IN the APPENDIX I. Partial List of White's Work ...2

Total Page:16

File Type:pdf, Size:1020Kb

IN the APPENDIX I. Partial List of White's Work ...2 IN THE APPENDIX I. Partial List of White's Work ......................... 31 6 2. Richard Grant White's Sonnet: Washington ............ 328 3. Letters from William Dean Howells to Richard Grant White. 33 0 4. Viollet-le-Duc ............................... 33 2 5. John La Farge . .............. 334 6. Francis Lathrop ............ 340 7. Francis Millet ..................................... 34 1 8. George Maynard ................................ 342 9. Romanesque Architecture ........................... 344 10. Richard Watson Gilder .............................. 346 I I. Abbott H. Thayer ................................. 349 12. Passenger Elevators and the Steel Skeleton ............... 353 13. Russell Sturgis .................................... 354 14. George Fletcher Babb ............................... 35 6 15. Joseph M. Wells ................................... 357 16. Royal Cortissoz .................................... 369 17. J. Alden Weir ..................................... 37 2 18. T. W. Dewing ..................................... 373 19. A. P. Ryder . .. ................... 376 20. William M. Chase .................................. 377 21. F. Hopkinson Smith ................................. 380 22. D. Maitland Armstrong . .. 381 23. Kenyon Cox ....................................... 383 3 1 5 PARTIAL LIST OF THE WORKS OF McKIM, MEAD AND WHITE in which Stanford White took a leading part IN looking over this list, it must be remembered that the partnen worked in close co-operation, and that it is, therefore, sometimes di1Ii­ cult (if not unfair) to ascribe anyone building to any particular member of the firm. However, White's influence and design pre­ dominated in those listed below: IS80 Monument to the Founder Llewellyn Park, N. Y. C. I8h Morgan, Gov. Edwin D. Vault Hartford, Conn. I8h Farragut Statue Pedestal Madison Square, N.Y.C. 1883 Winans, Ross R. Residence Baltimore, Md. 1883 Goelet, Robert Residence Newport, R. I. Still, in the opinion of many, one of the most attractive houses in Newport. I88,}3 Cheney, Miss Anne W. Residence S. Manchester, 190 Conn. 1884 Auchincloss, H. B. Residence Orange, N. J. 1884 Tiffany, Charles L. Residence Madison Ave., at 72. St., N. Y. C. Stewart, D. Monument Greenwood Ceme­ tery, N. Y. Church of the Ascension Chancel Fifth Ave. at 10' St., N. Y. C. (with John La Farge, Louis St. Gaudens, and Maitland Armstrong) Villard, Henry Residence 4 S I Madison Ave., N.Y.C. (now Mrs. Whitelaw Reid}-HaU & Dining Room APPENDIX I885 Osborn, Charles J. Residence Mamaroneck, N. Y. 1885 Pennsylvania Railroad Parlor Car 1885 Hopkins, Mrs. Mark Residence Great Barrington, Mass. In its day, the most ambitious country house in America-a monster of a house. Bennett, James Gordon yacht Namountl St. Gaudens' Standing Lincoln Pedestal Chicago, Ill. Pendleton, F. K. Residence Shinnecock, L. I. (Mr. Pendleton, an attorney, with offices at 78 Broad­ way, allowed his partner, Mr. S. 1. Parrish, to "materially modify" White's designs. Clients, as McKim often re­ marked, are difficult, uncertain, and hard to please.) Atterberry, Charles L. Residence Shinnecock, L. I. Later used as a summer home and studio by Wm. M. Chase. Methodist Episcopal Church Baltimore, Md. With a fine Romanesque tower 1887 Choate, Joseph H. Residence Stockbridge, Mass. 1888 Adams, E. D. Residence Rumson Neck, N.J. 1889 Restoration of College Church Hanover, N. H. 1889 Washington Memorial Arch Washington Square, N. Y. C. 1889 Freundschaft Club New York City This was the Drst of dozens of clubs designed by the firm. The second was the Algonquin Club in Boston, designed by McKim. 1889 BatteD Memorial Fountain Norfolk, Conn. 1889 Nathan Hale Monument Pedestal City Hall Park, with Frederick MacMonnies N. Y. C. In a letter to Lawrence Grant White, MacMonnies said: "It was in 1884 that I went to Paris to enter the Beaux­ Arts. Two years later Stanford White, hearing that my money had run out, sent me--unsolicited-my Drst commission, thereby enabling me to continue my studies. By this generous action at a critical time in my life, and by the beauty of the architectural settings 318 APPENDIX which he made for so many of my works, he contributed very largely to whatever success I may have had." 1890 N. Y. Life Ins. Building Omaha, Neb. 1890 N. Y. Life Ins. Building Kansas City 1890 Players' Club Gramercy Park, N.Y.C. According to Herbert D. Croly, founder and first edi­ tor of the New Republic, "to this day (1906) the most charming and comfortable clubhouse in America." 