Allusions and Warnings in Ab Urbe Condita, I
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Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V
Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 5-2-2014 Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V. Frankl Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classics Commons Recommended Citation Frankl, Joseph V., "Negotiating Julio-Claudian Memory: The eV spasianic Building Program and the Representation of Imperial Power in Ancient Rome" (2014). Classics Honors Projects. Paper 19. http://digitalcommons.macalester.edu/classics_honors/19 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome By Joseph Frankl Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted May 2, 2014 INTRODUCTION In 68 C.E., the Roman Emperor Nero died, marking the end of the Julio-Claudian imperial dynasty established by Augustus in 27 B.C.E (Suetonius, Nero 57.1). A year-long civil war ensued, concluding with the general Titus Flavius Vespasianus seizing power. Upon his succession, Vespasian faced several challenges to his legitimacy as emperor. Most importantly, Vespasian was not a member of the Julio-Claudian family, nor any noble Roman gens (Suetonius, Vespasian 1.1). -
753To 510B.C
KINGDOM OF ROME 753 TO 510 B.C. FOUNDING OF ROME TO EXILE OF TARQUINS ERA SUMMARY – KINGDOM OF ROME The stories surrounding the earliest years of the kingdom of Rome are steeped in legend, but they add much romance and interest to the history of the city that grew to be the capital of the western world. According to legend, the founder of Rome was Romulus, son of Mars and descended from Venus on his mother's side. After a dramatic childhood, during which they were raised by humble shepherds, Romulus and his twin brother Remus discovered they were of royal descent and decided to found a city on the hill on which they spent their youth. In order to attract citizens to come and live in his city, Romulus declared Rome a sanctuary. Men in debt; slaves ill-treated by their masters, criminals on the lam, all were granted citizenship and protected from their enemies. In this manner, Rome grew quickly. Romulus solved the problem of a severe shortage of women by kidnapping maidens from the surrounding villages. This unsurprisingly caused wars with many of Rome's neighbors, most importantly the Sabines. The happy outcome of the War with the Sabines, however, proved to be the joining of the two nations into one. The Sabines were given one of the hills of Rome to settle, and after the rule of Romulus the well-respected Sabine philosopher, Numa Pompilius, became king. Numa's reign was long and prosperous for Rome. The city had already established itself as a warlike TARQUIN AND THE SIBYLLINE BOOKS nation, always ready to defend and expand its territory. -
Ab Urbe Condita: When Viri Were Viri
CHAPTER FOUR AB URBE CONDITA: WHEN VIRI WERE VIRI Livy, like Thucydides, observed human nature and viewed history as a lesson for mankind in which great moral issues were at stake. 1 Toward this end, Livy went even further than did Thucydides, framing his history in "a series of moral episodes ... designed to bring out the character of the leading figures," thus reducing great events of the past to a level comprehensible to his reading public. 2 By endowing his characters with clear-cut virtues and vices, Livy was able to present his readers moral exempla with which they could readily identify. As P.G. Walsh writes, the real heroes of Ab Urbe Condita are pietas,fides, concordia, ratio, clementia, and so forth, who all wage continual war against the villains furor,ferocitas, temeritas, libido, luxuria and their like. 3 Because of this polarized framework, Livy's presentation of Roman history is a pano ramic chiaroscuro of dichotomies. His dualistic premise demands sim plistic characters so that the reader may know where a particular personage stands in the moral scheme. 4 An incidental component in the creation of what are, at best, two-dimensional characters, was the historian's use of vir and homo as capsule identifications. Livy's masculine terminology reflects that of Cicero in that he generally employs vir for the distinguished and homo for the humble, the foreigner (with an ethnic adjective), and as a term of abuse, sometimes in direct evocation of the Republican orator. The historiographical idiom, however, permits greater freedom and variation of usage than did the forensic speech. -
Livy's View of the Roman National Character
