Annotated Bibliography General Surveys and Reference Tools Slatkin, Wendy
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FOR IMMEDIATE RELEASE: Thursday, May 26, 2011 PHAIDON PRESS AND THE NATIONAL SEPTEMBER 11 MEMORIAL & MUSEUM ANNOUNCE 10TH-ANNIVERSARY EDITION OF THE PHOTOGRAPHY BOOK ‘AFTERMATH: WORLD TRADE CENTER ARCHIVE’ Award-winning Photographer Joel Meyerowitz Chronicles Post-9/11 Efforts Meyerowitz’s Photographs will be included in 9/11 Memorial Museum Marking the 10th anniversary of 9/11, Phaidon Press with the support of the National September 11 Memorial & Museum announced today the publishing of a commemorative edition of the book ‚Aftermath: World Trade Center Archive‛ by Joel Meyerowitz. The 349-page book, which will be published by Phaidon Press in June, is the only existing photographic record of the monumental recovery effort in the weeks and months after the September 11, 2001 attacks. The publication features 400 color photographs from the World Trade Center site, where Meyerowitz was the only professional photographer granted untethered access to ground zero in the months following the attacks. This commemorative edition, which retails for $39.95, features a new cover with an endorsement from 9/11 Memorial President Joe Daniels. The book will be available at the 9/11 Memorial Preview Site, 20 Vesey St. All net proceeds from sales of books, keepsakes and other items at the Preview Site are dedicated to developing and sustaining the 9/11 Memorial. ‚Aftermath is a testament to the heroism and compassion that were so much a part of the recovery effort at ground zero,‛ Daniels said. ‚Joel’s work and dedication presented on the pages of this book is for every American, as a tribute and historical record ensuring 9/11 is never forgotten on future generations.‛ A selection of Meyerowitz’s photographs will be included in the 9/11 Memorial Museum, which opens in 2012. -
Tang Teaching Museum Receives Transformative Gift of Contemporary Art Works from Peter Norton Collection
Tang Teaching Museum Receives Transformative Gift of Contemporary Art Works from Peter Norton Collection Gift includes works by Matthew Barney, Glenn Ligon, Gabriel Orozco, Lari Pittman, Kara Walker, Carrie Mae Weems, and Fred Wilson SARATOGA SPRINGS, N.Y. (November 13, 2014) – The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College has received a gift of 75 works of contemporary art from the collection of the computer programmer and philanthropist Peter Norton. This is the first in a series of gifts to university art museums and teaching museums throughout the country—drawn from Norton’s personal collection—to support the integration of the visual arts in higher education, foster creative museum practice, and engage diverse audiences with contemporary art. Norton initiated his first large donation project in 2000, gifting over 1,000 pieces from his collection to 32 select institutions. His gift to the Tang Teaching Museum represents the inauguration of his second major donation project. In addition to the Tang, the museums receiving a gift from Norton include: UC Berkeley Art Museum and Pacific Film Archive, Berkeley, California; Mary & Leigh Block Museum of Art, Northwestern University, Evanston, Illinois; California Museum of Photography and Sweeney Art Gallery at UCR ARTSblock, University of California Riverside, Riverside, California; Hammer Museum at UCLA, Los Angeles, California; Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri; Rose Art Museum, Brandeis University, Waltham, Massachusetts; and Williams College Museum of Art, Williamstown, Massachusetts. The gift to the Tang includes works by some of today’s leading contemporary artists, including Polly Apfelbaum, Matthew Barney, Nicole Cherubini, Willie Cole, Renee Cox, David Hammons, Glenn Ligon, Gabriel Orozco, Lari Pittman, Martha Rosler, Erika Rothenberg, Lorna Simpson, William Villalongo, Carrie Mae Weems, Fred Wilson, and Millie Wilson. -
Syllabus Paris
