The Chappaqua Orchestra Announces 2010-2011 Season
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Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner. -
Andreas Delfs, Conductor
ANDREAS DELFS, CONDUCTOR In January 2021 The Rochester Philharmonic Orchestra (RPO) announced the appointment of Maestro Andreas Delfs as its thirteenth music director in the organization's 98-year history. Delfs follows in the footsteps of a long line of distinguished music directors including Erich Leinsdorf, David Zinman, Mark Elder, Christopher Seaman, and Ward Stare. A native of Flensburg, Germany, and graduate of the Hamburg Conservatory and Juilliard School of Music, Andreas Delfs has established himself as a pre-eminent force in the classical music world and one of the finest conductors of his generation. He has held chief artistic posts with orchestras in Europe and North America. At the age of 20, he became the youngest-ever Music Director of the Hamburg University Orchestra and Musical Assistant at the Hamburg State Opera. Throughout his 12 seasons as Musical Director of the Milwaukee Symphony Orchestra, Delfs drew larger audiences to Uihlein Hall, selling out a record 40 concerts there during the 2000-2001 Season. Delfs led the Saint Paul Chamber Orchestra as Music Director (2001-2004) and artistic consultant (2004-2006). Delfs has conducted numerous world premieres and has close links with many of today’s composers. He counts among his profound musical inspirations musicians such as John Corigliano, Philip Glass, Roberto Sierra, and Hans Werner Henze. He is the frequent partner to many of the world’s most renowned solo artists, including André Watts, Emanuel Ax, Joshua Bell, Hilary Hahn, Yo Yo Ma, Lang Lang, and Renée Fleming. He has an extensive discography, including all five of the Beethoven Piano Concertos; opera and choral works such as Hansel and Gretel, and the Mozart Requiem; and new works for the classical repertoire such as Roberto Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com Sierra’s Missa Latina. -
Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
Orch Directory
y r o t c e r i D Member Orchestras r e b m e 2006 M 6 0 AMERICAN SYMPHONY ORCHESTRA LEAGUE 0 2 ALABAMA MOBILE SYMPHONY (5P) ANCHORAGE YOUTH SYMPHONY (Y) E-Ms. Christina Littlejohn E-Mr. Ron Flugum ALABAMA SYMPHONY ORCHESTRA (2P) M-Mr. Scott Speck M-Mr. Linn Weeda E-Mr. Paul Ferrone 257 Dauphin Street T-251-432-2010 B-Mr. Gunnar Knapp B-Mr. Charles G. Brown III Mobile, AL 36652-3127 F-251-432-6618 P.O. Box 240541 T-907-566-7297 V-Ms. Sumner Starling, Symphony 30 www.mobilesymphony.org Anchorage, AK 99524-0541 F-907-333-0576 V-Ms. Susan Mason, Symphony Volunteer Council www.anchorageyouthsymphony.org 3621 6th Avenue South T-205-251-6929 MOBILE SYMPHONY YOUTH ORCHESTRA (YP) Birmingham, AL 35222 F-205-251-6840 E-Ms. Christina Littlejohn FAIRBANKS SYMPHONY (7P) www.alabamasymphony.org M-Mr. Orland Thomas E-Ms. Laura Bergh B-Mrs. Celia Mann Baehr M-Dr. Edward Zilberkant ETOWAH YOUTH ORCHESTRAS (YP) V-Mr. Ben Reece, Bay Area Strings B-Mr. Charles Lemke E-Mr. Bobby Welch P.O. Box 3127 T-251-432-2010 P.O. Box 82104 T-907-474-5407 M-Mr. Michael R. Gagliardo Mobile, AL 36652 F-251-432-6618 Fairbanks, AK 99708 F-907-474-5147 B-Mr. Jeff Cedarholm www.mobilesymphony.org www.fairbankssymphony.org V-Ms. Eileen Williams, Parents Organization 501 Broad Street T-256-543-2787 x32 TRI-STATE COMMUNITY ORCHESTRA (8P) JUNEAU SYMPHONY (7P) Gadsden, AL 35902 F-256-546-7435 M-Ms. -
Third Practice Electroacoustic Music Festival Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 11-3-2017 Third Practice Electroacoustic Music Festival Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Third Practice Electroacoustic Music Festival" (2017). Music Department Concert Programs. 505. https://scholarship.richmond.edu/all-music-programs/505 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. LJ --w ...