RAY 1 MILLAND: Afraid of TV? PETER POTTER
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Box Office Digest (1941)
feojc Office (Zep&itd.: 'High Sierra' Week's Money Pic i>ee Pacje 5 * -i; r&; ?v^ • . -VT£i < - : -& % W 1 617 North La Brea Avenue, Los Angeies, Calif. Subscription Rate, #10.00 Per Year. .he Hex Ojfjfice DIGEST "HONOR BOX” The Biggest Grossing Release Of The Past Week This Week WARNERS wins with 'HIGH SIERRA' 115% Vice-Prcs. in Charge of Production Executive Producer Associate Producer Director JACK L. WARNER HAL WALLIS MARK HELLINGER RAOUL WALSH IDA LUPINO HUMPHREY BOGART Screenplay Featured ALAN CURTIS JOHN HUSTON ARTHUR KENNEDY W. R. BURNETT JOAN LESLIE HENRY HULL JEROME COWAN From Novel MINNA GOMBELL by BARTON McLANE W. R. BURNETT ELIZABETH RISDON CORNEL WILDE DONALD MacBRIDE PAUL HARVEY Photographer ISABEL JEWELL TONY GAUDIO WLLIE BEST SPENCER CHARTERS HENRY TRAVERS — ^Ue &Q4C Ofjfjice. ^JUe OnAuAisuyL DIGEST l/UeeJzhf, ENTERTAINMENT An Editorial by ROBERT E. WELSH The modest Editor last week murmered about the fact that it is release of life’s problems through zanie laughs, or complete the picture industry needs no legislative chiding—Senatorial abandonment of today’s calendar by adventure into glorious or otherwise—to tell it that heavy-handed propaganda, no mat- history, the first requirement of money-making entertainment ter for what side of an argument, is not selling theater tickets. is to take the customer away from his own daily problems. He just invited the attention of the pundits to the box office Above all, don’t aggravate those problems by preaching figures. And mentioned some of the pictures that were proving and especially sermonizing so effectively about the tragedies of the surprises. -
Make Room for Daddy
Make Room for Daddy ( later: “The Danny Thomas Show” ) US TV sitcom : 1953-55, 1957-63 : dir. : ABC / T & L : 199 x 26 min prod: : scr: : dir.ph.: Rusty Hamer; Sherry Jackson; Angela Cartwright ………………………………………………… Danny Thomas; Jean Hagan; Marjorie Lord; Jesse White Ref: Pages Sources Stills Kbytes Ω Copy on VHS Last Viewed 2879a 3½ 4 4 - - - - No unseen Happy families mk.I – Jean Hagen, Rusty Hamer, Sherry Jackson, Jesse White, Danny Thomas Source: How Sweet it Was Happy families mk.II – Rusty Hamer, Angela Cartwright, Sherry Jackson, Danny Thomas, Marjorie Lord Source: How Sweet it Was Halliwell’s Television Companion review: scatterbrained, the father is a jerk (indeed two separate "BLONDIE" TV adaptations were “A Copa Club entertainer has family trouble. mounted in the 1950s). Ozzie Nelson certainly Efficient long-running star comedy, later played this role, and others - like Danny known as "The Danny Thomas Show". It Thomas in "Make Room For Daddy" and was followed in 1970 by 26 hours of "Make "The Danny Thomas Show" (he was a Room for Granddaddy", in colour, but this showbiz star but not immune to problems of was not a success. Won Emmies in 1953 for his own making) - followed suit to greater or Best New Series and 1954 for Best Situation lesser degrees…” Comedy * ” How Sweet It Was review: Incidental note from History of Television: “ "Make Room For Daddy" appeared on “The image of the American father has been television in 1953 with Danny Thomas starring much written about, especially by those as Danny Williams, a night-club entertainer anthropologists whose views of societies are who often had to spend long periods of time seen through glasses coloured Matriarchal or away from home. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Nas Gets Mainland Show Sunday
VOLUME IV SATURDAY, JULY 17, 1943 NUMBER 26 NAS GETS MAINLAND SHOW.. SUNDAY EARLY WING TALLY SHOWS CURTAIN IS SET FOR 1330 SUCCESS IN BOND DRIVE IN STATION THEATER The ·War Bond Allotment drive for "The Mainland Follies", a troupe of Fleet Air Detachment started Monday big-time Broadway entertainers now with a burst of enthusiasm. Prelimin playing at military posts on Hawaii, ary reports indicate many hands are will be at the Kaneohe Auditorium joining ranks with those having al tomorrow with a gala show for service ready alloted thereby accepting the men. There will be just one show at advice of Admiral Price "to prepare 1330. today to win your financial wings of The celebrated show-people in the tomorrow." USO Camp Show troupe include Early reports place the divisions in "Little Jackie Heller", the famous "61 the following order: inches of song" who was a starred Flag Office Lt. (jg) T. Roosevelt III singer in Ben Bernie's band, Jack Po V. B. 140 Lt. H. C. Hayden V. P. 52 Ens. L. A. West well, the "Rajah of Rhythm" featured Communications Ens. R. I. Godber V. P. 14 . Ens. J. B. Nourse in Ed Wynn's Broadway musical V. B. 104 .. ... Lt. R. E. Ming "Laugh Parade", and George .Finkel Aerology E. Ford, CAerM V. P. 13 .... Lt. G. R. McDermott berg, whose "hot piano" won him a Hedron Ens. E. O. Heise Wing Medical Lt. Comdr. L. S. Seebach berth in Henry King's orchestra. At the two thirds mark, the Fleet Lew Parker, comedian featured in Air Detachment showed an overall Olsen and Johnson's "Hellzapoppin", percentage of 56 per cent. -
