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Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
Finding Nature's Voice
Finding Nature’s Voice 2015 ANNUAL REPORT NATURE IS SPEAKING ARE YOU LISTENING? CONTENTS 2 Introduction 4 About ‘Nature Is Speaking’ 6 Where We Work 8 Feature Story: The Ocean 14 Feature Story: The Soil 20 Feature Story: The Rainforest 26 Partnering for Influence 32 Finances 36 What’s Next 38 Our Donors 51 Events 56 World-Class Leadership © IAN LENEHAN/500PX 1 My planet is changing. My ice caps are melting. My rivers are drying up. A WARNING FROM My islands are disappearing. And my storms are making conditions for life more difficult. I can adapt to this, of course. Evolving is what I do best — but I fear for your future. MOTHER Humans are the greatest disruptors to life on Earth. Your ambition has driven you to build vast cities, to invent ways to get more from less. I have been here for you, but now you are outpacing me. I can no longer replenish what you take. There is more NATURE you need to do. I am the source of the food you eat, the water you “When I thrive, you thrive. When drink, the weather that shapes your daily realities. I falter, you falter — or worse.” If you will not protect me, I cannot protect you. I need you to listen — before it is too late. You need me. © ANA FILIPA NEVES 2 CI is Listening Dear friends, Mother Nature is speaking to us. Now more than and the entire coffee industry, we are pushing ever, we must listen. We rely on nature to fulfill our to make coffee the world’s first sustainable needs for food, water and a stable climate. -
David Gulpilil, AM
David Gulpilil, AM Born 1953, Gulparil, near Ramingining, Northern Territory. Lives Darwin, N.T. David Gulpilil’s full name is David Gulpilil Ridjimiraril Dalaithngu. Gulpilil is also spelt Gulparil, which is the name of his Country near Ramingining, central Arnhem Land, N.T. When, as a seventeen year-old, David Gulpilil lit up the cinema screen in the film, Walkabout, he did more than play a role. The performance was so strong, so imbued with a new type of graceful naturalism, that it re-defined perceptions of Aboriginality, especially in the field of screen acting. Over the next decade, David became the iconic Aboriginal actor of his generation, paving the way in the resurgence of the Australian film industry for more parts to be written for Aboriginal people, for more Aboriginal stories to be told. His charismatic, engaging and unforgettable performances in films like Storm Boy (1976, dir. Henri Safran), The Last Wave (1977, dir. Peter Weir) and Crocodile Dundee (1986, dir. Peter Faiman) helped bring Aboriginality into the mainstream of the screen arts. In his later work, including Rabbit-Proof Fence (2002, dir. Philip Noyce), The Tracker (2002, dir. Rolf de Heer), Australia (2008, dir. Baz Luhrmann) and the soon to be released Charlie's Country (2013, dir. Rolf de Heer), Gulpilil has brought tremendous dignity to the depiction of what it is to be Aboriginal. Through his art he has brought an incalculable amount of self-esteem to his community. Since the early 1970s, Gulpilil has earned more than 30 film credits, and performed alongside Dennis Hopper, Jack Thompson, Miles Davis, Nicole Kidman, Hugh Jackman, Kenneth Branagh, William Hurt, Richard Chamberlain, Guy Pearce, Paul Hogan, and Ernie Dingo, under acclaimed directors such as Peter Weir, Baz Lurhman, Philip Noyce, Wim Wenders and Rolf de Heer. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
ABSTRACT COLLECT by Jacob Carl Harksen This Collection of Poems