~ r~ S+ if! L Christopher Chandler Acting Director WELCOME to the 2017 Third festival presents works by students Practice Electroacoustic Music Festi from schools including the University val at the University of Richmond. The of Mary Washington, University of festival continues to present a wide Richmond, University of Virginia, variety of music with technology; this Virginia Commonwealth University, year's festival includes works for tra and Virginia Tech. ditional instruments, glass harmon Festivals are collaborative affairs ica, chin, pipa, laptop orchestra, fixed that draw on the hard work, assis media, live electronics, and motion tance, and commitment of many. sensors. We are delighted to present I would like to thank my students Eighth Blackbird as ensemble-in and colleagues in the Department residence and trumpeter Sam Wells of Music for their engagement, dedi as our featured guest artist. cation, and support; the staff of the Third Practice is dedicated not Modlin Center for the Arts for their only to the promotion and creation energy, time, and encouragement; of new electroacoustic music but and the Cultural Affairs Committee also to strengthening ties within and the Music Department for finan our community. -
A Summer of Concerts Live on WFMT
A summer of concerts live on WFMT Thomas Wilkins conducts the Grant Park Music Festival from the South Shore Cultural Center Friday, July 29, 6:30 pm Air Check Dear Member, The Guide Greetings! Summer in Chicago is a time to get out and about, and both WTTW and WFMT are out in The Member Magazine for WTTW and WFMT the community during these warmer months. We’re bringing PBS Kids walk-around character Nature Renée Crown Public Media Center Cat outdoors to engage with kids around the city and suburbs, encouraging them to discover the 5400 North Saint Louis Avenue natural world in their own back yards; and we recently launched a new Chicago Loop app, which you Chicago, Illinois 60625 can download to join Geoffrey Baer and explore our great city and its architectural wonders like never Main Switchboard before. And on musical front, WFMT is proud to bring you live summer (773) 583-5000 concerts from the Ravinia and Grant Park festivals; this month, in a first Member and Viewer Services for the station, we will be bringing you a special Grant Park concert from (773) 509-1111 x 6 the South Shore Cultural Center with the Grant Park Orchestra led by WFMT Radio Networks (773) 279-2000 guest conductor Thomas Wilkins. Remember that you can take all of this Chicago Production Center content with you on your phone. Go to iTunes to download the WTTW/ (773) 583-5000 PBS Video app, the new WTTW Chicago’s Loop app, and the WFMT app for Apple and Android. -
Rpo Outdoors
Media Contact: Dawn Kellogg Interim VP of Marketing & Communications (585) 330-2363 [email protected] ROCHESTER PHILHARMONIC ORCHESTRA PRESENTS RPO OUTDOORS SUMMER PERFORMANCE SERIES Over 35 concerts from June 3rd through Labor Day, at venues throughout the region Series begins with four weeks of concerts at Perinton Center Stage Amphitheater conducted by Music Director Designate Andreas Delfs May 18, 2021. Rochester, N.Y. The Rochester Philharmonic Orchestra today announced that they will be presenting an outdoor series of concerts beginning June 3 and running through September 5th. With 37 concerts, this is the most ambitious and extensive summer season that the orchestra has ever produced. The series begins with four concerts at Perinton Center Stage Amphitheater at the Perinton Recreational Center. On Thursday, June 3rd and Friday, June 4th Summer Serenade, a program featuring Mozart, Tchaikovsky and Beethoven will be conducted by Music Director Designate Andreas Delfs. This will be the first live concert with an audience that the orchestra will have performed in nearly a year and a half and will be an unforgettably moving experience for musicians and audiences alike. This will be followed on Thursday, June 10th and Friday, June 11th with Summer Suites, a program featuring Mozart, Grieg and Dvořák, also at Perinton Center Stage Amphitheater and conducted by Maestro Delfs. Celebración Sinfónica, conducted by Enrico Lopez-Yañez on Thursday, June 17th and Friday, June 18th, features music from Piazzolla, Romero, Ponce, and more and celebrates the music of South and Central America. Lopez-Yanez returns for Cinematic Strings on Thursday, June 24th and Friday, June 25th and a program featuring music from Game of Thrones, Psycho, The Mission, and more. -
