African World Together: Building a Partnership

Total Page:16

File Type:pdf, Size:1020Kb

African World Together: Building a Partnership African World Together: Building a Partnership Friday, June 4, 1993 United States Congress Washington, D.C. r l The African World Together: Building a Partnership In January 1993, the United States inaugurated a new president who was elected on the basis of his promise for fundamental change in the way that the American government conducts its activities. Nowhere is the need for such change greater than in Africa and the Caribbean. During the Cold War, relations between the United States and the nations of Africa and the Caribbean suffered greatly as successive American adminstrations subordinated the concerns and aspirations of African and Caribbean peoples to rivalry with the Soviet Union. As a consequence, African and Caribbean realities were seldom acknowledged in U.S. policies toward these regions. Now that the Cold War has ended and a new administration has been elected there is an urgent need to understand and address those realities so as to create a mutually beneficial partnership. Never before has both the need for action and the opportunity for success been so great. While many African and Caribbean countries are either democratic or moving toward democracy, severe conflicts rage in Angola, Sudan, Haiti and Liberia. South Africa faces daunting obstacles as it struggles to dismantle apartheid. How can a political partnership be forged to address the problems of democ­ ratization and conflict resolution? How can an economic partner­ ship be built to enhance trade and investment between the United States and the nations of Africa and the Caribbean? How can the cultural ties that bind the peoples of the African diaspora be strengthened? TransAfrica Forum's 12th Annual Foreign Policy Conference ex­ amines these issues and other questions. We invite you to join us in this important discussion as we explore how best the United States, Africa, the Caribbean and the black world at large may build a last­ ing partnership. CONFERENCE SCHEDULE 9:00 am Convening: Edward Lewis, TransAfrica Forum Board Chair Publisher and Chief Executive Officer, Essence 9:10 Presentation: TransAfrica Forum Scholars Advisory Council Ruth Hamilton, University of Michigan Charles Ogletree, Harvard Law School 9:3o t.JQM!ifa¥fa¥144:A Clinton Administration African Policy Agenda George Moose, Assistant Secretary of State for Africa 10:00 -11 :15 Democratization and Conflict Resolution Vivian Lowery Derryck, African-American Institute Ibrahim Gambari, Permanent Mission of Nigeria to U.N. Richard Joseph, Carter Center Sulayman Nyang, Howard University Congressman Donald Payne (D-NJ) 11 :30 -12:45 Trade and Investment in Africa and the Caribbean Earl Graves, Publisher & CEO, Black Enterprise Richard Bernal, Jamaican Ambassador to the U.S. Robert Browne, Economist Carol Henderson Tyson, U.S. AID, Caribbean Desk Baelhadj Merghoub, African Development Bank Michael Sudarkasa, 21st Century Africa 1:00 -2:30 lklkt4h§.kl ,,g;,tf.hi-10¥(!4@:1 Advancing the Foreign Policy Agenda Jesse Jackson, President National Rainbow Coalition 2:40 -3:00 African Americans & Careers in International Affairs Ollie Anderson, United States Foreign Service 3:00 -4:30 Cultural Expressions of the Black World Maryse Conde, Caribbean Writer Dennis Brutus, South African Poet'Writer Robert Guillaume, Actor Joao Jorge Rodrigues, Brazilian Musical Group Olodum 4:30 pm Closing Remarks Randall Robinson, TransAfrica Forum Biographical Sketches CONVENOR Edward Lewis, Chairman, TransAfrica Forum Board of Directors, Publisher and CEO of Essence Communications, Inc.: Recently elected to the Chairmanship of the Board of Directors of TransAfrica Forum, Mr. Lewis is the Publisher of Essence magazine and the CEO of Essence Communications, Inc. As a co-founder of Essence magazine in 1970, he has helped to guide it from the conceptual stage to the unique position it currently holds as the leading lifestyle magazine for African-American women. Mr. Lewis is a graduate of the University of New Mexico and New York University. TRANSAFRICA FORUM SCHOLARS ADVISORY COUNCIL CO-CHAIRS Ruth Hamilton, Professor, Michigan State University: Ruth Hamilton, a Co-Chair of TransAfrica Forum's Scholars Advisory Council, is the Director of the African Diaspora Research Project at Michigan State University. She is the author of numerous publications including "Conceptualizing the African Diaspora" in the forthcoming