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Some Thoughts on the Mauritian Cultural Impact on Australia
SOME THOUGHTS ON THE MAURITIAN CULTURAL IMPACT ON AUSTRALIA EDWARD DUYKER Perhaps the most significant aspect of the Mauritian cultural impact in Australia has been the extent to which Mauritians have participated in and strengthened broader French cultural activities in Australia. Mauritians are represented in organizations such as the Alliance Francaise and over the years a number of them have been among the Alliance's office bear ers. Between 1939 and 1941, Dr Louis Ernest Seide Gelle (1881-1972) was president of the Alliance Frangaise in Western Australia. In 1976 Claude Rochecouste was President of the Alliance in Canberra. There are numer ous Mauritians who are employed as French language teachers in Australia. They are also involved in French language broadcasting and have done much to promote French as a community language rather than as a mere elective in secondary and tertiary education. Mauritians have also made an important contribution to amateur French language theatre in Australia. In professionsal theatre, Mauritian-born Odile Leclezio is a rising young star. Her sister Sylvie Leclezio is a familiar figure in the Australian film industry. In the early 1970s, Sylvie Leclezio helped organize the Perth Film Festival with David Roe. In 1975 she estab lished Leclizio Films, a distribution company which played a major role in introducing French New Wave films to Australian audiences. She also pro duced Marian Wilkinson's thought-provoking Allies, and co-produced the acclaimed Coca-Cola Kid. Mauritians have often capitalized on their "Frenchness". Aside from the more distinctive Mauritian cuisine of restaurants such as Sydney's he Dodo (and in a restaurant with the same name in the Victorian coastal town of Lome), numerous Mauritian chefs, waiters and restaurateurs are engaged in the preparation of more traditional French food. -
Educación Ambiental: Importancia Crucial
REVISTA CIENTíFICA DE INVESTIGACIÓN EDUCATIVA DE LA UNAE Investigadores y profesionales de la EDUCACIÓN AMBIENTAL: IMPORTANCIA CRUCIAL La revista RUNAE es una revista científica de docencia, de todas las etapas y modalidades PARA NUESTRO PLANETA ámbito nacional e internacional, que educativas, tienen en este medio una entiende las Ciencias de la Educación como plataforma para fomentar la Educación por Monográfico 01 un campo interdisciplinario. La revista RUNAE medio de trabajos originales y Diciembre 2017 fomenta el intercambio de ideas, reflexiones metodológicamente bien fundamentados, ya e investigaciones con la comunidad científica sea de investigación básica, innovación o de forma plurilingüe e intercultural: aplicada. castellano, inglés, francés, portugués y kichwa. La revista RUNAE tiene como ejes centrales los valores propios de una sociedad En la revista RUNAE se publican trabajos de intercultural, basada en el conocimiento en acuerdo con los principios científicos el marco del Sumak Kawsay (Buen Vivir). universales que contribuyan al avance del Parte de tres ejes fundamentales orientados conocimiento, entre los que se encuentran: a la reflexión y promoción de la reproductividad, factibilidad, aplicabilidad, transformación educativa: la especialización, precisión, comunicabilidad, democratización, la calidad y la pertinencia. verificabilidad, generalización, capacidad Como revista de educación potencia la explicativa, predictibilidad, apertura y no generación de modelos educativos de completitud. Es una revista asociada al excelencia, -
Australian Native Plants Society Canberra Region (Inc)
AUSTRALIAN NATIVE PLANTS SOCIETY CANBERRA REGION (INC) Journal Vol. 17 No. 10 June 2014 ISSN 1447-1507 Print Post Approved PP100000849 President's Report Contents President's Report to Members Neville Page 1 to Members Summer Walks 2014 Ros Cornish 3 I’m pleased to present this, my first Privacy Jacques Labillardière Lesley Page 14 President’s Report to members of the Horse Island Ros Walcott 16 Australian Native Plants Society — In recent times our email communications have experienced some “address ANPS Autumn Plant Sale Report Paul Carmen 21 Canberra Region. During the past six months the Society has experienced a harvesting” by people who then use those Plant Science Group of Friends of the ANBG Janet Russell 23 high level of activity, not to mention some email addresses for purposes unrelated to Bridging the Murray Victoria Tanner 24 controversy as well. Highlights have been: ANPS activities. With a view to protecting member privacy, we have set up a number Propagation Workshop Report Paul Carmen 29 2015 Conference of closed email distribution lists, which Study Group Notes Lesley Page 30 have inbuilt protection against improper The ANPSA Conference in November use. There are lists for Wednesday Walkers, ANPS contacts and membership details inside back cover 2015 will be hosted by Canberra ANPS. Daytime Activities and Field Trips. Any The conference committee, under the member is entitled to have his or her email leadership of Ben Walcott, has made added to one or more of the lists. Individual considerable progress in mapping out a email addresses do not appear on emails Cover: Eucalyptus pressiana flower; Photo: Glenn Pure plan of activities. -
