and percussion. Additional classes were given by Greg Irwin (USA) who wowed the students people and places with his incredible finger exercise techniques, and Nick Petrella (USA) who gave an in- depth presentation to the teachers on marching CHINA artists including Heinz Lichius (Germany), percussion. ldo Mazza, Founder and Artistic Alexander Cunha (Brazil), Chris Trzcinski The highlight of the week for all was the Director of KoSA Music, and Dr. Jolán (China), Nikos Touliatos (Greece), Nicholas grand finale faculty concert, hosted by Mazza. KovácsA , KoSA’s Co-Founder and Project McBride (Australia), Da Liang (China), The concert featured the artists who judged Coordinator, recently traveled to China for Jiang Ningzhan (China), and Virgil Donati the opening day competition as well as KoSA KoSA China 2013, an annual event produced (Australia). The panel had the difficult task faculty alumni, special guest motivational in collaboration with China’s 9 Beats Music of selecting the best band from an array of drummer Dom Famularo, and conga master Education Schools, a nationwide effort talented and energetic performers. Steve Thornton (USA). The event also consisting of 150 school locations throughout Following the competition were several featured two talented bass players: Wen Liu China. An international faculty taught and jam-packed days featuring back-to-back (USA) and Thanos Evangelou (Greece). performed in front of several hundred eager teacher training seminars given by Aldo to 9 Plans are already underway for next year’s Chinese drum enthusiasts. Beats teachers, focusing on traditional Cuban event in China (August 2014) with a possibly The 2013 event kicked off with the band rhythms and their application on the drumset. bigger collaboration with the reputable 9 Beats competition for kids of all ages studying at 9 Other classes concentrated on teaching 9 Beats school directed by Li Hongyu. Beats. Mazza was a member of the judging students, who came from all over China (a total panel alongside fellow percussion and drumset of 650 participants this year) to study drumset COLOMBIA he Youth Philharmonic of Colombia (Filarmónica Joven de Colombia – FJC) wasT on tour of Colombia and the New World Center in Miami during July under the baton of Alejandro Posada. Prior to the tour, they were in residence at the Hotel Estelar in Paipa, Colombia for two weeks, where the percussionists prepared with FJC faculty member Fernando Meza. COSTA RICA ismarck Fernández (Costa Rica National Symphony Orchestra), Ricardo Alvarado (VenezuelaB Symphony Orchestra), and Fernando Meza (University of Minnesota) were the featured soloists during the Costa Rica National Symphony Orchestra’s performance of Russell Peck’s “The Glory and the Grandeur” during their subscription series in May and June at the National Theater of Costa Rica under the direction of Lior Aldo Mazza Shambadal. These performances marked the start of the 3rd International Festival of Percussion Ensembles, hosted by Fernández and the Costa Rica-UNED Percussion Ensemble. This year’s participants in the festival included the Patagonia Cultural Foundation Percussion Ensemble from Argentina (Angel Frette, director), the Javier Nandayapa Marimba Ensemble from Mexico, the Costa Rica-UNED Percussion Ensemble, and guests Alvarado and Meza, who joined forces for an evening’s performance of special percussion arrangements of “Overture to Candide” by Leonard Bernstein and the world premiere of Luis Diego Herra’s “Concerto for Marimba” with Fernández as soloist. Performances took place in the National Theater in San José to full-capacity audiences. The final event of this year’s edition of the IFPE, a marimba festival, took place at 2013 Youth Philharmonic of Colombia percussion section, from left, Guillermo Andrés Ospina, Elkin David the National Center for Culture (CENAC) Ortega, faculty member Fernando Meza, Jennifer Castillo, Fabián Eduardo Molano, Daniel Felipe Castañeda, and Norma Yulieth Bernal. (continued on page 13) OCTOBER 2013 8 PERCUSSION NEWS www.pas.org www.pas.org PERCUSSION NEWS 9 OCTOBER 2013 Chicago Drum Show 2013 he 23rd Annual Chicago Drum Show was held May 18–19 Tat the Kane County Fairgrounds in St Charles, Illinois. Show organizer Rob Cook reported that the paid attendance was 1,041, with exhibitors, staff, and guests bringing the total attendance to 1,378. There were 108 exhibitors. Jane Boxall kicked off the clinic program. Lennie DiMuzio was scheduled to appear next but suffered a health emergency and was not able to attend, so Paul Wertico presented a clinic in his place with less than 30-minutes notice. “I was astonished,” said Cook. “Paul was picking up his credential and I mentioned to him that I had almost phoned to ask him about doing a clinic, but thought this notice was too short. He demonstrated that he is always ready.” Another last-minute development was the first public unveil- ing of a portrait of Louie Bellson. The painting was done by Michael del Priore, who brought it to the show to present to Francine Bellson. She explained to the clinic crowd that