Bernstein, Gershwin
Acknowledgements the mAnASSE/nAkAmATSU dUo wishes to thank Inez d’Arcangelo for her generosity and support. Jon manasse and Jon nakamatsu warmly dedicate this cd in memory of their late teachers, clarinettist david weber and pianist marina derryberry. cover: new York, view of manhattan Photo, 1958 - akg-images / Paul Almasy. Publishers: novacek: J. novacek music co. d’Rivera: Hendon music, Inc. Bernstein: Universal-Polygram Intl Pub. o/b/o leonard Bernstein music Pub. co. gershwin: wB music corp. All texts and translations © harmonia mundi usa P T 2010 harmonia mundi usa 1117 chestnut street, Burbank, california 91506 Recorded december, 2009 at Bernstein, Gershwin the American Academy of Arts and letters, new York city, new York Hamburg steinway model d 0410 & Piano technical services: JON MANASSE John guttman, Pro Piano new York Novacek, D’Rivera Producers: Robina g. Young, Brad michel Recording engineer & editor: Brad michel American Music for Clarinet & Piano JON NAKAMATSU PRODUCTION USA 1 BERNSTEIN, GERSHWIN NOVACEK, D’RIVERA / Jon Manasse / Jon Nakamatsu HMU 807508 © harmonia mundi American Music for Clarinet & Piano JOHN NOVACEK (b. 1964) Four Rags for Two Jons (2006) 12’24 1 | I. schenectady 3’02 2 | II. 4th street drag 4’07 3 | III. Recuperation 2’44 4 | IV. Full stride Ahead 2’31 PAQUITO D’RIVERA (b. 1948) The Cape Cod Files (2009) 22’48 5 | Benny @ 100 6’01 6 | Bandoneón 5’53 7 | Lecuonerías 4’39 8 | Chiquita Blues 6’16 LEONARD BERNSTEIN (1918-1990) hatz s Sonata for Clarinet and Piano (1942) 10’44 arah arah s 9 | I. grazioso 4’12 Photo: 10 | II. -
Edition 2 | 2019-2020
WHAT’S INSIDE Welcome | 3 2020 Season Calendar | 4 Chopin and The Growth Of Genius | 6 Black Classical Music Pioneers | 10 Mozart’s Last Melodies | 15 Music + Prose | 25 Missa Solemnis | 30 National Philharmonic Orchestra | 40 National Philharmonic Chorale | 41 Board of Directors | 42 Supporters | 42 Heritage Society | 47 National Philharmonic Staff | 47 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com The National Philharmonic program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. The National Philharmonic program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. 2 NATIONAL PHILHARMONIC Welcome elcome to National Philharmonic’s Wwinter and spring concerts of 2020! Pianist Brian Ganz appears in February in his tenth National Philharmonic piano recital on his quest to perform the complete works of Fryderyk Chopin. February is also Black History Month. Grammy Award-winning violinist Melissa White, most recently featured on the soundtrack of Jordan Peele’s film, Us, joins the National Philharmonic for a concert of Black Classical Music Pioneers, featuring works by William Grant Still, Florence Price, Wynton Marsalis and Washington’s own, George Walker, the first African-American to win the Pulitzer Prize for music. National Philharmonic’s March presentation features two of the final three works of Wolfgang Amadeus Mozart: the Concerto for Clarinet and Orchestra with clarinetist Jon Mallin credit Jay Photo Manasse, and the Requiem, prominently featured in the Oscar-winning film Amadeus. -
The Program RACHMANINOFF Daisies, Op
Friday–Saturday, August 9–10, 2019 at 6:30 pm Pre-concert Recital Yi-Nuo Wang, Piano HAYDN Sonata in E minor, Hob. XVI:34 (c. 1780) Presto Adagio Finale: Molto vivace The Program RACHMANINOFF Daisies, Op. 38, No. 3 (1916) RACHMANINOFF Étude-tableau in D minor, Op. 39, No. 8 (1916–17) RACHMANINOFF Étude-tableau in D major, Op. 39, No. 9 Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano David Geffen Hall Mostly Mozart Festival I Notes on the Pre-concert Recital By Peter A. Hoyt The first two movements of Haydn’s Sonata in E minor, Hob. XVI:34 seem characteristically Haydnesque: the impetuous Presto is disrupted by unexpected pauses, and the slow middle movement presents a tender imitation of a vocal aria, complete with elaborate coloratura ornamentation. The closing Molto vivace is