(UPDATED: OCTOBER 9, 2019)
HOSTED BY THE UNIVERSITY OF MARYLAND, COLLEGE PARK
AT THE HOTEL AT THE UNIVERSITY OF MARYLAND University of Maryland, College Park co-sponsors
Department of English; Bebe Koch Petrou Speaker Series; Center for Literary and Comparative Studies; University of Maryland Arts and Humanities Center for Synergy; Division of Research; Graduate Certificate in Digital Studies in the Arts and Humanities; Department of African American Studies; Department of American Studies; Department of Art History and Archaeology; Department of French and Italian; Department of Russian; Program in Film Studies; Department of Germanic Studies, Department of Spanish and Portuguese; Department of Women's Studies; U.S. Latina/o Studies Program; David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora. with additional support from
Department of English at Georgetown University, Association of Literary, Scholars, Critics, and Writers (ALSCW), Johns Hopkins' Department of Comparative Thought and Literature, Departmetn of Literature at American University.
Welcome to ASAP/11 Dear ASAP/11 participants,
Welcome to our eleventh annual meeting of the Association for the Study of the Arts of the Present. We are delighted to welcome you to the University of Maryland, College Park.
The program committee this year (composed of Tatiana Flores, Lee Konstantinou, Angela Naimou, Iván Ramos, Sarah Stefana Smith, and myself) was thrilled to receive broad and imaginative paper, panel, roundtable, and seminar submissions on our theme of the ecologies of the present. These vibrant discussions bring into ever sharper focus what makes an ASAP conference unique. Many of us come here when we find ourselves limited or stifled by our fields, disciplines, or institutions, looking for the sense of freedom and play that comes from being able to cross the lines between aesthetic camps and institutional divides. Placing artists, curators, activists, and scholars in creative dialogue, the founding mission of ASAP is well reflected in the exciting program in front of you: interdisciplinary, transmedial, and international. Papers range over a number of fields and media, charting debates and developments in architecture and design, art history, dance, digital arts, film, literature, music and sound studies, and performance. They blend high and low culture, the immaterial and the material, the historical and the evanescent.
The breadth and richness of ASAP/11 embraces a truly inspiring diversity of approaches to the arts of the present. Our keynote speakers – Harryette Mullen, in conversation with Evie Shockley, Chris Abani, and Alex Rivera – have shown in their varied artistic practices what it means to combine critical thinking about race with the pleasures of rhythm, abstraction, and wordplay, how to imagine the psychic worlds of the disposable, vulnerable bodies of our era in both global and intimate registers, and how to harness the power of speculation to imagine life and labor beyond the dystopias of closing borders and controlling technologies.
The ecologies of the present too often evoke a sense of crisis and catastrophe, as rising political forces of extremism threaten democratic life worldwide, economic and social inequality worsens in our colonial present, and the looming threat of climate change demands radical change. In these times, how do the contemporary arts allow us to make sense of – and perhaps remake – the world around us? I am reminded here of Toni Morrison’s famous words: “This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”
2 ASAP/11 promises to cement our growing sense of ASAP’s centrality as a multidisciplinary place to talk with each other about the texts, objects, images, performances, politics, films, and technologies that matter most to us. We have grown as an association in size in the last eleven years and adopted an annual structure of an international Spring symposium and a Fall conference in the United States but the insurgent and improvisatory spirit that characterized the first ASAP gathering at the University of Tennessee in Knoxville in 2009, organized by founding president, Amy Elias, continues to resonate at ASAP/11. We are pleased to continue our practice of offering support to independent artists, contingent scholars and graduate students via the Amy J. Elias Founders Award and look forward to the continued generosity of our membership in the years ahead. We are thrilled that the ASAP Journal edited by Jonathan Eburne won yet another prize this year, the 2019 PROSE Award for Best New Journal in Humanities. We say a heartfelt goodbye to the four departing members of the motherboard – Gloria Fisk, Sheri-Marie Harrison, Joseph Jeon, and Angela Naimou – and warmly welcome our new members – Ken Allen, Maria Bose, Lauren Cramer, and Karen Tongson. We are pleased to have a new communications coordinator this year, Kinohi Nishikawa, who handles our website and social media accounts with style. We also look forward to ASAP/12, scheduled at the University of Utah, Salt Lake City, October 14- 17, 2020, organized by Jeremy Rosen.
Finally, I want to thank all the people who worked so hard to make ASAP/11 possible. My thanks to Lee Konstantinou for his tireless work and vision. I am deeply grateful to our hosts and sponsors for their support, and appreciate the generosity of the Department of English at the University of Maryland at College Park and all other sponsors and organizers listed above. Special thanks to Mercedes Baillargeon, Sharada Balachandran Orihuela, James Matthew Rankin, Sangeeta Ray, and Christina Walter.
I look forward to connecting with you at our receptions, our members’ lunch, our many panels and discussions, and welcome you to ASAP/11 at the University of Maryland.
Yours,
Yogita Goyal
ASAP President, 2018-2019
Professor, African American Studies and English, UCLA
3 Welcome to College Park!
When I attended my first ASAP conference, I was deeply impressed by the dynamism and seriousness of the scholars who had gathered, and I was thrilled by the promise of joining an interdisciplinary and multimodal conversation among academics and artists, all of whom were passionate about the arts of the present. Since then, ASAP has become an indispensable and field-defining organization.
I am, therefore, hugely pleased that the University of Maryland, College Park, has the privilege of hosting the eleventh ASAP conference. Over the last few years, ASAP has grown quickly, starting a journal, hosting its large conference annually, and launching a dynamic web presence. This year marks another year of growth. ASAP/11 has attracted more than 95 panels, round tables, and seminars, welcoming scholars from a variety of fields; artists working in different genres and media; curators from around the world; editors from major presses; and many others.
This conference would not have been possible without the support of many departments, organizations, and units within UMD, chief among them the Department of English. We also received crucial early support from the Bebe Koch Petrou Speaker Series; the Center for Literary and Comparative Studies; the University of Maryland Arts and Humanities Center for Synergy; and the Graduate Certificate in Digital Studies in the Arts and Humanities.
Though this conference is hosted at the University of Maryland, it’s also a regional undertaking. Participants have come from schools across the DMV region, and we’ve received support from the Department of English at Georgetown; the Association of Literary, Scholars, Critics, and Writers (ALSCW); and Johns Hopkins' Department of Comparative Thought and Literature.
Finally, ASAP/11 would not have been possible without the help of many individuals. Thank you, first, to Yogita Goyal, who has been a tireless collaborator. And thank you to Angela Naimou, Joe Jeon, Mark Goble, Iván Ramos, Mercédès Baillargeon, Christina Walter, Sharada Balachandran Orihuela, Edlie Wong, Karen Nelson, Amanda Bailey, Sangeeta Ray, Matthew Kirschenbaum, Shannon Bobbitt, Valerie Hornsby, Jenny Greenwell, and James Rankin.
Best Wishes,
Lee Konstantinou
Associate Professor, English, University of Maryland, College Park
4 ASAP/11 Conference Overview Ecologies of the Present, October 10-12, 2019
Hosted by the University of Maryland, College Park WEDNESDAY, OCTOBER 9
5:30-7:30pm Welcome Reception at MilkBoy ArtHouse
THURSDAY, OCTOBER 10
8am-5pm Registration, Foyer B
9am-5pm Book Exhibit, Foyer B
9-10:30am Session 1
10:45-12:15pm Session 2
12:15-1:30pm Lunch Break
1:30-3pm Session 3
3:15-4:45pm Session 4
2:30-4pm Screening of Alex Rivera and Cristina Ibarra’s The Infiltrators
Ulrich Auditorium in Tawes
5:30-7pm Keynote: Harryette Mullen in conversation with Evie Shockley
Ulrich Auditorium in Tawes
7-8pm Reception in Tawes
FRIDAY, OCTOBER 11
8am-5pm Registration, Foyer B
9am-5pm Book Exhibit, Foyer B
5 8:30-10am Session 5
10:15-11:45am Session 6
12-1pm ASAP Members and Award Lunch, Calvert A & B
1:30-3pm Session 7
3:15-4:45pm Session 8
5:30-7pm Keynote: Chris Abani
Ulrich Auditorium in Tawes Hall
7-8pm Reception at the David C. Driskell Center
SATURDAY, OCTOBER 12
8am-5pm Registration, Foyer B
9am-5pm Book Exhibit, Foyer B
8:30-10am Session 9
8:30-11:30am Session 9a (Seminars)
10:15-11:45pm Session 10
11:45-1pm Lunch Break
1-4pm Session 11 (Seminars)
4:30-6pm Keynote: Alex Rivera
Calvert C & D in The Hotel at the University of Maryland
6-7pm Closing reception in Foyer A
6 Hotel Floor Plans
Conference Level
7 Lobby Level
8 Area Maps
From The Hotel to Ulrich Auditorium (in Tawes Hall)
From The Hotel to MilkBoy From Tawes to the Driskell
9 Keynote: Harryette Mullen in conversation with Evie Shockley Thursday, Oct. 10 // Ulrich Auditorium, Tawes Hall
Photo credit: Hank Lazer, Venice, CA
Harryette Mullen teaches courses in American poetry, African American literature, and creative writing at UCLA. Her poems, short stories, and essays are published widely and reprinted in over one hundred anthologies, including several published by Norton, Oxford, Cambridge, and Penguin presses. Her work appears in Best of Callaloo and was selected four times for the Best American Poetry anthology series edited by David Lehman with guest editors A.R. Ammons, Robert Hass, Terrance Hayes, and Robert Pinsky. She is a recipient of a Stephen Henderson Award, Jackson Poetry Prize, United States Artist Fellowship, Guggenheim Fellowship, Katherine Newman Award for Best Essay on Multi-Ethnic Literatures of the United States, and a Gertrude Stein Award for Innovative Poetry. Her poems have been translated into Spanish, French, German, Portuguese (Brazil and Portugal), Polish, Swedish, Danish, Turkish, Greek, Bulgarian, and Kyrgyz. She has published eight poetry books, including Recyclopedia (Graywolf, 2006), winner of a PEN Beyond Margins Award, and Sleeping with the Dictionary (University of California, 2002), a finalist for a National Book Award, National Book Critics Circle Award, and Los Angeles Times Book Prize. A collection of her essays and interviews, The Cracks Between What We Are and What We Are Supposed to Be, was published in 2012 by University of Alabama Press. Her poetry collection, Urban Tumbleweed: Notes from a Tanka Diary, was published by Graywolf Press in 2013. Poems from a work in progress are forthcoming in Callaloo Journal.
