Faith Sustained Chemidlin During Ordeal SP to Contribute to Upgrades
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Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Project in Final Stretch
THE WIRE PAGE 1 Canvas chairs, $15 In Today’s Classifieds! AND WEEKLY Charlotte Sun HERALD ARCHIE TO BE SHOT IN COMIC CITIGROUP SETTLES FOR $7B The famous freckle-faced comic book icon is meeting his The settlement represents a moment of reckoning for one of the demise in Wednesday’s installment of “Life with Archie.” country’s biggest and most significant banks. THE WIRE PAGE 1 An Edition of the Sun VOL. 122 NO. 196 AMERICA’S BEST COMMUNITY DAILY TUESDAY JULY 15, 2014 www.sunnewspapers.net $1.00 LIFE STORIES In her own Project in final stretch By BRENDA BARBOSA Bletchley STAFF WRITER PUNTA GORDA — After months of heavy construction that closed circle off parts of Gilchrist Park and ary Merrill is as honest and open as Harborwalk, detoured downtown anyone you’ll meet, but for 50 years traffic and kicked up massive M she kept secret the work she did amounts of dust, the city’s flooding during World War II. mitigation project is finally in the She was sworn to. home stretch. The British-born Local residents, who patiently Merrill, now 92, worked have watched their front yards get at Bletchley Park, the turned into construction zones, say British Code and Cypher they are happy the work is nearing School which famously completion. SUN PHOTO BY BRENDA BARBOSA cracked the German “It doesn’t bother me, but my wife hates all the dust,” said Johnny Construction in Punta Gorda’s historic district is expected to continue through the end of Enigma code. It’s said July, as workers move on to the final leg of the downtown flooding phase 2 project. -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
Dde) Manual Chapter 2
CHECKING BENEFICIARY ELIGIBILITY DIRECT DATA ENTRY (DDE) MANUAL CHAPTER 2 Created August 22, 2014 | Revised February 25, 2020 © 2020 Copyright, CGS Administrators, LLC. CHECKING BENEFICIARY ELIGIBILITY CHAPTER 2 Table of Contents Checking Beneficiary Eligibility Using ELGA 3 Information Necessary to Check Eligibility 3 Accessing ELGA 4 Information about the HOST ID Field 6 Information about the APP DATE Field 6 Error Messages 7 ELGA Screen Examples and Field Descriptions 8 ELGA Screen Page 01—Beneficiary Information (Beneficiary Entitlement, Hospital and SNF Days, Medicare Advantage Plan Information) 8 ELGA Screen Page 02—Rehabilitation Sessions 11 ELGA Screen Page 03—Home Health Benefit Periods 12 ELGA Screen Page 04—Home Health PPS Episodes 12 ELGA Screen Page 05—Screening Information 13 ELGA Screen Page 06—Next Eligible Date 14 ELGA Screen Page 07—Next Eligible Date 15 ELGA Screen Page 08—Next Eligible Date 16 ELGA Screen Page 09—Next Eligible Date 17 ELGA Screen Page 10—HH Certification Plan of Care 17 ELGA Screen Page 11—Telehealth Service Next Elig Date 18 ELGA Screen Page 12—Behavioral Services 19 ELGA Screen Page 13—HIBC Counselling 20 ELGA Screen Page 14—Bone Density Service Next Elig Date 21 ELGA Screen Page 15—Medicare Care Choices Model 22 ELGA Screen Page 16— Supervised Exercise Therapy Sessions 22 ELGA Screen Page 17— Hospice Election Period 23 ELGA Screen Page 18—Hospice Information 23 ELGA Screen Page 19—Smoking Cessation 24 ELGA Screen Page 20—Radiation Oncology Model 25 ELGA Screen Page 21—Radiation Oncology Model 25 ELGA Screen Page 22—MSP Information 26 Disclaimer: This educational resource was prepared to assist Medicare providers and is not intended to grant rights or impose obligations. -
Tallahassee, Florida. 19
Kerce, Red (Benjamin L.), 1911-1964. Vine covered column ruins of Verdura plantation - Tallahassee, Florida. 19--. Black & white photoprint. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/44417 59 Vitruvio International journal of Architecture Technology and Sustainability Volume 2 Is 1 Plantation Houses of North Florida Eduardo Robles 1 1 Florida A&M University, School of Architecture and EngineeringTechnology ABSTRACT The concept of Plantation conjures an image that identifies the North Florida / South Georgia region of the U. S. Leon County attracted many cotton planters from Georgia, Virginia, Maryland, North and South Carolina in the 1820’s to the 1850’s. Up to the beginning of the Civil War, Leon County was the 5th largest producer of cotton counting all counties from Florida and Georgia. The Civil War brought the plantation culture to a standstill. The plantations transformed the environment based on their need for open fields in which to cultivate different crops, or raise a variety of animals with the help of slaves. From the 1900’s many plantations abandoned their land to nature producing a deep change in the local landscape. Today plantations are not used as much for planting crops but more for hunting or as tree farms. The hunting plantations do not grow crops but provide good conditions for the hunting of animals and birds. Other plantations were torn apart, sold and now are part of the Tallahassee urban fabric. In other words, they disappeared. The transformation of the plantations has been slow and steady, and has become the image of the area, even the region. -
Summer 2016 Features
OFFICIAL PUBLICATION OF THE KENTUCKY MUSIC EDUCATORS ASSOCIATION Vol. 67, No. 4 SUMMER 2016 SUMMER 2016 FEATURES: The Planets: Music in the Middle School Classroom • Examining Classroom Management Techniques • Finding My Voice: A hip-hop music curriculum • Keeping a Digital YOU in the Classroom with a non-music substitute • Recreating the Marches of John Philip Sousa in a Modern Setting We are happy to announce that the Master of Music in Music Education will be completely online An accredited institutional member of NASM since 1965. starting Fall 2016! 2016 Summer I Graduate Music Courses: • MUSE 682 Seminar in Music Education – “Sharpen Your Chops: Big Band Pedagogy for the Classically Inclined” Dr. Matt Taylor (Online, June 6 – July 1) – 3 credits • MUSE 682 Seminar in Music Education – “Topics in Kodály Institute of Kentucky at Choral Pedagogy.” Morehead State University Dr. Greg Detweiler (Face-to-Face, June 13-16, 8 a.m. - 8 p.m.) – 3 credits June 27 – July 9 Levels 1, 2 and 3 • MUSE 681 Foundations of Music Education Instructors: Jo Kirk, Joy Nelson, June Grice and Liza Meyers Dr. June Grice. (Face-to-Face, June 13-24, MWF, 8 a.m. - 3 p.m.) – 3 credits For more information about Kodály Institute, contact Dr. June Grice at [email protected], or 606-783-2470 or 970-214-3456. • Workshop 1A - MUSE 641 Pedagogy Kodály I (3 credits) • Workshop 1B - MUSE 642 Musicianship/Solfa Kodály I (2 credits) • Workshop 2A - MUSE 643 Pedagogy Kodály II (3 credits) • Workshop 2B - MUSE 644 Musicianship/Solfa Kodály II (2 credits) • Workshop 3A - MUSE 682 Seminar in Music Education: Pedagogy Kodály III (3 credits) • Workshop 3B - MUSE 645 Musicianship/Solfa Kodály III (3 credits) The Kodály Institute of Kentucky allows you to receive up to five graduate credit hours per level and those courses count fully toward the Master of Music in Music Education and may also apply to a Rank I program at MSU. -
Online Online
AFM LOCAL 47 Vol. 3 No. 6 June 2017 online Thousands Take to Streets for MAY DAY MARCH Los Angeles SPRING MEMBERSHIP DRIVE Next General Membership Meeting Runs through June 30 July 24, 7:30 p.m. ISSN: 2379-1322 Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Advertising Manager Hollywood, CA 90038-3779 Linda A. Rapka p 323.462.2161 f 323.993.3195 Graphic Designer / Asst. Layout Editor www.afm47.org Candace Evans AFM LOCAL 47 EXECUTIVE BOARD Election Board & COMMITTEES Mark Zimoski, chair Overture Online is the official monthly elec- Stephen Green, Scott Higgins, tronic magazine of the American Federa- Titled Officers Marie Matson, Kris Mettala, tion of Musicians Local 47, a labor union for President John Acosta Paul Sternhagen, Nick Stone Vice President Rick Baptist professional musicians located in Holly- Secretary/Treasurer Gary Lasley Fair Employment Practices wood. Committee Trustees Ray Brown, Beverly Dahlke-Smith Judy Chilnick, Dylan Hart, Formed by and for Los Angeles musicians Bonnie Janofsky Grievance Committee Ray Brown, Lesa Terry over a century ago, Local 47 promotes and Directors protects the concerns of musicians in all Pam Gates, John Lofton, Hearing Representative areas of the music business. Our jurisdic- Andy Malloy, Phil O’Connor, Vivian Wolf Bill Reichenbach, Vivian Wolf tion includes all counties of Los Angeles Legislative Committee (except the Long Beach area). With more Hearing Board Jason Poss, chair Allen Savedoff, chair Kenny Dennis, Greg Goodall, than 7,000 members, Local 47 negotiates Alan Estes, Jon Kurnick, Jeff Lass, Dan Greco, Lisa Haley, with employers to establish fair wages Norman Ludwin, Helen Nightengale, Ken Munday, Stephanie O’Keefe and working conditions for our members. -