1890 Prospect Park Entrance, etc. Brooklyn, N: Y. with Frederick MacMonnies 1890 Paulist Fathers' Church New York City in association with John La Farge 1890 Whittemore, J. H. Residence Naugatuck, Conn. Emmons, Nathaniel H. Memorial Boston, Mass. Morgan, E. D. Residence Newport with McKim 1891 The Adams Memorial Rock Creek Cemetery, Washington, D. C. White designed the perfect frame for what is certainly the most haunting statue in America-St. Gaudens' ageless figure, shrouded and motionless, yet so alive, so detached and so content in her loneliness. She is, of course, nameless and without inscription. To some she represents Grief; to others Victory. To all she must appear to be a masterpiece. 1891 Judson Memorial Church Washington Square, N. Y. C. Though White was, of course, expert in Romanesque architecture, this was his only major exercise in Roman­ esque later than the Tiffany House designed in 1884; and even here the detail is early Renaissance. But the arcades and the tower (which give the church its im­ portance) are modelled after the early Romanesque churches of Rome. Begun in 1888, the centennial an­ niversary of the birth of the Reverend Adoniram Jud­ son, the Baptist Inissionary to Burma, the church proper, the schoolrooms, children's home and young men's APPENDIX apartment house were completed in 189 I at a cost of $ po, 500 for ground and buildings. Robb, J. Hamden Residence %3 Park Ave., (now Advertising Club) N. Y. C. Century Club New York City "In the rooms of the Century Club," Herbert Croly once said, "White was most happy in maintaining a strong suggestion of the old New York interiors-than which no atmosphere could have been more appropriate for the apartments of a club with the traditions of a century." Madison Square Garden New York City To Wm. A. Laffan, owner of the New York Sun, the tower of Madison Square Garden was "far and away the loveliest structure in New York City." Hotel Imperial B'way at 3 I St., New York City On December 10, 19%1, Royal Cortissoz said: "We are accustomed today to mural decorations in our public buildings, but the idea was new and strange when White commissioned T. W. Dewing and Edwin A. Abbey to paint important decorations for the Old Imperial Hotel, yet I would emphasize not so much the character of the specific designs which he caused to be produced. It is the spirit in which he went about the thing that counted-a spirit of glowing comradeship. He put heart into the men with whom he worked! Merely to have White with him was, for an artist, half the battle." Lorillard, Pierre Residence Tuxedo Park, N.Y. Cover for the Memorial Volume of the Cen­ tennial of Washington's Inauguration -published by D. Appleton & Co. 189% King, David H., Jr. Rows of flats 138 & 139 Sts., N.Y.C. In Black Manhattan James Weldon Johnson says: "The Equitable Life Assurance Company held vacant for quite a while the block of private houses designed by Stanford White which the company had taken over following the hegira of the whites from Harlem." 31.0 APPENDIX 1892 Columbus Centennial New York City 1892 Maryland Society's Battle Monument Prospect Park, Bklyn As was his habit on such occasions, White gave his de­ sign to the Society. Bancroft Monument Worcester. Mass. Garfield Monument Fairmount Park. Philadelphia, Pa. (St. Gaudens' bust of Garfield, on a tall pedestal de­ signed by White, with the figure of America in front of it.) Whittemore, J. H. Naugatuck Library-Naugatuck, Conn. 1894 Whittemore, J. H. Salem High School 1894 Whittemore, J. H. Farm House & Stables-Nauga­ tuck, Conn. Patterson, Mrs. E. M. Residence Chicago, III. Cataract Construction Co. Power House Niagara, N. Y. Logan Pedestal Chicago, Ill. for St. Gaudens' equestrian statue Peter Cooper Memorial Cooper Institute, with St. Gaudens N. Y.C. Wetherill, Mrs. K. A. Residence St. James, 1. I. Shepard, Mrs. Eliot F. Residence Scarborough, N.Y. 1894 Nathan Hale Memorial Huntington, 1. I. White not only made the design, but gave the central shaft as his contribution to the memorial fund. 1894 Osborn, Charles J. Mausoleum Woodlawn, N. Y. 1894 Miller, Dr. George N. Residence 811 Madison Ave., N.Y.C. 1894 Metropolitan Club New York City One of the earliest, and still one of the most successful, examples of pure Renaissance architecture in America. 