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Miranda, 12 | 2016, « Mapping Gender Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 12 | 2016 Mapping gender. Old images ; new figures Les contours du genre. Images anciennes ; nouvelles figures Édition électronique URL : http://journals.openedition.org/miranda/7796 DOI : 10.4000/miranda.7796 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 12 | 2016, « Mapping gender. Old images ; new figures » [En ligne], mis en ligne le 24 février 2016, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/7796 ; DOI : https:// doi.org/10.4000/miranda.7796 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Mapping gender. Old images; new figures Les contours du genre. Images anciennes; nouvelles figures Preface Elizabeth de Cacqueray et Karen Meschia Introduction Karen Meschia Foundational stereotypes Reconsidering the Use of Gender Stereotypes in Medieval Romance: figures of vulnerability and of power Lesley Lawton Le Common Law est une femme... et quelle femme ! Isabelle Richard Grappling with modernism ; queering the pitch “This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis Annelie Fitzgerald “ ‘The Triumph of the Epicene Style’: Nightwood and Camp” Margaret Gillespie The Palimpsest Girl in Ice by Anna Kavan Céline Magot Queeriosité : le poil a-t-il un genre ? Autour de Del LaGrace Volcano, Daniela Comani, Katarzyna Kozyra, Ana Mendieta et Cindy Sherman Frédérique Villemur Working from the margins ; making it in the mainstream “It’s the fabric of the place” – Life Histories of Five Welsh Women Artists Penelope Collet Beyond the Margins: Lynne Ramsay’s Ratcatcher (1999) and Morvern Callar (2002) Kristine Robbyn Chick L'action en noir et au féminin dans New York Taxi (Tim Story, 2004) Hélène Charlery Miranda, 12 | 2016 2 Sidelining Women in Contemporary Science-Fiction Film Marianne Kac-Vergne History in the making; great lives and new models Margaret Thatcher : une avancée pour les femmes britanniques ? Karine Rivière-De Franco “Women, Ladies, Girls, Gals…”: Ronald Reagan and the Evolution of Gender Roles in the United States Françoise Coste This is what feminisms look likeLutter contre les violences sexuelles, (re)présenter un sujet politique Pauline Delage Oral History as an Autobiographical Practice Penny Summerfield Ariel's Corner Digital arts AS - Situating Change: Combinatory Writing, Interdisciplinary Collaboration, Technology, and Political Reality Scott Rettberg AS - C()n Du It by Katarzyna Giełżyńska – a case of a total translation of an electronic literature work Piotr Marecki et Aleksandra Małecka British Painting AS - Wyndham Lewis, Pablo Picasso and the Question of Eclecticism Annelie Fitzgerald Exhibition Review: The Fallen Woman The Foundling Museum, London, 25 September 2015 –3 January 2016 Catherine Maxwell Theater Susan Glaspell Revisited: Century Old Play Returns to its Roots Performance Review Denise Doherty Pappas Miranda, 12 | 2016 3 Beaucoup de bruit pour Lear Essai Frédérique Fouassier-Tate Wilson/Beckett : Voir sa vie dans une œuvre Essai Romain Fohr Bob Meets Sam Rencontre autour de Robert Wilson Charles Chemin, Romain Fohr, Frédéric Maurin, Stéphane Boitel, Emeline Jouve et Margaux Szuter Double jeu, jeu de doubles : entre Shakespeare et Wilde Entretien avec Pieryk Vanneuville Nathalie Vincent-Arnaud Breaking Racial and Ethnic Stereotypes on the American Stage: National Asian American Theatre Company’s 25th Anniversary Interview with Mia Katigbak (co-founder and artistic producing director of NAATCO) Rovie Herrera Medalle New York Scene: Inside Performance Space 122 Interview with Vallejo Gantner and Jess Edkins Margaux Szuter “The Lucid Body”: Training Method for Actors. Getting Personal with Fay Simpson Interview with Fay Simpson Céline Nogueira Music, dance Producing a jazz album. An insider’s perspective on Sarah Thorpe’s Never Leave Me, Songs of Love and Longing Jean Szlamowicz Laurent Coq / Walter Smith III, The Lafayette Suite. Laurent Coq (piano), Walter Smith III (saxophone ténor), Joe Sanders (contrebasse et basse électrique), Damion Reid (batterie). CD publié sur le label Jazz & People et enregistré à Tedesco Studios (New Jersey), les 1e et 2 décembre 2014 Ludovic Florin Les horizons de la musique anglaise a cappella : interview de Geoffroy Heurard, baryton- basse et directeur musical de l’ensemble vocal Perspectives Nathalie Vincent-Arnaud De la musique, de la mer, des mots pour les dire : interview de Christophe Hardy, écrivain, poète et musicien Nathalie Vincent-Arnaud Sax and the story, ou rencontres de la musique et du polar : jazz en boîtes, jazz en mots, et interview d’Emeric Cloche, membre de l’association Fondu