Los Angeles: Recorded Magic (1945-1960)
Los Angeles: Recorded Magic (1945-1960) Essential Questions How did advances in technology impact jazz? How did Los Angeles (LA) become a segregated city? How did Los Angeles (LA) become a city of recorded jazz? What is West Coast bop? How does it reflect the black jazz scene in segregated LA? What is West Coast jazz? How is it a product of postwar Southern California? How does the music and literature of Los Angeles reflect its history and culture? How do you listen to jazz? The importance of listening Obtaining a jazz vocabulary Understanding and appreciating major movements in jazz Understanding and appreciating the life and sounds of jazz innovators Historical context of jazz Objectives: 1. Determine how advances in technology impacted jazz and the recording industry. 2. Rank the local, state and federal policies that contributed to the segregation of Los Angeles. 3. Explain how the music and of Los Angeles reflected its segregated population. 4. Analyze West Coast jazz and bop in historical context. Historical Context: Postwar Los Angeles (Marcie Hutchinson) Based on Why Jazz Happened by Marc Myers (social history of jazz) Introduction Profound impact of technology on the history of jazz Radio, records, the phonograph, the jukebox, film Music more accessible, more convenient, pleasing to the ear Postwar Period Jazz transformed from dance music to a sociopolitical movement Major jazz styles: bebop, jazz-classical, cool, West Coast jazz, hard bop, jazz-gospel, spiritual jazz, jazz- pop, avant-garde jazz and jazz-rock fusion Jazz reshaped from 1945-1972 Grip of 3 major record companies (Victor, Columbia, Decca) weakened by labor actions Increased competition from new labels Jazz musicians gain greater creative independence due to competition. -
The Intelligence of Dogs a Guide to the Thoughts, Emotions, and Inner Lives of Our Canine
Praise for The Intelligence of Dogs "For those who take the dog days literally, the best in pooch lit is Stanley Coren’s The Intelligence of Dogs. Psychologist, dog trainer, and all-around canine booster, Coren trots out everyone from Aristotle to Darwin to substantiate the smarts of canines, then lists some 40 commands most dogs can learn, along with tests to determine if your hairball is Harvard material.” —U.S. News & World Report "Fascinating . What makes The Intelligence of Dogs such a great book, however, isn’t just the abstract discussions of canine intelli gence. Throughout, Coren relates his findings to the concrete, dis cussing the strengths and weaknesses of various breeds and including specific advice on evaluating different breeds for vari ous purposes. It's the kind of book would-be dog owners should be required to read before even contemplating buying a dog.” —The Washington Post Book World “Excellent book . Many of us want to think our dog’s persona is characterized by an austere veneer, a streak of intelligence, and a fearless-go-for-broke posture. No matter wrhat your breed, The In telligence of Dogs . will tweak your fierce, partisan spirit . Coren doesn’t stop at intelligence and obedience rankings, he also explores breeds best suited as watchdogs and guard dogs . [and] does a masterful job of exploring his subject's origins, vari ous forms of intelligence gleaned from genetics and owner/trainer conditioning, and painting an inner portrait of the species.” —The Seattle Times "This book offers more than its w7ell-publicized ranking of pure bred dogs by obedience and working intelligence. -
Big Band Group University of Greenwich