Institut de Langue et de Culture Française Spring Semester 2017 Paris, World Arts Capital PE Perrier de La Bâthie / [email protected] Paris, World Capital of Arts and Architecture From the 17th through the 20th centuries Since the reign of Louis XIV until the mid-20th century, Paris had held the role of World Capital of Arts. For three centuries, the City of Light was the place of the most audacious and innovative artistic advances, focusing on itself the attention of the whole world. This survey course offers students a wide panorama on the evolution of arts and architecture in France and more particularly in Paris, from the beginning of the 17th century to nowadays. The streets of the French capital still preserve the tracks of its glorious history through its buildings, its town planning and its great collections of painting, sculpture and decorative arts. As an incubator of modernity, Paris saw the rising of a new epoch governed – for better or worse – by faith in progress and reason. As literature and science, art participated in the transformations of society, being surely its more accurate reflection. Since the French Revolution, art have accompanied political and social changes, opened to the contestation of academic practice, and led to an artistic and architectural avant-garde driven to depict contemporary experience and to develop new representational means. Creators, by their plastic experiments and their creativity, give the definitive boost to a modern aesthetics and new references. After the trauma of both World War and the American economic and cultural new hegemony, appeared a new artistic order, where artists confronted with mass-consumer society, challenging an insane post-war modernity. -
PRESS RELEASE Alyson Shotz
PRESS RELEASE Alyson Shotz May 18 – June 24, 2017 Opening Reception: Thursday, May 18th, 6:00-8:00pm Left: Alyson Shotz “Broken Dark Earth #8” 2016 Glazed porcelain 17” x 19 ½” x 2” Gallery Hours: Wednesday-Saturday, 11am-5pm Tuesday by appointment only Images are available upon request. James Harris Gallery is pleased to present our first solo exhibition with New York based artist Alyson Shotz. For over two decades, Shotz has been creating sculptural and installation work that engages with the physical properties of space over time. Working in diverse media such as paper, clay, digital imaging, metal, beading, glass, fiber and animation, Shotz creates novel perceptual experiences that interact with the surrounding environment. Without loyalty to a particular medium, material and form are secondary, deliberately employed to best communicate a particular concept or idea. Her artistic modes of production are unconventional, using chance processes of folding, dropping, crumpling, and threading that are in collaboration with her chosen materials. For this exhibition, Shotz takes over the entire gallery, presenting installation work, sculpture, mixed- media prints and video animation. Dealing with such phenomenological concerns as space, gravity, light, and entropy, Shotz harmonizes the static object with environments in flux, creating a transitory yet complete sensorial experience. Shotz resists easy consumption of her work that requires time to witness its transformational quality. This experiential and time-based concern has roots in earlier postmodernist movements in the 1960’s and 70’s from Postminimalism and Process art, to Light and Space art and Land art. Influenced by the phenomenoloGical theories of Maurice Merleau-Ponty that were popularized in America in the 1960s, new spatial and relational concerns transformed the viewer’s role in art and dispelled the purely formal concerns of Modernism that put primacy on the artists intentions. -
Behind the Camera
