DOCSLIB.ORG

Department of English and American Studies English Language And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Department of English and American Studies English Language And Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Markéta Rozmarová Ned Kelly in Art: Criminal versus Hero Bachelor ’s Diploma Thesis Supervisor: PhDr. Jitka Vlčková, Ph. D. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Markéta Rozmarová Acknowledgement I would like to thank my supervisor PhDr. Jitka Vlčková, Ph.D. for her valuable advice, support and guidence. Table of Contents Introduction ............................................................................................................................................................... 5 1. Brief History of Ned Kelly’s Life and Actions ................................................................................................ 7 1.1. Childhood .................................................................................................................... 7 1.2. First Conflicts with the Law ......................................................................................... 8 1.3. The Kelly Gang ............................................................................................................ 9 1.4. The Trial .................................................................................................................... 11 2. Ned Kelly’s Significance .................................................................................................................................... 12 2.1. Outlawry and the Robin Hood Principle .................................................................... 12 2.2. Criminal versus Hero ................................................................................................. 15 2.3. Ned Kelly’s Persisting Exceptionality ......................................................................... 20 3. Ned Kelly in Art.................................................................................................................................................. 22 3.1. Ned Kelly in Literature ............................................................................................... 23 3.1.1. Literary Representations ...................................................................................... 23 3.1.2. Other Writings .................................................................................................... 31 3.2. Ned Kelly in Drama ................................................................................................... 33 3.3. Ned Kelly in Film ....................................................................................................... 36 3.4. Ned Kelly in Music ..................................................................................................... 40 3.4.1. Folk Music .......................................................................................................... 40 3.4.2. Popular Music ..................................................................................................... 45 3.5. Ned Kelly in Fine art .................................................................................................. 48 Conclusion................................................................................................................................................................ 51 Appendices............................................................................................................................................................... 53 Bibliography ............................................................................................................................................................. 58 List of Works Cited and Consulted ................................................................................... 58 List of Reference Sources ................................................................................................. 61 Resume...................................................................................................................................................................... 62 Resumé...................................................................................................................................................................... 63 Introduction In 1878, a huge part of Australian public started paying attention to a controversial man, a bushranger, who was about to enrich the Australian history. His name was Ned Kelly, and his extraordinary courage and daring rebellion would be forever remembered, although police and many other people considered him a criminal. He killed, he robbed, he fought for justice. Ned Kelly became a subject of various disagreements, conflicts, and exchanges of views. He became an anti-hero, a folk hero, a criminal hero, a social bandit, or whatever else he might be called. He was executed for things he had done, yet he was supported by thousands of people who gathered one day before his execution. And this support continues till today. He became a part of Australian identity, history, and folklore. Probably every Australian knows who Ned Kelly was, and the idiom “as game as Ned Kelly”1 is an ordinary part of Australian vocabulary. Throughout the whole twentieth century, he was a great inspiration to many kinds of artists, and this phenomenon still continues. The aim of this thesis is to deal with several points. It examines what makes Ned Kelly such an interesting, unique, and never-dying subject; what kinds of artistic fields he affected; and, above all, how he is portrayed