SAN FRANCISCO NEW YORK 150 Minna Street 313 W 14th Street, 2F San Francisco, CA New York, NY 415.399.1439 By appointment cclarkgallery.com
RAY BELDNER Born San Francisco, California, 1961 Lives and works in San Francisco, California
EDUCATION
1989 Masters of Fine Art (Sculpture), Mills College, Oakland, California 1986 Bachelors of Fine Art (Painting), San Francisco Art Institute, San Francisco, California
SELECTED SOLO EXHIBITIONS
2011 Portraits, Catharine Clark Gallery, San Francisco, California 2008 The Word, Catharine Clark Gallery, San Francisco, California The Word on the Street, San Jose Institute of Contemporary Art, San Jose, California 2005 Hot, Catharine Clark Gallery, San Francisco, California 2004 Counterfeit, Caren Golden Gallery, New York, New York (catalogue) 2002 Counterfeit, Catharine Clark Gallery, San Francisco, California (catalogue) 2001 Counterfeit, Bettcher Gallery, Miami, California (catalogue) Counterfeit, Frumkin/Duval Gallery, Santa Monica, California (catalogue) 1998 Untitled, Haines Gallery, San Francisco, California Untitled, Sherry Frumkin Gallery, Santa Monica, California 1996 The Other Side of the Aisle, Linda Moore Gallery, San Diego, California 1994 The Body of a Dead Enemy Always Smells Good, Haines Gallery, San Francisco, California 1992 Landscapes and Dark Suits, Haines Gallery, San Francisco, California 1990 Introductions, Haines Gallery, San Francisco, California
SELECTED GROUP EXHIBIT
2012 Renegade Humor, San Jose Museum of Art, San Jose, California Portraiture Post Facebook, Catharine Clark Gallery, San Francisco, California 2011 You Can't Make Art By Making Art: The Legacy of David Ireland, Chandra Cerrito Contemporary, Oakland, California Beyond Tradition: Art Legacies at the Richmond Art Center, Richmond Art Center, Richmond, California Building Context, Guerrero Gallery, San Francisco, California The Bank & Trust Show, ArtsWestchester, White Plains, New York Say Something, E6 Gallery, San Francisco, California MISAPPROPRIATION: A pop-up group show in Culver City, Studio Orange, Culver City, California 2010 Personal Identities: Contemporary Portraits, University Art Gallery Sonoma State University, Rohnert Park, California ShadowShop, SFMOMA, San Francisco, California The Seduction of Duchamp: Bay Area Artists' Response, ArtZone 461 Gallery, San Francisco, California NEW PRINTS 2010/ Summer – Heat!, International Print Center New York, New York, New York TXT, James Harris Gallery, Seattle, Washington Cash, Porn and Theft: How I Make My Art, Sacramento State, Sacramento, California Drawing Room, 14th Street Studio (Catharine Clark Gallery), New York, New York RE:CREATION : Serious Play with Canonical Art, Cerritos College Art Gallery, Norwalk, California Photo Artillery: In the Realm of the Lenses, Stephen Cohen Gallery, Los Angeles, California Sexhibition, Stephen Cohen Gallery, Los Angeles, California In the Realm of the Lenses, Stephen Cohen Gallery, Los Angeles, CA 2009 Seduction of Duchamp: Bay Area Artists’ Response, Slaughterhousespace, Healdsburg, California Dress Codes: Clothing As Metaphor, Katonah Museum of Art, Katonah, New York Redesign: Transforming the Ordinary, Nevada Museum of Art, Reno, Nevada Andy Warhol's Factory 2009, The Children's Museum, Ontario, Canada Inventing Marchel Duchamp: The Dynamics of Portraiture¸ Smithsonian Donald W. Reynolds Center for American Art and Portraiture, National Portrait Gallery, Washington D. C. The Art, Inspiration and Appropriation of Andy Warhol, Waterloo Regional Children's Museum, Kitchener, Ontario, Canada Variations on a Theme, San Jose Museum of Art, San Jose, California 2008 Moving Money, SAC Gallery, State University of New York at Stony Brook, Stony Brook, New York The Western Front: Inaugural Show, Charlie James