Dance of the Nomad: a Study of the Selected Notebooks of A.D.Hope
DANCE OF THE NOMAD DANCE OF THE NOMAD A Study of the Selected Notebooks of A. D. Hope ANN McCULLOCH Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/dance_nomad _citation.html National Library of Australia Cataloguing-in-Publication Entry Author: McCulloch, A. M. (Ann Maree), 1949- Title: Dance of the nomad : a study of the selected notebooks of A.D. Hope / Ann McCulloch. ISBN: 9781921666902 (pbk.) 9781921666919 (eBook) Notes: Includes bibliographical references. Subjects: Hope, A. D. (Alec Derwent), 1907-2000--Criticism and interpretation. Hope, A. D. (Alec Derwent), 1907-2000--Notebooks, sketchbooks, etc. Dewey Number: A828.3 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or trans- mitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Emily Brissenden Cover: Professor A. D. Hope. 1991. L. Seselja. NL36907. By permission of National Library of Australia. Printed by Griffin Press This edition © 2010 ANU E Press First edition © 2005 Pandanus Books In memory of my parents Ann and Kevin McDermott and sister in law, Dina McDermott LETTER TO ANN McCULLOCH ‘This may well be rym doggerel’, dear Ann But the best I can manage in liquor so late At night. You asked me where I’d begin in your place. I can Not answer that. But as a general case I might. Drop the proviso, ‘Supposing That I were you’; I find it impossible to think myself in your place But in general almost any writer would do: The problem is much the same in every case. -
Louise Rollman Thesis
CURATING THE CITY: UNPACKING CONTEMPORARY ART PRODUCTION AND SPATIAL POLITICS IN BRISBANE Louise Rollman BA (Visual Arts) (Hons), Queensland University of Technology Principal Supervisor: Professor Andrew McNamara Associate Supervisors: Dr Emma Felton External Associate Supervisor: Dr Gretchen Coombs Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Visual Arts, Faculty of Creative Industries Queensland University of Technology 2018 Keywords Contemporary art; public art; commissioning for the public realm; curatorial practice; Henri Lefebvre, the right to the city and the right to imagine the city; arts policy infrastructure and institutionalization; cultural history. Curating the City: unpacking contemporary art production and spatial politics in Brisbane i Abstract Contemporary art and exhibition-making is increasingly deployed in the urban development and marketing of cities for political-economic benefit, yet the examination of the aesthetic and cultural aspects of urban life is curiously limited. In probing the unique political conditions of Brisbane, Australia, this thesis contrasts two periods — 1985-1988 and 2012-2015 — in order to more fully understand the critical pressures impacting upon the production of contemporary aesthetic projects. While drawing upon Henri Lefebvre's right to the city, and insisting upon a right to imagine the city, this thesis concludes that a consistent re-articulation of critical pressure, which anticipates oppositional positions, is necessary. Curating the City: unpacking -
Patsy Cohen, Margaret Somerville
a novel by Philip Salam PLAYBACK I' ( b- r~ ~ BACK Jack Biner, folklorist and gifted listener, imagines Windru p is just another country town and its people. But soon he is entrusted with the vivid and often moving world of these people's memories. His need to remain an impartial collector is shaken. He finds he must live through much more than his own dilemmas as he meets Mrs Bukowski, the moody landlady; Laura, the painter; her cagey husband; and the enigmatic Fisher . , ... poet Philip Salom's first novel (has) an intensity and strong contemporary motion which will 'honey the nerves' of its readers ... ' Australian Bookseller & Publisher FREMANTLE ARTS CENTRE PRESS WESTERLY a quarterly review ISSN 0043-342x EDITORS: Bruce Bennett, Peter Cowan, Dennis Haskell EDITORIAL ADVISORS: Margot Luke (prose ),Delys Bird (poetry), Brenda Walker (reviews) EDITORIAL CONSULTANTS: Diana Brydon (University of Guelph), John Hay (Monash University ),Dorothy Hewett (Sydney ),Brian Matthews (Flinders University), Vincent 0' Sullivan (Victoria University, Wellington), Peter Porter (London), Anna Ruthelford (University of Aarhus), Edwin Thumhoo (National University of Singapore ), Alhert Wertheim (University of Indiana) ADMINISTRATOR: Caroline Horohin Westerly is published quarterly at the Centre for Studies in Australian Literature in the English Department, University of Western Australia with assistance from The Literary Arts Board of the Australia Council, the Federal government's arts funding and advisory body, and the State Government of W.A. through the Department for the Arts. The opinions expressed in Westerly are those of individual contributors and not of the Editors or Editorial Advisors. Correspondence should be addressed to the Editors, Westerly, Department of English, University of Western Australia, Nedlands, Western Australia 6009 (telephone (09) 380 210 I). -
252 June-July ABR for Doran