University of Greenwich Big Band Group How it started: local hospices and other charities. We frequently help other local organisations with The University Big Band was formed in 1985 by concerts outside the University. some Thames Polytechnic staff, who had been playing in Jazz and Big Bands at Goldsmith Until 2019 the Bands were based at the Avery College. At that time Avery Hill College had Hill Mansion site, but when this site closed during 2020, a new music room was set up at the just became part of Thames Polytechnic, and it Sparrows Farm Building on the Southwood Site. provided an opportunity to start the Avery Hill The Covid situation delayed the development of Band with the support of the Avery Hill College the new music room and so rehearsals were not Music Department. We rely heavily on dedicated possible during most of 2020. We are now waiting professionals and amateurs from the local for the relaxing of the Covid restrictions to enable community. Formal music teaching was reduced rehearsals and concerts to start again for all the in the early 1990’s, but music has returned to band as we move into 2021 form part of the teacher training program at the Avery Hill Campus. In addition to the full Joining the Band - New players Big band there are also three other small If you are interested in playing the Big Band Music Jazz/Swing Bands within the University Big Group welcomes applications from staff and Band Group. students who would like to be part of the jazz Rehearsals take place at the Avery Hill experience - good music sight reading needed. -
Recreation Guide SUMMER 2010
Online Registration Begins May 12 General Registration Begins May 17 Recreation Guide SUMMER 2010 ACTIVITIES & PROGR A MS A T … Daniel Meyer Pool Oak Knoll Golf Course N MT Park Nature Center Ashland Senior Center The Grove & More TABLE OF CONTENTS BEGINS ON PAGE 6 Ashland Parks & Recreation • 541-488-5340 • 340 S Pioneer, Ashland OR 97520 • www.AshlandParksandRec.org NORTH MOU N TAI N PARK NATURE CE N TER For more information visit www.NorthMountainPark.org or call 541-488-6606 Barn at N MT Park About North Mountain Park & The Nature Center — Summer Hours & Overview •North Mountain Park is open sunrise to sunset, year-round •Nature Center is open Monday—Friday | 8:30am—4:30pm The North Mountain Park Nature Center is located next to Bear Creek at 620 N Mountain Ave in Ashland. The Nature Center offers a variety of programs and interpretive exhibits that teach about local natural and cultural history and sustainable living. Visitors can also enjoy the park’s Demonstration Gardens, nature trails, pavilion, picnic and play areas. Contact Us for More Information Scholarships Available • 620 N Mountain Ave, Ashland, OR 97520 A limited amount of scholarship money is available to all ages • Tel 541-488-6606 for classes and programs through the Ashland Parks & Recre- • Fax 541-488-6607 ation Department. To obtain a scholarship application, please • E-mail [email protected] call the Parks Administration Office at 541-488-5340. • URL www.northmountainpark.org Discovery Kits Help You Explore the Park! Online Newsletter Discover aquatic insects, learn the secret behavior of birds, Go to www.northmountainpark.org and click on Newsletters become a geologist for the day, or explore owl pellets. -
Bob Gordon Discography
BOB GORDON DISCOGRAPHY BOB GORDON RECORDINGS, CONCERTS AND WHEREABOUTS Bob Gordon was born in St. Louis, Missouri, June 11, 1928. He passed away in a car accident between Hollywood and San Diego, CA., August 28, 1955 by Kenneth Hallqvist, Sweden January 2019 Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 1 INTERNAL INFORMATION Colour markings for physical position: IKEA-boxes with Bob Gordon = GREEN IKEA-boxes with Lars Gullin = YELLOW IKEA-boxes with Gerry Mulligan = BLUE Shelves = ORANGE Cupboard = RED Bob played tenor sax with: Shorty Sherock (1946) Alvino Ray (1948-1951) Billy May (1952) Horace Heidt (1952-1953) George Redman (1954) Search for LPs/CDs: GNP J.S.L.P. 50.042: "Maynard Ferguson - Dimensions" (Trip Jazz LP available) EMArcy LP #MG 36044: "Lyle Murphy: Four saxophones in twelwe tones" (10" LP 1955) Mercury CD EJD-1016: COMPACT JAZZ - Maynard Ferguson with Bob Gordon (released in Japan 1989) EMArcy CD #3071: "Introducing Bob Gordon" Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 2 Abbreviations used in this discography acc accordion mda mandola arr arranger mdln mandolin as alto saxophone mel melodica b bass (contrabass or double bass) mgs Moog synthesizer b-cl bass clarinet oboe oboe b-tb bass trombone oca ocarina b-tp bass trumpet org organ bars baritone saxophone p piano bgs bongos panfl pan flute bjo banjo perc percussion bnd bandoneon saxes saxophones bs bass saxophone sop soprano saxophone bsn bassoon st-d steel drums cgs