Gallery, Chinatown, California The Audacity of Hope, Catherine Clark Gallery, San Francisco, California 2008 American Symbols: From Lady Liberty to the Stars and Stripes, Museum of Craft and Folk Art, San Francisco, California 2007 The Painted Word, K Gallery, Alameda, California Breaking Ground Breaking, Catharine Clark Gallery, San Francisco, California (catalogue) Childish Things, 301 BOCANA Gallery, San Francisco, California Intercourse, Platform Gallery, Seattle, Washington American Dream, Riverside Art Museum, Riverside, California 2006 Diamond Life, Drake Hotel, Toronto, Canada Kapital, KENT Gallery, New York, New York Art as Money/Money as Art, Brogan Museum of Art and Science, Tallahassee, Florida Material Abuse, Caren Golden Fine Art, New York, New York Money Changes Everything, Schroeder Romero, New York, New York Illegal Art, Art and Culture Center of Hollywood, Hollywood, Florida. Exhibition traveled to Portland, Oregon Strictly Graphite* with a little bit of gouache, College of Marin Art Gallery, Kentfield, California 2005 Mystery Ball 2005, Headlands Center for the Arts, Sausalito, California Worth a Thousand Words; the Book as Image, University Library Art Gallery, Sonoma State University, Rohnert Park, California Hot Town Summer in the City, Caren Golden Fine Art, New York, New York Rewind<< - Quotes of Art History in Contemporary Art, Nassauischer Kunstverein, Wiesbaden, Hofheim, Germany Variations On A Theme: Money, The City of Brea Art Gallery, Brea, California 2004 Paper Work, Platform Gallery, Seattle, Washington Pop Rock, Caren Golden Fine Art Gallery, New York, New York Finesse, Catharine Clark Gallery, San Francisco, California Danger, University Art Gallery, Chico State University, Chico, California 2003 The Recurrent, Haunting Ghost: Reflections of Marcel Duchamp in Modern and Contemporary Art, Francis M. Naumann Fine Art, New York, New York Pop Rocks, Golden Gallery, New York, New York Is Money, Money?, Palo Alto Art Center, Palo Alto, California Living With Duchamp, Tang Museum, Skidmore College, Saratoga Springs, New York Illegal Art: Freedom of Expression in the Corporate Age, SFMOMA Artists Gallery, San Francisco, California Danger, W.H. Horton Gallery, San Joaquin Delta College Campus, Sheboygan, California In Stitches: Humor in Contemporary Fiber Art, Meadows Gallery/Greater Denton Arts Councel, Denton, Texas Pins and Needles, John Michael Kohler Arts Center, Kohler, Wisconsin Fetish: Objects of Power and Desire, di Rosa Preserve: Art and Nature, Napa, California Hybrid, Fine Arts Gallery, San Francisco State University, California Sprout, Catharine Clark Gallery, San Francisco, California 2002 Show Me the Money: The Dollar as Art, Naples Museum of Art, Naples, Florida. Exhibition traveled to Palm Springs Desert Museum, Palm Springs, California; Federal Reserve Bank, Boston, Massachusetts; Blanden Memorial Art Museum, Fort Dodge, Iowa; American Numismatic Association Money Museum, Colorado Springs, Colorado; Fresno Metropolitan Museum, Fresno, California (catalogue) Argent et Valeur, Le Dernier Tabou, Exposition Nationale Suisse, Biel-Bienne, Switzerland Home (Blank) Home, Betcher Gallery, Miami, Florida Illegal Art: Freedom of Expression in the Corporate Age, CBGB’s 313 Gallery, New York, New York. Exhibition traveled to In These Times Building, Chicago, Illinois Nature Remains, Off The Preserve!, di Rosa Preserve, Napa, California
