DOCSLIB.ORG

J a S M I N E a L I N D

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
J a S M I N E a L I N D J A S M I N E A L I N D E R [email protected] TEACHING AND EMPLOYMENT University of Wisconsin-Milwaukee Associate Professor and Coordinator of Public History, History Department, 2009- present; Assistant Professor and Co-coordinator of Public History, 2003-2009 Director, Urban Studies Programs, 2012-2015 Courses Taught: “Introduction to Public History,” “Research Methods in Local History,” “Photographs as Historical Sources,” “The History and Politics of Museums,” “Photography and Imperialism,” “Multicultural America,” “Historical Methods,” “Lens on the Local-Photography and Neighborhood History,” “Introduction to Digital History” California State University, Los Angeles, Art Department Woodrow Wilson Fellow, 2001-2003 Courses Taught: “Modern Art Survey,” “History of Photography,” “Written Expression in the Visual Arts,” “Contemporary Photography” University of Michigan, Department of the History of Art Visiting Assistant Professor, Spring 2000-Spring 2001 Visiting Instructor, Fall 1999 Courses Taught: “Nineteenth-Century European Art Survey,” “Twentieth-Century European and American Art Survey,” “The Avant-Garde,” “The History and Politics of Museums,” “History of Documentary Photography,” “Photography and Imperialism” EDUCATION Ph.D., Art History University of Michigan December 1999 Dissertation: "Out of Site: Photographic Representations of Japanese American Internment" M.A., Art History University of New Mexico July 1994 Thesis: "Picturing Themselves: An Interdisciplinary Examination of Nineteenth- Century Photographs of Brazilian Slaves" A.B., magna cum laude Princeton University June 1991 PUBLICATIONS Monographs: The Right to Representation: Photography, War, and Censorship in the Wake of 9/11. Chapel Hill, NC: University of North Carolina Press, under contract. Moving Images: Photography and the Japanese American Incarceration. Urbana and Chicago: University of Illinois Press, 2009. Book Chapters and Articles: “Back to America: Photography and Japanese Americans from Incarceration to Resettlement,” in Photography and Migration, ed. Tanya Sheehan (New York: Routledge), forthcoming. “Underexposed: The Controversial Censorship of Photographs of U.S. War Dead,” in Outrage! Art, Controversy and Society, Eds. Richard Howells, Judith Schachter and Andreea Ritivoi. London: Palgrave MacMillan, 2012: 175-206. “Camera in Camp: Bill Manbo's Vernacular Scenes of Heart Mountain,” in Colors of Confinement: Rare Kodachrome Photographs of Japanese American Incarceration in World War II, Ed. Eric L. Muller. Chapel Hill, NC: University of North Carolina Press and the Center for Documentary Studies at Duke University, 2012: 82-101. *Winner of the 2013 Western History Association Joan Patterson Kerr Award “Site Seer: Patrick Nagatani’s Japanese American Concentration Camp Portfolio.” In Desire for Magic: Patrick Nagatani - Works 1976-2006. Ed. Michele Penhall. Albuquerque: University of New Mexico Art Museum, 2010. “The Right to Representation: Toyo Miyatake’s Camera as a Symbol of Resistance to Japanese American Incarceration.” Frakcija: Performing Arts Journal. 43-44 (2007): 90-95. “Displaced Smiles: Photography and the Incarceration of Japanese Americans during World War II.” Prospects: An Annual of American Cultural Studies. 30 (2005): 519-537. “La rétorica de la desigualdad: las fotografías de los esclavos de Brasil en el siglo XIX." In Historia y memoria: sociedad, cultura y vida coitidiana en Cuba, 1878-1917. Ed. José Amador. Havana: Centro de Investigación y Desarrollo de la Cultura Cubana Juan Marinello/Latin American and Caribbean Studies Program of the University of Michigan, 2003: 161-174. “Virtual Pilgrimage: Patrick Nagatani's Japanese American Concentration Camps Portfolio,” Albuquerque: The Albuquerque Museum, 1998. Other Publications: Co-Edited volume with A. Aneesh, Daniel Sherman, and Ruud Van Dijk, The Long 1968: New Perspectives, Bloomington: Indiana University Press, 2013. Review of Pictures and Progress: Early Photography and the Making of African American Identity eds. Maurice O. Wallace and Shawn Michelle Smith, Journal of Southern History, November 2013. "Dorothea Lange," entry in the Densho Encyclopedia, http://encyclopedia.densho.org/Dorothea%20Lange/ accessed September 10, 2012. “Focus on Research: Jasmine Alinder F'09, F'97 