James Luce, December 5th, 1993 Livy's View of the Roman National Character As early as 1663, Francis Pope named his plantation, in what would later become Washington, DC, "Rome" and renamed Goose Creek "Tiber", a local hill "Capitolium", an example of the way in which the colonists would draw upon ancient Rome for names, architecture and ideas. The founding fathers often called America "the New Rome", a place where, as Charles Lee said to Patrick Henry, Roman republican ideals were being realized. The Roman historian Livy (Titus Livius, 59 BC-AD 17) lived at the juncture of the breakdown of the Roman Republic and the rise of the Roman Empire. His 142 book History of Rome from 753 to 9 BC (35 books now extant, the rest epitomes) was one of the most read Latin authors by early American colonists, partly because he wrote about the Roman national character and his unique view of how that character was formed. "National character" is no longer considered a valid term, nations may not really have specific national characters, but many think they do. The ancients believed states or peoples had a national character and that it arose one of 3 ways: 1) innate/racial: Aristotle believed that all non-Greeks were barbarous and suited to be slaves; Romans believed that Carthaginians were perfidious. 2) influence of geography/climate: e.g., that Northern tribes were vigorous but dumb 3) influence of institutions and national norms based on political and family life. The Greek historian Polybios believed that Roman institutions (e.g., division of government into senate, assemblies and magistrates, each with its own powers) made the Romans great, and the architects of the American constitution read this with especial care and interest. -
The Ab Urbe Condita Construction in Latin
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 1936 The Ab Urbe Condita Construction in Latin Otto William Heick Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Classical Literature and Philology Commons Heick, Otto William, "The Ab Urbe Condita Construction in Latin" (1936). Papers from the University Studies series (The University of Nebraska). 122. https://digitalcommons.unl.edu/univstudiespapers/122 This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VoL. XXXVI · 1936 UNIVERSITY STUDIES • PUBLISHED BY THE UNIVERSITY OF NEBRASKA COMMITTEE ON PUBLICATION J. E. KIRSHMAN C. S. HAMILTON T. M. RAYSOR H. H. MARVIN G. W. ROSENLOF R. J. POOL , FRED W. UPSON LOUISE POUND GILBERT H. DOANE THE AB URBE CONDITA CONSTRUCTION IN LATIN BY OTTO WILLIAM HEICK, Ph.D. LINCOLN, NEBRASKA 1936 THE UNIVERSITY STUDIES OF THE UNIVERSITY OF NEBRASKA VOLUME XXXVI LINCOLN PUBLISHED BY THE UNIVERSITY 1936 UNIVERSITY STUDIES VoL. XXXVI Nos. 1-4 THE AB VRBE CONDITA CONSTRUCTION IN LATIN BY OTTO WILLIAM HEICK, Ph.D. CONTENTS CHAPTER PAGE l. INTRODUCTION 9 THE NATURE OF THE Ab Urbe Condita CoNSTRUCTION 9 PREVIOUS WoRK ON THE SUBJECT 10 AIMS AND METHOD OF THE PRESENT STUDY 11 II. ARCHAIC AUTHORS. -
Kings on Coins: the Appearance of Numa on Augustan Coinage
Kings on Coins: The Appearance of Numa on Augustan Coinage AIMEE TURNER1 iconography, which he began to develop and experiment with in the triumviral period, and continued to utilise into his principate.6 Many In 22 BCE, an as was minted bearing the of the images he employed focus on religious image of Augustus Caesar on the obverse and iconography which promoted Augustus as a 7 Numa Pompilius on the reverse. Discussion of restorer of Roman tradition. In 22 BCE, an this coin in the context of Augustan ideology as was produced that featured the image of has been limited.2 Although one aspect of the Augustus on the obverse and Numa Pompilius, coin’s message relates to the promotion of the second king of Rome, on the reverse. the moneyer’s family, a closer analysis of its Numa was the quasi-legendary second king 8 iconographical and historical context provides of Rome, following Romulus. He is credited important evidence for the early public image with establishing the major religious practices 9 of Augustus, particularly in regard to religion. of the city as well as its first peaceful period. To that end, this paper intends to establish the As one of the earliest coins of the principate, traditional use of kings in Republican coins it offers important evidence for the early and the development of religious iconography public image of Augustus and the direction he in early Augustan coinage. By ascertaining intended to take at that time. His propaganda this framework, the full significance of the as was fluid, changing to meet the demands of the of 22 BCE becomes clearer. -
A Journey in Pictures Through Roman Religion