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Performative Objects: Sculpture at Work and Play, Kent State University’s School of Art Gallery, Ohio Extreme Prints: Developing Concepts in Print from Computer to Hand Worked Images, Santa Monica College: Pete and Susan Barrett Art Gallery, Santa Monica, California Bootleg Identity, Caren Golden Fine Art, New York, New York The Medium is the Message: Contemporary Art from the Permanent Collection, San Jose Museum of Art, San Jose, California In Stitches, Gallery Materia, Scottsdale, Arizona 2001 Borders Crossings, Thacher Gallery, University of San Francisco, San Francisco, California New Prints 2001/Autumn, International Print Center, New York, New York, New York Ban/Ban, Richmond Art Center, Richmond, California (catalogue) Artists' Pages from the Djerassi Resident Artists Program, San Francisco Arts Commission Gallery, San Francisco, California 20 Years of Excellence, Bemis Center for Contemporary Arts, Omaha, Nebraska 2000 Korean Sculpture/World Sculpture, Moran Museum of Art, Kungki-do, Korea (catalogue) Money Making: The Fine Art of Currency at the Millennium, Federal Reserve Board, Washington DC. Exhibition traveled to Contemporary Art Center of Virginia, Virginia Beach, Virgina (catalogue) 1999 Interventions, Catharine Clark Gallery, San Francisco, California (brochure) Drip, Blow, Burn, Hudson River Museum, New York, New York (catalogue) Wrapped Up!, Frumkin/Duval Gallery, Santa Monica, California Ban/Ban, Korean Culture and Foundation Art Center, Seoul, Korea. (catalogue) The Art of Money, Dimock Gallery, George Washington University, Washington DC Meaning and Message, Oakland Museum of California, Oakland, California Making Change: Artists Interpret the Tzedakah Box, The Jewish Museum, San Francisco, California (catalogue) Recent Acquisitions: Selections From The Permanent Collection, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona 1998 pFORMative Acts, San Francisco Art Institute, San Francisco, California On The Money: At the Intersection of Art and Commerce, Sherry Frumkin Gallery, Santa Monica, California. Exhibition traveled to SFMOMA Artists Gallery, San Francisco, California From S. Francisco, B & D Contemporanea, Milan, Italy PROJECTions, Pusan Metropolitan Art Museum, Korea (catalogue) Concepts of the Land, Bolinas Museum, Bolinas, California Open Container, Refusalon, San Francisco, California Material Matters, Gensler, San Francisco, California 20/20: The 20th Anniversary Exhibition, Sonoma State University Art Gallery, California 1997 The Shoe Show, Bedford Gallery, Walnut Creek, California Work/Space, University of California at Irvine, Irvine, California Eclectic Ecologies: Artists Responses to Contemporary Environmental Issues, San Francisco Public Library, San Francisco, California 1996 Winds of Change, Fairfield Center Gallery, Fairfield, California Work/Space, 44 Montgomery St., in conjunction with Southern Exposure Gallery, San Francisco, California Matters of the Heart, Haines Gallery, San Francisco, California 1995 Counterspace, Haines Gallery Annex, San Francisco, California Witness, Gallery Route One, Pt. Reyes Station, California Facing Eden: 100 Years of Landscape Art in the Bay Area, M.H. De Young Memorial Museum, San Francisco, California (catalogue) Landscape: A Concept, Oliver Art Center, California College of Arts & Crafts, Oakland, California Eco Nation, Bedford Gallery, Walnut Creek, California Long Horizons: A Bay Area Landscape, Falkirk Cultural Center, San Rafael, California 1994 Untitled installation, Bemis Center for Contemporary Art, Omaha, Nebraska Old Glory, New Story: Flagging the 21st Century, Capp St. Project, San Francisco, California; Santa Monica Museum of Art, Santa Monica, California Fragments of Flight, Bedford Gallery, Walnut Creek California (catalogue) Here and Now: Bay Area Masterworks from the di Rosa Collection, Oakland Museum, California (catalogue) Black and White, Bemis Center for Contemporary Arts, Omaha, Nebraska 1993 Beyond the Written Word, San Jose Institute of Contemporary Art, San Jose, California No Remorse, Cuesta College Art Gallery, San Luis Obispo, California Body Parts, Haines Gallery, San Francisco, California