1894 New York University Hall of Languages-New York City 1894 Broadway & 7th Ave. R.R. Power House Houston St., Company N. Y. C. 1894 Cosmopolitan Building Irvington, N. Y. 1894 Herald Building New York City APPENDIX 321 1895 Barney, Charles T. Residence 67 Park Ave., N.Y.C. 1895 Tarrytown Drinking Fountain 1895 Memorial Windows (3) St. James Church-Smithtown, L. I. 1895 Shinnecock Hills Golf Club Shinnecock Hills, L.I. Bowery Savings Bank Bowery, N. Y. C. Memorial to Edwin Booth Boston, Mass. Cataract Construction Co. ~5 Cottages Niagara Falls, N.Y. 1895 Root, Robert K. Residence Buffalo, N. Y. 1895 Williams, Charles N. Residence Buffalo, N. Y. 1896 West Point Monument (with Frederick MacMonnies) White and MacMonnies also designed the Whistler me­ morial at West Point. They both liked and admired Whistler, the much abused but always interesting but­ terfly of the eighties and nineties. MacMonnies recently completed a fine bust of Whistler for the Hall of Fame in New York City. 1896 Goelet, Robert Cups for Yachting Prizes-Exe- cuted by Tiffany 1896 Twombly, H. McKay Monument Woodlawn Ceme- tery, N.
Recommended publications
  • Historic Preservation Law: the Metes & Bounds of a New Field
    Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 1-1-1981 Historic Preservation Law: The Metes & Bounds of a New Field Nicholas A. Robinson Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Environmental Law Commons Recommended Citation Nicholas A. Robinson, Historic Preservation Law: The Metes & Bounds of a New Field, 1 Pace L. Rev. 511 (1981), http://digitalcommons.pace.edu/lawfaculty/387/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Historic Preservation Law: The Metes & Bounds of a New Field NICHOLAS A. ROBINSON* Historic Preservation Law has come to mean that combina- tion of regulations, common-law property principles, tax incen- tives, and adjective law in administrative proceedings, governing historic sites and property within the United States. Although Congress first recognized a need to conserve the nation's wealth of historic amenities in 1906 when it adopted The Antiquities Act,' it was only with the nation's bicentennial that the volume and diversity of laws designed to maintain, protect and preserve historic America grew to the point where it could be said that a new field of law had emerged. The symposium which follows this essay represents the first attempt to comprehensively delineate the elements of this new field.8 The conference entitled "Historic Preservation and the * J.D., 1970, Columbia University; A.B., 1967, Brown University; Associate Profes- sor of Law, Pace University School of Law.
    [Show full text]
  • District of Columbia Inventory of Historic Sites Street Address Index
    DISTRICT OF COLUMBIA INVENTORY OF HISTORIC SITES STREET ADDRESS INDEX UPDATED TO OCTOBER 31, 2014 NUMBERED STREETS Half Street, SW 1360 ........................................................................................ Syphax School 1st Street, NE between East Capitol Street and Maryland Avenue ................ Supreme Court 100 block ................................................................................. Capitol Hill HD between Constitution Avenue and C Street, west side ............ Senate Office Building and M Street, southeast corner ................................................ Woodward & Lothrop Warehouse 1st Street, NW 320 .......................................................................................... Federal Home Loan Bank Board 2122 ........................................................................................ Samuel Gompers House 2400 ........................................................................................ Fire Alarm Headquarters between Bryant Street and Michigan Avenue ......................... McMillan Park Reservoir 1st Street, SE between East Capitol Street and Independence Avenue .......... Library of Congress between Independence Avenue and C Street, west side .......... House Office Building 300 block, even numbers ......................................................... Capitol Hill HD 400 through 500 blocks ........................................................... Capitol Hill HD 1st Street, SW 734 .........................................................................................
