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{PDF} Godless Kindle
GODLESS PDF, EPUB, EBOOK Pete Hautman | 198 pages | 01 Nov 2005 | SIMON & SCHUSTER | 9781416908166 | English | New York, NY, United States Godless PDF Book It fully launched my interest in westerns … Expand. Bill goes off in search of Frank, leaving his deputy Whitey Winn in charge of Roy. Lila 1 episode, Jake Dashnaw Share this page:. Ben Broome 1 episode, John C. Season 1 Review: Godless represents a near-perfect melding of both forms [movie and TV series], making good on the boundless promises of the streaming frontier. Olagrande Townsman uncredited 1 episode, June Hobbs 3 episodes, The awkward case of 'his or her'. Melissa Chambers. Chief Narrienta 2 episodes, It was the evil in Griffin that made it so. Grigg ensures Frank stays in the know. Pastor Moore 1 episode, Tabatha Shaun Or something like that. Name that government! More From Metacritic. Watch Now. Current series template Original ended series onwards Continuation series template Specials template Upcoming series template. Hank Stuever Nov 22, Victim uncredited 1 episode, Scott Frank did a fantastic job here; the story is very intriguing and one of the best character building in recent westerns. Get Word of the Day daily email! Emily Green. When an injured outlaw shows up at her ranch, a headstrong widow sees that her life -- and the lives of those close to her -- will never be the same. March 1, To be fair, it is also gorgeous to look at; despite of few cringe worthy images, lately it looks like, these artists are working aplenty in details, just for the authenticity. -
Jihadism in Africa Local Causes, Regional Expansion, International Alliances
SWP Research Paper Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Guido Steinberg and Annette Weber (Eds.) Jihadism in Africa Local Causes, Regional Expansion, International Alliances RP 5 June 2015 Berlin All rights reserved. © Stiftung Wissenschaft und Politik, 2015 SWP Research Papers are peer reviewed by senior researchers and the execu- tive board of the Institute. They express exclusively the personal views of the authors. SWP Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Ludwigkirchplatz 34 10719 Berlin Germany Phone +49 30 880 07-0 Fax +49 30 880 07-100 www.swp-berlin.org [email protected] ISSN 1863-1053 Translation by Meredith Dale (Updated English version of SWP-Studie 7/2015) Table of Contents 5 Problems and Recommendations 7 Jihadism in Africa: An Introduction Guido Steinberg and Annette Weber 13 Al-Shabaab: Youth without God Annette Weber 31 Libya: A Jihadist Growth Market Wolfram Lacher 51 Going “Glocal”: Jihadism in Algeria and Tunisia Isabelle Werenfels 69 Spreading Local Roots: AQIM and Its Offshoots in the Sahara Wolfram Lacher and Guido Steinberg 85 Boko Haram: Threat to Nigeria and Its Northern Neighbours Moritz Hütte, Guido Steinberg and Annette Weber 99 Conclusions and Recommendations Guido Steinberg and Annette Weber 103 Appendix 103 Abbreviations 104 The Authors Problems and Recommendations Jihadism in Africa: Local Causes, Regional Expansion, International Alliances The transnational terrorism of the twenty-first century feeds on local and regional conflicts, without which most terrorist groups would never have appeared in the first place. That is the case in Afghanistan and Pakistan, Syria and Iraq, as well as in North and West Africa and the Horn of Africa. -
O Destino De Uma Nação
O Destino de uma Nação Notas de Produção Tempo de exibição: 125 minutos 2 O Destino de uma Nação ELENCO Winston Churchill ………………………..…………..………………………. Gary Oldman Clemmie Churchil .…………………………………………..……………… Kristin Scott Thomas Elizabeth Layton ……………….………………………………………………. Lily James Visconde de Halifax .…………………………………...………………….… Stephen Dillane Neville Chamberlain ……………………..………………………………........ Ronald Pickup Rei George VI ………………………………………………….…........…...... Ben Mendelsohn PRODUÇÃO Diretor ………………..…………………………………….………… Joe Wright Producão .. Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten, Douglas Urbanski Escrito por .……….…………….