GIRL SCOUTS S' Icralb MILLIONS BALLOTING in FIFTEEN STATES
PAGETWELVH ilanrirrBtrr Evrainn S ^rali Mr. and Mrs. Arthur O. Lloyd of 529 West Center street when Gap- AVEBAGB DAILT flaOHIJiTION 617 Center street have leased the poni, who claims he was blinded by ABOUTTOWN OMlns home in Qimrryvllle, Bolton, FOUR HURT IN TRIO the sun, rammed the rear of ths Manchester RErURNWG DOWN UNDER for the Meath of Oetobar, 1887 for aa indefinite period, the lease other car. being handled by Clarence H. An Mabel Dlckenaaa, 16, o f South fbr the chicken pie derson. Hr. and Mrs. Lloyd have Date Book GIVEN F A R E W O L PARTY •upper which the North MetbodUt OF CRASHES HERE Windsor, was taken to the Manches 6 , 0 1 4 bad plana drawn for construction of ter Memorial hospital suffering from Mwnbar o f the Aodit Ladlee Aid aodety U to aerve at the a fleid stone home on the South This Week church Wedneedny evening at 6 lacerations.. She was riding with Nr. and Mrs. Janes' Hope Bareaa of Clrna^tkaa I c r a l b Bolton road. Mr. Lloyd Is produc Gapponi, and was cut by flying glass Nov. 8 — Old-faabloned chicken o’clock (lUHild be made by tonight tion manager at the Hamilton Pro pie supper at North Methodizt Leaving Tonight On Trip To MANCHESTER — A CITY OP VILLAGEi CHARM to aaalat the committee i^th their peller Company, East Hartford. Week-end Colfiaons Pro- from the other car. Also riding In church, 6. p. m. Anstmlia; Have Been Here ^ preparation*. Gapponl's automobile were Helen V O L. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Danny Thomas Papers PASC.0356
http://oac.cdlib.org/findaid/ark:/13030/c8jq133p No online items Danny Thomas papers PASC.0356 Processed by Allison Park with assistance from Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2019 September 10. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Danny Thomas papers PASC.0356 PASC.0356 1 Language of Material: English Contributing Institution: UCLA Library Special Collections Title: Danny Thomas papers Creator: Thomas, Danny Identifier/Call Number: PASC.0356 Physical Description: 10.2 Linear Feet(20 boxes and 1 shoe box) Date (inclusive): 1953-1964, 1979 Abstract: Entertainer Danny Thomas is best remembered for his role in the television series Make Room for Daddy later known as the Danny Thomas Show. The collection consists primarily of script files documenting the popular television series Make Room for Daddy (1953-1956) and The Danny Thomas Show (1956-1964). Language of Material: Materials are in English. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Tab Hunter in . ..-.- J Tl,L,.:Sa
ttre" Illinois Guy S. Uttfe, Jr. Pr- $..a . Tab Hunter in . ..-.-J tl,l,.:sa JUNE 29 - JULY 4, 1965 Guy S. Little, Jr. PRESENTS TAB HUNTER "MISTER ROBERTS" By THOMAS EGGEN and JOSHUA LOGAN With VINCE DE DARlO Ralph Foody, Hal Frank, Arlene Drake, I. W. Klein Richard ~tadelmann, Hugh Kennedy Tirrdl, Lowell Christy DIRECTED BY JOHN KELSO SCENERY AN.D LIGHTING DESIGNED BY PAUL HOFFMAN I ENTIRE PRODUCTION UNDER THE SUPERVISION OF MR. LITTLE I CAST Lieutenant (JG) Roberts .......................................... TAB HUNTER Doc ........................................................... HAL FRANK Dowdy ..............................................HUGH KENNEDY TIRRELL The Captain .................................................... RALPH FOODY lnsigna .......................................................... PETER ROSS Mannion ......................................................DARRELL RUHL Lindstrom ..................................................... BILL FECHT Stefanowski ............................................RICHARD STADELMANN Wiley .........................................................BILL HADDAD Sehlemmer ...................................................... FRED HAHN Reber ........................................................ROBERT BURTON Ensign Pulver ................................................ VIMCE DE DARlO Dolan .......................................................... I. W. KLElN Gerhart ..................................................... LOWELL CHRISTY Lieutenant Ann Girard ........................................ -
Theme Park Press Announces New Jim Korkis Book: Who’S Afraid of the Song of the South?