BEHIND THE CAMERA BEHIND THE CAMERA CREATIVE TECHNIQUES OF 100 GREAT PHOTOGRAPHERS PRESTEL PAUL LOWE MUNICH • LONDON • NEW YORK Previous page People worshipping during the first prayers at Begova Dzamija mosque in Sarajevo, Bosnia, after its reopening following the civil war. Prestel Verlag, Munich · London · New York 2016 A member of Verlagsgruppe Random House GmbH Neumarkter Strasse 28 · 81673 Munich Prestel Publishing Ltd. 14-17 Wells Street London W1T 3PD Prestel Publishing 900 Broadway, Suite 603 New York, NY 10003 www.prestel.com © 2016 Quintessence Editions Ltd. This book was produced by Quintessence Editions Ltd. The Old Brewery 6 Blundell Street London N7 9BH Project Editor Sophie Blackman Editor Fiona Plowman Designer Josse Pickard Picture Researcher Jo Walton Proofreader Sarah Yates Indexer Ruth Ellis Production Manager Anna Pauletti Editorial Director Ruth Patrick Publisher Philip Cooper All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the permission of the copyright holder. Library of Congress Control Number: 2016941558 ISBN: 978-3-7913-8279-1 10 9 8 7 6 5 4 3 2 1 Color reproduction by Bright Arts, Hong Kong. Printed in China by C&C Offset Printing Co., LTD. Foreword 6 Introduction 8 Key to creative tips and techniques icons 18 Contents Places 42 Spaces 68 Things 90 Faces 108 Bodies 134 Ideas 158 Moments 180 Stories 206 Documents 228 Histories 252 Bibliography 276 Glossary 278 Index 282 Picture credits 288 by Simon Norfolk by Foreword Foreword I happened to be in Paris on the night of the terrorist attacks at We were either totally wasting our time (the terrorists were the Bataclan concert hall and the Stade de France in 2015. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
The French Art World in the 19Th and 20Th Centuries : Summer
The French Art World in the 19th and 20th centuries : Summer Session Professor: Laure-Caroline Semmer Period: Monday-Wednesday-Thursday 14h-16h30 (unless otherwise indicated) Email: / 06 11 16 87 58 Course Abstract This course traces the artistic contribution to modernity in 19th -century and the first decades of 20th century French art, its utopian dimension, its different achievements and its decline. Since the French Revolution, major works of art, art critics and theorists, and artists themselves contributed to change drastically the artist’s role and the role of the arts. Against the backdrop of the newly established bourgeois, industrialized and modernized society in France, the co-existence of opposite art practices and ideologies as well as the quickly following changes and innovations in successive art-movements, such as realism, impressionism, postimpressionism, cubism, fauvism will be analysed with regard to their respective claim for modernity. Through an examination of form and content distinguishable in works of various artistic disciplines (painting, sculpture, architecture, design), students will critically evaluate artistic language and expression that is representative of modern ideologies. This course will examine the visual arts and will utilize theoretical texts for supportive analysis. Course Objectives: Upon completionSAMPLE of the course the student will be able to: - Distinguish major art movements from Neo-Classicism to Modern Art. - Analyze and contextualize key works of 19th and 20th century French Art. - Demonstrate awareness and understanding of their historical, social and esthetical background. - Have a basic reading of essential art critics and art theories dealing with modernity. - Acquire basic knowledge about the foundations of Modern Art. -
Visualizing Poetry in Practice in Early Modern Italian Art
Athens Journal of Humanities & Arts - Volume 8, Issue 3, July 2021 – Pages 189-208 Li Pittori Parlano con l’Opere: Visualizing Poetry in Practice in Early Modern Italian Art By James Hutson* The relative sophistication of artists in the early modern era is contested, especially with regards to their educational backgrounds. On one hand, Dempsey-esque intellectual history is vested in touting the structured, literary curricula in art-educational institutions; while on the other, a complete rejection of the ‚artist-philosopher‛ as historical fiction seeks to undermine this hegemonic construct. This study argues that the lack of early