……………………………………… Anthony McCarten Tempo de exibição: 02:05 3 O Destino de uma Nação Índice I. Sinopse página 4 II. Palavras e Contexto página 5 III. Transformador página 9 IV. A Voz e o Hábito página 15 V. As Mulheres por Trás do Homem página 18 VI. Contemporâneos página 22 VII. Preparação das Cenas página 26 VIII. Seguindo os Passos página 30 IX. Hora da Atitude página 32 X. Sobre o Elenco página 34 XI. Sobre a Equipe de Produção página 43 XII. Elenco e Créditos página 58 4 O Destino de uma Nação Sinopse Gary Oldman, ator indicado para o Oscar® e ganhador do prêmio BAFTA™ é o astro de O Destino de uma Nação, do diretor premiado com o BAFTA™ Joe Wright, um relato inspirado na história verídica das primeiras semanas de Winston Churchill empossado no início da Segunda Guerra Mundial. O roteiro original de Anthony McCarten (também indicado para o Oscar®) revela o homem que havia por trás do ícone. Churchill é um brilhante e bem-humorado estadista, membro de destaque do Parlamento, mas, aos 65 anos de idade, é pouco provável que seja candidato a Primeiro Ministro. Entretanto, a situação na Europa é desesperadora. -
Arcadia Disjointed: Confrontations with Texts, Polemical, Utopian, and Picaresque
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 Arcadia Disjointed: Confrontations With Texts, Polemical, Utopian, and Picaresque. Deborah Ann Jacobs Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Jacobs, Deborah Ann, "Arcadia Disjointed: Confrontations With Texts, Polemical, Utopian, and Picaresque." (1991). LSU Historical Dissertations and Theses. 5126. https://digitalcommons.lsu.edu/gradschool_disstheses/5126 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
BFI Statistical Yearbook 2013
Statistical Yearbook 2013 Welcome to the 2013 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2012. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. Contents 7 Chief Executive’s foreword 77 Chapter 7: UK talent and awards 8 2012 – the year in review 78 7.1 UK story material 78 7.1.1 UK story material in the top grossing films 10 Chapter 1: The box office worldwide since 2001 11 1.1 Admissions 80 7.1.2 Story material of films released in the UK in 2012 13 1.2 Box office earnings 82 7.2 UK actors 14 1.3 Film releases and box office revenues 83 7.3 UK directors 17 1.4 Country of origin of film releases 85 7.4 Writers and directors of UK independent films 19 1.5 Length of release released in the UK, 2003-2012 86 7.5 Awards for UK films and talent 21 1.6 Mega hits 91 Chapter 8: Theatrical release history and 23 Chapter 2: Top films in 2012 comparative performance of UK films 24 2.1 The top 20 films 92 8.1 Theatrical release of UK films 25 2.2 The top 20 UK qualifying films 93 8.2 Release rate of UK films in the UK and Republic 26 2.3 The top 20 UK independent films of Ireland 27 2.4 The top 3D films 93 8.3 Box office performance of UK films released in the UK and Republic of Ireland 29 2.5 Best weekend performances of UK films 94 8.4 International release rates of UK films 31 Chapter 3: Top -
Buddy Sosthand
Buddy Sosthand Gender: Male Service: Jonis: (818) 980-2123 Height: 6 ft. 0 in. E-mail: Weight: 205 pounds [email protected]... Eyes: Brown Hair Length: Buzz Cut Waist: 36 Inseam: 33 Shoe Size: 13 Physique: Athletic Coat/Dress Size: 44 Ethnicity: African American / Black Photos Generated on 09/24/2021 06:44:12 pm Page 1 of 9 Film Credits Old Town Road Stunt Coordinator Buddy Sosthand Always and Forever Stunt Coordinator Buddy Sosthand Spinning Man Stunt Coordinator Buddy Sosthand Fallen Angels Stunt Coordinator Buddy Sosthand Killer Coach Stunt Coordinator Buddy Sosthand Devious Nanny(T.V Movie) Stunt Coordinator Buddy Sosthand Paranormal Activity 4 Stunt Coordinator (Cover) James Armstrong As Evil Does Stunt Coordinator Buddy Sosthand The Cheating Pact Stunt Coordinator Buddy Sosthand The Perfect Boyfriend Stunt Coordinator Buddy Sosthand Au Pair Stunt Coordinator Buddy Sosthand MAGNIFICENT 7 Stunt (Insert Shot) Jeff Dashnaw Bright Driving Rob Alonzo All Star Weekend Stunt Rigger Clay Fontenot/Julius Leflore Labryinth driving double(Amin Joseph) Mark Norby Fences Stunt Double (Jevon Adepo) Clay Fontenot Baby Driver Driving Darrin Prescott/ Jeremy Fry Get Out Double (Marcus Henderson) Mark Vanselow Jason Bourne Nd Stunts Gary Powell/ Craig "Frosty" Silva Sully Driving Doug Coleman Mike and Dave Need Wedding Stunt Double (ATV rider) Gary Hymes Dates Captain America 3 Driving Doug Coleman/ Sam Hargrave Beyond Skyline Stunt Double (Antonio Vargas) Jeremy Fitzgerald Straight Outta Compton ND Stunts Lin Oeding Bad Son ND Stunts Sean -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