A Journey in Pictures through Roman Religion By Ursula Kampmann, © MoneyMuseum What is god? As far as the Romans are concerned we think we know that all too well from our unloved Latin lessons: Jupiter, Juno, Minerva, the Roman Triad as well as the usual gods of the ancient world, the same as the Greek gods in name and effect. In fact, however, the roots of Roman religion lie much earlier, much deeper, in dark, prehistoric times ... 1 von 20 www.sunflower.ch How is god experienced? – In the way nature works A bust of the goddess Flora (= flowering), behind it blossom. A denarius of the Roman mint master C. Clodius Vestalis, 41 BC Roman religion emerged from the magical world of the simple farmer, who was speechless when faced with the miracles of nature. Who gave the seemingly withered trees new blossom after the winter? Which power made the grain of corn in the earth grow up to produce new grain every year? Which god prevented the black rust and ensured that the weather was fine just in time for the harvest? Who guaranteed safe storage? And which power was responsible for making it possible to divide up the corn so that it sufficed until the following year? Each individual procedure in a farmer's life was broken down into many small constituent parts whose success was influenced by a divine power. This divine power had to be invoked by a magic ritual in order to grant its help for the action. Thus as late as the imperial period, i.e. -
Reading for Monday 4/23/12 History of Rome You Will Find in This Packet
Reading for Monday 4/23/12 A e History of Rome A You will find in this packet three different readings. 1) Augustus’ autobiography. which he had posted for all to read at the end of his life: the Res Gestae (“Deeds Accomplished”). 2) A few passages from Vergil’s Aeneid (the epic telling the story of Aeneas’ escape from Troy and journey West to found Rome. The passages from the Aeneid are A) prophecy of the glory of Rome told by Jupiter to Venus (Aeneas’ mother). B) A depiction of the prophetic scenes engraved on Aeneas’ shield by the god Vulcan. The most important part of this passage to read is the depiction of the Battle of Actium as portrayed on Aeneas’ shield. (I’ve marked the beginning of this bit on your handout). Of course Aeneas has no idea what is pictured because it is a scene from the future... Take a moment to consider how the Battle of Actium is portrayed by Vergil in this scene! C) In this scene, Aeneas goes down to the Underworld to see his father, Anchises, who has died. While there, Aeneas sees the pool of Romans waiting to be born. Anchises speaks and tells Aeneas about all of his descendants, pointing each of them out as they wait in line for their birth. 3) A passage from Horace’s “Song of the New Age”: Carmen Saeculare Important questions to ask yourself: Is this poetry propaganda? What do you take away about how Augustus wanted to be viewed, and what were some of the key themes that the poets keep repeating about Augustus or this new Golden Age? Le’,s The Au,qustan Age 195. -
Pliny the Elder and the Problem of Regnum Hereditarium*
Pliny the Elder and the Problem of Regnum Hereditarium* MELINDA SZEKELY Pliny the Elder writes the following about the king of Taprobane1 in the sixth book of his Natural History: "eligi regem a populo senecta clementiaque, liberos non ha- bentem, et, si postea gignat, abdicari, ne fiat hereditarium regnum."2 This account es- caped the attention of the majority of scholars who studied Pliny in spite of the fact that this sentence raises three interesting and debated questions: the election of the king, deposal of the king and the heredity of the monarchy. The issue con- cerning the account of Taprobane is that Pliny here - unlike other reports on the East - does not only use the works of former Greek and Roman authors, but he also makes a note of the account of the envoys from Ceylon arriving in Rome in the first century A. D. in his work.3 We cannot exclude the possibility that Pliny himself met the envoys though this assumption is not verifiable.4 First let us consider whether the form of rule described by Pliny really existed in Taprobane. We have several sources dealing with India indicating that the idea of that old and gentle king depicted in Pliny's sentence seems to be just the oppo- * The study was supported by OTKA grant No. T13034550. 1 Ancient name of Sri Lanka (until 1972, Ceylon). 2 Plin. N. H. 6, 24, 89. Pliny, Natural History, Cambridge-London 1989, [19421], with an English translation by H. Rackham. 3 Plin. N. H. 6, 24, 85-91. Concerning the Singhalese envoys cf. -
Divus Augustus Pater.” Divus Augustus Was a Title That Was Granted to Him After His Death, Meaning Divine Augustus