FOR IMMEDIATE RELEASE Theme Park Press Announces New Jim Korkis Book: Who’s Afraid of the Song of the South? Orlando, Florida — November 19, 2012 — Disney historian and best-selling author Jim Korkis is not afraid of the classic but forbidden Disney film Song of the South. Who is afraid of it? The Disney Company, as Jim explains in his new book Who’s Afraid of the Song of the South, available in print and digital editions from Theme Park Press. In the book, Jim provides the first definitive account of the film, its history, its production, and the controversy that still surrounds it. Is Song of the South racist? Is it inappropriate for modern audiences? Why has Disney refused to release the film theatrically since 1986? Using a multitude of sources, including personal interviews with those who worked on the film, Jim examines every aspect of Song of the South’s troubled and troubling history: the problems writing the screenplay, the background of the live actors, how the animation was created, Walt Disney’s personal contributions, why the film remains controversial today, and every other aspect of the film you can’t but should see. The book features a lengthy foreword by Disney Legend Floyd Norman, Disney’s first Black animator and storyman. An excerpt from that foreword is included in this press kit. Who’s Afraid of the Song of the South? isn’t just about the film. Jim also shares seventeen amazing — and equally forbidden — stories the Disney Company wishes were never told. You’ll learn about Disney’s sex education film, Walt’s plan for Mickey Mouse to commit suicide, Tim Burton’s depressed stint at the Disney Studios, Ward Kimball’s UFO obsession, Walt’s owl nightmares, the Disneyland Memorial Orgy poster, and lots more. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Participation in Elections for President and Representatives— Percent of Voting-Age Population 276 Elections Political Campaig
276 Elections Figure 8.1 Participation in Elections for President and Representatives— Percent of Voting-Age Population President U.S. Representatives Percent Percent 70 70 60 60 50 50 40 40 30 30 20 20 10 10 0 0 1972 1976 1980 1984 1988 1992 1996 1972 1976 1980 1984 1988 1992 1996 Source: Chart prepared by U.S. Bureau of the Census. For data, see Table 485. Figure 8.2 Political Campaign Receipts Democratic receipts, net Millions of dollars Republican receipts, net 500 450 400 350 300 250 200 150 100 50 0 1981–82 1983–84 1985–86 1987–88 1989–90 1991–92 1993–94 1995–96 Source: Chart prepared by U.S. Bureau of the Census. For data, see Table 488. U.S. Census Bureau, the Official StatisticsTM Statistical Abstract of the United States: 1998 Sep. 25, 1998 Section 8 Elections This section relates primarily to presiden- tial, congressional, and gubernatorial elec- In Brief tions. Also presented are summary tables on congressional legislation; state legisla- Percent of voting-age population tures; Black, Hispanic, and female office- voting for Representatives: holders; population of voting age; voter 1992. 50.8% participation; and campaign finances. 1994. 36.0% Official statistics on federal elections, col- Voter registration sources 1995–96: lected by the Clerk of the House, are Motor vehicle offices 33.1% published biennially in Statistics of the By mail 29.7% Presidential and Congressional Election Public assistance offices 6.3% and Statistics of the Congressional Elec- State designated sites 4.2% tion. Federal and state elections data ap- Disability services 0.4% pear also in America Votes, a biennial Armed Forces offices 0.2% volume published by Congressional Other 26.1% Quarterly, Inc., Washington, DC. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.