formal education in the cases of artist like Annibale Carracci and Nicolas Poussin, who, unlike Peter Paul Rubens, did not have a firm foundation in the classics and languages that would allow them to engage directly with source material, would later be supplemented through their relationships with literary figures in the circles of Torquato Tasso, Giambattista Marino, and the Accademia dei Gelati. In addition to such relationships, informal exchanges, gatherings, and supplemental materials like Giovanni Paolo Gallucci’s Della Simmetria could be called upon when treating poetic subjects. With intimate knowledge of vernacular poetry, literati themselves participating in lectures and studio visits, and, finally, quick reference guides for subject matter, these artists were able to produce works that spoke to both poetic and artistic theory of the day, as one naturally informed the other. Introduction ‚Poets paint with words, painters speak with their works.‛1 This aphorism of Annibale Carracci (1560-1609) followed a superb rendering of the Laocoön in charcoal, expertly rendered from memory. -
Alyson Shotz Education 1991 University of Washington, Seattle, Washington, MFA 1987 Rhode Island School of Design, Providence, R
Alyson Shotz Education 1991 University of Washington, Seattle, Washington, MFA 1987 Rhode Island School of Design, Providence, Rhode Island, BFA Solo Exhibitions 2020 Derek Eller Gallery Grace Farms, New Canaan, CT (postponed) 2019 Weatherspoon Art Museum, Greensboro, NC Hunter Museum of American Art, Chattanooga, TN 2017 Derek Eller Gallery, NYC, Night James Harris Gallery, Seattle, WA 2016 Pennsylvania Academy of Fine Arts, Philadelphia, PA, Plane Weave Locks Gallery, Philadelphia, PA, Weave and Fold Blue Star Contemporary Art Museum, San Antonio, TX , Scattering Screen 2015 Galleri Andersson Sandstrom, Stockholm, Sweden, Light and Shadow Halsey Institute of Contemporary Art, Charleston, SC, Force of Nature 2014 Wellin Museum, Hamilton College, Force of Nature Derek Eller Gallery, NYC, Time Lapse Carolina Nitsch Project Room, New York, NY, Topographic Iterations, Tspace, Rhinebeck, NY, Interval 2013 Visual Arts Center, University of Texas, Austin, Invariant Interval Eli and Edythe Broad Museum, Geometry of Light Carolina Nitsch Project Room, New York, NY, Fluid State Derek Eller Gallery, North Room, New York, NY, Chroma 2012 Indianapolis Museum of Art, Fluid State Borås Konstmuseum, Borås, Sweden, Alyson Shotz: Selected Work Phillips Collection, Washington, DC, Ecliptic Galeria Vartai, Vilnius, Lithuania. Interval 2011 Espace Louis Vuitton, Tokyo, Geometry of Light Andersson Sandstrøm Gallery, Stockholm and Umeå, Fundamental Forces Carolina Nitsch Contemporary Art, New York, NY, Fundamental Forces Derek Eller Gallery, New York, NY, Wavelength -
Design the Whole Story
DESIGN THE WHOLE STORY General Editor Elizabeth Wilhide Foreword by Jonathan Glancey DESIGN THE WHOLE STORY PRESTEL Munich • London • New York Calico printing at the Morris and Co workshop in Merton Abbey Mills, London, in 1931. Prestel Verlag, Munich · London · New York 2016 A member of Verlagsgruppe Random House GmbH Neumarkter Strasse 28 · 81673 Munich Prestel Publishing Ltd. 14-17 Wells Street London W1T 3PD Prestel Publishing 900 Broadway, Suite 603 New York, NY 10003 www.prestel.com © 2016 Quintessence Editions Ltd. This book was designed and produced by Quintessence Editions Ltd., London Senior Editor Elspeth Beidas Editors Rebecca Gee, Carol King, Frank Ritter Senior Designer Isabel Eeles Design Assistance Tom Howey, Thomas Keenes Picture Researcher Sarah Bell Production Manager Anna Pauletti Editorial Director Ruth Patrick Publisher Philip Cooper All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any other information storage and retrieval system, or otherwise without prior permission in writing from Prestel Publishing. ISBN 978-3-7913-8189-3 Library of Congress Control Number: 2016941556 A CIP catalogue record for this book is available from the British Library. Printed in China CONTENTS FOREWORD by Jonathan Glancey 6 INTRODUCTION 8 1 | the emergence of design 1700 – 1905 16 2 | the age of the machine 1905 – 45 108 3 | identity and conformity 1945 – 60 222 4 | design and the quality of life 1960 – 80 326 5 | -
