Guide to the Frances Densmore Papers, 1893-Circa 1955
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SMITHSONIAN INSTITUTION Music of the Indians of British Columbia by FRANCES DENSMORE
SMITHSONIAN INSTITUTION Bureau of American Ethnology Bulletin 136 Anthropological Papers, No. 27 Music of the Indians of British Columbia By FRANCES DENSMORE FOREWORD Many tribes and locations are represented in the present work, differing from the writer's former books,^ which have generally con- sidered the music of only one tribe. This material from widely sep- arated regions was available at Chilliwack, British Columbia, during the season of hop-picking, the Indians being employed in the fields. The work was made possible by the courtesy of Canadian officials. Grateful acknowledgment is made to Dr. Duncan Campbell Scott, Deputy Superintendent General, Department of Indian Affairs at Ot- tawa, who provided a letter of credential, and to Mr. C. C. Perry, In- dian agent at Vancouver, and Indian Commissioner A. O. N. Daunt, Indian agent at New Westminster, who extended assistance and co- operation. Acknowledgment is also made of the courtesy of Walter Withers, corporal (later sergeant). Royal Canadian Mounted Police, who acted as escort between Chilliwack and the hop camp, and as- sisted the work in many ways. Courtesies were also extended by municipal officers in Chilliwack and by the executive office of the Columbia Hop Co., in whose camp the work was conducted. This is the writer's first musical work in Canada and the results are important as a basis of comparison between the songs of Canad- ian Indians and those of Indians residing in the United States. On this trip the writer had the helpful companionship of her sis- ter, Margaret Densmore. iSee bibliography (Densmore, 1910, 1913, 1918, 1922, 1923, 1926, 1928, 1929, 1929 a, 1929 b, 1932, 1932 a, 1936, 1937, 1938, 1939, 1942). -
A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore
Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 5-1999 A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore Stephanie B. Thorne Butler University Follow this and additional works at: https://digitalcommons.butler.edu/grtheses Part of the Anthropology Commons, and the Music Commons Recommended Citation Thorne, Stephanie B., "A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore" (1999). Graduate Thesis Collection. 253. https://digitalcommons.butler.edu/grtheses/253 This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. -- CERTIFICATE FORM Name of Candidate: Stephanie B. Thome Oral Examination Date: ___W=e",dn",e",s",d""aYz."",J",un",-e"--"2"-3,~1,,,,9 ,,,,9,,,9,---________ COmmUtteeChaUpe~on: __~D~r~.~P~enn~y~D~Urun~~i~c~k ______________________ Committee Members: Dr. Sue Kenyon, Dr. Tim Brimmer, Dr. Wayne Wentzel, Mr. Henry Leck Thesis Title: A Cultural View of Music Therapy: Music and Beliefs of Teton Shamans, with Reference to the Work of Frances Densmore Thesis approved in final fonn: """"" Date: ____________:::::~ _________ Major professor: __----'D"'r"' . ..!.P-"e"'nn"'y.L...!.D"'im!!.!!.m""'ic"'k~ ___________________________ II • A CULTURAL VIEW OF MUSIC THERAPY: MUSIC AND BELIEFS OF TETON SIOUX SHAMANS, WITH REFERENCE TO THE WORK OF FRANCES DENSMORE by Stephanie B. -
Two Views, Two Voices: the Stereoscopic Perspective of Photographers Asahel and Edward Curtis Columbia Magazine, Spring 1996: Vol
Two Views, Two Voices: The Stereoscopic Perspective of Photographers Asahel and Edward Curtis Columbia Magazine, Spring 1996: Vol. 10, No. 1 By Stephanie Lile Asahel and Edward Curtis were born into the Victorian Age, during a time of innovation, invention and industrialization in the United States. The brothers were teenagers, Edward, 19, and Asahel, 14, when their family moved from Minnesota to Washington in search of a better life. Edward and his father, Asahel "Johnson" Curtis, were the first members of the family to make the transcontinental journey, settling near Port Orchard in 1887. Mrs. Curtis, Asahel, and his younger sister Eva stayed in Minnesota with the eldest Curtis son, Raymond, through the winter, and then traveled west in the spring of 1888. In that year before statehood the Washington they experienced