Ryan Mathison Coin 17 The reign of Caesar Augustus is often the point at which historians consider that the Roman Empire began, and the Roman Republic ended. The reign of Augustus, from 27BCE-14CE allowed for some of the greatest cultural developments in the western world, and helped bring an already powerful nation to another level of dominance in the world. As such, he is remembered to this day as a giant in the history of the west. This coin from the St. Olaf Collection demonstrates how he was portrayed to the Romans soon after his death, during the reign of the Emperor Tiberius, from 14-37 CE. This coin features, on the obverse, the head of Augustus, facing left, with the words “Divus Augustus Pater.” Divus Augustus was a title that was granted to him after his death, meaning divine Augustus. Pater, in Latin, means father, and is part of a title which was granted to Augustus. This title, Pater Patriae, meaning father of the fatherland, was a major title that was granted to people who did a great service to Rome. On this same side, there is also a star and a thunderbolt. The star, placed between the first “U” and “S” in Augustus, is a reference to one of the stars in the constellation Aquila. It was probably present between 4 and 2 BCE, during the reign of Augustus, and was put on the coins as a reference to his greatness, as such a celestial event must give legitimacy and divine providence to a leader.1 The Thunderbolt is a reference to Jupiter, king of the gods, and one of the patrons of Rome. -
The Gabii Project: Field School in Archaeology Rome, Italy June 16- July 20, 2019
The Gabii Project: Field School in Archaeology Rome, Italy June 16- July 20, 2019 About the Gabii Project We are an international archaeological initiative promoted by the Kelsey Museum of Archaeology at the University of Michigan. We have been excavating the Latin city of Gabii since 2007 in order to study the formation and growth of an ancient city-state that was both neighbor, and rival to, Rome in the first millennium BCE. Our research tackles questions about the emergence of zoning and of proper city blocks, street layouts and their relationship to city walls, definition of élite and commoner neighborhoods, development of monumental civic architecture, abandonment and repurposing of public and private areas, and much else, through the integration of spatial data, architecture and stratigraphy, and a wide variety of finds spanning from the Iron Age to the Late Roman periods. What you will learn • The archaeology of Rome and Latium, including guided trips to select sites and museums and off-site lectures • Excavation and interpretation of ancient Gabii • Digital, cutting edge recording techniques • Scientific processes, including environmental and biological analysis What is included • Program costs: $4,950 for first time volunteers/ $4,450 for returners. • Accommodations in vibrant Trastevere, Rome. • Insurance, equipment, local transportation, weekday lunches, select museum fees. • 24/7 logistical support. APPLY NOW! • Apartments include: kitchen facilities, washing machines, wireless internet. Fill out the online application at Not included: international flights http://gabiiproject.org/apply-now. Applications must be submitted by March 1st, 2019. Questions? Contact us [email protected] . -
Ovid, Fasti 1.63-294 (Translated By, and Adapted Notes From, A
Ovid, Fasti 1.63-294 (translated by, and adapted notes from, A. S. Kline) [Latin text; 8 CE] Book I: January 1: Kalends See how Janus1 appears first in my song To announce a happy year for you, Germanicus.2 Two-headed Janus, source of the silently gliding year, The only god who is able to see behind him, Be favourable to the leaders, whose labours win Peace for the fertile earth, peace for the seas: Be favourable to the senate and Roman people, And with a nod unbar the shining temples. A prosperous day dawns: favour our thoughts and speech! Let auspicious words be said on this auspicious day. Let our ears be free of lawsuits then, and banish Mad disputes now: you, malicious tongues, cease wagging! See how the air shines with fragrant fire, And Cilician3 grains crackle on lit hearths! The flame beats brightly on the temple’s gold, And spreads a flickering light on the shrine’s roof. Spotless garments make their way to Tarpeian Heights,4 And the crowd wear the colours of the festival: Now the new rods and axes lead, new purple glows, And the distinctive ivory chair feels fresh weight. Heifers that grazed the grass on Faliscan plains,5 Unbroken to the yoke, bow their necks to the axe. When Jupiter watches the whole world from his hill, Everything that he sees belongs to Rome. Hail, day of joy, and return forever, happier still, Worthy to be cherished by a race that rules the world. But two-formed Janus what god shall I say you are, Since Greece has no divinity to compare with you? Tell me the reason, too, why you alone of all the gods Look both at what’s behind you and what’s in front.