10 Keynote: Harryette Mullen in conversation with Evie Shockley (Cont.)
Evie Shockley, Professor of English at Rutgers University—New Brunswick, is the author of Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry and several collections of poetry. The most recent, semiautomatic, was a finalist for the Pulitzer Prize and the LA Times Book Prize, and winner of the 2018 Hurston/Wright Legacy Award, which she previously won in 2012 for the new black. Her poems and essays have appeared in journals and anthologies internationally. Shockley’s work has also been supported and recognized with the 2015 Stephen Henderson Award, the 2012 Holmes National Poetry Prize, and fellowships from the Schomburg Center for Research in Black Culture, the American Council of Learned Societies, the Radcliffe Institute for Advanced Study, Cave Canem, MacDowell, and the Millay Colony for the Arts.
11 Keynote: Chris Abani Friday, Oct. 11 // Ulrich Auditorium, Tawes Hall
Chris Abani is an acclaimed novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, received a BA in English from Imo State University, Nigeria, an MA in English, Gender, and Culture from Birkbeck College, University of London, and a PhD in Literature and Creative Writing from the University of Southern California. He has resided in the United States since 2001. Abani’s fiction includes The Secret History of Las Vegas (Penguin 2014), nominated for the Hurston/Wright 2015 Legacy Award, Song For Night (2007), The Virgin of Flames (2007), Becoming Abigail (2006), GraceLand (2004), and Masters of the Board (1985). His poetry collections are Sanctificum (2010), There Are No Names for Red (2010), Feed Me The Sun – Collected Long Poems (2010), Hands Washing Water (2006), Dog Woman (2004), Daphne’s Lot (2003), and Kalakuta Republic (2001).
Through his TED Talks, public speaking, and essays, Abani is known as an international voice on humanitarianism, art, ethics, and our shared political responsibility. His critical and personal essays have been featured in books on art and photography, as well as Witness, Parkett, The New York Times, O Magazine, and Bomb. He is the recipient of a Guggenheim Fellowship, the PEN/Hemingway Award for Graceland, the PEN Beyond the Margins Award, the Hurston Wright Award, and a Lannan Literary Fellowship, among many honors. His work has been translated into French, Italian, Spanish, German, Swedish, Romanian, Hebrew, Macedonian, Ukrainian, Portuguese, Dutch, Bosnian, and Serbian. Abani is currently a Board of Trustees Professor of English at Northwestern University. He lives in Chicago.
12 Keynote: Alex Rivera Saturday, Oct. 12 // Calvert C & D at The Hotel
Alex Rivera is a filmmaker who has been telling new, urgent, and visually adventurous Latino stories for more than twenty years. His first feature film, a cyberpunk thriller set in Tijuana, Mexico, Sleep Dealer, won multiple awards at the 2008 Sundance Film Festival and the Berlin International Film Festival, was screened around the world, and released theatrically in the U.S. Rivera’s second feature film, a documentary/scripted hybrid set in and around an immigration detention center, The Infiltrators, won both the Audience Award and the Innovator Award in the NEXT section of the 2019 Sundance Film Festival and will be released theatrically in 2020. Rivera’s work has been supported by the Ford Foundation, the Tribeca Film Institute, the Robert Rauschenberg Foundation, the Open Society Institute, Creative Capital, and many others. Alex studied at Hampshire College, was the Rothschild Lecturer at Harvard University, and is currently a distinguished lecturer in Media Studies at Queens College.
13
Wednesday, October 9, 2019 Welcome Reception at MilkBoy ArtHouse // 5:30-7:30pm
Thursday, October 10, 2019
Session 1 // 9:00-10:30am
Crossland E
1. Painting Degree Zero: The Theory, Practice, and Politics of Supports/Surfaces Chair: Daniel Marcus (The Ohio State University) Matisse after 1968 Daniel Marcus (The Ohio State University) Painting with Desire: Color and the “Chromatic Libido” after Supports/Surfaces Jenevive Nykolak (Otis College of Art and Design) Supports/Surfaces’ Theoretical Practice Sami Siegelbaum (UCLA) Greenberg avec Mao: Supports/Surfaces and the Specific Contradiction of Painting Daniel Spaulding (Getty Research Institute and ArtCenter College of Design)
14 Thursday, October 10 // Session 1 // 9-10:30am
Crossland F
2. Ecosophy and Aesthetics Chair: Sangeeta Ray (University of Maryland)
The Social Form of Remittances Paul Nadal (Princeton University) Queer Bodyspaces: Personhood and Place in Zanele Muholi’s Photography GerShun Avilez (University of Maryland) On Monuments, Ecology and Economy Frederick Bohrer (Hood College) Transnational Flow: Regie Cabico’s Queer Filipino Poetics Karen Jaime (Cornell University)
Crossland G
3. Appropriation and Abstraction: Race Matters Chair: Dallas Donnell (University of Maryland)
Dana Schutz, Nora Howell: White Representation, White Intervention, of/and Black Bodies Tyrone Williams (Xavier University) The White Savior in Contemporary Art Paul Wilson (Ithaca College) Photographic Portals Dixa Ramirez (Brown University)
15 Thursday, October 10 // Session 1 // 9-10:30am
Carroll Room
4. Ecological and Humanitarian Crisis of the Refugee in the Contemporary Arts Chair: Angela Naimou (Clemson University)
Embodying/Displacing the Climate Refugee: Race, Gender, and Re- Productive Labor Sheshalatha Reddy (Howard University) Lying Low: Beasts of the Southern Wild and the Historical Undercommons Kathy Knapp (University of Connecticut) Contemporary Arts of the Refugee Crisis in Greece Tim Anderson (New York University)
Key Room
5. Procedural Poetics and the Built Environment Chair: Jane Malcolm (Université de Montréal)
Worlds Without an I: Bernadette Mayer’s Procedural Lyric Julia Bloch (University of Pennsylvania) "Listen to the sound of the earth turning": Procedure and Event Score in Yoko Ono’s Grapefruit and Beyond Jane Malcolm (Université de Montréal) C.A. Conrad’s (Soma)tic Poetry Rituals and Epistemic Injustice Stephen Ross (Concordia University)
16 Thursday, October 10 // Session 1 // 9-10:30am
Henson Room
6. Media Publics: New Histories of Everyday Art Chair: Gregory Zinman (Georgia Institute of Technology)
State Visions: The Form of Land Use Planning in Richard Saul Wurman’s The Piedmont Crescent (1968) Martin Johnson (University of North Carolina at Chapel Hill) Fugitive Video: The Secret (and Sordid) History of Video Art in NYC Nightclubs Gregory Zinman (Georgia Institute of Technology) The Domestic Showroom: Network Marketing and the Organization of Home Erica Robles-Anderson (New York University)
Salon D (Calvert)
7. Towards a Visual Poetics of the State Chair: Johanna Gosse (University of Idaho)
Cinema’s Hegemony Maria Bose (Clemson University) Border Tiers Stephanie DeGooyer (Willamette University) A Visual Poetics of Anti- Anti-Statism Matt Hart (Columbia University) Free Trade Comedy Joseph Jeon (UC Irvine)
17 Thursday, October 10 // Session 2 // 10:45-12:15pm
Crossland E
8. Border Static: Detention, Encampment, and Immobility Chair: Nasia Anam (University of Nevada, Reno) Refugee Phenomenologies: Representations of Lost Time in Literature and Documentary Film Ashna Ali (CUNY Graduate Center) The Detainee's Two Bodies: Intellectual Property, Sovereignty, and Uncitizenship in Guantánamo Kalyan Nadiminti (Gettysburg College) Stuck between a Place and a Nonplace: The Threat of Migrant Encampments and Tent Cities Nasia Anam (University of Nevada, Reno) Crossland F
9. Art Ecologies: Artists, Practitioners and Cultural Workers in Baltimore and DC Chair: Angela N. Carroll (Arts Writer/Curator)
Tim Doud (American University), Khadija Adell (Artist), Andy Johnson (Gallery 102 and DIRT DMV), Ada Pinkston (Artist and LaBBodies)
Thursday, October 10 // Session 2 // 10:45-12:15pm
Crossland G
10. Flows of Plastics and Poetics Chair: La Marr Jurelle Bruce (University of Maryland)
“The world isn’t normal:” The Neoliberal Imaginary and Alice Notley’s Poetics of Space Michael Martin Shea (University of Pennsylvania) The Noise of Water: Gary Emrich’s All Consumed Mallory Nanny (Florida State University) Commemorative Spaces: Time, Violence, and Memorial Form in Claudia Rankine’s Citizen and Amy Berbert’s “Remembering the Stains on the Sidewalk” Sarah Nance (United States Air Force Academy)
Carroll Room
11. Unholy Power: Gender, Race and Religious Expression in Latin American Film Chair: Stephanie Pridgeon (Bates College)
Poner el cuerpo femenino judío [Putting Women’s Bodies on the Line]: Jewish Women’s Bodies and Revolutionary Politics in Mexican and Argentine Film Stephanie Pridgeon (Bates College) Complicated and Corrupt Priests: Las chicas malas del Padre Méndez [Father Méndez’s Bad Girls] Rebecca Janzen (University of South Carolina, Columbia) Santería and Reconciliation in Cuban Cinema of the Special Period John V. Waldron (University of Vermont) Risking the Pedant Label to Question Academic Acceptance of Screen Violence Emily Hind (University of Florida)