in art – whether he is percieved as a criminal, or a hero. The thesis is devided into three parts. The first part provides a brief summary of Ned’s life, and the second part deals with Ned’s significance and exceptionality. It explains what makes him a persisting phenomenon, and such an outstanding person to be reflected in art. This part looks back into history, draws out the principle of a life of an outlaw, and what the fate of a social bandit is. Furthermore, it examines the contrast between both sides of Ned’s personality – his heroic and criminal tendencies. These two parts of the thesis serve as an illustration of the legend that surrounds Ned Kelly, and they provide facts and important information. They are based on facts, essays, and scholarly works. They 1 See <http://www.thefreedictionary.com/Kelly> 5 are considerably shorter than the third part because they serve as an introduction to the matter concerning Ned Kelly in art. The third part is the main part of the thesis, and it deals with Ned Kelly as reflected in art. The chapter is divided into several subchapters, each of which deals with a different field of art – literature, drama, film, music, and fine art. It provides an overview of the most well-known works of art, and pays a close attention to the way Ned Kelly is portrayed, whether as a positive (hero) or a negative (criminal) character. Since the art (especially folk music) is also a part of folklore, it partly represents the view of ordinary people. In brief, whereas the first two factual parts indicate that Ned Kelly was (and still is) perceived as an Australian folk hero, the third (and main) part examines to what extent this common knowledge corresponds to thoughts and opinions of artists and ordinary people. 6 1. Brief History of Ned Kelly’s Life and Actions “I am not a murderer, but if there is an innocent life at stake, then I say I must take some action.” Ned Kelly Ned Kelly’s life is a matter of deep study, and many biographies and books about his life were written in the past to discover who he really was. His life and the ways he decided to go were influenced by various people, whether they were from his family, from the same social class, or from some of the authorities such as the police and wealthy landowners. Moreover, there were aspects having a great impact on his life which he could not change, such as his origin, the world he grew up in, the life conditions of his immigrant family, and many others. Since this thesis deals with his personality portrayed in art, it is important to bring in at least a brief biography of Ned Kelly to understand the whole context. However, since his life was a complex interplay of many factors, as has been already mentioned, many details, moments, and people must be omitted. 1.1. Childhood The exact date of Ned Kelly’s birth is unknown. Some sources, such as Ned Kelly by Charles Osborne, say it was in June 1855, some say he was born in late 1854 or early 1855, and others claim he was born in December 1854, such as Ned Kelly by Ian Jones. Apparently, he came to this world around the year 1855. His full name was Edward Kelly, and he was the eldest son of John “Red” Kelly, an Irish convict, and Ellen Quinn, the daughter of an Irish immigrant family (Innes 15). The Quinn and Kelly families became part of a quite large Irish community which settled in Australia in the nineteenth century. The Kellys wanted to make a living on a land near Beveridge in Victoria which was located north of Melbourne. However, the situation was very unpropitious for poor landowners. Making a living from the land was impossible, and labouring jobs provided by rich landowners were poorly paid. Therefore, in 1863, 7 the family moved north to a rented farm near Avenel. Here the children of the Kellys could attend the local school. In spite of this, their situation was not much better (Innes 15). From Ned Kelly’s early age, his relatives
Load more

Recommended publications
  • RHYTHM & BLUES...63 Order Terms
    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
    [Show full text]
  • Download Your Year in Elessons (Pdf)
    The best of Inside Out eLessons covering topical events throughout the calendar year www.insideout.net Looking for inspiration? Want to do something topical but don’t have the time to look something up? Look no further.. This download is one of those things that you can reach for in an emergency. It gives you over 20 lessons to use at the relevant time of the year for those annual events that students always like to cover. You can save to your desktop or simply print it off to have ready. Why not print one off for your staffroom? All the pages are photopcopiable as whole pages. Are you getting the regular Inside Out elessons? Visit www.insideout.net to find out more. Join us on Facebook – www.facebook.com/newinsideout Inside Out Your Year Covered – Inside Out January to March New Year’s Anecdote Elementary Upwards 1-2 Scotland Quiz (Robbie Burns) Pre-Intermediate upwards 3-5 Valentine’s Day Pre-Intermediate Upwards 6-8 Chinese New Year Intermediate Upwards 9-10 St. Patrick’s Day Intermediate Upwards 10-13 Mother’s Day Intermediate Upwards 14-15 April to June April Fool Upper Intermediate Upwards 16-17 St. George’s Day Pre-Intermediate Upwards 18-19 The Red Cross Intermediate Upwards 20-22 Europe Day Lower Intermediate Upwards 23-26 Glastonbury Festival Pre-Intermediate and above 27-31 Wimbledon Intermediate Upwards 32-34 July – September Independence Day Intermediate Upwards 35-38 The Olympic Games Intermediate Upwards 39-41 Air Travel Trivia Intermediate Upwards 42-44 Back to School Pre-intermediate upwards 45-48 U.S.