    [Show full text]
  • Family Law Section Chair Mitchell Y
    NEW YORK STATE BAR ASSOCIATION Family Law Section Chair Mitchell Y. Cohen, Esq. Johnson & Cohen LLP White Plains Program Co-Chairs Rosalia Baiamonte, Esq. Gassman Baiamonte Gruner, P.C. Garden City NYSBA Dylan S. Mitchell, Esq. Blank Rome LLP New York City Family Law Section Peter R. Stambleck, Esq. Aronson Mayefsky & Sloan, LLP Summer Meeting New York City Family Law Section The Newport Marriott Hotel CLE Committee Co-Chairs Rosalia Baiamonte, Esq. 25 Americas Cup Ave. Gassman Baiamonte Gruner, PC Garden City Newport, RI Henry S. Berman, Esq. Berman Frucco Gouz Mitchel & Schub PC July 13–16, 2017 White Plains Charles P. Inclima, Esq. Inclima Law Firm, PLLC Rochester Peter R. Stambleck, Esq. Aronson Mayefsky & Sloan, LLP New York City Under New York’s MCLE rule, this program may qualify for UP Bruce J. Wagner, Esq. TO 6.5 MCLE credits hours in Areas of Professional Practice. This McNamee, Lochner, Titus & program is not transitional and is not suitable for MCLE credit for Williams, P.C. newly-admitted attorneys. Albany SCHEDULE OF EVENTS Thursday, July 13 9:00 a.m. – 10:30 a.m. Officers Meeting 12:00 p.m. Registration and Exhibits — South Foyer 2:00 p.m. – 4:30 p.m. Executive Committee Meeting — Salons II, III, IV 6:00 p.m. – 10:00 p.m. Kid’s Dinner & Activities — Portsmouth Room 6:15 p.m. Shuttle will leave for the reception/dinner at the Newport Yachting Center (Bohlin); The shuttle will run a continuous loop 6:30 p.m. – 9:30 p.m. Reception and lobster bake at the Newport Yachting Center (Bohlin) Friday, July 14 7:30 a.m.
    [Show full text]
  • GORHAM BUILDING, 390 Fifth Avenue, Aka 386-390 Fifth Avenue and 2-6 West 36Th Street, Manhattan
    Landmarks Preservation Commission December 15, 1998, Designation List 300 LP-2027 GORHAM BUILDING, 390 Fifth Avenue, aka 386-390 Fifth Avenue and 2-6 West 36th Street, Manhattan. Built 1904-1906; architect Stanford White of McKim, Mead and White. Landmark Site: Borough of Manhattan Tax Map Block 837, Lot 48. On September 15, 1998, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Gorham Building and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Seven witnesses representing Manhattan Community Board 5, the Murray Hill Association, the New York Landmarks Conservancy, the Beaux Arts Alliance, the Society for the Architecture of the City, the Municipal Art Society, and the Historic Districts Council spoke in favor of designation. The owner of the building submitted a letter asking that the hearing be adjourned to another date. The hearing was closed with the proviso that it could be reopened at a later date if the owner wished to testify. The owner subsequently declined to do so. There were no speakers in opposition to this designation. The Commission also has received a letter in support of the designation from a local resident. Summary This elegant commercial building, constructed in 1904-05 for the Gorham Manufacturing Company, contained its wholesale and retail showrooms, offices, and workshops. Designed by Stanford White of the prominent architectural firm of McKim, Mead & White, the eight-story building is an adaptation of an early Florentine Renaissance sty le palazzo incorporating a two-story arcade, a four-story mid-section, and a two-story loggia.
