF DXD Tracklist A1 Ain't It Funky (Part 1 & 2) 9:26 A2 Fat Wood (Part 1 & 2) 9:15 B1 Cold Sweat 5:17 B2 Give It Up Turn It Loose 3:45 B3 Nose Job 2:30 B4 Use Your Mother 3:25 B5 After You Done It 3:28 Credits Producer – James Brown Notes Side B is instrumental recorded between 1966 & 1969. Original recording by King Records, USA. Other versions Category Artist Title (Format) Label Category Country Year James Brown And The King James Brown KS-1092, KS James Brown Band - Records , KS-1092, KS And The James US 1970 1092 Ain't It Funky (LP, King 1092 Brown Band Album, Ora) Records James Brown And The James Brown James Brown Band - KS 1092 And The James Polydor KS 1092 US Unknown Ain't It Funky (LP, RP, Brown Band 180) James Brown James Brown & The 2310 017 & The James James Brown Band - Polydor 2310 017 Canada 1973 Brown Band Ain't It Funky (LP) James Brown and The James Brown James Brown Band - 2310 017 and The James Polydor 2310 017 Germany 1970 Ain't It Funky (LP, Brown Band Album, Promo, W/Lbl) King James Brown James Brown & The Records , KS-1092 & The James James Brown Band - KS-1092 Canada 1970 King Brown Band Ain't It Funky (LP) Records Related Music albums to Ain't It Funky by James Brown james brown - the james brown story 'doing it to death' James Brown - James Brown and The James Brown band - Ain't it Funky James Brown Plays And Directs The James Brown Band - Sho Is Funky Down Here James Brown - The Best Of James Brown James Brown - Legends James Brown Vol.2 James Brown Directs And Dances With The The James Brown Band - The Popcorn James Brown - Funky Drummer James Brown - Sho Is funky down here James Brown - James Brown Soul Classics. -
France Gall ? 01 Quel Grand Concours Musical France Gall A-T- A
| NIVEAU DÉBUTANT 09 Quelle artiste a sorti l'album Ma déclaration proposant des reprises de France Gall ? 01 Quel grand concours musical France Gall a-t- A. Lorie B. Alizée elle remporté en 1965 ? C. Jenifer D. Lââm A. Eurovision B. Miss France 10 Quel titre France Gall a-t-elle sorti en hommage C. Intervilles D. Nouvelle Star à la chanteuse Ella Fitzgerald ? 02 Quel musicien deviendra en 1976 l'époux puis A. Ella, elle l'a B. Résiste le compositeur de France Gall ? C. Calypso D. Babacar France Gall A. Gilbert Bécaud B. Michel Berger C. Daniel Guichard D. Daniel Lavoie NIVEAU CONFIRMÉ 03 Quelle comédie musicale de 2015 a été écrite 11 Quel pays France Gall représentait-elle au par France Gall et Bruck Dawit ? dixième concours Eurovision de la chanson ? A. Grease B. Résiste A. Belgique B. Suisse C. Mathilda D. Annie C. France D. Luxembourg 04 Qui a écrit et composé la chanson de France 12 En quelle année France Gall a-t-elle Gall Laisse tomber les filles ? officiellement quitté la scène musicale ? A. Jacques Dutronc B. Claude François A. 2003 B. 2001 C. Serge Gainsbourg D. Eddy Mitchell C. 1999 D. 1997 05 Qui aurait déclaré à France Gall : Tu as gagné, 13 Comment France Gall fut-elle surnommée par mais tu m'as perdu. ? sa famille jusqu'à sa mort ? A. Hugues Aufray B. Claude François A. Cosette B. Nini C. Daniel Balavoine D. Julien Clerc C. Babou D. Fafa 06 Quel titre de France Gall est célèbre pour ses 14 Dans quel pays France Gall a-t-elle rencontré le deux niveaux de lecture ? succès fin des années 1960 ? A. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Ted Heath (Bandleader) from Wikipedia, the Free Encyclopedia
Ted Heath (bandleader) From Wikipedia, the free encyclopedia Background information Birth name George Edward Heath Also known as Ted Born 30 March 1902 Wandsworth, South London, England Died 18 November 1969 (aged 67) Virginia Water, Surrey, England Genres Big Band, jazz Occupation(s) Bandleader, composer Instruments Trombone Years active 1916–1969 Labels Decca, London George Edward "Ted" Heath (30 March 1902 – 18 November 1969) was a British musician and big band leader. He led Britain's greatest post-war big band recording more than 100 albums which sold over 20 million copies. Considered the most successful band in Britain during the 1950s, it remained in existence as a ghost band long after Heath died, surviving in such a form until 2000. Musical beginnings After playing tenor horn at the age of six, encouraged by his father, the leader of the Wandsworth Town Brass Band, Heath later switched to trombone. Earning a living for his family in the post-war years he, and his brother Harold with three other musicians, formed a band that played to commuters outside London Bridge Station before winding their way along the streets in London to a location outside the Queen’s Hall Gardens venue. It was here that Heath’s professional career began as he was spotted on the street and asked to play with the Jack Hylton Band who had a residence there. He did not last long, not having the experience required, but it gave him the ambition to pursue a career as a professional musician. 1920s His first real band gig was with an American band on tour in Europe – the Southern Syncopation Orchestra – which had an engagement in Vienna, Austria and needed a trombone player. -
Voices of Compton Compton Literary / Arts Journal Dr
Acknowledgements Voices of Compton Compton Literary / Arts Journal Dr. Keith Curry, CEO Ms. Barbara Perez, Vice President Mr. Robert Butler, Student Life Office Mr. Cleveland Palmer, Contributor of Student Artwork Ms. Chelvi Subramaniam, Humanities Chair Dr. Ruth Roach, Publication Coordinator & English Faculty Mr. Jose Bernaudo, Reader & English Faculty Mr. David Maruyama, Reader & English Faculty Ms. Toni Wasserberger, Reader & English Faculty Mr. Patrick McLaughlin, First Year Experience & English Faculty Ms. Amber Gillis, Advisory Team Member and Faculty Member Associated Student Body & Humanities Division Faculty Cover Artwork: Jennifer Deese, Dalia Cornejo, Tyler Sims, Luis Mota, Amy Huerta Cruz, Violeta Martinez, Adriana Sanchez, Marysol Ortiz 2011-2012 Publisher: Southern California Graphics® ©Copyright 2012 All rights reserved. 1 2 Table of Contents |30| Poem about My Own People (Poem) by Lonnie Manuel UPTOWN |31| Man-child: My |40| Emergency Room Pages [13] My Sense of Identity Experience (Essay) (Essay) [4] A Father’s Love (Poem) (Essay) by David Richardson by Jaime Yoshida by Stephanie Bentley by Desiree Lavea |32| Poverty: My Experience |43| “Underdog” (Poem) [4] Self Portrait (Sketch) [15] Love Is (Poem) (Essay) by Carlos Ornelas by Tony McGee by Erica Monique Greer by Rodney Bunkley |43| The Joker (Painting) [5] Untitled (Sketch) [16] Love Confessions |34| Depression from by Ricardo Villeda (Guest) by Tony McGee by Danny Westbrook Oppression (Essay) |44| Children of the Universe [5] Rikki (Poem) [16] Have You Seen the