The Other Side Prod Notes 6 December
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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
American Gangster
www.kirkeogfilm.dk American gangster Gangstermiljøet og et helt samfund i Vietnamkrigens lys Af Jes Nysten Filmen henter sit stof fra en autentisk historie, som udspilledes i slutningen af 60’ernes New York. Vi er i Vietnamkrigens og hippietidens USA. Hvor negrenes kamp for ligestilling var i fuld gang, og hvor Harlem stadig var totalt ’sort’ område. Frank Lucas har med alle midler – og jeg mener alle midler – gjort sig til ’godfather’ for et stort område i Harlem. Derudover har han egenhændig etableret sig som importør af ren heroin fra Vietnam, som han sælger og på den måde samler sig en enorm formue, som bl.a. bruges på generøse gaver til hans ’undersåtter’ i Harlems gader. Men han samler også sin familie omkring sig, for det er netop det, der gælder: social status og ubrydeligt familiesammenhold, uanset hvordan man opnår denne formue og status. Frank bryder således med de gængse spilleregler og kommer på den måde til at skulle krydse klinger med folk, der normalt sidder sikkert på narkomarkedet: de etablerede mafiafamilier og byens korrupte politifolk. Men den afgørende kamp for Frank kommer til at stå med den lidt forhutlede men bundhæderlige politimand Richie Roberts. -1- www.kirkeogfilm.dk På klassisk vis løber filmen i to spor, nemnlig disse to mænds i begyndelsen separate historier, som langsomt nærmer sig hinanden; og som først til allersidst løber sammen i den klassiske konfrontation: helten overfor skurken! Et møde som imidlertid får et temmelig ukonventionel efterspil, som ikke skal røbes her. Som nævnt bruges gangstergenren som et stærkt stiliseret billede på de gængse spilleregler i samfundet - sådan også her. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Marketing Overview MARKETING Results That Matter
B8 Marketing Overview MARKETING Results That Matter. SERVICES Buffalo 8 Marketing provides strategic entertainment media relations, creative marketing communications, social media, special event planning, trade and consumer publicity both nationally and globally. TEAM Buffalo 8 Marketing is led by a world class team with over 20 years of experience in entertainment PR lead by Theo Dumont (Partner & Head of B8 Marketing) and Luke Fitterer (Publicity Coordinator). EXPERIENCE AND WORK Buffalo 8 Marketing has expertise and experience working across all areas of the entertainment business, including high-profile personalities and brands such as: Spike Lee, Netflix, Focus Features, Stan Lee’s POW! Entertainment, Overbrook Entertainment, MGM Studios, yes Studios, Starlight Runner Entertainment, Tapas Media, TONIK Productions, HollyShorts Film Festival, Gersh, TCA, Roger Guenveur Smith (Rodney King), Show runner Adi Hasak (Shades of Blue), USA, NBC, Matthew Modine, Miles Regis, Cey Adams, Pabst Blue Ribbon and more. Buffalo 8 Marketing participates in all major festivals and conferences for film & TV client campaigns, including: Cannes, Tribeca, Sundance, SXSW, TIFF, Telluride, Venice, Berlin, MIP, MIPCOM, Series Mania, Content London, San Diego Comic-Con, New York Comic-Con, BANFF, Oscar-qualifying Hollyshorts, and more. LOCATION 6535 Wilshire Blvd. ste. #256, Los Angeles, CA 90048 Additional Services MARKETING Results That Matter. PREMIUM SOCIAL CONTENT CAMPAIGNS From campaign development to creative content ideation, execution, and distribution on all major platforms, Buffalo 8 Marketing delivers premium social content to support marketing campaigns with an emphasis on uniting audiences and driving meaningful conversations through the utilization of emerging technologies, strategic platform cross-promotion and holistic social media marketing strategies. -
Race on the Road: from the Periphery to the Centre in Jonathan Kaplan's Love Field
RACE ON THE ROAD: FROM THE PERIPHERY TO THE CENTRE IN JONATHAN KAPLAN’S LOVE FIELD Carmen Indurain Eraso Universidad Pública de Navarra Following a general cinematic trend, the road movie genre in its beginnings relegated the representation of non-whites to the periphery. After analysing the general state of affairs of racial representation in the genre, we witness in the 1990s a timid but remarkable trend to produce “racial” road movies which vindicate the rights of central representation of racial minorities. This paper analyses a representative racial road film, Jonathan Kaplan’s Love Field (1992), in an attempt to show that the road movie’s generic conventions and traditional liberal pedigree may provide a context where the depiction of racial minorities and race relations may finally reach a central status. In the road movie we have an ideogram of human desire and the last ditch search for self, and who is more plagued for hunger and lostness than the socially disenfranchised? (Atkinson 1994:14). 1. RACE ON THE ROAD: A PERIPHERAL PRESENCE While it reminds us of the inner search, a basic trait of the road movie genre, this quotation by Michael Atkinson also makes the significant point that the socially marginalised are liable to experience an even greater need for this personal quest. As members of this underprivileged group together with women, non-whites can feel more intensely the “call to adventure”, to flee from an emotionally retarded society which has failed to integrate them satisfactorily. Thus, given their unfavourable condition in society which has traditionally allotted them a peripheral position as mere accessories to the white male, African Americans, Hispanics or Native ES 27 (2006-7): 75-94 76 CARMEN INDURAIN ERASO American Indians have started to find a central space of cinematic representation in the road genre. -