    [Show full text]
  • MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
    The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for
    [Show full text]
  • Trix/Minitrix New Items 2017 Brochure HERE
    New Items 2017 Trix. The Fascination of the Original. New Items 2017 E E © Gebr. Märklin & Cie. GmbH – All rights reserved. © Gebr. Märklin & Cie. GmbH – All rights reserved. Dear Trix Fans, Welcome to the New Year for 2017! This year we are again presenting our new items brochure with many impressive models for Minitrix, Trix H0, and Trix Express. Through all of the eras, the railroad has provided transporta- tion for business and industry. It has also left its mark on the life of entire cities and regions over many generations. It is thus no wonder that we have given special importance to freight service as models. This year we are spreading the entire range across model railroad rails. Regardless of whether it is the impressive class 42 steam locomotive of the Fifties or the latest variations of the Vectron as the TRAXX family. We are bringing impressive, prototypical trains/train New Items for MiniTrix 2017 2 – 55 New Items for Trix H0 2017 56 – 105 runs to your model railroad scenery with car sets in all eras, some of them with new tooling. However, 2017 is also the year of the “TransEuropExpress”, which seven railroads started exactly 60 years ago with the ambitious plan to bring elegant, comfortable traveling to the rails. Come with us to explore this concept through the eras New Items for Trix Express 2017 106–109 of the history of long-distance passenger service. Now, give free rein to your personal operating and collector passion and discover your favorites on the following pages. Fulfill your wishes – your local specialty dealer is waiting for your visit! MiniTrix Club Model for 2017 6– 7 MHI Exclusiv 1/2017 4 – 8 Your Trix Team wishes you much fun exploring the new items H0 Trix Club Model for 2017 58 – 59 Museumcars 117 for 2017! Trix Club 110 Reparatur-Service 118 Registration Form 113 General References 118 Trix Club Cars for 2017 111 Important Service Information 118 Trix Club Anniversary Car 112 Explanation of Symbols 119 Index to the Item Numbers 120 1 © Gebr.
    [Show full text]
  • Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579
    Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579 YALE CLUB OF NEW YORK CITY 50 Vanderbilt Avenue (aka 49-55 East 44th Street), Manhattan Built 1913-15; architect, James Gamble Rogers Landmark site: Borough of Manhattan Tax Map Block 1279, Lot 28 On September 13, 2016, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Yale Club of New York City and the proposed designation of the related Landmark Site. The hearing had been duly advertised in accordance with provisions of law. Six people spoke in support of designation, including representatives of the Yale Club of New York City, Manhattan Borough President Gale A. Brewer, Historic Districts Council, New York Landmarks Conservancy, and the Municipal Art Society of New York. The Real Estate Board of New York submitted written testimony in opposition to designation. State Senator Brad Hoylman submitted written testimony in support of designation. Summary The Yale Club of New York City is a Renaissance Revival-style skyscraper at the northwest corner of Vanderbilt Avenue and East 44th Street. For more than a century it has played an important role in East Midtown, serving the Yale community and providing a handsome and complementary backdrop to Grand Central Terminal. Constructed on property that was once owned by the New York Central Railroad, it stands directly above two levels of train tracks and platforms. This was the ideal location to build the Yale Club, opposite the new terminal, which serves New Haven, where Yale University is located, and at the east end of “clubhouse row.” The architect was James Gamble Rogers, who graduated from Yale College in 1889 and attended the Ecole des Beaux Arts in Paris during the 1890s.
    [Show full text]
  • HARD FACTS and SOFT SPECULATION Thierry De Duve
    THE STORY OF FOUNTAIN: HARD FACTS AND SOFT SPECULATION Thierry de Duve ABSTRACT Thierry de Duve’s essay is anchored to the one and perhaps only hard fact that we possess regarding the story of Fountain: its photo in The Blind Man No. 2, triply captioned “Fountain by R. Mutt,” “Photograph by Alfred Stieglitz,” and “THE EXHIBIT REFUSED BY THE INDEPENDENTS,” and the editorial on the facing page, titled “The Richard Mutt Case.” He examines what kind of agency is involved in that triple “by,” and revisits Duchamp’s intentions and motivations when he created the fictitious R. Mutt, manipulated Stieglitz, and set a trap to the Independents. De Duve concludes with an invitation to art historians to abandon the “by” questions (attribution, etc.) and to focus on the “from” questions that arise when Fountain is not seen as a work of art so much as the bearer of the news that the art world has radically changed. KEYWORDS, Readymade, Fountain, Independents, Stieglitz, Sanitary pottery Then the smell of wet glue! Mentally I was not spelling art with a capital A. — Beatrice Wood1 No doubt, Marcel Duchamp’s best known and most controversial readymade is a men’s urinal tipped on its side, signed R. Mutt, dated 1917, and titled Fountain. The 2017 centennial of Fountain brought us a harvest of new books and articles on the famous or infamous urinal. I read most of them in the hope of gleaning enough newly verified facts to curtail my natural tendency to speculate. But newly verified facts are few and far between.