ABSTRACT COLLECT by Jacob Carl Harksen This collection of poems seeks to explore the individual’s relation to the self and others, and between the lyric “I” and forms of collectivity, under the duress of 21st-century capitalism. The poems respond to certain political and economic pressures, including namely debt, and assert that poetry can be a meaningful aid in, if not site of, resistance to those pressures. The collection seeks to enact in poetry a political content, which is typically the province of a highly theorized discourse, by direct treatment of the lived world of feeling and belief. A narrative arc is developed over the course of the collection that tracks the radicalization of those feelings and beliefs in the life of an individual as they attempt to make answer to the pressures of capital in a variety of modes and forms. COLLECT A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the reQuirements for the degree of Master of Arts Department of English by Jacob Carl Harksen Miami University Oxford, Ohio 2013 Advisor: ________________________________________________ cris cheek Reader: ________________________________________________ Keith Tuma Reader: ________________________________________________ Catherine Wagner Jacob Carl Harksen 2013 TABLE OF CONTENTS the fox……………………………………………………………………………………………………………………………1 Dinghy……………………………………………………………………………………………………………………………2 State of the Union……………………………………………………………………………………………………………3 * White Flag……………………………………………………………………………………………………………………5 swell………………………………………………………………………………………………………………………………6 -
I'm Gonna Keep Growin'
always bugged off of that like he always [imi tated] two people. I liked the way he freaked that. So on "Gimme The Loot" I really wanted to make people think that it was a different person [rhyming with me]. I just wanted to make a hot joint that sounded like two nig gas-a big nigga and a Iii ' nigga. And I know it worked because niggas asked me like, "Yo , who did you do 'Gimme The Loot' wit'?" So I be like, "Yeah, well, my job is done." I just got it from Slick though. And Redman did it too, but he didn't change his voice. What is the illest line that you ever heard? Damn ... I heard some crazy shit, dog. I would have to pick somethin' from my shit, though. 'Cause I know I done said some of the most illest rhymes, you know what I'm sayin'? But mad niggas said different shit, though. I like that shit [Keith] Murray said [on "Sychosymatic"]: "Yo E, this might be my last album son/'Cause niggas tryin' to play us like crumbs/Nobodys/ I'm a fuck around and murder everybody." I love that line. There's shit that G Rap done said. And Meth [on "Protect Ya Neck"]: "The smoke from the lyrical blunt make me ugh." Shit like that. I look for shit like that in rhymes. Niggas can just come up with that one Iii' piece. Like XXL: You've got the number-one spot on me chang in' the song, we just edited it. -
TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match. -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube. -
Nothing Else Will Matter
CONSERVATION INTERNATIONAL CONSERVATION NOTHING ELSE WILL MATTER NOTHING NOTHING ELSE WILL MATTER 2019 ANNUAL REPORT 2019 ANNUAL COVER PHOTO: RAIN TREE, © ISTOCK.COM/APICHAT_NAWEEWONG 66103_Cover_X.indd 1-3 4/24/20 9:25 PM IF WE DON’T STOP THE DESTRUCTION OF NATURE NOTHING ELSE WILL MATTER CONTENTS 8 BOARD OF DIRECTORS BUILDING UPON A STRONG FOUNDATION OF SCIENCE, PARTNERSHIP AND FIELD 10 LEADERSHIP COUNCIL DEMONSTRATION, CONSERVATION INTERNATIONAL EMPOWERS SOCIETIES TO RESPONSIBLY AND SUSTAINABLY CARE 12 AMERICAS COUNCIL FOR NATURE, OUR GLOBAL BIODIVERSITY, FOR THE WELL-BEING OF HUMANITY. 14 LETTER FROM THE CHAIRMAN 16 LETTER FROM THE CEO 18 WHERE WE WORK 22 PROTECTING NATURE FOR CLIMATE 38 OCEAN PROTECTION AT SCALE 54 NATURE-BASED DEVELOPMENT 74 INNOVATIONS IN SCIENCE AND FINANCE 92 WHAT’S NEXT? 118 OUR SUPPORTERS 144 SENIOR STAFF LISTING 146 WAYS TO JOIN BOARD OF DIRECTORS CHAIRMAN OF THE BOARD Mark Ferguson Andy Karsner Story Clark Resor Peter A. Seligmann Founding Partner Senior Strategist, [X] – Chief Executive Officer Conservation International Generation Investment The Moonshot Factory TravelStoryGPS Arlington, Virginia Management (Alphabet’s Labs) Wilson, Wyoming London, UK Executive Chairman, CHAIRMAN OF THE Elemental Labs M. Sanjayan, Ph.D. EXECUTIVE COMMITTEE Robert J. Fisher Palo Alto, California Chief Executive Officer Wes Bush Chairman of the Board Conservation International Former Chairman and Chief Gap Inc. Michael Klein Arlington, Virginia Executive Officer San Francisco, California Managing Partner Northrop Grumman Corporation M. Klein and Company Andres Santo Domingo Falls Church, Virginia Victor Fung, Ph.D. New York, New York Kemado Label Group Chairman Brooklyn, New York VICE CHAIR Fung Group David Leuschen Harrison Ford Hong Kong Co-Founder and Senior John Swift Actor Managing Director Conservationist Los Angeles, California Jeff Gale Riverstone Holdings Los Osos, California Chairman and Director New York, New York BOARD MEMBERS of Photography Enki Tan, M.D. -