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FALL 2002 29 Laughter and Ethnicity in John Leguizamo's One-Man Worlds Miriam M. Chirico John Leguizamo's life is the substance of his art. His unflinching and uncompromising look at his own life and the lives of those closest to him provides the basis for his one-man shows, Mambo Mouth, Spic-O-Rama, the Tony-nominated play Freak and Sexaholix...A Love Story. Leguizamo has stamped his stand-up comic style as a playwright and his energetic characterizations as an actor onto the Broadway stage and the Hollywood screen. As the first Latino performer ever to produce a one-man show on Broadway, he is a spokesperson for a minority culture that vies to be heard within a dominant Anglo-Saxon one, and his dramatic sketches are tinged with a political undercurrent that questions the status quo of race relations in America. Leguizamo never allows his content to become too cerebral or heavy, but instead manipulates the comic impulse to bring his characters to life, providing the audience a means of empathizing with these characters and understanding the social and political issues at stake. Nor are his characters stereotypical representations of race and gender, as sometimes occurs in comedy. Rather, as each character confides his or her story to the audience, the facade they have brazenly put forth begins to erode under their frank admissions of fears and doubts. His characters are earnest and quirky, and derive their appeal not only from the stories they tell but also from the vocal and physical skills Leguizamo brings to each character. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Better Mus' Come
BETTER MUS’ COME PUBLICITY CONTACTS Tilane Jones [email protected] 818.995.0050 Rating: NR TRT: 104 minutes CREDITS Written & Directed by Storm Producer Paul Bucknor Executive Produced by Joshua Bratter Samantha Bratter Paul Bucknor Director of Photography Storm Editors Storm Paul Bucknor Cast Sheldon Shepherd - Ricky Nicole Grey - Kemala Ricardo Orgill - Flames Everaldo Creary - Short Man Roger Guenveur Smith - Prime Minister SYNOPSIS Better Mus’ Come is a coming of age drama set in Jamaica’s turbulent 1970s, against the backdrop of the Cold War, a national water crisis, an energy crisis, corruption, and numerous murder scandals that gave birth to the polarized violence gripping the streets of Kingston both then and now. After months of incarceration as a suspected political agitator, Ricky is released. Haunted by the tragic death of his devoted young wife and paralyzed by conflicting feelings of guilt and loyalty to his political tribe, he tries to navigate his way through the minefields created by the constant social upheaval that seems to be ubiquitous in his community, while providing a better life for his 5- year old son. At his home coming party Ricky meets Kemala, a book smart country girl, who lives in the opposing neighborhood, enemy territory. In many ways they are opposites, but what starts as antagonism quickly turns into burning passion. Kemala encourages Ricky to convince his old friends in the community to adopt a more passive approach. To defy the status quo of confrontation, this leads to the inevitable cycle of violence. The big question is, can Ricky and his crew beat the odds and ensure that Better Mus’ Come? Director’s Statement I’ve always been a bit of a cold war junkie, and there was a point in my life where I would watch, read, and research everything I could on geopolitics and espionage in the 20th century. -
Take the Stage
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, January 18, 2001 Page 19 Artist of MyMy TwoTwo CentsCents the Week It’s 8 p.m. at the American Music Awards and We Ask: & ‘Britney Spears, Do You Know Where Your Clothes Went?’ By MICHELLE H. LePOIDEVIN And how could I be so remiss in paw her while she sings half- Specially Written for The Westfield Leader and The Times thinking that Britney’s perfor- clad herself is an overreaction! “While I was doing the dishes mance of “Stronger” wasn’t bor- How could I be so sensitive? I this morning, I actually asked derline pornographic? What’s must be a prude. Why don’t I get myself if I’ll be able to watch wrong with me? Half-naked girls with the times? television tonight.” My mother in body stockings and glitter gy- Why don’t they get a con- settled down with her crocheting Take the Stage rating around Britney, trying to science and take a class in re- WITH KERRIANNE SPELLMAN CORT and reading materials, almost sponsible television pro- Spike Lee Joint fearful of what insane images gramming? Spike Lee Joint would flash before her as the At Moravian College, I gave channels changed. a speech against banning A Shot in the Dark (1957- ) After last Monday evening’s books. I loathed censorship in telecast of the American Music all of it’s forms. But, I knew By MICHELLE H. LePOIDEVIN Awards, mom has been suffer- Misses WCPs Mark Specially Written for The Westfield Leader and The Times there was a definite line that, ing from PBS. -
