Orrefors Awards
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Orrefors ENG in 2019 DEF J
2019 NOVELTIES THE SPARKLING DEVIL NEW PEAK NEW 54 57 MORE SNAPS NEW 50 SOFIERO NEW ITEMS 67 BLOOM NEW 14 ARTISTS Efva Attling, (b. 1952) made her first piece of jewellery when she was eleven. At the age of 16 she was taken on as a pupil at one of Sweden’s foremost silversmiths. After a 12-year career as a model for Eileen Ford, and then as a singer and song-writer, she once again turned her attention to design. She produced clothes for Levi’s and H&M. Since 1996 she has been designing jewellery for her own Efva Attling Stockholm brand. Amor Vincit Omnia is her first collection for Orrefors. EFVA ATTLING Lena Bergström (b. 1961) is a successful designer of both textiles and glass. She has received numerous public commissions and has won Excellent Swedish Design awards for six of her glass collections. Lena received her artistic education at the College of Arts, Crafts and Design in Stockholm. She became captivated by glass and has been affiliated to Orrefors since 1994. She has an unerring sense of design; her work, soft of line yet graphically eloquent, represents a new generation of expression. LENA BERGSTRÖM Gunnar Cyrén (1931-2013) was a Swedish glass artist, silversmith and industrial designer. He started at Orrefors glassworks in 1959. Highlights of his design career include ”Popglaset” or ”Pokaler med färgade ben” (1966-1968) and ”Nobel stemware” (1991). Over the years Gunnar Cyrén has participated in numerous exhibitions in Sweden and abroad and received the Swedish royal scholarship in 1962, the Lunning Prize in 1966 and the Prince Eugen Medal in 1988. -
Scandi Navian Design Catalog
SCANDI NAVIAN DESIGN CATALOG modernism101 rare design books Years ago—back when I was graphic designing—I did some print advertising work for my friend Daniel Kagay and his business White Wind Woodworking. During our collaboration I was struck by Kagay’s insistent referral to himself as a Cabinet Maker. Hunched over my light table reviewing 35mm slides of his wonderful furniture designs I thought Cabinet Maker the height of quaint modesty and humility. But like I said, that was a long time ago. Looking over the material gathered under the Scandinavian Design um- brella for this catalog I now understand the error of my youthful judgment. The annual exhibitions by The Cabinet-Makers Guild Copenhagen— featured prominently in early issues of Mobilia—helped me understand that Cabinet-Makers don’t necessarily exclude themselves from the high- est echelons of Furniture Design. In fact their fealty to craftsmanship and self-promotion are constants in the history of Scandinavian Design. The four Scandinavian countries, Denmark, Sweden, Norway and Finland all share an attitude towards their Design cultures that are rightly viewed as the absolute apex of crafted excellence and institutional advocacy. From the first issue of Nyt Tidsskrift for Kunstindustri published by The Danish Society of Arts and Crafts in 1928 to MESTERVÆRKER: 100 ÅRS DANSK MØBELSNEDKERI [Danish Art Of Cabinetmaking] from the Danske Kunstindustrimuseum in 2000, Danish Designers and Craftsmen have benefited from an extraordinary collaboration between individuals, manufacturers, institutions, and governments. The countries that host organizations such as The Association of Danish Furniture Manufacturers, The Association of Furniture Dealers in Denmark, The Association of Interior Architects, The Association of Swedish Furni- ture Manufacturers, The Federation of Danish Textile Industries, Svenska Slojdforeningen, The Finnish Association of Designers Ornamo put the rest of the globe on notice that Design is an important cultural force deserv- ing the height of respect. -
Momowo · 100 Works in 100 Years: European Women in Architecture