    [Show full text]
  • Heritage of the Birdsville and Strzelecki Tracks
    Department for Environment and Heritage Heritage of the Birdsville and Strzelecki Tracks Part of the Far North & Far West Region (Region 13) Historical Research Pty Ltd Adelaide in association with Austral Archaeology Pty Ltd Lyn Leader-Elliott Iris Iwanicki December 2002 Frontispiece Woolshed, Cordillo Downs Station (SHP:009) The Birdsville & Strzelecki Tracks Heritage Survey was financed by the South Australian Government (through the State Heritage Fund) and the Commonwealth of Australia (through the Australian Heritage Commission). It was carried out by heritage consultants Historical Research Pty Ltd, in association with Austral Archaeology Pty Ltd, Lyn Leader-Elliott and Iris Iwanicki between April 2001 and December 2002. The views expressed in this publication are not necessarily those of the South Australian Government or the Commonwealth of Australia and they do not accept responsibility for any advice or information in relation to this material. All recommendations are the opinions of the heritage consultants Historical Research Pty Ltd (or their subconsultants) and may not necessarily be acted upon by the State Heritage Authority or the Australian Heritage Commission. Information presented in this document may be copied for non-commercial purposes including for personal or educational uses. Reproduction for purposes other than those given above requires written permission from the South Australian Government or the Commonwealth of Australia. Requests and enquiries should be addressed to either the Manager, Heritage Branch, Department for Environment and Heritage, GPO Box 1047, Adelaide, SA, 5001, or email [email protected], or the Manager, Copyright Services, Info Access, GPO Box 1920, Canberra, ACT, 2601, or email [email protected].
    [Show full text]
  • Ned Kelly and the Kelly Gang
    Ned Kelly and the Kelly Gang Use the words below to fill in the missing information. Glenrowan Inn life armour Ellen Quinn banks legend bushranger bravery unprotected outlawed surviving letter friends hanged awarded Australia’s most famous is Ned Kelly. Edward ‘Ned’ Kelly was born in Beveridge, Victoria in 1855. Ned’s mother was and his father was John ‘Red’ Kelly, an ex-convict. He was their eldest son of eight children. As a child, Ned rescued another boy from drowning. The boy’s family him a green silk sash in recognition of his . Red Kelly died when Ned was young and Ned was left to provide for the family. He worked cutting timber, breaking in horses, mustering cattle and fencing. During his teenage years, Ned got in trouble with the police. In 1878, Ned felt that his mother was put in prison wrongfully and he was being harassed by the police, so he went into the bush to hide. Together with his brother Dan and two others, Joe Byrne and Steve Hart, they became the Kelly Gang. The Gang was after killing three policemen at Stringybark Creek. This meant that they could be shot on sight by anybody at any time. For two years, the Gang robbed and avoided being captured. At the Jerilderie Bank robbery in 1879, with the help of Joe, Ned wrote a famous telling his side of the story. Many struggling small farmers of north-east Victoria felt they understood the Gang’s actions. It has been said that most of the takings from his famous bank robberies went to help his supporters, so many say Ned was an Australian Robin Hood.
    [Show full text]
  • Ghosts of Ned Kelly: Peter Carey’S True History and the Myths That Haunt Us
    Ghosts of Ned Kelly: Peter Carey’s True History and the myths that haunt us Marija Pericic Master of Arts School of Communication and Cultural Studies Faculty of Arts The University of Melbourne November 2011 Submitted in total fulfillment of the requirements of the degree of Master of Arts (by Thesis Only). Abstract Ned Kelly has been an emblem of Australian national identity for over 130 years. This thesis examines Peter Carey’s reimagination of the Kelly myth in True History of the Kelly Gang (2000). It considers our continued investment in Ned Kelly and what our interpretations of him reveal about Australian identity. The paper explores how Carey’s departure from the traditional Kelly reveals the underlying anxieties about Australianness and masculinity that existed at the time of the novel’s publication, a time during which Australia was reassessing its colonial history. The first chapter of the paper examines True History’s complication of cultural memory. It argues that by problematising Kelly’s Irish cultural memory, our own cultural memory of Kelly is similarly challenged. The second chapter examines Carey’s construction of Kelly’s Irishness more deeply. It argues that Carey’s Kelly is not the emblem of politicised Irishness based on resistance to imperial Britain common to Kelly narratives. Instead, he is less politically aware and also claims a transnational identity. The third chapter explores how Carey’s Kelly diverges from key aspects of the Australian heroic ideal he is used to represent: hetero-masculinity, mateship and heroic failure. Carey’s most striking divergence comes from his unsettling of gender and sexual codes.