Negritude in the Americas, and Urbanization in West Africa: A Review of Current Literature. Ms. Hamilton is a graduate of Talledega College and Northwestern University. Charles Ogletree, Professor, Harvard Law School: Charles Ogletree, a Co-Chair ofTransAfrica Forum's Scholars Advisory Council, is the Director of Harvard Law School's Criminal Justice Institute. Mr. Ogletree has a national reputation as a legal theorist and an authority on many complex constitutional issues of law ranging from ethics to public education. He has authored numerous articles including "Beyond Justifica­ tions: Seeking Motivations to Sustain Public Defenders" and "Are Confessions Really Good for the Soul?: A Proposal to Mirandize Miranda" in the Harvard Law Review. He has also served as the moderator of several PBS series including "Hard Drugs, Hard Choices" and "Popular Culture: Rage, Rights, and Responsibilities. Mr. Ogletree is a graduate of Stanford University and Harvard Law School. OPENING SPEAKER George Moose, Assistant Secretary of State for African Affairs: Having been appointed as the first African-American Assistant Secretary of State for African Affairs in April 1993, Mr. Moose is working to strengthen relations between Africa and the United States. Prior to his appointment, Mr. Moose, a career Foreign Service Officer, served as the U.S. Alternate Representative in the United Nations Security Council (1991-1992), Ambassador to the Republic of Senegal (1988-1991), and Ambassador to the People's Republic of Benin ( 1983-1986). He is a graduate of Grinnell College and the Maxwell School at Syracuse University. LUNCHEON SPEAKER Jesse Jackson, President, National Rainbow Coalition: Over the past three decades, Jesse Jackson has played a major role in virtually every movement for human rights, empowerment, peace, civil rights, and economic and social justice. His two presidential campaigns broke new ground in American politics as he won 3.5 million votes in 1984 and 7 million votes in 1988. Mr. Jackson is a graduate of North Carolina A&T State University. Democratization and Conflict Resolution in Africa and the Caribbean PANELi In the past few years, Africa has experienced a heretofore unprecedented wave of democratization. Since the end of the Cold War, more than half of all of Africa's governments have moved towards democracy. While the Caribbean, home to some of the world's oldest and most resilient democracies, has successfully surmounted many challenges, it now faces the serious threats posed by economic problems and the drug trade. Unfortunately, these dramatic events have received . little attention and material support from the United States, especially when compared to its response to changes in Eastern Europe. This is especially troubling when one takes into account the many conflicts that remain to be resolved such as the dismantling of apartheid in South Africa, the res­ toration of the government of Father Jean-Bertrand Aristide in Haiti, and the wars raging in Angola and Liberia. The objective of this panel is to examine the proc­ esses of democratization and confllict resolution in Africa and the Caribbean. How may these ·processes be supported by the United States? What are the requisites of building stable, prosperous democracies in Africa and the Caribbean? What regional and international peacekeeping initia- tives are needed? What is the role of the United Nations? TransAfrica Forum 12th Annual Foreign Policy PANELISTS Conference Vivian Lowery Derryck, African-American Institute Ibrahim Gambari, Permanent Mission of Nigeria to U.N. African World Together: Richard Joseph, Carter Center Building a Sulayman Nyang, Howard University Partnership Congressman Donald Payne (D-NJ) Biographical Sketches PANEL I: DEMOCRATIZATION AND CONFLICT RESOLUTION Moderator - Richard Joseph,The Carter Center: Richard Joseph is Director of the African Governance Program at the Carter Center of Emory University. He is an expert on African politics and democratization. Mr. Joseph is the author of many publications including Democracy and Prebendal Politics in Nigeria: The Rise and Fall of the Second Republic, and Radical Nationalism in Cameroon: Social Origins of the UPC Rebellion. He has taught at U.C. L.A., Dartmouth College and Emory University. Mr. Joseph, a Rhodes Scholar, is a graduate of Dartmouth College and Oxford University. Ibrahim Gambari, Ambassador of Nigeria to the United Nations: Ibrahim Gambari is the Permanent Representative of Nigeria to the U.N. Mr. Gambari, an expert on African security and regional integration, has written several books including Party Politics and Foreign Policy in Nigeria, Theory and Reality in Foreign Policy: Nigeria After The Second Republic, African Security in the 1980s, and Political and Comparative Dimensions ofRegional Integration: The Case ofE('OWAS. He has taught at Johns Hopkins University, Howard University, and Georgetown University. Mr. Gambari is a graduate of the London School of Economics and Columbia University. Vivian Lowery Derryck, President, African-American Institute: Appointed to head the 38 year-old African-American Institute (an organization created to strengthen
