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The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
FILMS and THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2
FILMS AND THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2. TGTBATU: CE The Good, the Bad and the Ugly: Clint Eastwood 3. RFTS: KM Reach for the Sky: Kenneth More 4. FG; TH Forest Gump: Tom Hanks 5. TGE: SM/CB The Great Escape: Steve McQueen and Charles Bronson ( OK. I got it wrong!) 6. TS: PN/RR The Sting: Paul Newman and Robert Redford 7. GWTW: VL Gone with the Wind: Vivien Leigh 8. MOTOE: PU Murder on the Orient Express; Peter Ustinov (but it wasn’t it was Albert Finney! DOTN would be correct) 9. D: TH/HS/KB Dunkirk: Tom Hardy, Harry Styles, Kenneth Branagh 10. HN: GC High Noon: Gary Cooper 11. TS: JN The Shining: Jack Nicholson 12. G: BK Gandhi: Ben Kingsley 13. A: NK/HJ Australia: Nicole Kidman, Hugh Jackman 14. OGP: HF On Golden Pond: Henry Fonda 15. TDD: LM/CB/TS The Dirty Dozen: Lee Marvin, Charles Bronson, Telly Savalas 16. A: MC Alfie: Michael Caine 17. TDH: RDN The Deer Hunter: Robert De Niro 18. GWCTD: ST/SP Guess who’s coming to Dinner: Spencer Tracy, Sidney Poitier 19. TKS: CF The King’s Speech: Colin Firth 20. LOA: POT/OS Lawrence of Arabia: Peter O’Toole, Omar Shariff 21. C: ET/RB Cleopatra: Elizabeth Taylor, Richard Burton 22. MC: JV/DH Midnight Cowboy: Jon Voight, Dustin Hoffman 23. P: AP/JL Psycho: Anthony Perkins, Janet Leigh 24. TG: JW True Grit: John Wayne 25. TEHL: DS The Eagle has landed: Donald Sutherland. 26. SLIH: MM Some like it Hot: Marilyn Monroe 27. -
|||GET||| Euthyphro 1St Edition
EUTHYPHRO 1ST EDITION DOWNLOAD FREE Plato | 9781605977409 | | | | | Euthyphro dilemma Tsedeq is something that happens here, and can be seen, and recognized, and known. Practical Ethics 3d ed. Related topics Criticism of religion Ethics in religion Exegesis Faith and rationality History of religions Religion and science Religious philosophy Theology. Roughly, it is the view that there are independent moral standards: some actions are right or wrong in themselves, independent of God's commands. Euthyphro's final suggestion is that holiness is a kind of trading with Euthyphro 1st edition gods, where we give them sacrifices and they grant our prayers. Socrates points out that if both options were true, they together would yield a vicious circle, with the gods loving the pious because it is the Euthyphro 1st edition, and the pious being the pious because the gods love it. Positions Aesthetics Formalism Institutionalism Aesthetic response. At this point the dilemma surfaces. Early life. Euthyphro's first definition of piety is what he is doing now, that is, prosecuting his father for manslaughter 5d. Clearly, the answer is again the latter, something becomes beloved when it is loved. Something is a meter long inasmuch as it is the same length as the standard meter bar, and likewise, something is good inasmuch as it approximates God. Essentialists apply labels to things because they possess certain essential qualities that make them what they are. Is something "beloved" in and of itself like being big or redor does it become beloved when it is loved by someone? Emrys Westacott is a professor Euthyphro 1st edition philosophy at Alfred University. -
The Playwright As Filmmaker: History, Theory and Practice, Summary of a Completed Thesis by Portfolio OTHNIEL SMITH, University of Glamorgan
Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol 1, No 2 (2007) ARTICLE The Playwright as Filmmaker: History, Theory and Practice, Summary of a completed thesis by portfolio OTHNIEL SMITH, University of Glamorgan ABSTRACT This paper summarises my doctoral research into the work of dramatists who became filmmakers – specifically Preston Sturges, Rainer Werner Fassbinder, David Mamet, and Neil Labute. I began with the hypothesis that there is something distinctive about the work of filmmakers who have a background in writing for text-based theatre, an arena where the authorship is, on the whole, not a vexatious issue, as is the case in commercial cinema. Through case studies involving textual and contextual analyses of their films, I found common threads linking their work, in respect both of their working methods and their approach to text and performance. From this, I evolved a theoretical position involving the development of a tentative ‘dogme’ designed to smooth the path between writing plays and making films, and produced short no- budget videos illustrating it. KEYWORDS Theatre/film, Dogme, theoretical practice, Mamet, Fassbinder. Introduction The aim of this project – a thesis by portfolio, completed at the now-defunct Film Academy at the University of Glamorgan – was to contribute to that area within film theory where creativity is taken seriously as a field of study; an attempt to reconcile theory with artistry, without attempting to theorise artistry. The ‘theatrical’ is often characterised as the ‘other’ of the cinematic, within both popular and scholarly discourse. My intention was to examines the interface between the two forms, and isolate those aspects of the theatrical aesthetic which can be profitably employed within cinema, looking at the issue from the perspective of the working dramatist – my background being as a writer for theatre, radio and television. -