was a rapidly changing place. The railroad, with the Northern Pacific's first direct transcontinental route to Puget Sound completed in 1887, opened the territory to development. Methods for building hard-surfaced roads, harvesting natural resources and utilizing electricity were already in use throughout the eastern United States. Word of the automobile and telephone, then novelties in personal transport and communication, spread across the country. And in the midst of adapting and bringing existing technologies to the western landscape, Northwesterners at work in the wheat fields, timberlands, and fishing banks of Washington were conjuring technological innovations of their own. The sidehill leveling device used in the wheat harvest, the "Iron Chink" fish cleaning machine, and the deep woods steam donkey were all being put to use. Across America domestic and vocational processes were being mechanized. -
Edward S. Curtis's Tent
“Edward S. Curtis’s Tent” (Cyanotype Work Area, Wyoming - circ. 1907) By Robert Off In Collaboration with Jane Alden Stevens "Los Angeles, Oct. 19 - Edward S. Curtis, internationally known authority on the history of the North American Indian, died today at the home of a daughter, Mrs. Bess Magnuson. His age was 84. Mr. Curtis devoted his life to compiling Indian history. His research was done under the patronage of the late financier, J. Pierpont Morgan. The foreword for the monumental set of Curtis books was written by President Theodore Roosevelt. Mr. Curtis was also widely known as a photographer.” Edward S. Curtis’s obituary in the New York Times (Oct 20, 1952) Table of Contents Introduction Photographs of “Curtis’s Tent” Curtis Information - The Man & Work Cyanotype Process & Illustrations Participant Biographies Historical Box Elements In-Process Photographs Selected Works by Robert Off Introduction I have often been asked where I get the ideas for my roomboxes. In most cases I get them in the middle of the night. My sense is that they are triggered by a subconscious memory which takes me back in to time to some visual experience. However, this box is different in that I can clearly see the thread of my life’s experience in it. As a child I spent untold hours with my father in his darkroom developing black & white photographs. Dad was a very accomplished amateur photographer. He primarily took photographs of his peers and our family. His photographs were not “snap shots” rather they attempted to tell the story of his times and experiences through powerful informal portraits much like the one pictured below. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
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.4 Z T4FIIiL IF A L-JI TTJF L iJ OF TH -- -(AR'PF.G1L -)u 5TATE EUREU 5TAT15T5 & IMMIGPAflON C:F )D STATL Of WASHINGTON DLP\RTh1ENT OT STATE. DTJREATJ0rSTATISTICS '&INNIGMTION LNJ-LOWELL, 5tCP.ETARY Ok' 5TAf EX OFFIC[O CO14NIS5IONPAL I. KTP. USTS ILAIU.Y F6LLk', DCPUTY COIISS]ONL TABLE OF CONTENTS. Paf)e List of Full Page Illustrations 3 The Evergreen State 5 Our Mountains 9 Washington Forests 15 The Climate 19 Puget Sound 25-38 Ideal for Yachting and Cruising 29 Hood Canal 29 Other Trips 31 Commerce 32 The East Shores 32 The Islands 33 San Juan Group 33 Whidby Island 36 Other Islands 36 Olympic Peninsula . 38 The Harbor Country 40-48 Grays Harbor 43 Willapa Bay 46 Mount Rainier National Park 49 The Columbia River 54 The Inland Empire 63-80 Chief Features 64 How to Reach Them 64 The Yakima Valley 65 The Wenatchee Valley 67 Lake Chelan 68 The Okanogan Highlands 70 The Spokane Country 75 The Wheat Plateau 79 The Walla Walla Country 80 The Columbia River 80 Our Scenic Highways 81-89 The Pacific Highway 81 Sunset Highway 84 Inland Empire Highway 86 Olympic, National Park, and Other Highways 89 A Sportsman's Paradise 91 Cities and Suggested Trips 95 AlaskaOur Ally 112 Map Showing Principal Highways FULL PAGE ILLUSTRATIONS. Cover Design (a water color) Miss Zola F. Gruhike Engravings By Western Engraving & Colortype Co., Seattle THREE-COLOR HALFTONES. Title. Photographer. Page The Rhododendron (C.) Asahel Curtis. -. .Frontispiece Lake Chelan (C.) Kiser Photo Co 8 A Forest Stream Curtis & Miller 16 A Puget Sound Sunset Webster & Stevens 32 Mount Rainier and Mirror LaKe (C.) Curtis & Miller 49 Sunnyside Canal (C.) Asahel Curtis 64 Priest Rapids 80 Columbia River from White Salmon (C.) .Kiser Photo Co 96 ONE-COLOR HALFTONES. -