Recommended publications
  • Malcolm X and United States Policies Towards Africa: a Qualitative Analysis of His Black Nationalism and Peace Through Power and Coercion Paradigms
    Malcolm X and United States Policies towards Africa: A Qualitative Analysis of His Black Nationalism and Peace through Power and Coercion Paradigms by Abdul Karim Bangura, Ph.D. [email protected] Researcher-in-Residence, Abrahamic Connections and Islamic Peace Studies at the Center for Global Peace, American University; Director, The African Institution; Professor, Research Methodology and Political Science; Coordinator, National Conference on Undergraduate Research initiative at Howard University, Washington, DC; External Reader of Research Methodology at the Plekhanov Russian University, Moscow; Inaugural Peace Professor for the International Summer School in Peace and Conflict Studies at the University of Peshawar in Pakistan; and International Director and Advisor to the Centro Cultural Guanin in Santo Domingo Este, Dominican Republic. The author is also the author of more than 75 books and more than 600 scholarly articles. The winner of more than 50 prestigious scholarly and community service awards, among Bangura’s most recent awards are the Cecil B. Curry Book Award for his African Mathematics: From Bones to Computers; the Diopian Institute for Scholarly Advancement’s Miriam Ma’at Ka Re Award for his article titled “Domesticating Mathematics in the African Mother Tongue” published in The Journal of Pan African Studies (now Africology: The Journal of Pan African Studies); the Special United States Congressional Award for “outstanding and invaluable service to the international community;” the International Center for Ethno- Religious Mediation’s Award for his scholarly work on ethnic and religious conflict resolution and peacebuilding, and promotion of peace and conflict resolution in conflict areas; and the Moscow Government Department of Multicultural Policy and Intergrational Cooperation Award for the scientific and practical nature of his work on peaceful interethnic and interreligious relations.
    [Show full text]
  • The Blues Blue
    03-0105_ETF_46_56 2/13/03 2:15 PM Page 56 A grammatical Conundrum the blues Using “blue” and “the blues” Glossary to denote sadness is not recent BACKBEAT—a rhythmic emphasis on the second and fourth beats of a measure. English slang. The word blue BAR—a musical measure, which is a repeated rhythmic pattern of several beats, usually four quarter notes (4/4) for the blues. The blues usually has twelve bars per was associated with sadness verse. and melancholia in Eliza- BLUE NOTE—the slight lowering downward, usually of the third or seventh notes, of a major scale. Some blues musicians, especially singers, guitarists and bethan England. The Ameri- harmonica players, bend notes upward to reach the blue note. can writer Washington Irving CHOPS—the various patterns that a musician plays, including basic scales. When blues musicians get together for jam sessions, players of the same instrument used the term the blues in sometimes engage in musical duels in front of a rhythm section to see who has the “hottest chops” (plays best). 1807. Grammatically speak- CHORD—a combination of notes played at the same time. ing, however, the term the CHORD PROGRESSION—the use of a series of chords over a song verse that is repeated for each verse. blues is a conundrum: should FIELD HOLLERS—songs that African-Americans sang as they worked, first as it be treated grammatically slaves, then as freed laborers, in which the workers would sing a phrase in response to a line sung by the song leader. as a singular or plural noun? GOSPEL MUSIC—a style of religious music heard in some black churches that The Merriam-Webster una- contains call-and-response arrangements similar to field hollers.