19 Thursday, October 10 // Session 2 // 10:45-12:15pm
Tubman Room
12. The Art of Coalition Chair: Francisco Robles (University of Notre Dame)
Collectivist Collections: Coalitional Formation in the 1930s Radical Anthology Matthew Beeber (Northwestern University) Intra Community Coalitions: Where Brown writes Black Maria Chaves Daza (State University of New York, Oneonta) The Generation of Coalitional Form: Lineages, Arcs, and Echoes in Lorna Dee Cervantes’ Emplumada and Natalie Diaz’s When My Brother Was an Aztec Francisco Robles (University of Notre Dame) Syncopated Coalition: Formal Impasse in the Contemporary Dominique Vargas (University of Notre Dame)
Key Room
13. Race and Media Ecologies of the Past and Present Chair: Christine So (Georgetown University)
(Re)approaching Asian American Media Memory Melissa Phruksachart (University of Michigan) That’s Not How It Works: Ambivalent Contingency and the Academic Art of Asian American Precarity Douglas Ishii (Emerson College) Poop and Pussy Jokes: Model Minority Motherhood Meets Ali Wong Sharon Tran (University of Maryland, Baltimore County) The Novelistic and The Wire: Race and the Myth of Television’s Golden Age Wendy Lee (Skidmore College)
20 Thursday, October 10 // Session 2 // 10:45-12:15pm
Henson Room
14. Material Remnants: Interdisciplinary Explorations of the Kyrgyz Republic’s Monumental Heritage Chair: Masha Vlasova (Wofford College)
Amidst Aitmatov, Manas, and Lenin: Post-independence nationalism in Kyrgyzstan and the interplay between art, politics, and history Moira O’Shea (University of Chicago) Cities of the Dead: The Ancestral Cemeteries of Kyrgyzstan Margaret Morton (Cooper Union for the Advancement of Science and Art) Monuments and Other Things that Change. Several Attempts at Titling a Photograph. A Film in the Works Masha Vlasova (Wofford College)
Curry Room
15. Reading Family Values: American Fiction Between Neoliberalism and the New Social Conservatism Chair: Vincent Haddad (Central State University)
Sexual Conservatism and Novelizing Virtual Intimacy Vincent Haddad (Central State University) Inheritance Lost: Lionel Shriver’s The Mandibles: A Family, 2029-2047 and the Ends of Familial Wealth Transmission Robert Kilpatrick (Carnegie Mellon University)
21 Thursday, October 10 // Session 2 // 10:45-12:15pm
Salon D (Calvert)
16. Troubling Times: Temporal Form and Contemporary Ecopoetics Chair: Matt Hooley (Clemson University)
Black Life in the Late Style of Fire Joshua Bennett (Dartmouth College) Prosody Without Time Sumita Chakraborty (University of Michigan) Drought Colonialism and the Poetics of Concrete Matt Hooley (Clemson University)
Lunch Break // 12:15-1:30pm
22 Thursday, October 10 // Session 3 // 1:30-3pm
Crossland E
17. On the Architecture and Infrastructure of White Supremacy Chair: Laura Finch (University of Michigan-Ann Arbor) Good Riddance!: Watching Confederate Monuments Fall in Baltimore Ken Ehrlich (California Institute of the Arts/UC Riverside) The Poetics of Public Space and the Aesthetics of Truth Ada Pinkston (Halcyon Arts Lab) Non-sights of Accumulation Iyko Day (Mount Holyoke College) Finance and Black Urban Geographies Laura Finch (University of Michigan-Ann Arbor) Crossland F
18. Beautiful Thing I Chair: Andrew Hoberek (University of Missouri) Robert Frank’s “Sick of Good-by’s”: Beauty as a Personal Problem Walter Benn Michaels (University of Illinois, Chicago) A Beautiful Thing About Sadness Sheri-Marie Harrison (University of Missouri) The Erotic Contradictions of National Art O'Neil Lawrence (National Gallery of Jamaica) The Beauty of Broken-Hearted Healing David James (University of Birmingham)
Thursday, October 10 // Session 3 // 1:30-3pm
Crossland G
19. Not in Between: Bodies, Media, Relation Chair: Hilary Bergen (Concordia University)
Dancer(s) of the Future: Assembling the Kinetic Trace Hilary Bergen (Concordia University) Ralph Ellison’s Computer Memory Jeff Kisuk Noh (McGill University) Too Soon, Too Late: The Ecological Clock in Todd Haynes’ Safe Kasia van Schaik (McGill University) Response Alanna Thain (McGill University)
Carroll Room
20. Pop Music at the End of the World Chair: Robert Ryan (University of Illinois, Chicago)
Carparts, Bottles, and Cutlery Robert Ryan (University of Illinois, Chicago) Afraid of Everyone: Listening for the Chorus of Cruel Optimism James Fitz Gerald (Hartwick College) A Voice in the Void: Adia Victoria’s Dangerous Blues Robert Wilson (Binghamton University) Rapture in Blue Heidi Smith (University of Illinois, Chicago)
24 Thursday, October 10 // Session 3 // 1:30-3pm
Tubman Room
21. Cinematic Interventions: Beyond Capitalist Realism Chair: Robin Blyn (University of West Florida)
Determined by Heaven: The Aesthetics of Violence Jia Zhangke’s A Touch of Sin Darwin Tsen (Carthage College) The Subjective Existence: Héctor Babenco’s Neo-neorealism Victoria Lupasco (The Pennsylvania State University) The Edge of Melodrama: Fatih Akin’s Anarchist Network Robin Blyn (University of West Florida)
Key Room
22. Managing Media's Environments Chair: Jeffrey Moro (University of Maryland)
Burning Up and Billowing Out: Geostationary Meteorological Satellites and Sustainable Weather Data Sara Grossman (Bryn Mawr College) As If Sand Were Stone Ben Mendelsohn (University of Pennsylvania) (Re)mapping Settler Colonial Space as Indigenous Place Salma Monani (Gettysburg College) Air-conditioning the Internet Jeffrey Moro (University of Maryland)
25 Thursday, October 10 // Session 3 // 1:30-3pm
Henson Room
23. Contentious Aesthetics: The Radical Work of Kara Walker John Brooks (Emory University)
Audience Disengagements: The Diversionary Tactics of Kara Walker John Brooks (Emory University) Kara Walker's A Subtlety Rebecca Peabody (Getty Research Institute) Prissy’s Quittin’ Time: The Black Camp Aesthetics of Kara Walker Brian Stephens (UC Riverside)
Curry Room
24. Getting Off on Good Behavior: Gender, Data, Security Chair: Michelle Chihara
Michelle Chihara (Whittier College), Aaron DeRosa (California State Polytechnic University, Pomona), Erica Edwards (Rutgers University), Jennifer Schnepf (Princeton University), Daniel Sinykin (Emory University), Patricia Stuelke (Dartmouth College)
Salon D (Calvert)
25. Writing Beyond the State: Postsovereign Approaches to Human Rights and Cultural Production Chair: Alexandra Moore (Binghamton University)
Alexandra Moore (Binghamton University), Emily Davis (University of Delaware), Greg Mullins (The Evergreen State University), Angela Naimou (Clemson University), Diren Valayden (Binghamton University), Peter Hitchcock (The Graduate Center, City University of New York), Hadji Bakara (University of Michigan)
26 Thursday, October 10 // Session 4 // 3:15-4:45pm
Thursday, October 10 // Session 4 // 3:15-4:45pm
Crossland E
26. Lifeworlds of Black Work: Moving Images, Collaboration, and Indexicality Chair: Jonathan Eburne (Penn State) Lifeworlds Near the Afrofuture Elizabeth Reich (University of Pittsburgh) One Foot in Front of the Other: Dancing to the Tempo of Uncertainty in Terence Nance’s Swimming in Your Skin Again Christina Knight (Haverford College) Ain't No Sunshine: Film Blackness, Anthropocinema, and Speculations of Capitalist Realism Michael Gillespie (City College of New York) Crossland F
27. Corporate Ecologies and Media Allegories Chair: Rachel Watson (Howard University) Streaming Agents Without Intentions Lisa Siraganian (Johns Hopkins University) News of the World in Fox TV Michael Szalay (UC Irvine) Corporate Allegory for Kids Jed Esty (University of Pennsylvania)
27 Thursday, October 10 // Session 4 // 3:15-4:45pm
Crossland G
28. Genre and the Police Chair: Theodore Martin (UC Irvine)
Deindustrializing the Crime Novel Theodore Martin (UC Irvine) Chester HIme’s Flat Cops Palmer Rampell (American Academy of Arts & Sciences) The Mail Gaze Joan Lubin (Cornell University) Race, Class, and Procedure Kinohi Nishikawa (Princeton University)
Carroll Room
29. Latin American Artists in the DC Art World Chair: Tatiana Flores (Rutgers University)
Irene Clouthier (Artist), Muriel Hasbun (GWU Corcoran School of Arts & Design), Edgar Endress (George Mason University)
Henson Room
30. Washington DC's Mass Transit Poetry Chair: Diarmuid Hester (University of Cambridge)
Diarmuid Hester (University of Cambridge), Bernard Welt (George Washington University), Tina Darragh (Independent), Kaplan Harris (St Bonaventure University), Peter Inman (Independent), Beth Joselow (Independent), Michael Lally (Independent), Terence Winch (Independent)
28 Thursday, October 10 // Session 4 // 3:15-4:45pm