Murder on the Orient Express: a Return Ticket Wieland Schwanebeck
This is an accepted manuscript version of an article published in Adaptation 11.1 (2018) https://doi.org/10.1093/adaptation/apx025 Film Review: Murder on the Orient Express: A Return Ticket Wieland Schwanebeck Murder on the Orient Express. Dir. Kenneth Branagh. Perf. Kenneth Branagh, Michelle Pfeiffer, Judi Dench, Johnny Depp. Fox, 2017. In the first scene of Kenneth Branagh’s big-screen adaptation of Murder on the Orient Express (1934)—one of Agatha Christie’s three most popular novels, according to a 2015 poll (Flood)—famous Belgian sleuth Hercule Poirot plagues the staff members of a Jerusalem hotel with his unusual request for two eggs of identical size. He goes so far as to apply a ruler to his breakfast, only to conclude that it does not meet his requirements. The scene serves as a neat summary of the character that will likely sit well with hardcore Christie admirers—the author famously had Captain Hastings characterize Poirot as a man so meticulous that ‘a speck of dust would have caused him more pain than a bullet wound’ (1920/2007: 14)—and the shot of Branagh (the film’s star as well as its director) cowering behind his breakfast table and scrutinizing the eggs sets up Murder on the Orient Express as an adaptation that literally goes ab ovo. It invokes the initial description of the character in Christie’s debut novel, The Mysterious Affair at Styles (‘His head was exactly the shape of an egg’, 1920/2007: 14), and at the same time it is indicative of how the film reboots Christie for the twenty-first century, playing up Poirot’s tics while also humanizing him, an adaptive policy that has worked wonders for Sherlock Holmes. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
Dance Arts Society
4.0 and GO Tutorina Page 4 • The Battalion Assielife Friday • January 27, Located at 700 E. University Dr. Suite 108 Behind Golden Corral and Blockbuster Video across from the Hilton This Week/ Monday Tuesday Wednesday Thursday Friday Tribal Nation will be playing Ray Vaughan, but he said he reggae music at 3rd Floor has a more aggressive style. 01/30 01/31 02/01 02/02 Cantina's TAMU's Caribbean See related story, Page 3. Brave Combo, a band from Club party. The special event is Denton, TX will be playing at open to the public and will Jerk, a rock cover band/will|)i BANA 303 BANA 303 BANA 303 BANA 303 Stafford Opera House. A group of have Jamaican D.J.'s during the returning to The Tap. 5 -7 pm students from University of North Part 1 Part II Part III Part IV band's breaks. Texas, Brave Combo mixes rock The Maps, a rock and blues and Latin rhythms in their return band, will be playing at Swee! MATH 152 MATH 152 MATH 152 MATH 152 trip to Stafford. Saturday 7-9 pm Eugene's. Part 1 Part II Part III Part IV A* Mother's Monkey, an alternative Big Otis, a Motown and soul Moe Bandy, a veteran countn rock band, will be at Sweet singer, will be at 3rd Floor singer, will be at The Texas FINC 341 FINC 341 FINC 341 FINC 341 Eugene's. Cantina. 10-12 pm Hall of Fame. He performs Part 1 Part III Part IV throughout the year at his Part II Peeping Tom, a local cover band Chris Duarte, Texas blues American Theater in Bransom that plays some original songs, guitarist out of Austin, will be MO, but is taking his showon 4.0 amt Qo is Located OK; the, Centeypole^ Bus Routes! plays regularly at The Tap. -
Read Book Timaeus and Critias Ebook Free Download
TIMAEUS AND CRITIAS PDF, EPUB, EBOOK Plato,Desmond Lee,Thomas Kjeller Johansen | 176 pages | 25 Nov 2008 | Penguin Books Ltd | 9780140455045 | English | London, United Kingdom Timaeus and Critias PDF Book But one of them exceeds all the rest in greatness and valour. About the Series: For over years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Particular characteristics of matter, such as water's capacity to extinguish fire, was then related to shape and size of the constituent triangles. Though each function individually, the ultimate design is one of interconnectivity. And this is reason why the names of the ancients have been preserved to us and not their actions. Now a large family of distinguished sons sprang from Atlas; d but it was the eldest, who, as king, always passed on the scepter to the eldest of his sons, and thus they preserved the sovereignty for many generations; and the wealth they possessed was so immense that the like had never been seen before in any royal house nor will ever easily be seen again; and they were provided with everything of which provision was needed either in the city or throughout the rest of the country. We must endeavor next to repeat the account of the rest of the country, a what its natural character was, and in what fashion it was ordered. But I should like to make my meaning clearer, if Timaeus, you will follow me. Welliver, Warman Timaeus and Critias by Plato ,. Barefoot in Athens film Socrates film. -