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1992 The Nail That Sticks Out Gets Hammered In, War and Peace, Water Table, Headlands Center for the Arts, Sausalito, California Beyond the Wall, San Francisco Arts Commission Gallery, San Francisco, California Circulation Notations, Stanford University, Stanford, California Strained Relationships: Boys Will Be Boys, Sonoma State University, Sonoma, California Funnels, San Francisco Museum of Modern Art Rental Gallery, San Francisco, California Under Cover: The Book Becomes Art, Scottsdale Center for the Arts, Scottsdale, Arizona A Fragile Line: Artists Who Use Glass, Pro Arts, Oakland, California 1990 Earth Day: Artists Respond to the Environment, Palo Alto Cultural Center, Palo Alto, California The Language of Volcanoes: Pompeii Revisited, Berkeley Arts Center, Berkeley, California Diminishing Resources, Haines Gallery, San Francisco, California The Camera Obscured, Spectrum Gallery, San Francisco, California Two, Alligator Gallery, San Francisco, California What Have We Got to Lose? Artists and the Environmental Crisis, Gallery Route 1, Pt. Reyes, California 1989 Chain Reaction V, San Francisco Arts Commission, San Francisco, California Ars Longa, Vita Brevis: MFA Exhibition, Mills College Art Gallery, Oakland, California SF Camerawork Gallery, San Francisco, California 1988 Crocker-Kingsley Annual, Crocker Art Museum, Sacramento, California 1986 West Coast Drawing: Current Approaches to Contemporary Drawing, University of Oregon, Eugene, Oregon Pacific Coastline Drawing Competition, A.N. Bush Gallery, Salem, Oregon 1985 Three Views, Bannam Place Gallery, San Francisco, California
SELECTED PUBLIC ART PROJECTS
2004 Triumph, San Jose Police Athletic League Gymnasium, City of San Jose, California 2003 Dublin Pride Banners, Dublin Fine Arts Foundation, Dublin, California 1999 Garden, Francisco Middle School, San Francisco, California Shipyard Stories, Vincent Park, Richmond Redevelopment Agency, Richmond, California 1996 Playland Revisited, San Francisco Municipal Railway, San Francisco, California 1994 For Walt Whitman, International Sculpture Conference, Oakland, California 1993 Art Renews, Los Angeles County, Los Angeles, California Nature Remains, City of Dublin, California Waste, Trashformations Festival, City of Berkeley, California 1991 The Lay of the Land, Richmond Art Center, Richmond, California (catalogue) 1990 Nature of Experience, Millerton Point, Tomales Bay State Park, California 1989 Brain Greenhouse, Mills College Art Gallery, Oakland, California 1988 Framework, Berkeley Civic Arts Commission, Berkeley, California
SELECTED BIBLIOGRAPHY
Baker, Kenneth. “Collage, Culture and Mulching at Guerrero Gallery,” sfgate.com, August, 27, 2011 Frank, Patrick. "Interview with Ray Beldner," Prebles' Artforms, 2011 Pritikin, Renny. “You Can’t Make Art By Making Art,” artpractical.com, October 20, 2011 Graves, Jen. “Found in Translation,” thestranger.com, July 27, 2010 Hamlin, Jesse. “Personal Identities/Contemporary Portraits,” San Francisco Chronicle, November 25, 2010. pg. F-3 Beldner, Ray. “It’s Not Us, It’s You,” Emagazine: Art Beyond Aesthetics, Issue 3, August, 2009. pp 130-143 Gant, Michael S."A New Show at SJICA Looks at Rejection," SanJose.com, April 14, 2009 Schwager, Michael, “Image & Identity Past and Present.” Personal Identities: Contemporary Portraits. University Art Gallery, Sonoma State University: 2010. Bloemink, Barbara J. Dress Codes: Clothing As Metaphor. Katonah, New York. Katonah Museum of Art: 2009. Olano, Angela, et al. Andy Warhol's Factory. The Children's Museum. Ontario, Canada: n.p., 2009. Truong, Alain. “Dress Codes: Clothing as Metaphor' @ The Katonah Museum of Art”. elogedelart.canalblog.com, July 13, 2009.