Journal of the Inter-American Foundation
Grassroots Development J ournal of the Inter-American Foundation The IAF in Argentina VOLUME 24 NUMBER 1 2003 GrassrootsGrassroots DevelopmentDevelopment 20022002 23/123/1cov1 cov1 The Inter-American Foundation (IAF), an independent agency of the United States government, was created in 1969 as an experimental foreign assistance program. The IAF works to promote equitable, responsive and participatory self-help development by awarding grants directly to organizations in Latin America and the Caribbean. It also enters into partnerships with public and private sector entities to mobilize local, national and international resources for grassroots development. The IAF’s operating budget consists of congressional Grassroots Development appropriations and funds derived through the Social Progress Trust Fund. Journal of the Inter-American Foundation Frank Yturria, Chair, Board of Directors Patricia Hill Williams, Vice Chair, Board of Directors Publication Editor: Paula Durbin David Valenzuela, IAF President Photo Editor: Mark Caicedo Foreign Language Editions: Leyda Appel Grassroots Development is published in English and Spanish by the IAF’s Office of External Affairs. It appears on the IAF’s Web site at www.iaf.gov in English, Editorial Assistant: Adam Warfield Spanish and Portuguese versions accessible in graphic or text format. Original Design and Printing: U.S. Government Printing Office material produced by the IAF and published in Grassroots Development is in the public domain and may be freely reproduced. Certain material in this journal, however, has been provided by other sources and might be copyrighted. Reproduction of such material may require prior permission from the copyright holder. The editor requests source acknowledgement and a copy of any repro- duction. -
2018 Corporate Responsibility Report Highlights
2018 corporate responsibility report highlights human energy for complete reporting, visit chevron.com/cr we are in the business of progress At the heart of The Chevron Way is our vision … to be the global energy company most admired for its people, partnership and performance. We enable human progress by developing the energy that improves lives and powers the world forward. read more chevron.com/chevronway Since our industry’s inception, energy has continued to evolve on On the cover: Daw Win Mar, a crop farmer in the Kyauk Se Lay different paths, at different speeds in different geographies. village of Myanmar, is a beneficiary of the Ahlin Yaung program. Chevron partners with one of the longest-serving international To learn more about our social investments worldwide, see nongovernmental organizations in Myanmar, Pact, to deliver affordable, chevron.com/creatingprosperity. renewable solar energy to homes and communities. The Ahlin Yaung program, meaning “light” in Burmese, has enabled over 240,000 people to benefit from solar energy, including helping households to shift from kerosene and wood-based energy sources to solar. a message from our chairman and chief executive officer This year, Chevron celebrates an important milestone in our company’s history— our 140th anniversary of enabling human progress around the world. We strive to uphold this proud legacy every day as we deliver the affordable, reliable and ever-cleaner energy that life depends on. We are in the business of progress, and our work helps billions of people achieve better living standards, access to education, longer and healthier lives, and social and economic opportunities.