    [Show full text]
  • Plastic Dynamism in Pastel Modernism: Joseph Stella's
    PLASTIC DYNAMISM IN PASTEL MODERNISM: JOSEPH STELLA’S FUTURIST COMPOSITION by MEREDITH LEIGH MASSAR Bachelor of Arts, 2007 Baylor University Waco, Texas Submitted to the Faculty Graduate Division College of Fine Arts Texas Christian University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2010 ! ""! PLASTIC DYNAMISM IN PASTEL MODERNISM: JOSEPH STELLA’S FUTURIST COMPOSITION Thesis approved: ___________________________________________________________________________ Dr. Mark Thistlethwaite, Major Professor ___________________________________________________________________________ Dr. Frances Colpitt ___________________________________________________________________________ Rebecca Lawton, Curator, Amon Carter Museum ___________________________________________________________________________ H. Joseph Butler, Graduate Studies Representative For the College of Fine Arts ! """! Copyright © 2009 by Meredith Massar. All rights reserved ! "#! ACKNOWLEDGMENTS I am grateful to all those who have assisted me throughout my graduate studies at Texas Christian University. Thank you to my professors at both TCU and Baylor who have imparted knowledge and guidance with great enthusiasm to me and demonstrated the academic excellence that I hope to emulate in my future career. In particular I would like to recognize Dr. Mark Thistlethwaite for his invaluable help and direction with this thesis and the entire graduate school experience. Many thanks also to Dr. Frances Colpitt and Rebecca Lawton for their wisdom, suggestions, and service on my thesis committee. Thank you to Chris for the constant patience, understanding, and peace given throughout this entire process. To Adrianna, Sarah, Coleen, and Martha, you all have truly made this experience a joy for me. I consider myself lucky to have gone through this with all of you. Thank you to my brothers, Matt and Patrick, for providing me with an unending supply of laughter and support.
    [Show full text]
  • Copyrighted Material
    14_464333_bindex.qxd 10/13/05 2:09 PM Page 429 Index Abacus, 12, 29 Architectura, 130 Balustrades, 141 Sheraton, 331–332 Abbots Palace, 336 Architectural standards, 334 Baroque, 164 Victorian, 407–408 Académie de France, 284 Architectural style, 58 iron, 208 William and Mary, 220–221 Académie des Beaux-Arts, 334 Architectural treatises, Banquet, 132 Beeswax, use of, 8 Academy of Architecture Renaissance, 91–92 Banqueting House, 130 Bélanger, François-Joseph, 335, (France), 172, 283, 305, Architecture. See also Interior Barbet, Jean, 180, 205 337, 339, 343 384 architecture Baroque style, 152–153 Belton, 206 Academy of Fine Arts, 334 Egyptian, 3–8 characteristics of, 253 Belvoir Castle, 398 Act of Settlement, 247 Greek, 28–32 Barrel vault ceilings, 104, 176 Benches, Medieval, 85, 87 Adam, James, 305 interior, viii Bar tracery, 78 Beningbrough Hall, 196–198, Adam, John, 318 Neoclassic, 285 Bauhaus, 393 202, 205–206 Adam, Robert, viii, 196, 278, relationship to furniture Beam ceilings Bérain, Jean, 205, 226–227, 285, 304–305, 307, design, 83 Egyptian, 12–13 246 315–316, 321, 332 Renaissance, 91–92 Beamed ceilings Bergère, 240, 298 Adam furniture, 322–324 Architecture (de Vriese), 133 Baroque, 182 Bernini, Gianlorenzo, 155 Aedicular arrangements, 58 Architecture françoise (Blondel), Egyptian, 12-13 Bienséance, 244 Aeolians, 26–27 284 Renaissance, 104, 121, 133 Bishop’s Palace, 71 Age of Enlightenment, 283 Architrave-cornice, 260 Beams Black, Adam, 329 Age of Walnut, 210 Architrave moldings, 260 exposed, 81 Blenheim Palace, 197, 206 Aisle construction, Medieval, 73 Architraves, 29, 205 Medieval, 73, 75 Blicking Hall, 138–139 Akroter, 357 Arcuated construction, 46 Beard, Geoffrey, 206 Blind tracery, 84 Alae, 48 Armchairs.