Frances Densmore Papers MS.557
http://oac.cdlib.org/findaid/ark:/13030/c8z31xn9 No online items Finding Aid to the Frances Densmore Papers MS.557 Finding aid prepared by Glenna Schroeder, Anna Liza Posas Autry National Center, Braun Research Library 234 Museum Drive Los Angeles, CA, 90065-5030 323-221-2164 [email protected] 2012 Finding Aid to the Frances MS.557 1 Densmore Papers MS.557 Title: Frances Densmore Papers Identifier/Call Number: MS.557 Contributing Institution: Autry National Center, Braun Research Library Language of Material: English Physical Description: 0.75 Linear feet(2 boxes) Date (bulk): Bulk, 1907-1957 Date (inclusive): 1899-1961 Abstract: Frances Densmore was an American ethnographer and ethnomusicologist born in 1867 in Red Wing, Minnesota. She wrote more than 20 books and 100 articles. She also made more than 2,000 wax cylinder recordings of Native music, including recordings for the Smithsonian Institution, Bureau of American Ethnology (BAE) in 1907. Densmore died on June 5, 1957 at the age of 90. The Francis Densmore Papers consist of manuscripts, correspondence, newspaper clippings, and ephemera from 1899-1961. The bulk of the material was created from 1907-1957. creator: Bunche, Ralph J. (Ralph Johnson), 1904-1971. creator: Densmore, Frances, 1867-1957 creator: Hewett, Edgar L. (Edgar Lee), 1865-1946 creator: Hodge, Frederick Webb, 1864-1956 creator: James, George Wharton, 1858-1923 creator: Mead, Margaret, 1901-1978 creator: Roosevelt, Eleanor, 1884-1962. Preferred citation Frances Densmore Papers, 1899-1961, Braun Research Library Collection, Autry National Center, Los Angeles; MS.557; [folder number] [folder title][date]. Restriction note Correspondence in Folder 10 not to be copied or cited per donor agreement. -
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM. -
Sound Recordings
UC Santa Barbara UC Santa Barbara Previously Published Works Title Sound Recordings Permalink https://escholarship.org/uc/item/56f745rc ISBN 9780470657225 Author Novak, DE Publication Date 2018 License https://creativecommons.org/licenses/by-nc-sa/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Trim Size: 170mm x 244mm Callan wbiea1336.tex V1 - 09/16/2017 3:01 P.M. Page 1 ❦ Sound Recordings DAVID NOVAK University of California, Santa Barbara, United States Sound recordings have played an important role in anthropological research, both as tools of feldwork and data collection and as objects and contexts of ethnographic work on music, language, and cultural mediations of technology and environment. Te pro- cess of sound recording introduced new techniques and materials that revolutionized anthropological studies of language, music, and culture, while, as objects of techno- logical production and consumption, their media circulations have been analyzed as intrinsic to modern cultural formation and global social imaginaries. Te emergence of anthropology as a scholarly discipline coincided with the develop- ment of mechanical technologies for the preservation and reproduction of sound, fol- lowing soon afer the invention of the Edison cylinder phonograph in 1877. Te phono- graph made it possible for early ethnographers to capture and analyze the sounds of speech and ritual performance in Native America, beginning with the Passamaquoddy and Zuni songs and stories recorded in 1890 on wax cylinders by Jesse Walter Fewkes, and soon afer by Frances Densmore and Alice Cunningham Fletcher. While oral histo- rians, linguists, and musicologists regularly used the phonograph to collect and analyze the texts of threatened languages and musics in a preservationist mode, they did not typically preserve sound recordings themselves; in stark contrast to the archival stan- ❦ dards that would emerge later, most of them destroyed or reused cylinders immediately ❦ afer having transcribed their contents. -
Frances Densmore Photographs of July 4 Observances at Standing Rock Reservation, 1912