BIOGRAPHY would have enjoyed our insisting on that. Duyker’s biogra- Too Many Captain Cooks phy is entitled Citizen Labillardière. All these events take place during the turmoil of the French Revolution. Labillardière sets off with d’Entrecasteaux just as the violence of the revo- Greg Dening lution begins, but its idealism still holds. Labillardière is citi- zen to these ideals. His ‘political correctness’, as one French Edward Duyker biographer rather sniffily calls it, makes him unpopular on CITIZEN LABILLARDIÈRE: A NATURALIST’S LIFE d’Entrecasteaux’s ship. Most of the navy officers are IN REVOLUTION AND EXPLORATION (1755–1834) monarchists. They have a poor choice: go into exile or join Miegunyah Press, $59.95hb, 408pp, 0522 85010 3 a dangerous expedition. The Great Cabin of the Recherche is not a happy place, and Labillardière’s complex character and E WHO HAVE a colonial past may not remember, sharp tongue make it even unhappier. He drives them all mad nor want to remember, that our forebears had an by insisting that they use the new calendar of the revolution. Wattitude towards the French something akin to the I once heard the eminent American historian Professor attitude currently being shown towards them by those thugs Bernard Bailyn tell an academic audience that included the in the White House and the US fast-food chains who have winners of nine Pulitzer Prizes in History that biography is declared that they will stop adding to global obesity with easy. They were not amused. They all thought biography ‘french fries’ and do it instead with ‘freedom fries’. -
Erich Buchholz: the Inconvenient Footnote Within Art History
Erich Buchholz: the inconvenient footnote within art history Andrew McNamara Reference: ‘Erich Buchholz: The Inconvenient Footnote within Art History,’ Art & Australia, Vol. 39, No.32, December 2001/February 2002, pp. 257-263. Who is Erich Buchholz? This might have been the question the Queensland Art Gallery sought to address with a major survey of his work, Erich Buchholz—the restless avant- gardist. (June-September, 2000) The answer would be that Buchholz was at the forefront of avant-garde art practice in the early years of the Weimar Republic. In the early Twenties, he found himself amidst a flurry of artistic crosscurrents in a volatile Berlin. As the curator, Anne Kirker, was able to show, his remarkable output was truly interdisciplinary for it encompassed painting, printmaking, sculpture, design, installation, architecture, even furniture making. Yet, “interdisciplinary” is an inadequate term because it suggests skipping from one activity to another, whereas Buchholz was intrigued by the formative capacity underlying each of these otherwise separate activities. Despite being at the centre of events, his art has enjoyed an erratic reception. In his Memoirs of a Dada Drummer, Huelsenbeck refers to Buchholz as “the German art pioneer,” but otherwise makes no reference to him. i In the late 1950s, however, Huelsenbeck wrote an entry for Buchholz in Michel Seuphor’s, A dictionary of abstract painting, in which he described his friend’s white, black, red and gold relief paintings as “twentieth century icons.”ii Furthermore, in an obituary for Buchholz after his death in 1972, Heinz Ohff stated quite categorically that: “In 1922 he remodeled his studio flat at Herkulesufer 15 into the first ‘environment,’ the first abstractly designed three- dimensional space in art history.”iii (Illustration 1) Now this is quite a claim, and it establishes Buchholz’s preeminence in a field traditionally linked to names like El Lissitzky, Kurt Schwitters and the Dutch group, de Stijl. -
The French in the South Seas
Welcome to the electronic edition of Discovery and Empire. The book opens with the bookmark panel and you will see the contents page. Click on this anytime to return to the contents. You can also add your own bookmarks. Each chapter heading in the contents table is clickable and will take you direct to the chapter. Return using the contents link in the bookmarks. The whole document is fully searchable. Enjoy. Discovery and Empire This book is available as a free fully-searchable PDF from www.adelaide.edu.au/press Discovery and Empire the French in the South Seas edited by John West-Sooby French Studies, School of Humanities The University of Adelaide Published in Adelaide by University of Adelaide Press Barr Smith Library University of Adelaide South Australia 5005 [email protected] www.adelaide.edu.au/press The University of Adelaide Press publishes externally refereed scholarly books by staff of the University of Adelaide. It aims to maximise the accessibility to the University’s best research by publishing works through the internet as free downloads and as high quality printed volumes on demand. © 2013 The Authors This book is copyright. Apart from any fair dealing for the purposes of private study, research, criticism or review as permitted under the Copyright Act 1968 (Cth), no part may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior written permission. Address all inquiries to the Director at the above address. -
The French and Terra Australis