    [Show full text]
  • Stgd/Ned Kelly A4 . March
    NED KELLY Study Guide by Robert Lewis and Geraldine Carrodus ED KELLY IS A RE-TELLING OF THE WELL-KNOWN STORY OF THE LAST AUSTRALIAN OUTLAW. BASED ON THE NOVEL OUR SUNSHINE BY ROBERT DREWE, THE FILM REPRESENTS ANOTHER CHAPTER IN NAUSTRALIA’S CONTINUING FASCINATION WITH THE ‘HERO’ OF GLENROWAN. The fi lm explores a range of themes The criminals are at large and are armed including justice, oppression, relation- and dangerous. People are encouraged ships, trust and betrayal, family loyalty, not to resist the criminals if they see the meaning of heroism and the nature them, but to report their whereabouts of guilt and innocence. It also offers an immediately to the nearest police sta- interesting perspective on the social tion. structure of rural Victoria in the nine- teenth century, and the ways in which • What are your reactions to this traditional Irish/English tensions and four police was searching for the known story? hatreds were played out in the Austral- criminals. The police were ambushed by • Who has your sympathy? ian colonies. the criminals and shot down when they • Why do you react in this way? tried to resist. Ned Kelly has the potential to be a very This ‘news flash’ is based on a real valuable resource for students of History, The three murdered police have all left event—the ambush of a party of four English, Australian Studies, Media and wives and children behind. policemen by the Kelly gang in 1878, at Film Studies, and Religious Education. Stringybark Creek. Ned Kelly killed three The gang was wanted for a previous of the police, while a fourth escaped.
    [Show full text]
  • Sidney Nolan's Ned Kelly
    Sidney Nolan's Ned Kelly The Ned Kelly paintings in the National Gallery of Australia With essays by Murray Bail and Andrew Sayers City Gallery_JWELLINGTON australia Te \Vliare Toi ■ national gallery of 7 © National Gallery of Australia 2002 Cataloguing-in-publication data This publication accompanies the exhibition Copyright of texts remains SIDNEY NOLAN'S NED KELLY SERIES with the authors Nolan, Sidney, Sir, 1917-1992. City Gallery Wellington, New Zealand Sidney Nolan's Ned Kelly: the Ned Kelly 22 February-19 May 2002 All rights reserved. No part of this publication paintings in the National Gallery of Australia. Part of the New Zealand Festival 2002 may be reproduced or transmitted in any form or by any means, electronic or Bibliography. mechanical, including photocopying, ISBN O 642 54195 7. Presented by recording or any information storage and retrieval system, without permission 1. Kelly, Ned, 1855-1880 - Portraits - Exhibitions. in writing from the publisher. 2. Nolan, Sidney, Sir, 1917-1992 - Exhibitions. EllERNST & YOUNG 3. National Gallery of Australia - Exhibitions. Co-published by the 4. Painting, Modern - 20th century - National Gallery of Australia, Canberra Australia - Exhibitions. 5. Painting, RUSSELL M�VEAGH and City Gallery Wellington, New Zealand Australian - 20th century - Exhibitions. I. Bail, Murray, 1941- . II. Sayers, Andrew. Produced by the Publications Department III. National Gallery of Australia. IV. Title. of the National Gallery of Australia Tele�erm NEW ZEALAND Designer Kirsty Morrison 759.994 Editor Karen
    [Show full text]
  • A STUDY GUIDE by Katy Marriner
    © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter.
    [Show full text]
  • THOTKG Production Notes Final REVISED FINAL
    SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son.