on Photography and the Japanese American Incarceration,” ACLS News, September 8, 2011, http://www.acls.org/news/9-8-11/ Reviews of Daring to Look: Dorothea Lange’s Photographs and Reports from the Field, by Anne Whiston Spirn; Dorothea Lange: A Life Beyond Limits, by Linda Gordon; and Impounded: Dorothea Lange and the Censored Images of Japanese American Internment, edited by Linda Gordon and Gary Y. Okihiro, History of Photography, November 2010. Review of In Sight of America: Photography and the Development of U.S. Immigration Policy by Anna Pegler-Gordon, caa.reviews (an electronic journal published by the College Art Association), www.caareviews.org, January 2010. “Family Portrait: New Milwaukee Immigrants,” In Here, There and Elsewhere: Refugee Families in Milwaukee, a photo-documentary by John Ruebartsch and Sally Kuzma (Walker’s Point Center for the Arts, Milwaukee, 2010), 5-10. "Barbara J. Miner: Anatomy of an Avenue." In Mary L. Nohl Fund Fellowships 2008 for Individual Artists, Exhibition Catalogue. Ed. Polly Morris (Milwaukee, WI: Greater Milwaukee Foundation, 2009), np. Review of A Shoemaker’s Story: Being Chiefly about French Canadian Immigrants, Enterprising Photographers, Rascal Yankees, and Chinese Cobblers in a Nineteenth-Century Factory Town, by Anthony W. Lee, VISUAL RESOURCES: An International Journal of Documentation, Vol. XXV, No. 3 (September 2009): 300-303. Review of Toyo Miyatake: Infinite Shades of Gray, The Moving Image. 2, No. 2 (Fall 2002). GRANTS, FELLOWSHIPS, AND AWARDS Engaged Faculty of the Year, Center for Community-Based Learning, Leadership, and Research, University of Wisconsin-Milwaukee, 2015. “Teaching Digital History,” Digital Futures Grant with Merry Wiesner-Hanks, Office of the Provost, University of Wisconsin-Milwaukee, 2012. Research in the Humanities Award, University of Wisconsin-Milwaukee, 2011. American Council of Learned Societies, Charles A. Ryskamp Research Fellowship, 2009-2010. UW System Institute on Race and Ethnicity, Faculty Research Grant, “The Japanese Internment: Research Opportunities,” (with Margo Anderson), 2006-7. Center for 21st Century Studies, Faculty Fellow, University of Wisconsin-Milwaukee, 2005. Morris Fromkin Research Grant and Lectureship, University of Wisconsin-Milwaukee (with Aims McGuinness), 2004. Graduate School Research Committee Award, University of Wisconsin-Milwaukee, 2004. Woodrow Wilson Postdoctoral Fellowship in the Humanities, California State University, Los Angeles, 2001-2003. American Fellowship, American Association of University Women, 1998-99. Mellon Dissertation Writing Fellowship, Rackham School of Graduate Studies, University of Michigan, 1998-1999. Mary Malcomson Raphael Fellowship, Center for the Education of Women, University of Michigan, 1998-1999. Luce/American Council of Learned Societies Doctoral Dissertation Fellowship in American Art, 1997-98. Hunting Family Graduate Student Fellowship, Institute for the Humanities, University of Michigan, 1997-98. Mellon Candidacy Fellowship in the Humanities, 1996. Regents Fellowship, Rackham School of Graduate Studies, Univ. of Michigan, 1994-96. SELECTED CONFERENCE PARTICIPATION Co-Presenter: “Youth Voice and Digital Narrative,” Imagining America conference, Milwaukee, WI, October 7, 2016. Co-Presenter with Laurie Marks: “Universities and Large Public School Districts: How to Create and Nurture Lasting Partnerships for the Public Good,” Campus Compact conference, Boston, MA, Tuesday, March 22, 2016. Roundtable Facilitator & Presenter: “Messy, Organic, Collaborative: How Public History Gives Undergraduate Research Its Edge,” National Council on Public History, Nashville, TN, Friday April 17, 2015. Moderator and Organizer: “Race, Ethnicity and Community: Building the Collaborative Wisconsin Farms Oral History Project,” National Council on Public History, Monterey, CA., Friday, March 21, 2014. Moderator and Organizer: “Urban Studies Graduate Programs-Relevant and Sustainable?” Urban Affairs Association, San Antonio, TX, Thursday, March 20, 2014. Presenter: “Camera Rights and Last Rites: Showler v. Harper’s Magazine and Peter Turnley,” Midwest Law and Society Retreat, UW-Madison, September 22, 2012. Panelist: “Whose Civil Rights Stories on the Web?” Organization of American Historians and the National Council on Public History, Milwaukee, April 2012. “Underexposed: Fighting the Censorship of Photography During