Curry Room
31. Artistic Networks and the Making of Contemporary Black Literary Culture Chair: Hayley O'Malley (University of Michigan)
Ed Pavlić (University of Georgia), Conor Tomás Reed (Brooklyn College), Gayle Wald (George Washington University), Carter Mathes (Rutgers University), Randi Gill- Sadler (Lafayette College), Hayley O'Malley (University of Michigan)
Salon D (Calvert)
32. Arts of the Present Classroom: Practice, Pedagogy, Place Chair: Lindsay Turner (University of Denver)
Lindsay Turner (University of Denver), Anastatia Curley (University of Virginia), Kimberly Andrews (Washington College), Becky James (Parsons College of Art and Design), Ben Lee (University of Tennessee, Knoxville), Jessica Modi (Yale University), Victoria Baena (Yale University)
Keynote Programming
5:30-7pm, Harryette Mullen in conversation with Evie Shockley in Ulrich Auditorium (Tawes Hall)
7-8pm, Reception in Tawes
29 Friday, October 11, 2019 Session 5 // 8:30-10am
Crossland E
33. Sparking, Splitting, Feasting: Inevitable and Terminal Affects of Racial and Sexual Subjects Chair: Iván Ramos (University of Maryland) Who Gave You Permission? Queer and Asian Cheer in Queer Eye and Tidying Up Vivian L. Huang (Williams College) No Way In or Out: Asian American Women’s Narratives of Slow Endings in A Separation and Severance Summer Kim Lee (Dartmouth College) Feast of Fear: Eating and the Unnameable in Trenton Doyle Hancock’s “Devotion” Ianna Hawkins Owen (Williams College) Crossland F
34. Death and Exit in the Ecopolitical Contemporary Chair: Elizabeth Catchmark (University of Maryland) Becoming Night—Investigative Approaches to a Planetary Trauma Christoph Solstreif-Pirker (Graz University of Technology - Institute of Architecture and Landscape) Strange Meltings: Necropastoral and the Body of History Toby Altman (University of Iowa) Not Even Through the Gift Shop: Banksy and Exit from the State Seth McKelvey (Auburn University)
Friday, October 11 // Session 5 // 8:30-10am
Crossland G
35. Coding Embodiment, Enacting Code Chair: Amy Elias (University of Tennessee, Knoxville)
Algorithmic Characterization Amy Elias (University of Tennessee, Knoxville) The Emulation Game Rita Raley (UC Santa Barbara), Why Does Nicolas Cage Coat His Body in Black Paint? Jim Hodge (Northwestern), Synthwave, Light, and New Nostalgias Paul Benzon (Skidmore College), In Spite of the White Future Matt Tierney (Penn State University)
Carroll Room
36. Fast and Slow Ecologies Chair: Jennifer Hyde (George Washington University)
Sleepwalking Maria: Joan Didion and the Narcotized Style in Contemporary American Literature Kevin Pickard (Southern Methodist University) Frame Perfect: The Slow Art of Speedrunning Andrew Ferguson (University of Maryland) Excavating Nancy Holt’s Buried Poems Tim Anderson (New York University)
31 Friday, October 11 // Session 5 // 8:30-10am
Tubman Room
37. The Arts of Breathing Air Chair: Jean-Thomas Tremblay (New Mexico State University)
Decolonizing Smell Hsuan Hsu (UC Davis) Atmospheric Aesthetics Sarah Osment (New College of Florida) Breathing Architectures Jean-Thomas Tremblay (New Mexico State University) Respiratory Interfaces Clint Wilson III (Rice University)
Key Room
38. Ecology and Globality in Contemporary Fiction Chair: Sangeeta Ray (University of Maryland)
"No Separate Trees in a Forest": Trees, Transnationalism, and Collectivity in the Overstory Andrew Amidei (University of Missouri) The Birth of the Post-Encyclopedic Novel: Writing Against Discourses of Mastery and Totality in Leslie Marmon Silko’s Almanac of the Dead James Rankin (University of Maryland)
32 Friday, October 11 // Session 5 // 8:30-10am
Henson Room
39. Queer Observations Chair: Jordana Moore Saggese (University of Maryland)
The Right to Watch: Conjuring Migration in A Seventh Man Matthew Liberti (University of Michigan-Ann Arbor) No Satisfaction: the exquisite sociability of the 1970s No Wave Sarah Evans (Northern Illinois University) The Practice of Photo-Criticism in Postwar America Adam Jolles (Florida State University) and Josh Ellenbogen (University of Pittsburgh)
Curry Room
40. Human/Posthuman: Authors, Autonomy, and Automation Chair: Susan Vanderborg (University of South Carolina)
Bodily Glitch and the Noise of Pain Eddie Lohmeyer (University of Central Florida) The Catastrophe of Technology: Posthuman Automata and Nam June Paik’s Robot K-456 G Douglas Barrett (Salisbury University) A Database Poetics: On the Electronic Poetry Center After the Internet Daniel Scott Snelson (UCLA)
33 Friday, October 11 // Session 5 // 8:30-10am
Salon D (Calvert)
41. Wages Against Artwork Chair: Leigh Claire La Berge (CUNY)
Institutions as Art in an Age of Decommodified Labor Leigh Claire La Berge (CUNY) Amateur Work: Group Material's “The People’s Choice” and “Household Labor" Andrew Strombeck (Wright State University)
34 Friday, October 11 // Session 6 // 10:15-11:45am
Crossland E
42. The Failure of the Generation of Critique Chair: Blake Stimson (University of Illinois, Chicago)
Generation Ex Nicoletta Rousseva (University of Illinois, Chicago) The Middle Class Goes to Graduate School Elise Archias (University of Illinois, Chicago) Compulsion To Treat Critically Eve Meltzer (New York University) Beyond Critique? Lane Relyea (Northwestern University)
Crossland F
43. Shadow Selves, Deferred Times, and Racial Infrastructures Chair: Chad Infante (University of Maryland)
Kerry James Marshall's Shadow Self-Portraiture Elizabeth Muther (Bowdoin College) Art, Race, and Infrastructure in Los Angeles after 1960: Ed Ruscha, Senga Nengudi, and Mark Bradford Kenneth Allan (Seattle University)
Friday, October 11 // Session 6 // 10:15-11:45am
Crossland G
44. Ecologies of Resistance Chair: Eyda Merediz (University of Maryland)
Story as Water: Narrative Flow as Ecocritical Resistance in Indigenous Literature Amelia Chaney (University of Delaware) Photography, Immolation, and the Problem of Expenditure Rijuta Mehta (University of Toronto) Aesthetic Strategies for Political Action: Doreen Garner’s Purge and Black Youth Project 100 Maggie Unverzagt Goddard (Brown University)
Carroll Room
45. Fantasy and Reality in Contemporary Fiction Chair: Mercédès Baillargeon (University of Maryland)
Reproductive Crisis in the Contemporary Urban Novel Jason Baskin (University of Exeter) Searching for the World Kanyin Ajayi (Harvard University) From Red Plenty to the Gray Wastes: The Stylistics of Fantasy as Cultural Critique Marc Singer (Howard University)
36 Friday, October 11 // Session 6 // 10:15-11:45am
Tubman Room
46. Contemporary Plots, Poetics, and Archives Chair: David Sartorius (University of Maryland)
George Saunders and the Sentimental Anecdote
Tess McNulty (Harvard University) The Contemporary Book-Archive: Toward a Poetics Brian Davis (University of Maryland) Dying Again and Again: Unruly Ecologies of Plot in Contemporary Fiction Brian Richardson (University of Maryland)
Key Room
47. Marginal Silences Chair: Mary Helen Washington (University of Maryland)
“That Loud-Ass Colored Silence”: Douglas Kearney in the Margins Nikki Skillman (Indiana University) Notes on Notes on Notes: Glenn Ligon Reads James Baldwin Paul Benzon (Skidmore College) Material as Evidence: Gendered Violence and Police Power in American Literature Rachel Watson (Howard University)
37 Friday, October 11 // Session 6 // 10:15-11:45am
Henson Room
48. Media and Storytelling Chair: Mehdy Sedaghat Payam (University of Maryland)
After Lyric Script: Handwritten Deformations in Recent American Poetry Seth Perlow (Georgetown University) “the model minority disability disability creation” – a mixed media experiment in digital storytelling Jasmine An (The University of Michigan) Splitting Worlds: A Phenomenology of Quantum Ecology Ming-Qian Ma (State University of New York at Buffalo)
Curry Room
49. Contemporary Forms in Graphic Arts Chair: Chao Chi Chiu (University of Maryland)
What Was the Graphic Novel? Mitch Murray (University of Florida) Illustrating Futures: How Universities, Charities and Arts Institutions can develop a Collaborative Practice of Graphic Medicine David Hering (University of Liverpool) “In the Beginning the Wound Is Invisible”: The Graphic Adaptations of Sid Jacobson and Ernie Colón Susan Vanderborg (University of South Carolina)
38 Friday, October 11 // Session 6 // 10:15-11:45am
Salon D (Calvert)
50. From Revolt to Reaction: The Cunning of May ’68 Chair: Catherine Liu (UC Irvine)
From Revolt to Reaction: The Cunning of May ’68 Catherine Liu (UC Irvine) The Birth of Dionysian Capitalism from the Spirit of Aesthetic Revolt Devan Bailey (UC Irvine) Marxism and the Aesthetic Dimension Jarek Paul Ervin (Temple University) ’68 Was a Mistake: Everything is Permitted, Nothing is Possible Amber A’Lee Frost (Chapo Trap House)
Members Lunch (Calvert A & B) // 12-1pm