unusual, however, in its call for an innocent (“innocentemente”) approach. This instruction would seem superflu- ous if, as sometimes assumed, Haydn’s music was always innocuous. Dismissing this, some commentators have suggested that Haydn wanted a performance in a “coy” or “deadpan” fashion. If so, then the word inno- centemente was intended to mean the opposite of “innocently.” Rachmaninoff’s Daisies was first composed as a song for voice and piano contrasting the poetic text, which describes fields of glistening white dai- sies, with the piano’s embodiment of the oscillating flowers themselves. Rachmaninoff’s solo keyboard arrangement eliminates the words and thereby permits an unobstructed encounter with the piano’s enchantingly peaceful illustration of nature. -
National Endowment for the Arts Annual Report 1987
NATIONAL ENDOWMENT FOR THE ARTS ~~>~=~~ -. " " i . " I~~ JJ~ , .. ..... MUSIC ON COVER AND TI~E PAGE TA~N ~OM SgMPH~ NO. 1 BY ELLEN TAA~ ZWIL ICH, WHICH SHE COM~SED WHILE ~CEIV~G A COM~SERS’ ~LLOWSHIP IN 1981 ~OM THE MUSIC PR~RAM. IN 1983, ~IS COM~S[~ON WAS AW~~D ~E PUL~ER PR~E FOR MUSIC. COPYRIGHT 1983 M~G~ MUSIC, INC. ~P~~ED BY PE~ISSION OF THE PUBLISHER. 1987 ANNUAL REPORT National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Repon of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1987. Respectfully, Frank Hodsoll Chairman The President The White House Washington, D.C. March 1988 CONTENTS CHAIRMAN’S STATEMENT v THE AGENCY AND ITS FUNCTIONS vii THE NATIONAL COUNCIL ON THE ARTS ix PROGRAMS 1 Dance 3 Design Arts 17 Expansion Arts 29 Folk Arts 51 Inter-Arts 59 Literature 71 Media Arts: Film/Radio/Television 83 Museum 95 Music 117 Opera-Musical Theater 151 Theater 161 Visual Arts 173 OFFICE FOR PUBLIC PARTNERSHIP 187 Artists in Education 189 Locals Test Program 195 State Programs 199 OFFICE FOR PRIVATE PARTNERSHIP 203 Challenge 205 Advancement 209 OFFICE OF POLICY, PLANNING, AND RESEARCH 211 Fellowship Program for Arts Managers 213 Intemational 215 Research 217 Special Constituencies 219 APPENDIX 221 Statement of Mission 222 Overview and Challenge Advisory Panels 223 Financial Summary 228 History of Authoñzations and Appropriations 229 iii CHAIRMAN’S STATEMENT The tremendous diversity of the arts of the basics of education from federal support for the arts over the in America is clearly shown by the kindergarten through twelfth grade, long term. -
The Young Conductor Looks to the Future
THE WORLD’S BEST CLASSICAL MUSIC REVIEWS Est 1923 . APRIL 2018 gramophone.co.uk Robin Ticciati The young conductor looks to the future PLUS Paul Lewis explores Haydn’s piano sonatas Handel’s Saul: the finest recordings UNITED KINGDOM £5.75 Intimate concerts featuring internationally acclaimed classical musicians in central London Now Booking Until July 2018 Igor Levit Cuarteto Casals: Beethoven Cycle Roderick Williams: Exploring Schubert’s Song Cycles O/Modernt: Purcell from the Ground Up Haydn String Quartet Series Jörg Widmann as Composer-Performer and much more… The Wigmore Hall Trust 36 Wigmore Street, London W1U 2BP Director: John Gilhooly OBE www.wigmore-hall.org.uk Registered Charity Number 1024838 A special eight-page section focusing on recent recordings from the US and Canada JS Bach Solo Violin Sonatas and Partitas, BWV1001-1006 talks to ... Johnny Gandelsman vn In a Circle F b ICR101 (124’ • DDD) Johnny Gandelsman The violinist and co-founder Bach’s Violin of Brooklyn Rider discusses his Sonatas and debut solo recording of Bach Partitas are among the most frequently Was it a challenge to plunge straight into performed works for the instrument, Bach for your first solo recording? or any instrument. Recordings evince a Not really. Over the the last three years spectrum of approaches, from historical I’ve performed all six Sonatas and Partitas treatments on period instruments to in concert about 30 times, which has been concepts Romantic and beyond. deeply rewarding. I wanted to capture this Among the newest journeys is Johnny moment of personal learning and growth. Gandelsman’s freshly considered account Do you miss the collaborative process of these monuments.