the Wars in Afghanistan and Iraq,” Conference of the Association for the Study of Law, Culture and the Humanities, UNLV, March 11, 2011. “Photographs as Pathogen: Censorship and the Media During Wartime,” Conference of the Association for the Study of Law, Culture and the Humanities, Brown Univ., March 19, 2010. Co-organizer: “Since 1968” conference, Center for 21st Century Studies, UWM, October 23-25, 2008. “The Right to Representation: Toyo Miyatake’s Camera as a Symbol of Japanese American Resistance to Incarceration,” conference paper presented at the “Constant Capture: Visibility, Civil Liberties, and Global Security”conference, Center for International Education, University of Wisconsin-Milwaukee, April 21, 2006. Co-Chair: College Art Association Panel, “Other Icons: Exploring the Relationship between Iconicity and Race,” Atlanta, GA,
Load more

Recommended publications
  • George Eastman Museum Annual Report 2020
    George Eastman Museum Annual Report 2020 Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs and Events 5 Publishing and Online Projects 7 Books 7 Digitized Films Online 7 Silver Voices 7 Videos 8 Mobile Tour 9 Engagement and Attendance Statistics 10 Education 11 The L. Jeffrey Selznick School of Film Preservation 11 Photographic Preservation & Collections Management 11 Photography Workshops 12 Loans 13 Object Loans 13 Film Screenings 14 Acquisitions 15 Gifts to the Collections 15 Photography 15 Moving Image 19 Technology 19 George Eastman Legacy 22 Richard and Ronay Menschel Library 22 Purchases for the Collections 22 Photography 22 Moving Image 23 Technology 23 George Eastman Legacy 23 Richard and Ronay Menschel Library 23 Conservation and Preservation 24 Conservation 24 Film Preservation 27 Capital Projects 28 Financial 29 Treasurer’s Report 29 Statement of Financial Position 30 Statement of Activities and Change in Net Assets 31 Fundraising 32 Members 32 Corporate Members 34 Annual Campaign 34 Designated Giving 35 Planned Giving 36 Trustees and Staff 37 Board of Trustees 37 George Eastman Museum Staff 38 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries and mansion during 2020. MAIN GALLERIES POTTER PERISTYLE MANSION Anderson & Low: Voyages and Discoveries Penelope Umbrico: Everyone’s Photos Any 100 Years Ago: George Eastman in 1920 Curated by Lisa Hostetler, curator in charge, License (532 of 1,190,505 Full Moons on Flickr) Curated by Jesse Peers, archivist, Department of Photography Curated by Lisa Hostetler, curator in charge, George Eastman Legacy Collection October 19, 2019–January 5, 2020 Department of Photography February 14, 2020–January 3, 2021 July 20, 2019–January 5, 2020 Bea Nettles: Harvest of Memory Made possible by Stephen B.
    [Show full text]
  • News Photographer May - June 2020 News Photographer 3 SUE MORROW | EDITOR NPPA Membership Nppa.Org/Join
    MAY | JUNE 2020 Our first world war This issue is a tribute to those working on the front lines of the coronavirus pandemic Photograph © Peter Turnley | OPENERS Books for the holidays 52 Stephen Wolgast CONTENTS | MAY / JUNE 2020 Void of cars Editor's Column Photo Essay/Journal ON THE COVER Sue Morrow 5 Jessica Christian 60 Photograph by Empty streets became commonplace © Peter Turnley due to shelter-in-place orders. Perspective: Born from Quarantined A bus driver at 81st and war, and back at war Julia Rendleman 66 Columbus in New York March 17, 2020: The San Donald R. Winslow 6 City on April 4, 2020. Francisco-Oakland Bay Bridge, left, The Image Deconstructed is eerily devoid of cars after midnight Executive Director & Ross Taylor 72 Behind the cover as San Francisco shut down. Six President’s Column photograph 7 Bay Area counties issued a shelter- Akili Ramsess, Andrew Stanfill 15 COVID-19 in rural America in-place order for residents to try to Sue Morrow 78 curtail the spread of the coronavirus. Advocacy Mickey Osterreicher & Columnists By Carlos Avila Gonzalez Alicia Calzada 18 Career/Life Balance: Autumn Payne 8 San Francisco Chronicle Doing It Well: Matt Pearl 55 29.97 FPS It's a Process: Eric Maierson 56 March 22, 2020: Above, very few Stewart Pittman 47 Openers/Enders cars and pedestrians are on Elm Pages 2, 3, 20, 22, 24, 26, 28, 30, 32, Street in downtown Dallas ahead of Quotes from the pandemic 34, 36, 38, 40, 42, 44, 74, 86, 88, 90, Stewart Pittman 48 Judge Clay Jenkins’ shelter-in-place 92, 94, 96, 98, 100, 102, 104, 106, 108, order.