MoMoWo · 100 WORKS IN 100 YEARS 100 WORKS IN YEARS EUROPEAN WOMEN IN ARCHITECTURE AND DESIGN · 1918-2018 · MoMoWo ISBN 978-961-254-922-0 9 789612 549220 not for sale 1918-2018 · DESIGN AND ARCHITECTURE IN WOMEN EUROPEAN Ljubljana - Torino MoMoWo . 100 Works in 100 Years European Women in Architecture and Design . 1918-2018 Edited by Ana María FERNÁNDEZ GARCÍA, Caterina FRANCHINI, Emilia GARDA, Helena SERAŽIN MoMoWo Scientific Committee: POLITO (Turin | Italy) Emilia GARDA, Caterina FRANCHINI IADE-U (Lisbon | Portugal) Maria Helena SOUTO UNIOVI (Oviedo | Spain) Ana Mária FERNÁNDEZ GARCÍA LU (Leiden | The Netherlands) Marjan GROOT ZRC SAZU (Ljubljana | Slovenia) Helena SERAŽIN UGA (Grenoble | France) Alain BONNET SiTI (Turin | Italy) Sara LEVI SACERDOTTI English language editing by Marta Correas Celorio, Alberto Fernández Costales, Elizabeth Smith Grimes Design and layout by Andrea Furlan ZRC SAZU, Žiga Okorn Published by France Stele Institute of Art History ZRC SAZU, represented by Barbara Murovec Issued by Založba ZRC, represented by Oto Luthar Printed by Agit Mariogros, Beinasco (TO) First edition / first print run: 3000 Ljubljana and Turin 2016 © 2016, MoMoWo © 2016, Založba ZRC, ZRC SAZU, Ljubljana http://www.momowo.eu Publication of the project MoMoWo - Women’s Creativity since the Modern Movement This project has been co-funded 50% by the Creative Europe Programme of the European Commission This publication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. This book was published on the occasion of the MoMoWo traveling exhibition MoMoWo · 100 Works in 100 Years · European Women in Architecture and Design · 1918-2018, which was first presented at the University of Oviedo Historical Building, Spain, from 1 July until 31 July 2016. -
DESIGN-English 2.Indd
16. Wilhelm Wagenfeld (1900–1990) and Jakob Jucker (1902–1997) Table lamp, 1923–24 Made in the metal workshops of the Weimar Bauhaus Chrome-plated metal and glass Museum of Modern Art, New York IntroductIon Dominique Forest The first use of the word “design” to mean a plan or pat- tern for a manufactured object appears in nineteenth- century England, in the writings of Henry Cole, the organizer of the Great Exhibition in London in 1851— the original World’s Fair. Two years earlier, Cole had launched the Journal of Design and Manufactures in col- laboration with Richard Redgrave. The definition of “design” has evolved over time and now embraces a broad range of associations. It was in the United States, in the years before World War II, that it came to describe a creative discipline whose respective qualities and production conditions of arti- purpose was to shape products so as to enhance their sanal crafts and industrial goods. This controversy was appearance, and possibly their performance. A profes- taken up again in Germany in the early twentieth cen- sional in this field was now referred to as a “designer.” tury, and figured into the new ideas and experiments Not until the 1950s, though, did the word “design” that, in the 1920s, were synthesized in that laboratory take its place beside the term “industrial aesthetics” of forms for the modern age, the Bauhaus (plate 16). in continental Europe. Soon the expressions became From then on, a powerful tide of modernism would interchangeable, and “design” ultimately triumphed, progressively eradicate the forms and styles of the becoming commonplace in the parlance of architec- past, ultimately severing ties with tradition. -
Meka Denmark History
Meka denmark history Continue 235.00Danish sterling silver enamel seasoning set consisting of pepper pot, salt cellar and salt spoon. Made by Meka Reklamegaver Holte in Denmark, which is known to have worked between 1951 and 1989.The pepper pot has enamel panels both front and back, in very good order just a very small loss of enamel on one pepper panel (very minor) Pepper costs 53 mm in height (5.3 cm), a salt cellar measures 49 mm in diameter (4.9 cm) and a spoon measure 61 mm in length (6.1 cm). Description Additional danish sterling silver enamel seasoning set consisting of pepper pot, salt cellar and salt spoon. Made by Meka Reklamegaver Holte in Denmark, which is known to have worked between 1951 and 1989.The pepper pot has an enamel panel like the front, well at the back, in a very good order just a very small loss of enamel to one panel of pepper (very minor)Pepper costs 53mm high (5.3cm), a salt cellar measures 49mm in diameter (4.9cm) and measures a spoon 61mm long (6.1cm) DATE1951-1989 WEIGHT (Grammes)54.2WEIGHT (Troy)........ REF:-418F DENMARK AAGAARD, Jens Johannes (JAa) Modern Danish Silver, founded in 1946 in Svendborg and developed a wide range of quality products that are found in all jewelry stores in Denmark. The company acquired N.E.From in the 1990s, and with it one of their young designers, Lasse Larke, who became Aagaard's chief designer. One of his most successful creations was Connections, with its click and twisting the clasp mechanism. -
Momowo ·100 WORKS in 100 YEARS