Au Noir Nathalie Vincent-Arnaud We’ll dance (in memoriam David Bowie) Nathalie Vincent-Arnaud Miranda, 12 | 2016 4 Photography Aaron Siskind, une autre réalité photographique Pavillon populaire, espace d’art photographique de la ville de Montpellier, 28 novembre 2014-23 février 2015 Mathilde Arrivé Walker Evans and Stephen Shore at the Rencontres de la Photographie d’Arles 2015 Daniel Huber Review of Images de star, Marilyn. La Dernière Séance, Bert Stern Toulouse-Lautrec Museum, Albi, 26 September 2015 and 3 January 2016 Daniel Huber Film Conference report: 21st SERCIA Conference – Masculine/Feminine: Gender in English- Language Cinema and Television Artois University, Arras, (France), 3-5 September 2015Conference organized by Julie Assouly and Marianne Kac- Vergne Elizabeth Mullen et Elise Pereira Nunes Conference Report: Le studio Hammer, laboratoire de l’horreur moderne Paris, (France), June 12-14, 2016Conference organized by Mélanie Boissonneau, Gilles Menegaldo and Anne-Marie Paquet-Deyris David Roche Notre top 9 des films anglophones de 2015 David Roche et Vincent Souladié Hors-Thème L’esprit de l’enfance dans la littérature amérindienne, un territoire sacré : l’exemple de N. Scott Momaday. Anne Garrait-Bourrier Geoffrey Philp and the Reggae Aesthetics Eric Doumerc Du « pas de mots » au « pas de sens » : espaces énonciatifs du corps dansant dans The Turning Point (Herbert Ross) et White Nights (Taylor Hackford) Nathalie Vincent-Arnaud Glissement du mode « majeur » au mode « mineur » dans The Best of Simple de Langston Hughes Christine Dualé Recensions Françoise Král, Social Invisibility and Diasporas in Anglophone Literature and Culture. The Fractal Gaze Mathilde Rogez Miranda, 12 | 2016 5 Damian Grant, Salman Rushdie romancier Marc Porée Claire Parfait et Marie-Jeanne Rossignol (dir.), « Ecrire l’esclavage », Revue du Philanthrope 5 (2014) Bertrand Van Ruymbeke Gilles Menegaldo et Lauric Guillaud (dir.), Le Western et les mythes de l’Ouest – Littérature et arts de l’image Raphaëlle Costa de Beauregard Martha C. Carpentier (ed.), Joycean Legacies Philippe Birgy Nadia Yassine-Diab, Aliénation et réinvention dans l’oeuvre de Jamaica Kincaid Eric Doumerc Mervyn Morris, Miss Lou – Louise Bennett and Jamaican Culture Eric Doumerc Ann C. Colley, Wild Animal Skins in Victorian Britain: Zoos, Collections, Portraits and Maps Laurence Talairach-Vielmas Ingrid H. Tague, Animal Companions: Pets and Social Change in Eighteenth-Century Britain Laurence Talairach-Vielmas Mariaconcetta Costantini, Sensation and Professionalism in the Victorian Novel Gilles Menegaldo Miranda, 12 | 2016 6 Elizabeth de Cacqueray et Karen Meschia (dir.) Mapping gender. Old images; new figures Les contours du genre. Images anciennes; nouvelles figures Miranda, 12 | 2016 7 Preface Elizabeth de Cacqueray and Karen Meschia Preface 1 In 2004-05, the first meeting of the still embryonic gender group within Cultures Anglo- Saxonnes (EA 801) took place. It was quickly to expand and was christened, in modest imitation of Mallarmé’s Mardistes, Les Jeudis du [genre], referring to our bi-monthly Thursday seminars, which, from the start, aimed to involve not only those working habitually within women’s or gender studies, but any researchers interested in revisiting their own work from a gender perspective. Ten years, and countless seminars, study days, and conferences later, we have a robust network of occasional or permanent partnerships, several publications to our credit, and a wealth of unforgettable experiences of shared scholarly moments and generous exchanges. All demonstrate the inexhaustible capacity of the transversal, inclusive approach that gender studies offers for finding new ways of looking at familiar objects, generating new problematics and creating encounters. This issue of Miranda has been specially designed to mark the 10th anniversary of Les Jeudis and happens to coincide with the departure of its original founders, who leave the group in the capable (and numerous) hands of a team of younger colleagues, full of enthusiasm for perpetuating what works well and ideas for renewing and innovating where required, to adapt to new challenges in a fast-changing world. Our thanks go particularly to Hélène Charlery, Emeline Jouve and Cristelle Maury, who were our partners in editing this issue. 2 The collection of articles appearing here reflects the group’s commitment to cross- disciplinarity and our belief in its heuristic value; the certainty that each of us is enriched and dynamised, in her/his own field of research, by contact with other thematic interests, other methodologies and conceptual
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