Fachbereichsarbeit Aus Englisch
Fachbereichsarbeit aus Englisch Verfasserin: Barbara Höllwarth, 8A Betreuungslehrer: Mag. Martin Stehrer Schuljahr: 2002/2003 Erich Fried- Realgymnasium Glasergasse 25, 1090 Wien - 0 - CONTENTS I. It’s… (An Introduction) 2 II. The Early Days 3 III. The Beginning Of An Era 4 IV. Members 1. Graham Chapman 5 2. John Cleese 6 3. Terry Gilliam 8 4. Eric Idle 9 5. Terry Jones 10 8. Michael Palin 11 V. The Closest Anybody's Ever Come To Being A 7th Python 1. Carol Cleveland 12 2. Neil Innes 13 VI. Monty Python’s Flying Circus 1. The Series 14 2. The Beeb 16 3. The German Episodes 17 VII. Films By Monty Python 1. And Now For Something Completely Different 19 2. Monty Python And The Holy Grail 19 3. Life Of Brian 21 4. Monty Python’s The Meaning Of Life 23 VIII. More Films (With/By Python Members) 1. The Rutles – All You Need Is Cash 25 2. A Fish Called Wanda 26 IX. What Monty Python Means To Me 28 - 1 - I. It’s... …actually is the first word in every Episode of Monty Python’s Flying Circus, announced by an exhausted old man in rags performed by Michael Palin, who, for example, comes out of the sea, crawls out of the desert or falls off a cliff. Sadly, there are still people who ask questions like „What’s Monty Python anyway?“ or even worse “Who is Monty Python?” although there already is a definition of the word “Pythonesque” in the Oxford Dictionary nowadays that says: ”after the style of, or resembling the humour of, Monty Python's Flying Circus, a popular British television comedy series of the 1970s noted esp. -
Dr. Lilia Castle Office Hours : M 1-3 A
Course Syllabus World Civilizations 1 Fall, 2001 Course HIST 151 O'~ Day/Time/Place : TTH 9.30-10.50 Henry 221 Instructor: Dr. Lilia Castle Office Hours : M 1-3 a. m. Phone : 739-4628 off. Course Description : This course will introduce students to the history, philosophy, religion, literature, and fine arts of the greatest World Civilizations. The course is designed to help students to understand the spirit of ancient cultures, the meaning and mode of life of our predecessors . Their attitude toward sex, love, marriage, war, and peace will be given in comparison with contemporary views. Exams and Creative Project : 1 .There will be a mid-term exam, a final exam, a test, and a creative project . 2. Students will also make short presentations for extra credit, take pop-quizzes and write analytical essays in class. 3 . Attendance : Students are expected to attend all classes, to be prepared, and participate if they wish to receive full credit for the course. Course Grading : All students will take mid-term and final exams on the dates scheduled . The exams will be given specific letter and number grades, and will count for a percentage of the total grade, as follows : 90-100 A Mid-term - 15% 80-89 B Final exam-15% 70-79 C Test-8% 60-69 D In class participation -10% Below 60 F Group discussign§- 19% Essays-12% Short quizzes-23% Creative project -5% Course Texts: Philip J .Adler, World Civilizations, 2nd edition Additional reading and handouts will be provided . COURSE SCHEDULE Aug.28 Introduction to the course . -
RECUERDA (II) Grandes Películas Olvidadas De La Historia Del Cine
Cineclub Universitario / Aula de Cine P r o g r a m a c i ó n d e septiembre 2 0 1 7 Jornadas de Recepción RECUERDA (II) Grandes Películas Olvidadas de la Historia del Cine La noticia de la primera sesión del Cineclub de Granada Periódico “Ideal”, miércoles 2 de febrero de 1949. El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2017-2018 cumplimos 64 (68) años. SEPTIEMBRE 2017 Jornadas de Recepción RECUERDA (II) Grandes Películas Olvidadas de la Historia del Cine SEPTEMBER 2017 Reception Days REMEMBER (II) Great Forgotten Films of the History of Cinema Jueves 14/Thursday 14th • 21 h. LA FRAGATA INFERNAL (1962) Peter Ustinov (BILLY BUDD) v.o.s.e. / OV film with Spanish subtitles Viernes 15/Friday 15th • 21 h. LA NOCHE DE LOS GIGANTES (1968) Robert Mulligan (THE STALKING MOON) v.o.s.e. / OV film with Spanish subtitles Martes 19/Thursday 19th • 21 h. CHARLY (1968) Ralph Nelson v.o.s.e. / OV film with Spanish subtitles Viernes 22/Friday 22th • 21 h. ATRAPADOS EN EL ESPACIO (1969) John Sturges (MAROONED) v.o.s.e. / OV film with Spanish subtitles Todas las proyecciones en la Sala Máxima del ESPACIO V CENTENARIO (ANTIGUA FACULTAD DE MEDICINA en Av. de Madrid) Entrada libre hasta completar aforo All projections at the Assembly Hall in the Former Medical College (Av. de Madrid) Free admission up to full room 5 6 Jueves 14 • 21 h. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.