The French and Terra Australis MARGARET SANKEY* All those interested in Australian history will be aware of the long European quest for the mythical Terra australis incognita, punctuated by the discovery of coasts of New Holland by the Dutch in the seventeenth century, and not abandoned until the late eighteenth century when Captain James Cook, during his second voyage, finally demonstrated that there was no vast inhabited continent sUlTounding the South Pole. In the English speaking world, the history of the Southern Hemisphere has been traditionally dominated by the English achievements. The search for Terra australis is thus seen as culminating in the discovery of the east coast of Australia and the subsequent implantation of colonies along the Australian coastlines. In recent years, the French contIibution to the early exploration and mapping of New Holland is increasingly being recognised. Although most Australians know something of the ill-fated expedition of La Perouse, last heard of when he sailed from Botany Bay in 1788, voyages such as those of D'Entrecasteaux (sent in search of La Perouse in 1791) and Baudin (sent on a scientific voyage to New Holland by Napoleon Bonaparte in 1800) are only now beginning to attract the attention they deserve. The pioneering work done over the last few decades by John Dunmore, Leslie Marchant, Frank Homer, and more recently other scholars such as Edward Duyker, has demonstrated the achievements of the French explorers and revealed the wealth of documentation they accumulated about New Holland during the earliest days of European settlement. * Professor Margaret Sankey, FAHA, holds the McCaughey Chair of French Studies at the University of Sydney. -
Mauritius and Family History at the National Library
MAURITIUS AND FAMILY HISTORY AT THE NATIONAL LIBRARY EDWARD DUYKER Like Lloyd Rees and Gary "Angry" Anderson, I have a Mauritian mother. When I began to research my ancestors and the history of Mauritians in Australia, I was amazed at the number of Mauritian genealogical and family history sources held by the National Library. They help demonstrate the extraordinary richness of our national Family history in Australia has always been much easier for those of English, Scottish, Welsh and Irish descent. But who would think that one could find transcripts of Mauritian parish registers for the period 1722 to 1767 in the National Library in Canberra? They were in fact published in a short-lived journal called the Revue ritrospective de I'ile Maurice (5969.82005 REV). In 1956, a French journal, the Revue d'histoire des colonies, published a list of all the settlers who came to Mauritius from the southern French provinces of Languedoc and Provence. The source for the article was the 1776 census of the island. The National Library not only holds the Revue d'histoire des colonies, but in its manuscript collection has a typed alphabetical list of all the respondents to the census of 17761 It is an extremely useful source for researchers because it provides details of the respondent's occupation, age, place of birth and date of arrival in the colony. Another surprising document in the manuscript collection is a register of tax payments for the erection of tombs in Port Louis cemetery for the years L825-184L. Such a register can be agteat help to a researcher trying to find the date of someone's death or his/her burial place. -
Rosemary Dobson a Celebration
Rosemary Dobson A Celebration Rosemary Dobson A Celebration Compiled and edited by Joy Hooton for the Friends of the National Library of Australia Featuring essays by Joy Hooton, Elizabeth Lawson, Paul Hetherington and David McCooey Friends of the National Library of Australia Canberra 2000 Published by the National Library of Australia for the Friends of the National Library of Australia Inc. Canberra ACT 2600 Australia © National Library of Australia and Joy Hooton, Elizabeth Lawson, Paul Hetherington, David McCooey 2000 National Library of Australia Cataloguing-in-Publication entry Rosemary Dobson: a celebration Bibliography. ISBN 0 642 10728 9. 1. Dobson, Rosemary—Criticism and interpretation. 2. Dobson, Rosemary, 1920-. 3. Australian poetry—20th century—History and criticism. 4. Women poets, Australian— 20th century—Biography. I. Lawson, Elizabeth, 1940-. II. Hetherington, Paul, 1958-. III. Hooton, Joy W., 1935-. IV. McCooey, David, 1967-. V. National Library of Australia. A821.3 Publisher's editor: Gabriele Kovacevic Designer: Kathy Jakupec Printer: Lamb Print Pty Ltd, Perth Cover photograph by Alec Bolton, 1986 Every reasonable endeavour has been made to contact relevant copyright holders. Where this has not proved possible, copyright holders are invited to contact the publisher. Rosemary Dobson outside Angus & Robertson Publishers in Sydney c.1949 ACKNOWLEDGEMENTS The photographs on pages iii, vi, 9, 16, 29 and 48 were supplied courtesy of Rosemary Dobson. The photograph on page 39 is from the Pictorial Collection and reproduced courtesy of Rosemary Dobson. The photographs on pages 24 and 57 are from the Pictorial Collection. The photograph on page 60 is from the Pictorial Collection and reproduced courtesy of Jill White and Rosemary Dobson.