August Wilson African American Cultural Center
AUGUST WILSON AFRICAN AMERICAN CULTURAL CENTER IN PARTNERSHIP WITH MARTHA’S VINEYARD CAMP MEETING ASSOCIATION PRESENTS ROGER GUENVEUR SMITH’S FREDERICK DOUGLASS NOW ON SATURDAY, AUGUST 21 Live, one-night-only Performance takes place at the Tabernacle in Oak Bluffs, where Frederick Douglass spoke 145 years ago Smith also joins August Wilson African American Cultural Center as Guest Theater Curator for 2022-23 season Pittsburgh, PA – June 21, 2021 – The August Wilson African American Cultural Center (AWAACC) announces today live, in-person performances and an ongoing artistic partnership with Obie Award- winning playwright, actor, and educator, Roger Guenveur Smith. Kicking off with a performance of Smith’s acclaimed solo show, Frederick Douglass Now, presented in partnership with the Martha’s Vineyard Camp Meeting Association on Saturday, August 21 at 7:00pm ET, the one-night-only event takes place at Tabernacle in Oak Bluffs, a National Historic Landmark on Martha’s Vineyard. Smith’s work, inspired by the life and legacy of pioneering abolitionist and feminist, marks his long-awaited return to the stage and the first time he has performed the work on a site where Frederick Douglass himself spoke 145 years ago. Furthering the ongoing artistic relationship between Smith and the Center, AWAACC announces that Frederick Douglass Now will be presented at the Center’s hometown of Pittsburgh on November 11, 2021, with Smith joining AWAACC as the first-ever guest theater curator for the 2022-23 season. The partnership will bring thought-provoking works and artists to the Center, one of the largest non-profit cultural organizations in the country focused exclusively on the African American experience and the arts of the African diaspora. -
1999 Page 19 Artsarts Andand Entertainmententertainment
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, July 15, 1999 Page 19 ArtsArts andand EntertainmentEntertainment nnnnnnnnnn SSTATE OF THE AART The Dining Table nnnnnnnnnn nnnnnnnnnn nnnnnnnnnn nnnnnnnnnn Music Fantasy Discussion Group will con- vene on Thursday, July 22, at 7:30 LA GRIGLIA RESTAURANT Shirley Alston Reeves, original p.m. to discus fantasy novel, “Ship 740 Boulevard, Kenilworth, (908) 241-0031 lead singer of The Shirelles, will of Magic,” by Robin Hobb. perform with Who’s Johnny on Barnes & Noble in Clark will Wednesday, July 21, at 7:30 p.m. at host a Cooking Demonstration and By DR. JOSEPH P. DE ALESSANDRO chicken and veal, headed up with Echo Lake Park. The Vivian Panham Tasting with cookbook authors Specially Written for The Westfield Leader and The Times Chicken Arrabiata (which means an- Quintet will hold a classical concert Marvin and Walter Rosen of “Wel- If it swims, you’ll find it at LaGriglia! gry chicken), boneless breast of chicken on Wednesday, July 21, at 7:30 p.m. come to Juniors” on Thursday, July A great seafood gem in the middle of sauteed with garlic, fresh oregano and at Memorial Park in Berkeley 15, at 7:30 p.m. Teresa of Spiritual Heights. Big Band Music will be COME TO THE CABARET... Jody Karin Applebaum and Marc-André Hamelin Union County, the menu boasts of more balsamic vinegar with a touch of demi- Communications will host a work- will present an evening of cabaret music on Friday, July 16, at 8 p.m. -
Much Ado About Nothing… / Summer of Sam De Spike Lee]
Document generated on 09/30/2021 1:10 a.m. 24 images Much Ado About Nothing… Summer of Sam de Spike Lee Gilles Marsolais Quand la culture devient marchandise Number 98-99, Fall 1999 URI: https://id.erudit.org/iderudit/25046ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Marsolais, G. (1999). Review of [Much Ado About Nothing… / Summer of Sam de Spike Lee]. 24 images, (98-99), 88–88. Tous droits réservés © 24 images, 1999 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Summer of Sam de Spike Lee MUCH ADO ABOUT NOTHING PAR GILLES MARSOLAIS pike Lee s'est imposé avec Do déluge d'effers visuels et sonores, il S the Right Thing (1989) et procède à la description d'un groupe Jungle Fever (1991) qui se dis social d'une façon qui, même à travers tinguent par leur style enfiévré et le sa cocasserie, peut ressembler à un radicalisme de leur contenu, à une règlement de comptes tribal (imaginez époque où le militantisme semblait la réaction si Forcier se permettait de relégué aux oubliettes.