Frances Densmore photographs of July 4 observances at Standing Rock Reservation, 1912 Sarah Ganderup 2014 January 27 National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Local Call Number(s)....................................................................................................... 2 Scope and Contents note................................................................................................ 2 Biographical/Historical note.............................................................................................. 2 Bibliography...................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Frances Densmore photographs of July 4 observances at Standing Rock Reservation NAA.PhotoLot.81L Collection Overview Repository: National Anthropological Archives Title: Frances Densmore photographs of July 4 observances at Standing Rock Reservation Identifier: NAA.PhotoLot.81L Date: 1912 Extent: 9 Prints (silver gelatin) 7 Negatives (nitrate) Creator: Densmore, Frances, 1867-1957 Language: Undetermined -
John Michael Lang Fine Books
John Michael Lang Fine Books [email protected] (206) 624 4100 5416 – 20th Avenue NW Seattle, WA 98107 USA 1. Butler, Octavia E. Fledgling. New York: Seven Stories Press, 2005. First edition; first printing. 9" x 5.75". 316pp. Red paper covered hardback boards, in dust wrapper. One corner lightly bumped, very light soiling on the front board, neat ownership signature, else near fine condition. Near fine jacket with a touch of edge wear. This copy signed and briefly inscribed by the author on the title page. Scarce thus: the book was issued in October, 2005, and Butler died in an accident in February, 2006. Butler was one of very few African - American women in the field of science fiction. She won Hugo and Nebula awards and in 1995 she became the first science fiction writer to receive a MacArthur Foundation "Genius" Grant. $125.00 2. Carver, Raymond. What We Talk About When We Talk About Love. New York: Alfred A. Knopf, 1981. 8.25" x 5.75". 159pp. Blue paper covered boards with a dark blue cloth spine, in dust wrapper. Fine condition; fine jacket. Carver's first commercial success. The story "Why Don't You Dance?" was the basis for the 2010 Will Ferrell film Everything Must Go. $75.00 3. [Children’s books] Fryer, Jane Eayre. The Mary Frances Garden Book or Adventures Among the Garden People. Philadelphia : The John C. Winston Company, 1916. First edition. 9" x 6.5". 378pp. Green cloth with a color illustrated label mounted on the front board. Bookplate, else near fine condition. -
Native American Elements in Piano Repertoire by the Indianist And
NATIVE AMERICAN ELEMENTS IN PIANO REPERTOIRE BY THE INDIANIST AND PRESENT-DAY NATIVE AMERICAN COMPOSERS Lisa Cheryl Thomas, B.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2010 APPROVED: Adam Wodnicki, Major Professor Steven Friedson, Minor Professor Joseph Banowetz, Committee Member Jesse Eschbach, Chair of the Division of Keyboard Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Thomas, Lisa Cheryl. Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers. Doctor of Musical Arts (Performance), May 2010, 78 pp., 25 musical examples, 6 illustrations, references, 66 titles. My paper defines and analyzes the use of Native American elements in classical piano repertoire that has been composed based on Native American tribal melodies, rhythms, and motifs. First, a historical background and survey of scholarly transcriptions of many tribal melodies, in chapter 1, explains the interest generated in American indigenous music by music scholars and composers. Chapter 2 defines and illustrates prominent Native American musical elements. Chapter 3 outlines the timing of seven factors that led to the beginning of a truly American concert idiom, music based on its own indigenous folk material. Chapter 4 analyzes examples of Native American inspired piano repertoire by the “Indianist” composers between 1890-1920 and other composers known primarily as “mainstream” composers. Chapter 5 proves that the interest in Native American elements as compositional material did not die out with the end of the “Indianist” movement around 1920, but has enjoyed a new creative activity in the area called “Classical Native” by current day Native American composers.