CATHARINE CLARK GALLERY Page 4 www.cclarkgallery.com
Le Graverend, Frederique. “Contrefacon.” Art Valeurs. No. 18, 2009 D'Souza, Karen. “It's All About Rejection at the ICA.” San Jose Mercury News. April 03, 2009 Feldman, Melissa E. “Exhibition Reviews: Ray Beldner, Catharine Clark.” Art in America, January 2009. Ed. "Chung King, express." www.alleyproject.com, November 16, 2008. < http://www.alleyproject.com/2008/11/16/chung-king-express/> Parkhill, Charlotte. "Children's Museum Exhibit on The Iconic Artist Will Be As Original As He Was." GRAND, November - December, 2008. Nakasone, Marisa. "The Word According To Ray Beldner." www.examiner.com, October 15, 2008.
CATHARINE CLARK GALLERY Page 5 www.cclarkgallery.com
Menza, Aaron. “Money Matter.” Colorado Springs Independent (on-line), October 3-9, 2002. Levin, Kim. “Shortlist.” The Village Voice, July 23, 2002. Michael, Christopher. “Money Talks and Talks and Talks.” Desert Post Weekly, June 20, 2002. Baker, Kenneth. “The Money is the Medium.” San Francisco Chronicle, May 11, 2002. Bing, Alison. “Right on the Money.” SF Gate online, May 9, 2002. Cantin, Judy. “Show Me the Money.” Gulfshire Life, April 2002. Holman, Jim. “Art Imitates Life with Christ.” San Francisco Faith, January 2002. Johnstone, Mark and Leslie Aboud Holzman. Epicenter, San Francisco Bay Area Art Now. San Francisco, California. Chronicle Books: 2002. Goley, Mary Anne. Show Me the Money: The Dollar as Art. Washington D.C. Trust for Museum Exhibitions: 2002. Szeemann, Harold. Argent et Valeur, Le Dernier Tabou. Biel-Bienne, Switzerland. Exposition Nationale Suisse : 2002. Robinson, Walter. “Miami Sun.” www.artnet.com, December 2001. Son, Soo Rock. "Activation in Art Exchange with Korea." The Korea Times, August 9, 2001. Park, Nak Hee. "Korean Artist/Local Artist = 'Ban/Ban' Art Exhibition." The Korean Central Daily News, June 7, 2001. Ko, Hyun Jin. "Half Korean, Half American... Everything about Half." The Korea Times, May 31, 2001. Hinrichs, Kit and Delphine Hirasuna. Long May She Wave. Berkeley, California. Ten Speed Press: 2001. Porges, Maria. Counterfeit. Santa Monica, California. Frumkin/Duval Gallery: 2001. O’Toole, Owen. “Surveillance: The Artist is Watching Back.” Artweek, September 2000. Ferguson, Stuart. “Time Off: A Week of Diversions.” The Wall Street Journal, February 1, 2000. Rodriguez, Juan. “‘Making Change: 100 Artists Interpret the Tzedakah Box’ at the Jewish Museum San Francisco.” Artweek, January 2000. Goley, Mary Ann. Money Making: The Fine Art of Currency at the Millennium. Washington D.C. Federal Reserve Board. 