39 Friday, October 11 // Session 7 // 1:30-3pm
Crossland E
51. Alternatives to Criticism Chair: Lee Konstantinou (University of Maryland)
Lee Konstantinou (University of Maryland), Namwali Serpell (UC Berkeley), Rachel Greenwald Smith (Saint Louis University), Emily Lordi (University of Massachusetts Amherst), Christopher Grobe (Amherst), Sarah Chihaya (Princeton University)
Crossland F
52. Ecologies of Memorials Chair: Brian Richardson (University of Maryland)
The Temporality of Memorials: The Middle Passage Ceremonies and Port Markers Project Laura Smith (Stevenson University) Oceanic Ecologies and ‘Archive of the Now’ : Environmental Activism and Temporality in Jason deCares Taylor's Underwater Sculptures Sritama Chatterjee (University of Pittsburgh)
Friday, October 11 // Session 7 // 1:30-3pm
Crossland G
53. Performance/Reenactment Chair: Jyana Browne (University of Maryland)
Clean, Queer, and Under Control: Racialized Queer Sexuality in Tarell Alvin McCraney's Choir Boy Mary Zaborskis (University of Pittsburgh) Lorenzo Thomas: Uncovering the Cover Versions Aldon Nielsen (The Pennsylvania State University) Reenacting the Lions' Den: Performed Hauntology and the Carceral Aesthesis of History in “A Record Album Interpretation” Derek Baron (New York University)
Carroll Room
54. Urbanism: Past, Present, Future Chair: Christina Hanhardt (University of Maryland)
Contrapuntal Orientalisms: Shangri La & Hawaii’s Sovereignty Movement Cameron Bushnell (Clemson University) YOUR MILLION DOLLAR HOUSES WILL SOON BE UNDERWATER: The Plastic City and the Catastrophic Urban Imaginary in Miami Allison Schifani (University of Miami) Illustrating Local Complexities: A DC/Adapters Film Matthew Pavesich (Georgetown University)
41 Friday, October 11 // Session 7 // 1:30-3pm
Tubman Room
55. Documentary and Surveillance Chair: Otis Ramsey-Zoe (University of Maryland)
The Postindustrial Reserve Army of Affectivity Alex Pittman (Barnard College) Staring, Stalking, and Sleeping: Bi Gan, Xu Bing, and the Dream Aesthetics of Surveillance Mila Zuo (University of British Columbia) The origin of the “everyday:” community development, liberal government, contemporary art E. C. Feiss (UC Berkeley)
Key Room
56. Publishing Books in the Contemporary Arts: Conversations with Editors Chair: Yogita Goyal (UCLA)
Courtney Berger (Executive Editor, Duke University Press), Philip Leventhal (Senior Editor, Columbia University Press)
42 Friday, October 11 // Session 7 // 1:30-3pm
Henson Room
57. Myths of Occupation and Militarization Chair: Iván Ramos (University of Maryland)
Occupation and Escape: Cultural Narratives of 21st-Century American War Films Alan Nadel (University of Kentucky) Occupying Island Imaginaries: Nirveda Alleck’s Continuum Chagos and Global Environmentality Aurelie Matheron (The Pennsylvania State University) Weaponizing & Witnessing Vulnerability: Antonio Salemme’s Negro Spiritual Kim Bobier (Pratt Institute)
Curry Room
58. Rethinking Poetics in South Asia and Beyond Chair: Sharada Balachandran Orihuela (University of Maryland)
The Winterization of Writing: Weather and Erasure in Bhanu Kapil’s Schizophrene Flore Chevaillier (Texas State University) Dark Mirrors: Bhanu Kapil's Poetics of Displacement Anne Shea (California College of the Arts) Lunar Nostalgia in the Poetry of Agha Shahid Ali Margaret Greaves (Skidmore College)
43 Friday, October 11 // Session 7 // 1:30-3pm
Salon D (Calvert)
59. Shifting Artpolitical Ecologies Chair: renée hoogland (Wayne State University)
From Resistance to Sellout: Changing Moods in (Post)Apartheid South- African Women’s Art renée hoogland (Wayne State University) The Feminist Politics of Becoming Object: Community and Solidarity in Katherine Behar’s “High Hopes (Deux)” Molli Spalter (Wayne State University) Ecologies of the Short Story: Transmitting Fictions through Twitter Erin Bell (Baker College) Consuming Art: Violence and the Politics of Taste in The Neon Demon (2016) and Velvet Buzzsaw (2019) Ella Tucan (Wayne State University)
44 Friday, October 11 // Session 8 // 3:15-4:45 pm
Crossland E
60. Beautiful Thing II Chair: Andrew Hoberek (University of Missouri)
The Beautiful Taco: Enrique Olvera, Aesthetics, and the Culinary Object Ignacio Sánchez Prado (Washington University in St. Louis) Between Love and Beauty Tatiana Flores (Rutgers University) The Keeling Curve and the Zany Min Song (Boston College) Apocryphal Designs: The Asynchronous Beauty of the Nick and Nora Glass Sheila Liming (University of North Dakota)
Crossland F
61. Performing Ecological Attachments: A Participatory Roundtable and Collaborative Manifesto/ation Chair: Nicole Seymour (California State University, Fullerton)
Sarah Kanouse (Northeastern University), Katie Schaag (Georgia Tech), Nicole Seymour (California State University, Fullerton), Alex Menrisky (University of Massachusetts Dartmouth), Sara Grossman (Bryn Mawr College)
Friday, October 11 // Session 8 // 3:15-4:45pm
Crossland G
62. Abstraction, Form, and Precarity in Black and White Chair: Eva Hageman (University of Maryland)
Precarious Whiteness: Racial Abstraction and Neoliberal Crisis in Evan Dara’s Flee Nathan Ragain (University of North Carolina Wilmington) Relation In-Form: On the Black Frame as Void Interface Jamal Russell (UC Santa Barbara)
Carroll Room
63. Precarious Affects Chair: Alexis Lothian (University of Maryland)
A New Model for Contemporary Affect: The Global Success of the K-pop Group BTS Sophia Mao (Harvard University) Rethinking Queer Cinematic “Worlding”: Aesthetic Dissonance at KASHISH and Karishma Dube’s Devi Ani Maitra (Colgate University)
Tubman Room
64. Belonging, Witnessing, and Trauma Chair: Halla Khalil (University of Maryland)
(In)habitable and (Un)seen: Technology, Failure, and the Politics of Inefficiency in Sondra Perry Megan Driscoll (Center for Advanced Study in the Visual Arts) Black Gathering: The Ecology of Xaviera Simmons's Art Sarah Jane Cervenak (University of North Carolina-Greensboro)
46 Friday, October 11 // Session 8 // 3:15-4:45pm
Key Room
65. Can Dialectics Break Bots? Contemporary Culture and the Technologies of Labor Chair: Annie McClanahan (UC Irvine)
I Hope This Finds You Well: Wearable Technology, Productivity, and Work Sean Grattan (University of Kent) Autofiction, Automation, Amazon: Working Subjects in Heike Geissler’s Seasonal Associate John Macintosh (University of Maryland) The Fiction of Automation: Reproducing Motherhood and Values in Contemporary Literature Mackenzie Weeks-Mahoney (UC Irvine) Artificial Artificial Intelligence: Microwork and Conceptual Art Annie McClanahan (UC Irvine) “…The Need for Black People Is Disappearing Fast”: On Blackness, Automation and Autonomy Richard Purcell (Carnegie Mellon University)
Henson Room
66. Reflexivity and Estrangement Chair: Christina Walter (University of Maryland)
Towards a Rural Ethnic Studies Surabhi Balachander (University of Michigan) Estrangement Functions: The Speculative as Transmedia Methodology in Supergiant’s Transistor Cecilia Mancuso (Harvard University) Techniques of Enclosure: Self-Reflexivity in Conrad, Wiener, Cliff Jap-Nanak Makkar (Wilkes University)
47 Friday, October 11 // Session 8 // 3:15-4:45pm
Curry Room
67. Ecologies of Performance and Dance Chair: Eva Peskin (University of Maryland)
Unsovereign Poetics, "Chimerical Ecologies" Ren Ellis Neyra (Wesleyan University) Sheer Pleasure: Eloise Greenfield, Solange Knowles, and Black Hush Jasmine Johnson (University of Pennsylvania) The Practice of Listening: Improvisation in Postmodern Dance
Heidi McFall (University of Maryland)
Salon D (Calvert)
68. Scaling Trauma in Memorial, Documentary, and Simulation Arts Chair: Torsa Ghosal (California State University, Sacramento)
Scaling Loss, Mourning Lives: Shoe Memorials and the Commemorative Commonplaces of the One and the Many Emily Brennan-Moran (University of North Carolina, Chapel Hill) Scalar (Mis)Alignments: Multimodal Docu-Poetics and Climate Crises Torsa Ghosal (California State University, Sacramento) The Photographic Scale Jill Lea Frank (Georgia State University) Trial and Error: Trauma and Non-linear Time in Legal Simulation Courtney McClellan (University of Georgia)
Keynote Programming
48
5:30-7pm, Chris Abani in Ulrich Auditorium (in Tawes Hall)
7-8pm, Reception in the David C. Driskell Center
49
Saturday, October 12, 2019 Session 9 // 8:30-10am
Crossland E
69. Manufactured Futures, Weaponized Times Chair: Christopher Fan (UC Irvine)
Weaponized Time: Imperialism and Temporal World Building Leif Sorensen (Colorado State University) Postracial Medicine in Chang-rae Lee’s On Such a Full Sea Michelle Huang (Northwestern) Slow Life in Still Life Christopher Fan (UC Irvine)
Crossland F
70. Teju Cole and the Ecology of the Contemporary Arts Chair: Madigan Haley (College of the Holy Cross)