MoMoWo · 100 WORKS IN 100 YEARS EUROPEAN WOMEN IN ARCHITECTURE AND DESIGN · 1918-2018 MoMoWo . 100 Works in 100 Years European Women in Architecture and Design . 1918-2018 Edited by Ana María FERNÁNDEZ GARCÍA, Caterina FRANCHINI, Emilia GARDA, Helena SERAIN MoMoWo Scientiic Committee: POLITO (Turin | Italy) Emilia GARDA, Caterina FRANCHINI IADE-U (Lisbon | Portugal) Maria Helena SOUTO UNIOVI (Oviedo | Spain) Ana Mária FERNÁNDEZ GARCÍA LU (Leiden | The Netherlands) Marjan GROOT ZRC SAZU (Ljubljana | Slovenia) Helena SERAIN UGA (Grenoble | France) Alain BONNET SiTI (Turin | Italy) Sara LEVI SACERDOTTI English language editing by Marta Correas Celorio, Alberto Fernández Costales, Elizabeth Smith Grimes Design and layout by Andrea Furlan ZRC SAZU, iga Okorn Published by France Stele Institute of Art History ZRC SAZU, represented by Barbara Murovec Issued by Zaloba ZRC, represented by Oto Luthar Printed by Agit Mariogros, Beinasco (TO) First edition / irst print run: 3000 Ljubljana and Turin 2016 © 2016, MoMoWo © 2016, Zaloba ZRC, ZRC SAZU, Ljubljana http://www.momowo.eu Publication of the project MoMoWo - Women’s Creativity since the Modern Movement This project has been co-funded 50% by the Creative Europe Programme of the European Commission This publication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. MoMoWo · 100 WORKS IN 100 YEARS EUROPEAN WOMEN IN ARCHITECTURE AND DESIGN · 1918-2018 Summary History Does not Stand in a Single -
The Influence of Scandinavian Designers on Contemporary American Furniture
1 THE INFLUENCE OF SCANDINAVIAN DESIGNERS ON CONTEMPORARY AMERICAN FURNITURE by PEARL MATILDA MILLER A THESIS submitted to OREGON STATE UNIVERSITY in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE August 1962 APPROVED: p Professor of Clothing, Textiles, and Related Arts t- Acting Head of Department of Clothing, Textiles, and Related Arts Chairman of School of Home Economics Graduate Committee Dean of Graduate School Date thesis is presented July 25, 1962 Typed by Margaret Barber AC KiVO Vi UD GàáE N7' S The author expresses her appreciation to Miss Joan Patterson, professor of Clothing, Textiles, and Related Arts, for assistance and encouragement during the prepara- tion of the thesis; to the following furniture stores for allowing her to take pictures: Siebert's, Portland, Oregon Corvallis Home Furnishings, Corvallis, Oregon Shupes, Corvallis, Oregon Northgate Furniture, Seattle, Washington TABLE OF CONTENTS Page Introduction 1 History of the Contemporary Movement 3 Development of Contemporary Design in Furniture 10 Chairs -,.. :.....,:.....,.,.,....:..,..... 21 History of Scandinavian Design .. ,.... 31 Swedish Design and Its Influence e 36 Danish Design and Its Influence -. 44 Finnish Design and Its Influence 55 American Design and Its Influence 59 Similarities and Differences in American and Scandinavian Design 76 Conclusion - 100 Bibliography 110 TABLE OF PLATES Page Plate I . Finn Juhl design 79 Plate II Hans Wegner designs .,.. 81 Plate III Folke Ohlsson design and an American adaptation .. 83 Plate IV Folke Ohlsson design and two American adaptations. 85 Plate V Folke Ohlsson design and an American adaptation .. 87 Plate VI Nielsen -Hvidt rocker and an American adaptation .. 89 Plate VII Count Bernadotte design and an American adaptation 91 Plate VIII Sonna Rosen design and an adaptation . -
Norwegianicons New-York Small
NEW YORK MAY 23RD – JUNE 1ST 2014 norwegian icons is a sales exhibition. All the objects and art works displayed in this catalog and in the exhibition are for sale. Art photography by Rune Johansen is also for sale. For more information, please see the exhibition price list. The price list will be available at the exhibition and can be sent to you on request. Please contact Fuglen for more information. norwegian icons er en salgsutstilling. Alle objekter og kunst i denne katalogen og på utstillingen er til salgs. Kunstfotografi av Rune Johansen er også til salgs. For mer informasjon, se prisliste. Prislisten vil være tilgjengelig på utstillingen og kan sendes ut ved forespørsel. Vennligst kontakt Fuglen. 7 NORWEGIAN ICONS CATALOGUE - NEW YORK production, design and development of the catalogue, visual identity, layout and marketing material: Norwegian Icons project group, Emergence School of Leadership – Cathleen Røddig Rønning, Jannicke Halvorsen, Karoline Garnes, Liv Sjøberg, Renate Bakkeslett Hagen, Trine Renate Dolmen Stene (2012). Project client: Einar Kleppe Holthe – Fuglen and Blomqvist. EDITORIAL Published byFuglen Publishing © Norwegian Icons, 2014 editor and art director: Einar Kleppe Holthe - Fuglen. co-editor: Trine Renate Dolmen Stene - Fuglen Publishing. curator of objects: Peppe Trulsen - Fuglen and Tor Henrik Fjelldal - Blomqvist. text & author of designer biographies: © Mats Linder. layout: Cathleen Røddig Rønning. english translation and proofreading: Arlyne Moi. norwegian proofreading: Hege Huseby. print by: BK Grafisk. -