    [Show full text]
  • Blues Poetry As a Celebration of African American Folk Art
    ABSTRACT RUTTER, EMILY R. Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective. (Under the direction of Professor Thomas Lisk). Adopting the blues to lyric poetry marks an implicit rejection of the conventions of the Anglo-American literary establishment, and asserts that African American folk traditions are an equally valuable source of poetic inspiration. During the Harlem Renaissance, Jean Toomer’s Cane (1923) exemplified the incorporation of African American folk forms such as the blues with conventional English poetics. His contemporary Sterling Brown similarly created hybrid forms in Southern Road (1932) that combined African American oral and aural traditions with Anglo-American ones. These texts suggest that blues music represents a complex and sophisticated lyrical form, and its thematic tropes poignantly express the history and contemporary realities of black Americans. In the late 1960s, members of New Orleans’s BLKARTSOUTH were influenced by African American musical traditions as a reflection of historical experience and lyrical expression, and their poetry emphasizes the importance of the blues. Led by Kalamu Ya Salaam and Tom Dent, these poets were part of the Black Arts Movement whose political objectives emphasized a separation from the conventions of the Anglo-American literary establishment, and their work suggests a rejection of traditional English poetics. Although they did not openly acknowledge their literary debt to Toomer and Brown, Cane and Southern Road laid the lyrical foundation for the blues-inspired poetry of Salaam, Dent and their colleagues. What unites these generations of poets is their adoption of the blues theme of resilience in response to the social, political and cultural issues of their eras.
    [Show full text]
  • Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
    An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937 Peter Stanfield Cinema Journal, 41, Number 2, Winter 2002, pp. 84-108 (Article) Published by University of Texas Press DOI: 10.1353/cj.2002.0004 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v041/41.2stanfield.html Access Provided by Amherst College at 09/03/11 7:59PM GMT An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929–1937 by Peter Stanfield This essay considers how Hollywood presented the song St. Louis Blues in a num- ber of movies during the early to mid-1930s. It argues that the tune’s history and accumulated use in films enabled Hollywood to employ it in an increasingly com- plex manner to evoke essential questions about female sexuality, class, and race. Recent critical writing on American cinema has focused attention on the struc- tures of racial coding of gender and on the ways in which moral transgressions are routinely characterized as “black.” As Eric Lott points out in his analysis of race and film noir: “Raced metaphors in popular life are as indispensable and invisible as the colored bodies who give rise to and move in the shadows of those usages.” Lott aims to “enlarge the frame” of work conducted by Toni Morrison and Ken- neth Warren on how “racial tropes and the presence of African Americans have shaped the sense and structure of American cultural products that seem to have nothing to do with race.”1 Specifically, Lott builds on Manthia D iawara’s argument that “film is noir if it puts into play light and dark in order to exhibit a people who become ‘black’ because of their ‘shady’ moral behaviour.2 E.
    [Show full text]
  • AFSCME Office of the Secretary-Treasurer: William Lucy Records 88 Linear Feet (88 SB) 1970-2001, Bulk 1972-2000
    Walter P. Reuther Library Archives of Labor and Urban Affairs Wayne State University Archives AFSCME Office of the Secretary-Treasurer: William Lucy Records 88 linear feet (88 SB) 1970-2001, bulk 1972-2000 Walter P. Reuther Library, Wayne State University, Detroit, MI Finding aid written by Johanna Russ on August 23, 2011. Accession Number: LR001989 Creator: AFSCME Office of the Secretary-Treasurer Acquisition: The AFSCME Office of the Secretary-Treasurer: William Lucy Records were first deposited at the Walter P. Reuther Library at the beginning of William Lucy’s tenure as secretary-treasurer in 1972. Subsequent deposits have occurred throughout Mr. Lucy’s tenure until shortly after his retirement in 2010. Secretary-Treasurer Office Records for Lee Saunders, Mr. Lucy’s successor, will be deposited at the Walter P. Reuther Library as well. Language: Material mostly in English with some foreign languages such as Spanish, Portuguese, French, and Japanese, represented. Access: Records are open for research. Items in vault are available at the discretion of the archives. Use: Refer to the Walter P. Reuther Library Rules for Use of Archival Materials. Notes: Citation style: “AFSCME Office of the Secretary-Treasurer: William Lucy Records, Box [#], Folder [#], Archives of Labor and Urban Affairs, Wayne State University” Copies: Materials in Series V: Public Services International (PSI) likely also exist in the PSI Archives in Bonn, Germany. Materials related to the AFL-CIO are possibly duplicated at the George Meany Archives in Silver Spring, Maryland. Other Access Aids: Many of the photos found in Series VI have been scanned and uploaded the AFSCME image gallery: http://www.reuther.wayne.edu/image/tid/25.