Blackness in Chiaroscuro: Envisioning the African Diaspora in Teju Cole’s Known and Strange Things Walton Muyumba (Indiana University-Bloomington) Cole’s Migratory Work Madigan Haley (College of the Holy Cross) The Ecologies of Digital Publishing and Teju Cole’s Social Media Fiction Christian Howard (Bucknell University) Teju Cole and the Art of Description Cara Lewis (Indiana University Northwest)
50 Saturday, October 12 // Session 9 // 8:30-10am
Crossland G
71. Anachronism Now Chair: Alissa Karl (State University of New York, Brockport)
Remembering the “Lost Future” of Social Housing Emily Hogg (University of Southern Denmark) Nostalgia, Anachronism, Proximity: Three Contemporary Labor Market Narratives Jeffrey Gonzalez (Montclair State University) Escape into Legend: Generic Anachronism and the Impossibility of the Future Emily Johansen (Texas A & M University) Postmodern Anachronism Alissa Karl (State University of New York, Brockport)
Carroll Room
72. Ecopoetic Writing Beyond the Ending Chair: Lynn Keller (University of Wisconsin-Madison)
Heliopoetics Joshua Schuster (Western University) To Live as if She is Already Dead Gillian White (University of Michigan-Ann Arbor) No Future Full Lynn Keller (University of Wisconsin-Madison)
51 Saturday, October 12 // Session 9 // 8:30-10am
Tubman Room
73. Neoliberal Publishing, Neoliberal Form Chair: Peter Mallios (University of Maryland)
Ecologies of Neoliberal Publishing: Conglomeration, Genre, and Contemporary Climate Fiction Jeremy Rosen (University of Utah) How to Become a Novelist Intellectual in Five Easy Steps Bécquer Seguín (Johns Hopkins University) Making Books Now: New Ecologies of the Codex Matthew Kirschenbaum (University of Maryland)
Key Room
74. Narrativizing Infrastructure Chair: Katherine Hummel (University of Michigan)
The Ethics of Snapshot Narrativity in Teju Cole’s Every Day is for the Thief Katherine Hummel (University of Michigan-Ann Arbor) Scaling Back Global Urban Futures May Ee Wong (UC Davis) Public Scholarship and Open Educational Infrastructures Matthew K. Gold (The Graduate Center, City University of New York)
52 Saturday, October 12 // Session 9 // 8:30-10am
Henson Room
75. Fictions of Catastrophe Chair: Seo Hee Im (Hanyang University)
The Disaster Film After the End of History Jordan Brower (Harvard University) Catastrophic Forms: From Modernism to Climate Change Joe Cleary (Yale University) Ghosts of the Future Seo Hee Im (Hanyang University)
53 Session 9a // 8:30-11:30am // Seminars
Curry Room
76. Inside Junkyard Ecologies and the Archives of the Present Organizers: Charles Tung (Seattle University), Benjamin Widiss (Hamilton College)
Charles Tung (Seattle University), Benjamin Widiss (Hamilton College), Gloria Fisk (Queens College CUNY), Aaron Jaffe (Florida State University), Lytle Shaw (New York University), Mitchum Huehls (UCLA), Patrick Anson (Columbia University), Malgorzata Rymsza-Pawlowska (American University), Warren Liu (Scripps College), Clint Wilson III (Rice University), Jason Baskin (University of Exeter), Seth Forrest (Coppin State)
Salon D (Calvert)
77. Death, Race, and Gender in Contemporary Art Organizer: Sheri-Marie Harrison (University of Missouri)
Sheri-Marie Harrison (University of Missouri), Mrinalini Chakravorty (University of Virginia), Zoey Dorman (University of Michigan, Ann Arbor), Patricia Ekpo (Yale University), Katelyn Harlin (University of Missouri), Sara Marcus (University of Notre Dame)
Saturday, October 12 // Session 9a // 8:30-11:30am // Seminars
Terrapin Ballroom (Salon I)
78. Poetic Labor and the Articulation of Place Organizer: Genji Amino (Columbia University)
Marguerite Atterbury (The Graduate Center, City University of New York), Maryam Parhizkar (Yale University), Genji Amino (Columbia University), Michael Dowdy (University of South Carolina), Jason Perez (University of San Diego), Farid Matuk (University of Arizona), Susan Briante (University of Arizona)
Terrapin Ballroom (Salon II)
79. Ecologies of Affection Organizers: Karen Tongson (USC), Alexis Lothian (University of Maryland)
Karen Tongson (University of Southern California), Ethan Fukuto (Northwestern University), Raquel Gutiérrez (University of Arizona), Alexis Lothian (University of Maryland), Madison Moore (Virginia Commonwealth University), Gustavus Stadler (Haverford College), Anna Storti (University of Maryland), Jean-Thomas Tremblay (New Mexico State University)
Terrapin Ballroom (Salon III)
80. Materialisms in the Americas Organizer: Davis Smith-Brecheisen (University of Illinois, Chicago)
Davis Smith-Brecheisen (University of Illinois, Chicago), Jose Antonio Arellano (Air Force Academy), Emilio Sauri (University of Massachusetts Boston), Jennifer Ashton (University of Illinois, Chicago), Christopher Findeisen (University of Southern California), Charles Hatfield (University of Texas at Dallas), Oded Nir (Vassar College), Justin Raden (University of Illinois, Chicago), Lisa Siraganian (Johns Hopkins University)
55 Saturday, October 12 // Session 9a // 8:30-11:30am // Seminars
56 Saturday, October 12 // Session 10 // 10:15-11:45am
Crossland E
81. No Safe Mode: Art Under Threat Chair: Erica Levin (Ohio State University)
As Seen Through the TV Tube: Media Art Emergency Erica Levin (Ohio State University) Ray Johnson's Imitation Games Johanna Gosse (University of Idaho) Can One Be Black in the Lobby of Goldman Sachs? Kris Cohen (Reed College) Safety Orange Anna Watkins Fisher (University of Michigan, Ann Arbor)
Crossland F
82. Ethical Matters: Bodies, Ecologies, and Aesthetics of Difference Chair: Vivian L. Huang (Williams College)
Namaste Bitches: The Aesthetics and Economics of Mass Market Yoga Spirituality Poulomi Saha (UC Berkeley) Desecrating Flesh: SEMEFO and the Ethical Demand of Feminist Performance in Mexico City Iván Ramos (University of Maryland) Viaje a la semilla: Source Materials and Ethical Entanglements in Ana Mendieta’s Caves Christina León (Princeton University)
Saturday, October 12 // Session 10 // 10:15-11:45am
Crossland G
83. For Artists Known and Unknown: Thinking Along the Ensemble in Contemporary Music Video Art Chair: Alessandra Raengo (Georgia State University)
A Counter Collection: Arthur Jafa’s Reinterpretation of Property and Propriety in the Black Music Video Lauren Cramer (University of Toronto) Kahlil Joseph’s Ensembles Alessandra Raengo (Georgia State University) Secret Histories and Visual Riffs, or Miles Davis, Alice Coltrane, and Flying Lotus Go to the Movies Charles "Chip" Linscott (Ohio University) Intergenerational Pedagogy in Jenn Nkiru’s Rebirth is Necessary Jenny Gunn (Georgia State University)
58 Saturday, October 12 // Session 10 // 10:15-11:45am
Carroll Room
84. Haptic Ecosystems: Queer Affects and Emancipatory Performance in the Contemporary Chair: Amber Jamilla Musser (George Washington University)
Conjuring the Sensate in Black Photography: Haptic Ecosystems in Nona Faustine’s White Shoes Asimina Ino Nikolopoulou (Grinnell College) Historical Erasure and the Politics of Remembrance in New Orleans: Bringing The Rent is Too Damn High! into Life Fari Nzinga (Kalamazoo College/ Kalamazoo Institute of the Arts) Nature as Death Threat: Counter Ecologies of Queer Indigenous Hapticality in Tommy Pico’s Nature Poem Victoria Papa (Massachusetts College of Liberal Arts) Speculations in the Latinopolis: Urban Art and Visual Media in Contemporary Miami Fredo Rivera (Grinnell College)
Tubman Room
85. The Movements of Sleep: Relation, Resistance, Refusal
CANCELLED
Key Room
86. Academic Publishing: Think Like A Journal Editor Chair: Yogita Goyal (UCLA)
William Breichner (Johns Hopkins University Press), Jonathan Eburne (Penn State University), Amy Elias (University of Tennessee), Yogita Goyal (UCLA), Gordon Hutner (University of Illinois at Urbana-Champaign)
59 Saturday, October 12 // Session 10 // 10:15-11:45am
Henson Room
87. Politics of the Platform Chair: Andrew Ferguson (University of Maryland)
Ecofascisms of the Present: Reproductive Technologies and Replacement Theory in Louise Erdrich’s Future Home of the Living God Jeannette Schollaert (University of Maryland) The Decorative Avant-Gardisms of Harryette Mullen and Mickalene Thomas Rachel Carroll (Oberlin College)
Lunch Break // 11:45am-1pm
60 Saturday, October 12 // Session 11 // 1-4 pm // Seminars
Crossland E
88. Polygraphy: A Seminar on Collaborative Criticism Organizers: Gloria Fisk (Queens College CUNY), Sarah Chihaya (Princeton University)
Gloria Fisk (Queens College CUNY), Sarah Chihaya (Princeton University), Rachel Greenwald Smith (St. Louis University), Lakshmi Padmanabhan (Dartmouth College), Summer Kim Lee (Dartmouth College), Jill Richards (Yale University), Katherine Hill (Adelphi University), Grace Lavery (UC Berkeley), Daniel Ortberg (Independent), Catherine Quirk (McGill University), Carolyn Ownbey (University of Chicago), Matthew Suttor (Yale University), Marcelo Dietrich (Yale University), Dana Karwas (Yale University), Alex Zafiris (Yale University)