the por- trait is destined for the Smithsonian Institution along with drum equipment she is donating. Other featured clinicians were Daniel Glass and Rick Latham, both of whom also conducted master classes. The Rebeats Cafe provided a “second stage” that featured a presentation by Neil Boumpani, who explained (with the help of his multi-media presentation) the difficulties he overcame in con- structing “Big MO,” the world’s largest bass drum for the Uni- versity of Missouri. Dick Markus (Percussion Products Manager for Evans) explained the new Evans 360 Systems in another Cafe presentation, and Jon Cohan spoke about (and demonstrated) drum tuning considerations for the studio. A special program in the clinic hall was presented by the Ho Etsu Taiko group of Chicago. “They certainly live up to their mission statement, which is to spread joy and vitality through every drumbeat,” said Cook. “The taiko presence added a new and exciting dimension to the Chicago Drum Show.” Daniel Glass came up with a new type of event at this year’s show: an educational and entertaining all-star roundtable dis- cussion. Along with William F Ludwig III and Denny Brown, Daniel discussed the history of the trap drumkit. Drawing from his recently released DVDs, The Century Project and Traps, Glass had plenty of images for his AV support. The event drew a near- capacity crowd of about 50, which has Glass and show organizers contemplating a follow-up event for 2014. Raffle and door prize donors included DW, Sabian, Custom Tank Drums, Zildjian, Mayer Brothers Drums, Not So Modern Drummer, Cympad, Ludwig, Firth, DrumArt, Taye, Evans, Hol- land Drums, RC Percussion, and Kelly Shu. Clinician sponsor- ship came from Ludwig, DW, Evans, Zildjian, Istanbul Mehmet, Sabian, Pro-Mark, Big Bang, AKG, and Firth. The final show program can be accessed at the Rebeats site along with the final exhibitor chart. (www.rebeats.com/drum- shows_start_page.html) The 24th Annual Chicago Drum Show is scheduled for May 17–18, 2014. OCTOBER 2013 10 PERCUSSION NEWS www.pas.org www.pas.org PERCUSSION NEWS 11 OCTOBER 2013 Zeltsman Marimba Festival 2013 By Natalie Klco and Courtney Stredder . Photos: michaelptacin.com ith 47 participants and 15 faculty/ zone. For others, it was at a concert Wperformers and presenters hailing from where Javier shared the buzzing nine countries and 13 states, Zeltsman Ma- sound of the Mexican marimba, or rimba Festival (ZMF) 2013 offered one of when Mike explored more contem- the most international marimba experiences porary sounds. of the year. Held June 30 to July 13 in beau- Programming included 25 en- tiful Arcata, California at Humboldt State semble pieces performed by par- University, everyone attended daily master ticipants and coached by faculty classes, rehearsals, private or group lessons, (who often performed as well). The and discussions exploring the possibilities final day began with a “marathon and elegance that can be discovered through concert” (nearly five hours), which the marimba. provided participants the opportu- Participant Lauren Keber working with Nancy Zeltsman Along with Nancy Zeltsman (ZMF’s nity to perform solos, and wrapped Artistic Director), the faculty included Greg up with a “Latin Jazz Dance Party” The festival coincidentally celebrated Beyer, Pedro Carneiro, Beverley Johnston, (hosted by Marimba One) featuring fantastic the 28th birthday (on July 4) of Andrew Javier Nandayapa, Fumito Nunoya, Christos original compositions and Latin arrangements Thomas’ composition “Merlin” with a dedi- Rafalides, and Jack Van Geem. Associate by Christos Rafalides. cated group lesson taught by Nancy. Those faculty were Mike Truesdell (also ZMF Op- Guest performers/presenters were Petros in attendance left a celebratory group erations Manager) and Joint Venture Per- Klampanis (bass), Erin Lesser (flute), Eugene phone message for Thomas! cussion Duo, comprised of Laurent Warnier Eugene Novotney (speaker on steel pan), and Time away from the marimba could be and Xi (Rachel) Zhang. Those performers Teresa Simas (body-awareness coach). Petros spent exploring the serene redwood forest were featured in eight concerts over two stretched our minds with some games based or taking a walk on the beach. Participants weeks at Humboldt State University and on polyrhythms; imagine 50 marimba players and artists also enjoyed guided tours of the Arcata Playhouse. Thanks to the enthu- clapping polyrhythms from across the room! the nearby Marimba One factory to gain siastic and supportive Arcata community, Teresa offered students a very unique perspec- a sense of the dedication that goes into every evening concert was sold out and a tive to the physicality of the marimba. Being creating each instrument. It was exhilarat- few were standing-room only! a dancer and married to Pedro Carneiro, Te- ing to experience all this with people from The opening-night concert featured Jack resa has the musical familiarity and the body around the world who share a love and fas- Van Geem, Joint Venture Percussion Duo, awareness that can change a marimbist’s life.