    [Show full text]
  • IR Theory in Practice Case Study: the Gulf War, 1990-1991
    Baylis, Smith and Owens: The Globalization of World Politics 7e Case Study: The Gulf War, 1990-1991 IR Theory in Practice Case Study: The Gulf War, 1990-1991 Section 1 Realist IR Theory and the Gulf War From reading Chapter 6 of The Globalization of World Politics (7e.), you should now be familiar with the basic tenets of Realist International Relations (IR) theory. You are advised to consult this crucial chapter if you have not done so already, as its contents will not be repeated here. Where you see bracketed chapter references, for example (see ch.4), this refers to the relevant chapter in The Globalization of World Politics (7e.). Introduction There are many ways in which Operation Desert Storm, the military action to repel Iraqi forces from Kuwait, fits into traditional Realist accounts of war. In addition to reading this section, however, you should consult the Liberalism, Marxism, Constructivist, and Poststructuralist Theory sections of the case study for important alternatives to Realism. The purpose of this section is to suggest ways in which the insights you will have learnt from Chapter 6 of The Globalization of World Politics (7e) illustrate important aspects of the first Gulf War from a Realist perspective. We will briefly focus on 1) US geo-strategic dominance in the post-Cold War era; 2) the protection of Western oil interests; and 3) the enduring reality of military power. By no means can the following be an exhaustive survey of the possible ways Realist IR theory might help you think about the 1990-91 Gulf War and its aftermath.
    [Show full text]
  • Leading the Way in Educating and Inspiring Visual Artists and Storytellers for More Than 45 Years
    2018 leading the way in educating and inspiring visual artists and storytellers for more than 45 years THIS IS THE SUMMER TO COME TO MAINE. SEE WHAT’S NEW. PHOTO © NILS TCHEYAN We’re building more As I’ve watched the building grow, I think about all the ways that we are growing in creativity, craft, and community: than a dining pavilion • Our community of visual artists and storytellers reaches into more than 44 countries at the center of our across the globe. Our new website has been designed to help us stay connected longer and in more meaningful ways with this growing community of artists who campus. We’re building are changing the way we see the world through their stories in films, photos, and community. writing. • In 2018, new workshops and intensives will touch on filmmaking, photography, book A new pavilion was designed and gifted arts & design, and writing, and in ways that speak to the growing convergence by former board member and friend of between these forms of visual storytelling. the school, Brink Thorne, who wanted to • In film the 10-week-long cinematography intensive program includes an advisor to focus his gift on the heart of Maine Media provide continuity to the students while they benefit from experiencing the different where countless conversations, insights, styles of accomplished industry professionals each week. There’s a new Writing/ inspiration, and deep friendships begin. Directing Intensive, new comedy writing workshop, and so much more! • In photo we have so many of your favorite instructors returning, and we also have Maggie Taylor, Michael Christopher Brown, Xyza Cruz Bacani, Peter Krogh, Maggie Steber, and Brad Smith to name just a few of the outstanding new faculty that will be offering workshops in 2018.