Crossland F
89. Exiles, Migrants, Refugees Organizers: Yogita Goyal (UCLA), Gordon Hutner (University of Illinois at Urbana- Champaign)
Yogita Goyal (UCLA), Gordon Hutner (University of Illinois at Urbana-Champaign), Min Song (Boston College), David Kazanjian (University of Pennsylvania), Angela Naimou (Clemson University), Maria Josefina Saldana-Portillo (New York University), Joshua Miller (University of Michigan-Ann Arbor), Stephen Park (Loyola University Maryland), Yanie Fecu (University of Wisconsin-Madison)
Saturday, October 12 // Session 11 // 1-4pm // Seminars
Crossland G
90. Black Film in Theory and Practice Organizers: Lauren Cramer (University of Toronto), Hayley O'Malley (University of Michigan), Samantha Sheppard (Cornell University)
Hayley O'Malley (University of Michigan), Samantha Sheppard (Cornell University), Lauren Cramer (University of Toronto), Allyson Field (University of Chicago), Brandy Monk-Payton (Fordham University), Kimberly Bain (Princeton University), Courtney Baker (UC Riverside), Celeste Day Moore (Hamilton College), Racquel Gates (College of Staten Island, CUNY), Nzingha Kendall (University of Virginia), Caetlin Benson- Allott (Georgetown University), Ryan Conrath (Salisbury University)
Carroll Room
91. Surface Aesthetics, Eroticism, and Racial Abstraction in Neofascist Times Organizer: Alex Pittman (Barnard College), Amber Jamilla Musser (George Washington University), Vivian Huang (Williams College), and Pablo Assumpção Barros Costa (Universidade Federal do Ceará)
Alex Pittman (Barnard College), Amber Jamilla Musser (George Washington University), Vivian L. Huang (Williams College), Pablo Assumpção Barros Costa (Universidade Federal do Ceará), Jess Dorrance (UC Berkeley), Leon J. Hilton (Brown University), Neetu Khanna (USC), Christina León (Princeton University), Ianna Hawkins Owen (Williams College), Tina Post (University of Chicago), Iván Ramos (University of Maryland), Felipe Ribeiro (Federal University of Rio de Janeiro), Deborah Thurman (Washington University in St. Louis)
62 Saturday, October 12 // Session 11 // 1-4pm // Seminars
Tubman Room
92. DH Approaches to the Arts of the Present Organizers: Laura McGrath (Stanford University), Alexander Manshel (McGill University)
Alexander Manshel (McGill University), Laura McGrath (Stanford University), Andrew Goldstone (Rutgers University), Sheila Liming (University of North Dakota), Cody Mejeur (Michigan State University), Anna Schechtman (Yale University), Seth Perlow (Georgetown University), Daniel Sinykin (Emory University), Lindsay Thomas (University of Miami), Rebekah Waalkes (Tufts), Melanie Walsh (Washington University in St. Louis), Nick Kelly (New Mexico Tech), Nikki White (University of Iowa)
Key Room
93. N. K. Jemisin's The Broken Earth Trilogy Organizers: Jessica Hurley (University of Chicago), Leif Sorensen (Colorado State University)
Jessica Hurley (George Mason University), Leif Sorensen (Colorado State University), Melinda Backer (University of Tennessee), Joanna Davis-McElligatt (University of Louisiana), Rebecca Evans (Winston-Salem State University), Jeremy Glover (University of Michigan), Vincent Haddad (Central State University), Matt Hart (Columbia University), Jasmine Moore (University of California Riverside), Mitch Murray (University of Florida), Benjamin Robertson (University of Colorado Boulder), Jeremy Rosen (University of Utah), Katherine Sugg (Central Connecticut State University), Katlyn Williams (University of Iowa)
63 Saturday, October 12 // Session 11 // 1-4pm // Seminars
Henson Room
94. Speculative Visions of the Present and Future Organizer: Kathryn Cai (University of California)
Kathryn Cai (Wake Forest University), Joseph Jeon (UC Irvine), Mark Jerng (UC Davis), Lily Wong (American University), Ignacio Sanchez Prado (Washington University in St. Louis), Heejoo Park (UC Riverside), May Ee Wong (UC Davis), G Douglas Barrett (Salisbury University), Daniel Kason (University of Maryland), Ching-In Chen (University of Washington Bothell)
Curry Room
95. Race, Abstraction, and Modernism's Legacies Organizers: Balbir Singh (Virginia Tech), Katie Lennard (Stanford University)
Balbir Singh (Virginia Tech), Douglas Ishii (Emerson College), Sue Shon (Emily Carr University of Art + Design), Katie Lennard (Stanford University), Wendy Lee (Skidmore College), Susan Weeber (University of Oregon)
64 Saturday, October 12 // Session 11 // 1-4pm // Seminars
Salon B (Calvert)
96. Public Arts and Humanities Writing Workshop Organizer: Kyle Frisina (University of Michigan), Adena Rivera-Dundas (University of Texas)
Kyle Frisina (University of Michigan), Adena Rivera-Dundas (University of Texas), Cara Lewis (Indiana University Northwest), Anni Pullagura (Brown University), Charlotte Hecht (Yale University), Melissa Phruksachart (University of Michigan), Dianne Loftis (Independent), Heather Houser (University of Texas at Austin), Yeshua Tolle (University of Michigan, Ann Arbor), Molli Spalter (Wayne State University), Jennifer Glaser (University of Cincinnati), Elizabeth Shores (Independent), Helena Feder (East Carolina University), Dory Fox (University of Michigan), Nikki Skillman (Indiana University), Lee Konstantinou (University of Maryland), Gayle Wald (George Washington University), Carina del Valley Schorske (Columbia University), Caroline Picard (Green Lantern Press), Fulla Abdul-Jabbar (School of the Art Institute of Chicago)
Keynote Programming
4:30-6pm, Alex Rivera in Calvert C & D (The Hotel)
6-7pm, Closing reception in Foyer A
65
ASAP Statement of Professional Conduct
ASAP is committed to exploring the richness and diversity of the international contemporary arts as well as the critical methodologies used to elucidate them.
ASAP welcomes all forms of innovative or established scholarship that have as their primary purpose the advancement of learning about the contemporary arts. We are predicated on the reality that the contemporary arts operate globally through the interaction of persons, cultures, systems of distribution, and translations of values. We also strongly support local articulations that may contest such circulation and encourage groundbreaking scholarship as well as fellowship and scholarly interaction among its constituents.
In the interest of human flourishing and the free creation and dissemination of ideas, as a community we are opposed to:
• any discriminatory practice against persons or ideas on the basis of race, ethnicity, national origin, religious creed, age, gender, sexual preference, disability or other personal or group identity. • all forms of sexual harassment. • derogatory or prejudicial language.
Based upon these principles, ASAP is committed to hosting conference and symposia that are inclusive and welcoming for all. In consequence, participants, exhibitors and organizers in ASAP events are required to abide by the principles listed above. The following behaviors are unacceptable at ASAP events:
• Harassment, intimidation or discrimination based on race, ethnicity, gender identity, gender expression, national origin, religion, academic rank, physical appearance, age, disability or other personal or group identity. • Sexual harassment and intimidation, including unwelcome sexual attention, physical or virtual stalking, unsolicited physical contact, or threats of retaliation in exchange of rejection. • Shouting down or threatening speakers and participants, disparaging speakers or participants on the basis of any of the categories defined for harassment.
We ask speakers to frame discussions in terms as open, respectful and inclusive as possible. In the interest of maintaining an atmosphere of academic freedom we ask speakers not to refrain from engaging controversial materials. At the same time, please be thoughtful of the effect that language or images may have on others.
All members participating in conferences and symposia, online venues (including engagement with our social media accounts) and ASAP-related social events agree to follow these guidelines. Attendees asked to stop a hostile or harassing behavior are expected to comply immediately. Please report any physical assault or threats to the local police department. We invite conference participants to approach any member of the ASAP Motherboard to report any breach of this Code of Conduct. Behavior in breach of this Code of Conduct is not welcome and will not be tolerated, and may jeopardize a member’s good standing in the organization.
Adapted from the ASAP Constitution and the guidelines of the Modern Language Association and the American Library Association.
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Index (by panel number)