Sale of the Donald B. Marron Family Collection to Be Handled by Acquavella Galleries, Gagosian and Pace Gallery in a Collaboration to Honor His Legacy
FOR IMMEDIATE RELEASE Sale of the Donald B. Marron Family Collection to be Handled by Acquavella Galleries, Gagosian and Pace Gallery in a Collaboration to Honor his Legacy “Good contemporary art reflects the society, and great contemporary art anticipates.” —Donald B. Marron Left: Don Marron, Catie Marron © Patrick McMullan Right: Mark Rothko, Number 22 (reds), 1957 © 2020 Kate Rothko Prizel and Christopher Rothko / ARS, New York Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery In an unprecedented move, Acquavella Galleries, Gagosian, and Pace Gallery have joined forces with the Marron family to handle the sale of the Donald B. Marron Family Collection. The collaboration will pay homage to Don Marron’s (1934–2019) legacy as one of the 20th and 21st centuries’ most passionate and erudite collectors, a pioneer of corporate collections, a family man, and a dedicated philanthropist. Over the course of six decades, Marron acquired over 300 modern and contemporary masterworks. In May 2020, the three galleries will organize a joint exhibition in New York to showcase the breadth of the Marron family collection. The exhibition will be divided into three significant phases of Marron’s collecting activities, including his work as a young collector in the 1960s and 1970s, as a museum steward, and as a pioneer in reinventing how corporations build art collections around a singular vision. The exhibition will include works from the family collection as well as loans from institutions. The Marron family collection includes two major paintings by Pablo Picasso, Femme au béret et la collerette (Woman with Beret and Collar) (March 6, 1937) and Femme assise (Jacqueline) (May 13–June 16, 1962); Mark Rothko’s Number 22 (reds) (1957); Cy Twombly’s Untitled (Camino Real) (2011); paintings by Willem de Kooning and Gerhard FOR IMMEDIATE RELEASE Richter, and significant works by Brice Marden, including Complements (2004–2007). -
America: the Cookbook
GABRIELLE LANGHOLTZ AMERICA • A CULINARY ROAD TRIP THROUGH THE 50 STATES • THE COOKBOOK GABRIELLE LANGHOLTZ AMERICA THE COOKBOOK MAP OF THE UNITED STATES 6 LEGEND 9 INTRODUCTION 11 RECIPES 15 GUEST 497 FROM CONTRIBUTIONS: 50 STATES ESSAYS & RECIPES BY STATE STARTERS 17 MAIN COURSES 123 SIDE DISHES 231 DESSERTS 279 BREAKFAST 391 BAKERY 411 PANTRY 455 DRINKS 483 INDEX 712 WA ME MT ND MN VT NH OR WI MA NY RI ID SD CT MI WY PA IA NJ NE MD OH DE IL IN NV WV UT VA CO KS MO KY CA NC TN OK SC AZ AR NM GA AL MS TX LA FL AK HI 8 9 50 STATES BY REGION LEGEND NORTHEAST MID-ATLANTIC SOUTH REGIONS NORTHEAST NE MID-ATLANTIC MA CONNECTICUT - CT DELAWARE - DE ALABAMA - AL SOUTH S SOUTHWEST SW MAINE - ME MARYLAND - MD ARKANSAS - AR MASSACHUSETTS - MA NEW JERSEY - NJ FLORIDA - FL NEW HAMPSHIRE - NH PENNSYLVANIA - PA GEORGIA - GA WEST W MIDWEST MW NEW YORK - NY KENTUCKY - KY RHODE ISLAND - RI LOUISIANA - LA VERMONT - VT MISSISSIPPI - MS NORTH CAROLINA - NC STATES NY SOUTH CAROLINA - SC TENNESSEE - TN VIRGINIA - VA DF WEST VIRGINIA - WV DAIRY-FREE GLUTEN-FREE GF SOUTHWEST WEST MIDWEST ONE-POT 1 ARIZONA - AZ ALASKA - AK ILLINOIS - IL VEGAN NEW MEXICO - NM CALIFORNIA - CA INDIANA - IN OKLAHOMA - OK COLORADO - CO IOWA - IA TEXAS - TX HAWAII - HI KANSAS - KS VEG UTAH - UT IDAHO - ID MICHIGAN - MI VEGETARIAN MONTANA - MT MINNESOTA - MN NEVADA - NV MISSOURI - MO OREGON - OR NEBRASKA - NE LESS THAN 30 MINUTES 30 WASHINGTON - WA NORTH DAKOTA - ND WYOMING - WY OHIO - OH SOUTH DAKOTA - SD 5 WISCONSIN - WI LESS THAN 5 INGREDIENTS 10 11 STARTERS COBB SALAD CA PREPARATION TIME: 15 MINUTES Spread the lettuce on a large serving platter.