    [Show full text]
  • Full Program & Logistics Hna 2018
    Thank you for wearing your badge at all locations. You will need to be able to identify at any moment during the conference. WIFI at Het Pand (GHENT) Network: UGentGuest Login: guestHna1 Password: 57deRGj4 3 WELCOME Welcome to Ghent and Bruges for the 2018 Historians of Netherlandish Art Conference! This is the ninth international quadrennial conference of HNA and the first on the campus of Ghent University. HNA will move to a triennial format with our next conference in 2021. HNA is extremely grateful to Ghent University, Groeningemuseum Bruges, St. John’s Hospital Bruges, and Het Grootseminarie Bruges for placing lecture halls at our disposal and for hosting workshops. HNA would like to express its gratitude in particular to Prof. dr. Maximiliaan Martens and Prof. dr. Koenraad Jonckheere for the initiative and the negotiation of these arrangements. HNA and Ghent University are thankful to the many sponsors who have contributed so generously to this event. A generous grant from the Samuel H. Kress Foundation provided travel assistance for some of our North American speakers and chairs. The opening reception is offered by the city of Ghent, for which we thank Annelies Storms, City Councillor of Culture, in particular. We are grateful to our colleagues of the Museum of Fine Arts Ghent for the reception on Thursday and for offering free admission to conference participants. Also the Museum Het Zotte Kunstkabinet in Mechelen offers free entrance during the conference, for which we are grateful. In addition we also like to thank the sponsoring publishers, who will exhibit books on Thursday. This conference would not have been possible without the efforts of numerous individuals.
    [Show full text]
  • Intrigued by Flanders
    Side panel of the St. Ursula Shrine by Hans Memling (1489) - Memling Museum, Bruges © Tom D’haenens 02 03-07 The heart of Europe The journey in Flanders begins with its content prime location. With easy access to and from Flanders, you’re never far from discovering the region’s riches. 08-25 26-37 Colophon Discover Heritage & Responsible editor: Karl Musschoot, Head of the Communication Division, Flanders contemporary Department of the Services for the General In Flanders, food and cycling are in the Flanders has centuries’ worth of cultural Government Policy, Government of Flanders blood. From the kitchen to the cycle path, heritage gems in the fine arts and architecture, Boudewijnlaan 30, 1000 Brussels Flanders is regarded as a world-class place as well as cutting-edge fashion, design and Graphic design: Tim Bisschop (houtkaaizeven.be) to enjoy an internationally celebrated fine- contemporary arts. And that’s just the Font: Flanders Art, Jo De Baerdemaeker dining experience as well as a trek across beginning. Texts: Robert Fulton the countryside. Printed by: Schaubroeck Printing, Nazareth Coordination: Brand Team Flanders (Leontien Demeyere, Ingrid Van Rintel and Ludwig Van den Meersschaut) In collaboration with: Flanders Investment & Trade, Visit Flanders, Arts Flanders, the Flemish - - Department of Foreign Affairs and the cities 38 53 54 55 of Brussels, Ghent, Leuven, Mechelen, Antwerp and Bruges. Invest in Intrigued Date: February 2015 Depot number: D/2015/3241/050 Flanders. by Flanders Published by © the Government of Flanders Flanders will capture your imagination, Trade with and it won’t let go. There are many ways The publisher has complied with all copyright law provisions, insofar as possible.
    [Show full text]