Bennett, Joshua, 16 Costa, Pablo Assumpção A Benson-Allott, Caetlin, 90 Barros, 91 Benzon, Paul, 35, 47 Cramer, Lauren, 83, 90 Abdul-Jabbar, Fulla, 96 Bergen, Hilary, 19 Curley, Anastatia, 32 Adell, Khadija, 9 Berger, Courtney, 56 Ajayi, Kanyin, 45 Bloch, Julia, 5 Ali, Ashna, 8 Blyn, Robin, 21 D Allan, Kenneth, 43 Bobier, Kim, 57 Altman, Toby, 34 Bohrer, Frederick, 2 Darragh, Tina, 30 Amidei, Andrew, 38 Breichner, William, 86 Davis-McElligatt, Joanna, 93 Amino, Genji, 78 Brennan-Moran, Emily, 68 Davis, Brian, 46 An, Jasmine, 48 Briante, Susan, 78 Davis, Emily, 25 Anam, Nasia, 8 Brooks, John, 23 Day, Iyko, 17 Anderson, Tim, 4, 36 Brower, Jordan, 75 Daza, Maria Chaves, 12 Andrews, Kimberly, 32 Browne, Jyana, 53 DeGooyer, Stephanie, 7 Anson, Patrick, 76 Bruce, La Marr Jurelle, 10 DeRosa, Aaron, 24 Archias, Elise, 42 Bushnell, Cameron, 54 Dietrich, Marcelo, 88 Arellano, Jose Antonio, 80 Donnell, Dallas, 3 Ashton, Jennifer, 80 Dorman, Zoey, 77 Atterbury, Marguerite, 78 C Dorrance, Jess, 91 Avilez, GerShun, 2 Doud, Tim, 9 Cai, Kathryn, 94 Dowdy, Michael, 78 B Carroll, Angela N., 9 Driscoll, Megan, 64 Carroll, Rachel, 87 Backer, Melinda, 93 Catchmark, Elizabeth, 34 Baena, Victoria, 32 Cervenak, Sarah Jane, 64 Bailey, Devan, 50 Chakraborty, Sumita, 16 E Baillargeon, Mercédès, 45 Chakravorty, Mrinalini, 77 Bain, Kimberly, 90 Chaney, Amelia, 44 Eburne, Jonathan, 26, 86 Bakara, Hadji, 25 Chatterjee, Sritama, 52 Edwards, Erica, 24 Baker, Courtney, 90 Chen, Ching-In, 94 Ehrlich, Ken, 17 Balachander, Surabhi, 66 Chevaillier, Flore, 58 Ekpo, Patricia, 77 Baron, Derek, 53 Chihara, Michelle, 24 Elias, Amy, 35, 86 Barrett, G Douglas, 40, 94 Chihaya, Sarah, 51, 88 Ellenbogen, Josh, 39 Baskin, Jason, 45, 76 Chiu, Chao Chi, 49 Endress, Edgar, 29 Beeber, Matthew, 12 Cleary, Joe, 75 Ervin, Jarek Paul, 50 Bell, Erin, 59 Clouthier, Irene, 29 Esty, Jed, 27 Cohen, Kris, 81 Evans, Rebecca, 93 Connor, JD, 24 Conrath, Ryan, 90 Evans, Sarah, 39
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F H J
Fan, Christopher, 69 Haddad, Vincent, 15, 93 Jaffe, Aaron, 76 Fecu, Yanie, 89 Hageman, Eva, 62 Jaime, Karen, 2 Feder, Helena, 96 Haley, Madigan, 70 James, Becky, 32 Feiss, E. C., 55 Hanhardt, Christina, 54 James, David, 18 Ferguson, Andrew, 36, 87 Harlin, Katelyn, 77 Janzen, Rebecca, 11 Field, Allyson, 90 Harris, Kaplan, 30 Jeon, Joseph, 7, 94 Finch, Laura, 17 Harrison, Sheri-Marie, 18, 77 Jerng, Mark, 94 Findeisen, Christopher, 80 Hart, Matt, 7, 93 Johansen, Emily, 71 Fisher, Anna Watkins, 81 Hasbun, Muriel, 29 Johnson, Andy, 9 Fisk, Gloria, 76, 88 Hatfield, Charles, 80 Johnson, Jasmine, 67 Fitz Gerald, James, 20 Hering, David, 49 Johnson, Martin, 6 Flores, Tatiana, 29, 60 Hester, Diarmuid, 30 Jolles, Adam, 39 Forrest, Seth, 76 Hill, Katherine, 88 Joselow, Beth, 30 Fox, Dory, 96 Hilton, Leon J., 91 Frank, Jill Lea, 68 Hind, Emily, 11 K Frisina, Kyle, 96 Hitchcock, Peter, 25 Frost, Amber A'Lee, 50 Hoberek, Andrew, 18, 60 Kanouse, Sarah, 61 Hodge, Jim, 35 Karl, Alissa, 71 Hogg, Emily, 71 Karwas, Dana, 88 G hoogland, renée, 59 Kason, Daniel, 94 Hooley, Matt, 16 Kazanjian, David, 89 Gates, Racquel, 90 Houser, Heather, 96 Keller, Lynn, 72 Ghosal, Torsa, 68 Howard, Christian, 70 Kelly, Nick, 92 Gill-Sadler, Randi, 31 Hsu, Hsuan, 37 Kendall, Nzingha, 90 Gillespie, Michael, 26 Huang, Michelle, 69 Khalil, Halla, 64 Glaser, Jennifer, 96 Huang, Vivian L., 33, 82, 91 Khanna, Neetu, 91 Glover, Jeremy, 93 Huehls, Mitchum, 76 Kilpatrick, Robert, 15 Goddard, Maggie Unverzagt, Hummel, Katherine, 74 King, Homay, 85 44 Hurley, Jessica, 93 Kirschenbaum, Matthew, 73 Gold, Matthew K., 74 Hutner, Gordon, 86, 89 Knapp, Kathy, 4 Goldstone, Andrew, 92 Hyde, Jennifer, 36 Knight, Christina, 26 Gonzalez, Jeffrey, 71 Konstantinou, Lee, 51, 96 Gosse, Johanna, 7, 81 Goyal, Yogita, 56, 86, 89 L Grattan, Sean, 65 I Greaves, Margaret, 58 La Berge, Leigh Claire, 41 Lally, Michael, 30 Grobe, Christopher, 51 Im, Seo Hee, 75 Lavery, Grace, 88 Grossman, Sara, 22, 61 Infante, Chad, 43 Lawrence, O'Neil, 18 Gunn, Jenny, 83 Inman, Peter, 30 Lee, Ben, 32 Ishii, Douglas, 13, 95 Lee, Wendy, 13, 95
Lee, Summer Kim, 33, 88 Meltzer, Eve, 42 Ortberg, Daniel, 88 Lennard, Katie, 95 Mendelsohn, Ben, 22 Osment, Sarah, 37
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León, Christina, 82, 91 Menrisky, Alex, 61 Owen, Ianna Hawkins, 33, 91 Leventhal, Philip, 56 Merediz, Eyda, 44 Ownbey, Carolyn, 88 Levin, Erica, 81 Michaels, Walter Benn, 18 Lewis, Cara, 70, 96 Miller, Joshua, 89 P Liberti, Matthew, 39 Modi, Jessica, 32 Liming, Sheila, 60, 92 Monani, Salma, 22 Padmanabhan, Lakshmi, 85, 88 Linscott, Charles "Chip", 83 Monk-Payton, Brandy, 90 Papa, Victoria, 84 Liu, Catherine, 50 Moore, Alexandra, 25 Parhizkar, Maryam, 78 Liu, Warren, 76 Moore, Celeste Day, 90 Park, Heejoo, 94 Loftis, Dianne, 96 Moore, Jasmine, 93 Park, Stephen, 89 Lohmeyer, Eddie, 40 Moore, Madison, 79 Pavesich, Matthew, 54 Lordi, Emily, 51 Moro, Jeffrey, 22 Pavlić, Ed, 31 Lothian, Alexis, 63, 79 Morton, Margaret, 14 Payam, Mehdy Sedaghat, 48 Lubin, Joan, 28 Mullins, Greg, 25 Peabody, Rebecca, 23 Lupasco, Victoria, 21 Murray, Mitch, 49, 93 Perez, Jason, 78 Musser, Amber Jamilla, 84, 91 Perlow, Seth, 48, 92 M Muther, Elizabeth, 43 Peskin, Eva, 67 Muyumba, Walton, 70 Phruksachart, Melissa, 13, 96 Ma, Ming-Qian, 48 Picard, Caroline, 96 Macintosh, John, 65 N Pickard, Kevin, 36 Maitra, Ani, 63 Pinkston, Ada, 9, 17 Makkar, Jap-Nanak, 66 Nadal, Paul, 2 Pittman, Alex, 55, 91 Malcolm, Jane, 5 Nadel, Alan, 57 Post, Tina, 91 Mallios, Peter, 73 Nadiminti, Kalyan, 8 Prado, Ignacio Sánchez, 60, 94 Mancuso, Cecilia, 66 Naimou, Angela, 4, 25, 89 Pridgeon, Stephanie, 11 Manshel, Alexander, 92 Nance, Sarah, 10 Pullagura, Anni, 96 Mao, Sophia, 63 Nanny, Mallory, 10 Purcell, Richard, 65 Marcus, Daniel, 1 Neyra, Ren Ellis, 67 Marcus, Sara, 77 Nielsen, Aldon, 53 Q Martin, Theodore, 28 Nikolopoulou, Asimina Ino, 84 Matheron, Aurelie, 57 Nir, Oded, 80 Quirk, Catherine, 88 Mathes, Carter, 31 Nishikawa, Kinohi, 28 Matuk, Farid, 78 Noh, Jeff Kisuk, 19 R McClanahan, Annie, 65 Nykolak, Jenevive, 1 McClellan, Courtney, 68 Nzinga, Fari, 84 Raden, Justin, 80 McFall, Heidi, 67 Raengo, Alessandra, 83 McGrath, Laura, 92 O Ragain, Nathan, 62 McKelvey, Seth, 34 Raley, Rita, 35 McNulty, Tess, 46 O'Malley, Hayley, 31, 90 Ramirez, Dixa, 3 Mehta, Rijuta, 44 O'Shea, Moira, 14 Ramos, Iván, 33, 57, 82, 91 Mejeur, Cody, 92 Orihuela, Sharada Rampell, Palmer, 28 Balachandran, 58
Ramsey-Zoe, Otis, 55 Shea, Anne, 58 Tsen, Darwin, 21
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Rankin, James, 38 Shea, Michael Martin, 10 Tucan, Ella, 59 Ray, Sangeeta, 2, 38 Sheppard, Samantha, 90 Tung, Charles, 76 Reddy, Sheshalatha, 4 Shon, Sue, 95 Turner, Lindsay, 32 Reed, Conor Tomás, 31 Shores, Elizabeth, 96 Reich, Elizabeth, 26 Siegelbaum, Sami, 1 V Relyea, Lane, 42 Singer, Marc, 45 Ribeiro, Felipe, 91 Singh, Balbir, 95 Valayden, Diren, 25 Richards, Jill, 88 Sinykin, Daniel, 24, 92 Van Schaik, Kasia, 19 Richardson, Brian, 46, 52 Siraganian, Lisa, 27, 80 Vanderborg, Susan, 40, 49 Rivera-Dundas, Adena, 96 Skillman, Nikki, 47, 96 Vargas, Dominique, 12 Rivera, Fredo, 84 Smith-Brecheisen, Davis, 80 Vlasova, Masha, 14 Robertson, Benjamin, 93 Smith, Heidi, 20 Robles-Anderson, Erica, 6 Smith, Laura, 52 W Robles, Francisco, 12 Smith, Rachel Greenwald, 51, Rosen, Jeremy, 73, 93 88 Waalkes, Rebekah, 92 Ross, Stephen, 5 Snelson, Daniel Scott, 40 Wald, Gayle, 31, 96 Russell, Jamal, 62 So, Christine, 13 Waldron, John V., 11 Ryan, Robert, 20 Solstreif-Pirker, Chistoph, 34 Walsh, Melanie, 92 Rymsza-Pawlowska, Song, Min, 60, 89 Walter, Christina, 66 Malgorzata, 76 Sorensen, Leif, 69, 93 Washington, Mary Helen, 47 Spalter, Molli, 59, 96 Watson, Rachel, 27, 47 S Spaulding, Daniel, 1 Weeber, Susan, 95 Stadler, Gustavus, 79 Weeks-Mahoney, Mackenzie, Saggese, Jordana Moore, 39 Stephens, Brian, 23 65 Saha, Poulomi, 82 Stimson, Blake, 42 Welt, Bernard, 30 Saldana-Portillo, Maria Storti, Anna, 79 White, Gillian, 72 Josefina, 89 Strombeck, Andrew, 41 Widiss, Benjamin, 76 Sartorius, David, 46 Stuelke, Patricia, 24 Williams, Katlyn, 93 Sauri, Emilio, 80 Sugg, Katherine, 93 Williams, Tyrone, 3 Schaag, Katie, 61 Suttor, Matthew, 88 Wilson III, Clint, 37, 76 Schechtman, Anna, 92 Szalay, Michael, 27 Wilson, Paul, 3 Schifani, Allison, 54 Wilson, Robert, 20 Schnepf, Jennifer, 24 T Winch, Terence, 30 Schollaert, Jeannette, 87 Wong, Lily, 94 Schorske, Carina del Valley, 96 Thomas, Lindsay, 92 Wong, May Ee, 74, 94 Schuster, Joshua, 72 Thurman, Deborah, 91 Seguín, Bécquer, 73 Tierney, Matt, 35 Z Serpell, Namwali, 51 Tolle, Yeshua, 96 Seymour, Nicole, 61 Tongson, Karen, 79 Zaborskis, Mary, 53 Shaw, Lytle, 76 Tran, Sharon, 13 Zafiris, Alex, 88 Tremblay, Jean-Thomas, 37, 79 Zinman, Gregory, 6 Zuo, Mila, 55
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