On the Periphery
(.",#*",3 (1'#(-#)() '#:-0(-#-"(-.+2 0#,",#!( (-"+*-#)() #% #(,-+( Mark Ian Jones A thesis submitted for the degree of Doctor of Philosophy in Design at the UNIVERSITY OF NEW SOUTH WALES SYDNEY, AUSTRALIA 2011 +%""/&-%"/6V+"5*&+1&,+,#*&!N14"+1&"1% "+12/64"!&0%!"0&$++!1%"/" "-1&,+,#& (" &+!01/+! © Copyright by Mark Ian Jones 2011 All Rights Reserved ii +%""/&-%"/6V+"5*&+1&,+,#*&!N14"+1&"1% "+12/64"!&0%!"0&$++!1%"/" "-1&,+,#& (" &+!01/+! ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed …………………………………………….............. Date ……………………………………………................. ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. -
Iittala Mindmad Objects(1).Pdf
Mindmade objects. Essentially human design. Design is not about surfaces or style. Design is a human issue. Taking pleasure in everyday life is one of the simple luxuries of being human, so essential design begins with a deep understanding of human needs. Iittala creates adaptable personal belong- ings to be loved and used again and again, day in and day out, for generations. The oldest Iittala objects date back to the 1930’s, long before Scandinavian design came to the attention of the world. With the thinking of legendary designers Kaj Franck (1911–1989) and Alvar Aalto (1898–1976) at the heart of the brand, Iittala continues to be a major driving force of design. Iittala objects are mindmade by both designers and craftsmen for diverse individuals and the ever-changing lives they lead. As sensitive and intelligent responses to everyday situations, mindmade objects are design essentials stripped to their core; the pure union of function, form and quality that demon- strates our core philosophy of lasting everyday design against throwawayism. Contents. Aalto 8 Franck 14 Teema 16 Origo 20 Kartio 22 Mango/Citterio 98 24 Jars 26 Kivi 28 Artik 30 Piano 31 HotCool 32 Ego 34 Lantern 36 Tools 38 Essence 42 Tris 44 Decanter 46 Senta 47 Tapio/Aarne 48 Collective Tools 50 All Steel 52 Aino Aalto 54 Panny 58 Seth-Andersson 59 Ultima Thule 60 Sarpaneva 62 ProfPan 64 Kitchen Accessories 65 Birds by Toikka 66 Designers 72 Awards 74 Product Index 75 How to find us 86 Maintaining the intensity of color in the glass is no For full details of the complete Iittala Collection easy achievement. -
Design Since 1945 This Book Has Received Significant Support from The
Design Since1945 PHILADELPHIA MUSEUM ART i Design Since 1945 This book has received significant support from the Graham Foundation for Advanced Studies in the Fine Arts. Major funding has also been provided by COLLAB: The Contemporary Design Group for the Philadelphia Museum of Art; The Pew Memorial Trust; and the Design Arts Program of the National Endowment for the Arts, a Federal agency. Design Since 1945 Organized by Jack Lenor Larsen Kathryn B. Hiesinger Olivier Mourgue George Nelson Editors Carl Pott Kathryn B. Hiesinger Jens Quistgaard George H. Marcus Dieter Rams Paul Reilly Contributing Authors Philip Rosenthal Max Bill Timo Sarpaneva Achille Castiglioni Ettore Sottsass, Jr. Bruno Danese Hans J. Wegner Niels Diffrient Marco Zanuso Herbert J. Gans Philadelphia Museum of Art 1983 This book accompanies the exhibition "Design Since 1945" at the Philadelphia Museum of Art, October 16, 1983, through January 8, 1984. The exhibition has been supported by generous grants from Best Products Company, Inc., The Pew Memorial Trust, and the National Endowment for the Humanities, a Federal agency. ERRATA 10: p 228 Dieter Rams biography, line delete "(1-37)." second sentence p. 235 Remhold Weiss biography, should read mixer Mi40 (1-37) are His award-winning table fan (1-50) and hand advo- considered models of the austere design and scientific method themselves to cated by both Ulm and Braun, products that lent of interre- systematic mathematical analysis, ordered assemblages lated component parts, p 246 Index, should read. Rams, Dieter 1-34-36, 111-72 Weiss, Remhold 1-37, 50 c Copyright 1983 by the Composition by Folio Typographers, Library of Congress Cataloging in Publication Data Philadelphia Museum of Art All Pennsauken, N.J.