    [Show full text]
  • Ex Libris Summer Interns Carlos Bello, Jody Collins, and Kristina Hyriakova
    E X L IBRIS The Newsletter of the American Library in Paris September 2012 May we pick your brain? Library patrons will be invited to take an on-line survey in early October. It’s a chance for us to learn more about your habits, your preferences, your sug- gestions, your critiques, so we can continue to deliver a better Library. A collection reunited The survey will reach the American All summer long a crack team of librarians, summer interns, and vo- Library’s 2,600+ members, and nearly lunteers has been executing a dramatic rearrangement of the Library’s the same number of non-members who major book collections. The effort was designed to make browsing or fin- receive our biweekly e-Libris, this ding a book — navigating our physical site, so to speak — much simpler. newsletter’s electronic sibling. For as long as anyone here can remember, for reasons of space and If you’d like to take the survey, sign history, to find a biography, or an art book, or a novel, or a mystery, you up for e-Libris now on the website or, had to have the help of the card catalog to know on which of two Library better yet, join the Library. There’s floors the item could be found. One biography of Charles de Gaulle might much in store this fall, as you can see be upstairs, another on the main floor. One Agatha Christie upstairs, ano- from the rest of this newsletter. ther on the main floor. Thanks in advance for taking the Thanks to the heroic labors of the summer, all of these books in the time to complete the survey when it Library’s most popular categories are now consolidated in single sequen- shows up.
    [Show full text]
  • The Effect of the Gorbachev Era (1985-1991) on Newsweek's Photo Coverage and Image of the Soviet Union
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-1993 The Effect of the Gorbachev Era (1985-1991) on Newsweek's Photo Coverage and Image of the Soviet Union Ruth Winchester Ware University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Communication Commons Recommended Citation Ware, Ruth Winchester, "The Effect of the Gorbachev Era (1985-1991) on Newsweek's Photo Coverage and Image of the Soviet Union. " PhD diss., University of Tennessee, 1993. https://trace.tennessee.edu/utk_graddiss/3635 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Ruth Winchester Ware entitled "The Effect of the Gorbachev Era (1985-1991) on Newsweek's Photo Coverage and Image of the Soviet Union." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Communication. Paul Ashdown, Major Professor We have read this dissertation and recommend its acceptance: Ed Caudill, Robert Heller, Robert Peterson, Norman Swan
    [Show full text]
  • Education Academic Appointments and Teaching Positions Professional Experience Claude Cookman, Ph.D. • Curriculum Vitae • Ju
    Claude Cookman, Ph.D. • Curriculum vitae • June 2010 Associate Professor Indiana University School of Journalism Bloomington, IN 47405-7108 812 855-1717 [email protected] Education Ph.D., Princeton University, Art and Archaeology Department, Jun. 1994. Dissertation: The Photographic Reportage of Henri Cartier-Bresson, 1937-1973. MFA, Princeton University, Art and Archaeology Department, Jan. 1989. Art history with concentration in the history of photography. More than 45 hours of post baccalaureate courses in art history and French, University of Louisville, 1978-1985. MS, Graduate School of Journalism, Columbia University, Jun. 1971. Specialization in magazine writing. AB, with high honors, Wheaton College, Wheaton, IL, Jun. 1965. Major in classical Greek, minor in philosophy. Academic appointments and teaching positions Indiana University School of Journalism, Associate Professor, Jul. 1, 2000–present. Assistant Professor, Aug. 1994–Jun. 2000. Lecturer, Aug. 1990–Jul. 1994. Associate member of the Graduate Faculty, Jan. 1999–present. Adjunct Associate Professor, Western European Studies, Fall 2009–present. Adjunct Associate Professor, Department of Art History, Fall 2008–present. Preceptor (TA), Princeton University Art and Archaeology Department, 1988–1989. Contemporary art and nineteenth century painting and sculpture, three semesters. Adjunct instructor, Barry University, Spring 1984. Photojournalism, one semester. Visiting professional, University of Iowa, Spring 1981. Picture editing, one month. Adjunct instructor, Western Kentucky University, 1979, 1980. Picture editing, two semesters. Professional experience Copy editor, The Courier-Journal, Louisville, KY, Sept. 1984–Aug. 1986. Graphics editor, The Miami Herald, Apr. 1981–Sept. 1984. Picture editor, The Louisville Times, Nov. 1974–Mar. 1981. Copy editor, The Herald-Journal, Syracuse, NY, Sept. 1973–Nov. 1974.