2000. Segal, Nancy. “More Than Just a Box.” Forward, December 31 1999. Fishkoff, Sue. “Giving Gelt.” The Jerusalem Post, December 10, 1999. Polt, Renata. “Review: Making Change.” Hadassah Magazine, December 1999. Ed. “Sweet Charity.” San Francisco Examiner, November 28, 1999. Reeve, Carolyn. “San Francisco: Quattro Artisti Cammino.” Arte, July 1999. Jana, Reena. “Looking for the Next Monet. Wired News, July 1, 1999. White, Hazel. “Dig This.” San Francisco Examiner, June 9, 1999. Lombardi, D. Dominick. “Celebrating the Planet in Water, Air and Fire.” The New York Times, June 6, 1999. Roche, Harry. “On The Money at the SFMOMA Rental Gallery.” Artweek, June 1999. Bonansinga, Kate. “Small Change.” WW Culture, May 12, 1999. Ed. “On the Money.” San Francisco Metropolitan, April 15, 1999. Jacobson, Kay Marie.“Art: Good Green Fun. SF Gate, April 7-14, 1999. Wilson, Yumi. “Foot Sculptor Looks For Leg To Stand On.” San Francisco Chronicle, April 7, 1999. Wacks, Mel. “No Respect For Money.” COINage, April 1999. Delaney, Ella. “Open Container.” Art Papers, January-February 1999. Ed. “Works of San Francisco Artists on Display,” The Korean Herald, January 28, 1999. Young-Min, Choe. “West Coast Art Hangs Out at Marronier.” The Korea Times, January 28, 1999. Ed. “Young Artists Dreaming to Break Old Traditions.” Everyday Economy (Korea), January 27, 1999. Frank, Peter. “Art Pick of the Week.” LA Weekly, January 1-7, 1999. Ed. “Korean/American-Eight Artists.” Korean Daily News, January 1999. Wolf, Constance and Deborah Gar Reichman. Making Change. San Francisco, California. The Jewish Museum: 1999. Hunt, David. Interventions. San Francisco, California. Catharine Clark Gallery: 1999. Chattopadhyay, Collette and Chan Dong Kim. Ban/Ban. Seoul, Korea. Korean Culture and Arts Foundation: 1999. Weaver, Thomas. Drip, Blow, Burn: Forces of Nature in Contemporary Art. Yonkers, New York. Hudson River Museum: 1999. Olsen, Richard and Lawrence Rinder. Give and Take: Artists and Youth In Dialogue. San Francisco, California. San Francisco Arts Education Project: 1999. DeCarlo, Tessa, Rene di Rosa, Maria Porges, Robert McDonald, and Richard Reisman. Local Color: The di Rosa Collection of Contemporary California Art. San Francisco, California. Chronicle Books: 1999 Ollman, Leah. “Seven Artists Creatively Follow the Money at Bergamot Station.” LA Times, December 25, 1998. Krasny, Michael. “Forum.” KQED Radio (San Francisco, California), August 27, 1998. Chattopadhyay, Collette. “Ray Beldner at Sherry Frumkin Gallery.” Artweek, June 1998. Frank, Peter. "Art Pick of the Week." L.A. Weekly, April 17-23, 1998. Porges, Maria. “San Francisco Fax.” Art Issues, April 10, 1998.