    [Show full text]
  • ENG 229: the Black Vernacular FSLT Field-Of-Study Proposal
    ENG 229: The Black Vernacular FSLT Field-of-Study Proposal Proposed field of study. Literary Studies Course number. English 229 Course title. The Black Vernacular Catalog description. Introduction to black vernacular oral and written art. Investigation of the black vernacular tradition in the wider context of American culture. Prerequisites. English 103 with a grade of C or better or exemption. Credit. 1 unit. Estimate of student enrollment. 25 By whom and when course will be offered. Bertram Ashe, once every other year. Staffing implications. None Adequacy of resources. Existing library and technological resources are adequate. Interdepartmental and interschool implications. None. Contact person. Louis Tremaine FSLT. This course meets the criteria of the FSLT requirement in several ways. While “concerning itself with verbal texts read as structures of meaning,” it greatly extends students’ idea of what counts as a “verbal text” and their understanding of how one’s reading practices shift in moving from one kind of text to another. By the nature of the material it necessarily exposes students to the methods and perspectives of formalist criticism, genre criticism, and critical race studies. The works studied in the course are placed squarely in relation to their historical and cultural contexts. Students are required to produce close textual analysis in writing in amounts consistent with our other 200-level FSLT courses. A syllabus is attached. Bertram D. Ashe American Studies Program University of Richmond Fall, 2007 The Black Vernacular “In African American literature, the vernacular refers to the church songs, blues, ballads, sermons, stories, and, in our own era, rap songs that are part of the oral, not primarily the literate (or written down) tradition of black expression.
    [Show full text]
  • A Channel Guide
    Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto
    [Show full text]
  • Chicago Beau, Il Viaggiatore Del Blues. Interview by Gianni Franchi
    Chicago Beau, il viaggiatore del Blues. interview by Gianni Franchi. You've toured constantly around the world , which was the reason you never stopped? The popularity of Blues goes in cycles. There has always been a kind of base audience that are true Blues Lovers, and fans of highly visible Blues artists like Buddy Guy, BB King, Koko Taylor and others who have been around for years. And those performers have often experienced periods with less work. So, a Blues artist must keep busy, and play wherever in the world, whenever. Unfortunately, Blues is the least promoted music. So, as Sonny Boy Williamson said, ‘You got to catch it while it’s hot, if you let it cool, I won’t be worth a damn!’ And so, I’ll only stop when too old to perform. Which is the country where you found yourself most at ease and why? Each country has something different to offer. I have a great appreciation for warm climates. I think that is naturally in my DNA. I like Quebec, and Canada in general because of the diversity. I had great experiences in Iceland, recording, and live performances. As you know I lived in Italy for five years primarily because of the beauty of Italian people, their rich cultural heritage, and their appreciation of Black Music and culture. You know the expression, ‘different reason, different season.’ Seasons can be, metaphorically, a person’s age. Where you are in your life. Things are always changing. And from the musical point of view which one did you think was the best? Italy, Quebec, Senegal, Iceland, Kenya.
    [Show full text]
  • 2020 Tournament Distributed Packet
    Loomis Chaffee Debate Tournament – Resolution & Information packet Jan. 2020 Resolved, that the United States should adopt a program of reparations to redress the harms caused by historic, systemic racist policies, including slavery. Redress = to remedy or compensate for a wrong or grievence From the International Center for Transitional Justice Website “Overview of Reparations” Reparations serve to acknowledge the legal obligation of a state, or individual(s) or group, to repair the consequences of violations — either because it directly committed them or it failed to prevent them. They also express to victims and society more generally that the state is committed to addressing the root causes of past violations and ensuring they do not happen again. With their material and symbolic benefits, reparations are important to victims because they are often seen as the most direct and meaningful way of receiving justice. Yet, they are often the last-implemented and least-funded measure of transitional justice. It is important to remember that financial compensation — or the payment money — is only one of many different types of material reparations that can be provided to victims. Other types include restoring civil and political rights, erasing unfair criminal convictions, physical rehabilitation, and granting access to land, health care, or education. Sometimes, these measures are provided to victims’ family members, often children, in recognition that providing them with a better future is an important way to overcome the enduring consequences of the violations. Reparations can be implemented through administrative programs or enforced as the outcome of litigation. Oftentimes, they overlap and compete for state resources with programs against poverty, unemployment, and lack of access to resources, like land.