    [Show full text]
  • Michigan Ross Welcomes Exceptionally Talented Faculty
    FALL 2017 MICHIGAN ROSS AND ITS STUDENTS CHART THE FUTURE OF BUSINESS ALSO IN THIS ISSUE: Reflections from Red Berenson The New Rules of Entrepreneurship FEATURED STORIES 22 SHAPING THE FUTURE As Michigan Ross reinvents business education, its current students help chart the future of business. 20 34 WDI AT 25: FOCUSED AND LOOKING FORWARD 20 QUESTIONS Support for emerging economies remains the core mission Getting to know Catherine Bessant, BBA ’82, the chief at the William Davidson Institute. operations and technology officer at Bank of America. 36 38 SCORING GOALS — ON THE ICE AND IN LIFE FROM ‘SIDE HUSTLE’ TO PRO Retiring after 33 years as Michigan’s hockey coach, Red Berenson, Nicaila Matthews, MBA ’15, hosts a popular podcast inspiring BBA ’62/MBA ’66, explains the roots of his commitment to education. a new generation of African-American entrepreneurs. 40 52 DRIVING IN THE ‘D’ FIRST PERSON Rick Haas, BSE ’81/MBA ’89, elevates Mahindra’s Java House CEO Ken Kuguru, MBA ’03, reflects on lessons automotive prowess in Detroit. learned during a journey back to the Motherland. TABLE OF CONTENTS 1 DEPARTMENTS Edward J. Frey Dean, Stephen M. Ross Professor of Business 3 TAPPAN & HILL Scott DeRue News and notes from Ross. Chief Marketing Officer Jennifer Monaghan Editorial Director NEW STEPHEN ROSS GIFT David Kiley 10 $50 million gift funds career development, student experiences, junior faculty. Editor Bob Needham Writers ROSS BY THE NUMBERS Terry Kosdrosky, Tara Cavanaugh, Bob Needham, 11 Facts and stats about Michigan Ross, Lisa Kiser, Brittany Smith, Christopher Ankney its reach, and its influence.
    [Show full text]
  • Post-War Iraq: Are We Ready?
    POST-WAR IRAQ: ARE WE READY? Project Directors Frederick D. Barton * Bathsheba N. Crocker Lead Author Bathsheba N. Crocker March 25, 2003 The project directors would like to thank Daniel Werbel-Sanborn and Milan Vaishnav for their help in compiling this report. For further information, or with questions concerning the Post-Conflict Reconstruction Project at the Center for International and Strategic Studies, please contact Bathsheba Crocker at scrocker@cs is.org or Daniel Werbel-Sanborn at [email protected]. * Bathsheba N. Crocker is a 2002-2003 Council on Foreign Relations International Affairs Fellow. She is a resident in the CSIS International Security Program, working with the Post-Conflict Reconstruction Project. 1 POST-WAR IRAQ: ARE WE READY? About CSIS Since 1962, the Center for Strategic and International Studies (CSIS) has been dedicated to providing world leaders with strategic insights on—and policy solutions to—current and emerging global issues. CSIS is led by John J. Hamre, formerly U.S. deputy secretary of defense. It is guided by a board of trustees chaired by former senator Sam Nunn and consisting of prominent individuals from both the public and private sectors. The CSIS staff of 190 researchers and support staff focus primarily on three subject areas. First, CSIS addresses the full spectrum of new challenges to national and international security. Second, it maintains resident experts on all of the world’s major geographical regions. Third, it is committed to helping to develop new methods of governance for the global age; to this end, CSIS has programs on technology and public policy, international trade and finance, and energy.
    [Show full text]
  • NR Winter2001-Cover
    NIEMAN REPORTS THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY VOL.55 NO.4 WINTER 2001 Five Dollars Coverage of Terrorism ‘This is one of my favorite pictures, taken a block away from Ground Zero on the second day. This is a cook who works in a restaurant. What is interesting to me about this picture, aside from what it depicts, is how the human experience leaves a trace on body language that one could never invent theatrically. It never lies.’ —Peter Turnley, photographer. Women and Journalism: International Perspectives “…to promote and elevate the standards of journalism” —Agnes Wahl Nieman, the benefactor of the Nieman Foundation. Vol. 55 No. 4 NIEMAN REPORTS Winter 2001 THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY Publisher Bob Giles Editor Melissa Ludtke Assistant Editor Lois Fiore Editorial Assistant Paul Wirth Design Editor Deborah Smiley Business Manager Cheryl Scantlebury Nieman Reports (USPS #430-650) is published Please address all subscription correspondence to in March, June, September and December One Francis Avenue, Cambridge, MA 02138-2098 by the Nieman Foundation at Harvard University, and change of address information to One Francis Avenue, Cambridge, MA 02138-2098. P.O. Box 4951, Manchester, NH 03108. ISSN Number 0028-9817 Telephone: (617) 495-2237 Internet Address (Business): Second-class postage paid [email protected] at Boston, Massachusetts, and additional entries. Internet Address (Editorial): [email protected] POSTMASTER: Send address changes to WWW address: Nieman Reports, http://www.Nieman.Harvard.edu P.O. Box 4951, Manchester, NH 03108. Copyright 2001 by the President and Fellows of Harvard College. Subcription $20 a year, $35 for two years; add $10 per year for foreign airmail.