    [Show full text]
  • Australia's National Heritage
    AUSTRALIA’S australia’s national heritage © Commonwealth of Australia, 2010 Published by the Australian Government Department of the Environment, Water, Heritage and the Arts ISBN: 978-1-921733-02-4 Information in this document may be copied for personal use or published for educational purposes, provided that any extracts are fully acknowledged. Heritage Division Australian Government Department of the Environment, Water, Heritage and the Arts GPO Box 787 Canberra ACT 2601 Australia Email [email protected] Phone 1800 803 772 Images used throughout are © Department of the Environment, Water, Heritage and the Arts and associated photographers unless otherwise noted. Front cover images courtesy: Botanic Gardens Trust, Joe Shemesh, Brickendon Estate, Stuart Cohen, iStockphoto Back cover: AGAD, GBRMPA, iStockphoto “Our heritage provides an enduring golden thread that binds our diverse past with our life today and the stories of tomorrow.” Anonymous Willandra Lakes Region II AUSTRALIA’S NATIONAL HERITAGE A message from the Minister Welcome to the second edition of Australia’s National Heritage celebrating the 87 special places on Australia’s National Heritage List. Australia’s heritage places are a source of great national pride. Each and every site tells a unique Australian story. These places and stories have laid the foundations of our shared national identity upon which our communities are built. The treasured places and their stories featured throughout this book represent Australia’s remarkably diverse natural environment. Places such as the Glass House Mountains and the picturesque Australian Alps. Other places celebrate Australia’s Aboriginal and Torres Strait Islander culture—the world’s oldest continuous culture on earth—through places such as the Brewarrina Fish Traps and Mount William Stone Hatchet Quarry.
    [Show full text]
  • Reading Group Notes
    transit lounge READING GROUP NOTES About the book The last bushrangers in Australian history, James and Patrick Kenniff, were at the height at their horse thieving operation at turn of the 20th century. In One, troops cannot pull the Kenniff Gang out of the ranges and plains of Western Queensland – the brothers know the terrain too well, and the locals are sympathetic to their escapades. When a policeman and a station manager go out on patrol from tiny Upper Warrego Station and disappear, Sergeant Nixon makes it his mission to pursue the gang, especially Jim Kenniff, who becomes for him an emblem of the violence that resides in the heart of the country. From the award-winning author of The Mary Smokes Boys, One is a novel of minimalist lyrical beauty that traverses the intersections between violence and love. It asks what right one man has to impose his will on another, and whether the written law can ever answer the law of the heart. About the author Patrick Holland is an Australian novelist and short story writer who grew up in outback Australia, later working as a horseman in the Maranoa district and as a ringer in the Top End. He has travelled widely throughout Asia, studying language and literature at Qingdao University and Beijing Foreign Studies University, and at the Ho Chi Minh Social Sciences University in Vietnam. His works include Navigatio [Transit Lounge 2014], shortlisted for Queensland Literary Awards - People's Choice Book of the Year 2015; The Darkest Little Room [Transit Lounge 2012], Pulp Curry Top 5 Crime Books of
    [Show full text]
  • Ned Kelly Mick Jagger Music Credits
    Music and Lyrics Shel Silverstein Sung by Waylon Jennings "She Moved Through the Fair" Sung by Glen Tomasetti Music Director Ron Haffkine Shel Silverstein was an American poet, singer-songwriter and composer, cartoonist, screenwriter and author of children's books. He has a wiki here. (Below: Shel Silverstein) An LP soundtrack album (stereo) featuring music written by Shel Silverstein, and traditional ballads was released in 1970. It has been released in various editions, including a special edition. The music has also been made available in various territories on CD: SIDE 1 Ned Kelly (vocals: Waylon Jennings) (4'03") The Wild Colonial Boy (vocals: Mick Jagger) (3'10") Son Of A Scoundrel (vocals: Kris Kristofferson) (2'13") Shadow of the Gallows (vocal: Waylon Jennings) (2'58") Lonigan's Widow (vocal: Waylon Jennings) (4'23") Stoney Cold Ground (vocals: Kris Kristofferson) (3'45") SIDE 2 The Kelly's Keep Comin' (vocals: Kris Kristofferson) (3'38") Ranchin' in the Evenin' (vocal: Waylon Jennings) (2'05") Blame It On The Kellys (vocal: Waylon Jennings) (2'21") Pleasures Of A Sunday Afternoon (vocal: Waylon Jennings) (2'17") Hey Ned (vocals: Tom Ghent) (2'52") (timings taken from the LP cover - these vary from actual timings on the LP) United Artists Records Catalog number: Stereo UAS 5213 Words and music by Shel Silverstein, produced by Ron Haffkine. Mick Jagger appears through the courtesy of Decca Record Company, Ltd. Waylon Jennings appears through the courtesy of RCA Records. Kris Kristofferson appears through the courtesy of Monument Records. Recording engineers; Steve Friedman and Don Hahn. Remix engineer: Steve Friedman.
    [Show full text]