CATHARINE CLARK GALLERY Page 6 www.cclarkgallery.com
Altmann, Frederic, Natasha Boas, Sung-Hoon Choi, Soo-Cheon Jheon, Dong-Lak Lim, Anna Novakov, Sabine Russ, and Gregory Volk. Light on the New Millennium--Wind From Extreme Orient. Pusan, Korea. Pusan International Contemporary Art Festival: 1998. Hogarty, Ken. "The Soul of a Shoe." Diablo Arts Magazine, July 1997. Whiting, Sam. "Black Suits Everything." San Francisco Chronicle, September 26, 1996. Peiken, Matt. "Changing Winds." Daily Republic, May 17, 1996. Whiting, Sam. "The Art of the Tossable." San Francisco Chronicle, May 23, 1996. Peiken, Matt. "Postwaste." Daily Republic, May 7, 1996. Roby, Diane. "Playland Lives." Nob Hill Gazette, April 1996. Ed. "Laughing Sal's Return." Richmond Review, March 1996. Ed. "Ghosts of Playland Past Return as Art Icons." San Francisco Examiner, February 3, 1996. Ed. "Laughing Sal Returns." San Francisco Chronicle, February 3, 1996. May, Valerie. "Visions of Playland." Richmond Review, February 1996. Ed. "Playland Revisited." Artweek, February 1996. Caswell, Cherie. "This Land is Our Land." East Bay Express, September 15, 1995. Roche, Harry. "Critic's Choice." San Francisco Bay Guardian, August 1995. Knight, Christopher. "A Flap Over What Old Glory Represents." Los Angeles Times, July 19, 1995. Fowler, Carol. "Bay Area Scenes Provide Exhibit's Inspiration." Contra Costa Times, June 23, 1995. Rapko, John. "An End to Nature." Artweek, June 1995. Roth, David M. "Counterspace." Artweek, March 1995. Berkson, Bill, Constance Lewallen, and Steven Nash. Facing Eden: 100 Years of Bay Area Landscape. San Francisco, California. The Fine Arts Museums of San Francisco: 1995. Muchnic, Suzanne. "Art Notes." Los Angeles Times, December 4, 1994. Whiting, Sam. "American Originals." San Francisco Chronicle, November 30, 1994. Lutz, Ericka. "Ruffling Feathers." Diablo Arts Magazine, September/November 1994. Roche, Harry. "Critic's Choice." San Francisco Bay Guardian, July 13, 1994. Nixon, Bruce. "Corporate Jester." Artweek, July 7, 1994. Baker, Kenneth. "Ray Beldner at Haines." San Francisco Chronicle, July 4, 1994. Baker, Kenneth. "An Eye on the Bay Area." San Francisco Chronicle, March 20, 1994. MacMillan, Kyle. "Critic's Choice." Omaha World Herald, January 27, 1994. Quill, Patti. "In the Works." West, Winter 1994. Cohn, Terri. Fragments of Flight. Walnut Creek, California. Regional Center for the Arts: 1994. di Rosa, Rene and Philip Linhares. Here and Now: Bay Area Masterworks. Oakland, California. Oakland Museum: 1994. Davis, Randal. "Between Covers." Artweek, December 16, 1993. Beldner, Ray. "Fixing the Earth Part II." Artweek, September 23, 1993. Baker, Kenneth. "Strength Variety From the Groups." San Francisco Chronicle, June 11, 1993. Cherrington, Leslie. "Sometimes Two Heads Are Better Than One." Artnet Gazette, June 1993. Bonetti, David. "Turning An Eye On The Body." San Francisco Examiner, May 28, 1993. Fleischer, Laura. "Art: Ray Beldner." Northern California Home and Garden, May/June 1993. Williams, Diana. "One Man's Garbage Is Another Man's Art." Tri Valley Herald, April 25, 1993. Vanlandingham, John. "Garbage In, Art Out." Contra Costa Times, April 14, 1993. Benner, Susan. "Just Across the Golden Gate." The New York Times, November 29, 1992. Cohn, Terri. "Advanced Placements." Visions, Summer 1992. Roche, Harry. "Critic's Choice." San Francisco Bay Guardian, October 21, 1992. Ed. Reproduction. Processed World 29, Summer/Fall 1992. Pyne, Lynn, "Best Bets: Literate Art." Phoenix Gazette, July 17, 1992. Porges, Maria. "On the Scene: San Francisco." Artspace, May/June 1992. Solnit, Rebecca. "Ray Beldner at Haines." Art Issues, May/June 1992. Dowley, Jennifer, and Duane Big Eagle. Solnit, Rebecca, ed. Headlands Journal. Sausalito, California. Headlands Center for the Arts: 1992. Peters, Nancy J., ed. War After War. San Francisco, California. City Lights Books: 1992. Baker, Kenneth. "Back to the Past at Western Union." San Francisco Chronicle, December 27, 1991. Meidav, Edie. "Rediscoveries." Artweek, December 26, 1991. Bonetti, David. "A Telegram Out of the Past." San Francisco Examiner, December 24, 1991. Rapko, John. "A Bridge to Understanding." Artweek, March 14, 1991. Solnit, Rebecca. "Transcendental Materialism." Visions, Spring 1991.