This Year's Emmy Awards Noms Here
FOR IMMEDIATE RELEASE 2017 EMMY® AWARDS NOMINATIONS FOR PROGRAMS AIRING JUNE 1, 2016 – MAY 31, 2017 Los Angeles, CA, July 13, 2017– Nominations for the 69th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Hayma Washington along with Anna Chlumsky from the HBO series Veep and Shemar Moore from CBS’ S.W.A.T. "It’s been a record-breaking year for television, continuing its explosive growth,” said Washington. “The Emmy Awards competition experienced a 15 percent increase in submissions for this year’s initial nomination round of online voting. The creativity and excellence in presenting great storytelling and characters across a multitude of ever-expanding entertainment platforms is staggering. “This sweeping array of television shows ranges from familiar favorites like black- ish and House of Cards to nominations newcomers like Westworld, This Is Us and Atlanta. The power of television and its talented performers – in front of and behind the camera – enthrall a worldwide audience. We are thrilled to once again honor the very best that television has to offer.” This year’s seven Drama Series nomInees include five first-timers dIstrIbuted across broadcast,Deadline cable and dIgItal Platforms: Better Call Saul, The Crown, The Handmaid’s Tale, House of Cards, Stranger Things, This Is Us and Westworld. NomInations were also sPread over dIstrIbution Platforms In the OutstandIng Comedy Series category, with newcomer Atlanta joined by the acclaimed black-ish, Master of None, Modern Family, Silicon Valley, Unbreakable Kimmy Schmidt and Veep. Saturday Night Live and Westworld led the tally for the most nomInations (22) In all categories, followed by Stranger Things and FEUD: Bette and Joan (18) and Veep (17). -
“DARKEST HOUR,” “I, TONYA,” “PITCH PERFECT 3,” “GUARDIANS of the GALAXY Vol 2” Among Feature Film Winners at the 2018 Make-Up Artists & Hair Stylists Guild Awards
FOR IMMEDIATE RELEASE: “DARKEST HOUR,” “I, TONYA,” “PITCH PERFECT 3,” “GUARDIANS OF THE GALAXY Vol 2” Among Feature Film Winners at the 2018 Make-Up Artists & Hair Stylists Guild Awards “BIG LITTLE LIES,” “FEUD: BETTE AND JOAN,” “THE CROWN,” “GAME OF THRONES,” “DANCING WITH THE STARS,” “AMERICAN HORROR STORY: CULT” Among Television Winners GARY OLDMAN, MARY GUERRERO AND GREG CANNOM HONORED NOTES TO MEDIA: EPK WILL BE AVAILABLE AT {HYPERLINK "http://www.epklink.com/muahsawards2018"} BY 3 AM INCLUDING PHOTOS AND BROADCAST COVERAGE Additional photos available after 12 AM at: {HYPERLINK "http://bit.ly/2EOSWQ4"} LOS ANGELES, Feb. 24, 2018 – The {HYPERLINK "http://www.local706.org/"} Awards (MUAHS, IATSE Local 706) tonight announced winners of its Annual Make-Up Artists & Hair Stylists Guild Awards in 23 categories of film, television, commercials and live theater. Winners in the film categories include “DARKEST HOUR,” “PITCH PERFECT 3,” “I, TONYA” and “GUARDIANS OF THE GALAXY Vol 2.” Television winners include “GAME OF THRONES,” “DANCING WITH THE STARS,” “THE CROWN,” “BIG LITTLE LIES,” “FEUD: BETTE AND JOAN” and “AMERICAN HORROR STORY: CULT.” Winners in the Daytime Television category were awarded to “THE BOLD AND THE BEAUTIFUL.”“HENRY DANGER” wins Best Children/Teen Program. Theatrical honors go to MAMA MIA and the Commercial/ Music Video Award was presented to AMERICAN HORROR STORY: CULT - PROMOTIONAL CAMPAIGN. The awards took place at The Novo by Microsoft at L.A. Live before an audience of more than 900, including guild members, industry executives and press. MUAHS President SUE CABRAL-EBERT presided over the awards ceremony with comedian LONI LOVE (The Real) returning to charm as host for the third year in a row.