    [Show full text]
  • The Inventory of the Christopher Dickey Collection #1765
    The Inventory of the Christopher Dickey Collection #1765 Howard Gotlieb Archival Research Center Dickey, Christopher #1765 8/28/09, 9/30/09, 11/8/09, 12/2/09, 2/4/10, 5/17/10 Preliminary Listing I. Manuscripts. A. Files; includes drafts, TS, TS with holograph corrections, thermofaxes; printed materials; correspondence; and professional materials. Box 1 1. “Bacchar - 1974.” [F. 1] 2. “Bios Ames, Arabs ‘P.O.’” 3. “Call Girls,” includes notebook. 4. “Call of the Wild.” [F. 2] 5. “CFR - Speeches - 1983-1984.” 6. “Clocktower.” 7. “The Colony (and Other Notes).” 8. “Computer Story Files Thru Sept 81.” [Env. 1] 9. “Computer Traffic w/Office Thru Sept 1981.” [Env. 2] 10. “Cousteau - NY - Working.” [F. 3] 11. “El Salvador,” includes map. 12. “Embassy.” [F. 4] 13. “EXPATS - Explorations.” [F. 5] 14. “EXPATS - The Old Country.” 15. “Faces Seen Once.” [F. 6] 16. “Files and Readbacks.” [F. 7] 17. “Film.” [F. 8] 18. “Film American Central.” 19. “Film School 1972-1974.” 20. “FMLN – M.O.R. Split/Urban Fronts.” 21. “For: John Herman Simon and Schuster, 1230 6th Ave.” [F. 9] 22. “Guggenheim Film.” [F. 10] 23. “KL SAL - Refugees,” includes notebook. [F. 11] 24. “LAMU.” 25. “MUJ - Misc Notes.” [F. 12-13] 26. “NYPD Proposal.” [F. 14] 27. “One Day of Life - Review for [The] New Republic.” 28. “Palestinian Passenger.” 29. “Philadelphia Revolution - 1972/3.” [F. 15-16] Box 2 30. “Point to Point 1972.” [F. 1] 31. “Press: French.” 32. “Project - 10 Yrs War - Basic Essay on 94-7 Updates (Haiti, etc.)” 33. “Project - CA Turning Point.” [F.
    [Show full text]
  • CTBTO Spectrum Ctbto Magazine Issue 19 | September 2012
    www.ctbto.org 19 CTBTO SpectruM ctbto Magazine issue 19 | septeMber 2012 Vision of a world without nuclear weapons ForMer ForMer director chile’s Finland’s un under-secretary-general oF los alaMos Foreign Minister Foreign Minister For disarMaMent aFFairs national laboratory Alfredo erkki JayAnthA Siegfried Moreno tuoMiojA dhAnApAlA hecker The Comprehensive Nuclear-Test-Ban Treaty (CTBT) bans all nuclear explosions. It opened for signature on 24 September 1996 in New York. As of September 2012, 183 countries had signed the Treaty and 157 had ratified it. Of the 44 nuclear capable States which must ratify the CTBT for it to enter into force, the so-called Annex 2 countries, 36 have done so to date while eight have yet to ratify: China, the Democratic People's Republic of Korea, Egypt, India, Iran, Israel, Pakistan and the United States. On February 6 2012, Indonesia completed its ratification of the CTBT. The Preparatory Commission for the Comprehensive Nuclear- Test-Ban Treaty Organization (CTBTO) consists of the States Signatories and the Provisional Technical Secretariat. The main tasks of the CTBTO are to promote signatures and ratifications and to establish a global verification regime capable of detecting nuclear explosions underground, underwater and in the atmosphere. The regime must be operational when the Treaty enters into force. It will consist of 337 monitoring facilities supported by an International Data Centre and on-site inspection measures. As of 3 September 2012 over 80 percent of the facilities at the International Monitoring System (IMS) were operational. cover iMAge: Ronald Reagan and Mikhail Gorbachev at the Reykjavik summit in 1986.
    [Show full text]