CATHARINE CLARK GALLERY Page 7 www.cclarkgallery.com
Beldner, Ray, Tim Collins, Mary Eubank, Reiko Goto, Jo Hansen, Dominique Mazeaud, Zea Morvitz, and Rebecca Solnit. What Have We Got to Lose? Pt. Reyes Station, California. Gallery Route One: 1991. Schwager, Michael. Viewpoints: Eight Installations. Richmond, California. Richmond Art Center: 1991. Rapko, John. "Memory and Destruction." Artweek, October 18, 1990. Clark, Catharine. "Introduction: The Meeting of Public, Artist and Gallery." Cambio, September 1990. Van Proyen, Mark. "Cryptic Allusions." Artweek, August 16, 1990. Bonetti, David. "Fresh Names, Stale Perspectives.” San Francisco Examiner, July 20, 1990. Riley, Laura. "Art in the Park." Point Reyes Light, June 7, 1990. Lonberg-Holm, Fred. "Un-Pop." KALX Radio, Berkeley, CA, May 8, 1990. Ross, Jeanette. "Intrinsic Value of the Ordinary." Artweek, April 5, 1990. Van Proyen, Mark. "Connotations Ascending." Visions, Winter 1990. Swift, Harriet. "Art Notes." Oakland Tribune, May 16, 1989.
AWARDS & RESIDENCIES
2004 Visiting Artist, The Oxbow School, Napa, California 2001 Artist in Residence, Headlands Center for the Arts, Sausalito, California Artist in Residence, de Young Museum, San Francisco, California 1999 Potrero Nuevo Grant, San Francisco, California 1998 Ruth Chenven Foundation Grant, Takoma Park, Maryland California Arts Council Grant: Artist-in-Schools 1997 Creative Work Fund Grant, Haas Foundation, San Francisco, California 1996 Fellowship, New Genres: Installation Art, California Arts Council, California Artist in Residence, Centre D'Art D'Herblay, France 1994 Gold Award, California Discovery Awards, Napa, California 1993 Artist in Residence, Bemis Foundation, Omaha, Nebraska 1992 Grand Prize, San Jose Museum of Art, San Jose, California Artist in Residence, Headlands Center for the Arts, Sausalito, California Djerassi Resident Artist Program, Woodside, California 1990 Site-specific Sculpture Award, Gallery Route One, Pt. Reyes Station, California 1988 Trefethen Fellowship, Mills College, Oakland, California 1987 Ucross Foundation Residency Grant, Ucross, Wyoming 1986 First Prize, Pacific Coastline Drawing Competition, Portland, Oregon
SELECTED PUBLIC COLLECTIONS
City and County of San Francisco, San Francisco, California di Rosa Preserve: Art & Nature, Napa, California The Fine Arts Museums of San Francisco, San Francisco, California Dublin Fine Arts Foundation, Dublin, California International Art and Artists, Washington D.C. (Hechinger Collection) Museum of American Finance, New York, NY National Portrait Gallery, Washington D.C. Oakland Museum, Oakland, California Richmond Redevelopment Agency, Richmond, California Saks Fifth Ave Collection, New York, New York San Jose Art Museum, San Jose, California Scottsdale Museum of Contemporary Art, Scottsdale, Arizona Sonoma Museum of Visual Art, Santa Rosa, California Smithsonian American Art Museum, Washington D.C. United States Federal Reserve Board, Washington D.C.
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