    [Show full text]
  • Extensions of Remarks 12897 Extensions of Remarks
    June 28, 2000 EXTENSIONS OF REMARKS 12897 EXTENSIONS OF REMARKS NATIONAL JUNETEENTH The Juneteenth Festival has grown to be a ovations of existing ones has always been left CELEBRATION vitally important part of not only Baltimore, but to the states and local school districts. And it African-American culture as well. True to tradi- should continue to be that way. HON. ELIJAH E. CUMMINGS tion, this year’s celebration proved to be as Instead, the Classroom Modernization Act is OF MARYLAND exciting as ever. responsible to the needs of the American tax- IN THE HOUSE OF REPRESENTATIVES I congratulate Juneteenth National Museum payer, our school boards, and our children. Tuesday, June 27, 2000 on a successful Juneteenth celebration! It is responsible to the American taxpayer f because it provides for a limited program Mr. CUMMINGS. Mr. Speaker, today I pay aimed at fulfilling the most important needs of tribute to the Juneteenth National Museum, lo- IN HONOR OF THE LATE WILLIAM America’s schools. We do not open the fed- cated in my home district of Baltimore, MD., SENQUIZ eral coffers to a broad, new—and potentially and in observance of the National Juneteenth very costly—construction plan. Celebration. HON. DENNIS J. KUCINICH It is responsible to our school boards be- On June 17–18, 2000, the Juneteenth Na- OF OHIO cause it doesn’t make promises the federal tional Museum held its 12th annual IN THE HOUSE OF REPRESENTATIVES government cannot keep. Instead of promising ‘‘Juneteenth’’ celebration commemorating the Tuesday, June 27, 2000 them new schools paid for with federal dollars, Emancipation Proclamation.
    [Show full text]
  • September 2019
    official newsletter of the city of suwanee, ge rgia INSIDE suwanee.com September2019 this issue… ONE, COME ME ALL 3 CO •TO THE• ! WORLD FAMOUS Kick off the weekend at the Suwanee Fest Parade! 4 Over 12 hours of TOWN CENTER PARK live entertainment! SEPT. 21ST SEPT. 22ND 6 9AM - 7PM & NOON - 5PM PARADE 9AM SUWANEEFEST.COM PRESENTED BY: 200+ vendors & SPONSORED BY: exhibitors! SUWANEE FEST SCHEDULE SATURDAY SEPTEMBER 21 8am – 8pm Free shuttle to/from offsite parking 9am PARADE 10am – 7pm Arts & crafts exhibitors, inflatable rides, family fun zone, COME ONE, COME ALL, food vendors TO THE WORLD FAMOUS 10:30am – 7pm SUWANEE FEST! Free on-stage entertainment Our annual two-day celebration of community returns to Town Center Park September 21 and 22! 5:30pm HEADLINER Nearly 200 vendors and exhibitors, 15 entertainment Queen Nation acts, and one amazing parade are just some of the highlights of this beloved fall tradition. ★ Usher in the weekend by joining us in the Saturday 1pm traditional one-mile parade down Main Street and MYSTERY into Town Center Park! Cash prizes are awarded each year to floats and participants in a variety of PERFORMER! categories. Even if you aren’t marching as part of a Check out Suwanee’s social media club or organization, you can join the Red Wagon feeds on Tuesday, August 27 for the announcement! Brigade! CityofSuwanee CityofSuwaneeGA ★ Suwanee Fest vendor and exhibitors offer a variety of hand-crafted items and delicious delights. Festival CityofSuwanee exhibitors include fine artists, talented craftspeople, food vendors who have a flair for flavor, and generous sponsors.
    [Show full text]
  • FOR RELEASE: Wednesday, Feb. 5, 2014 AMERICAN AIRLINES
    Martha Pantín 305-520- 3197 [email protected] FOR RELEASE: Wednesday, Feb. 5, 2014 AMERICAN AIRLINES CELEBRATES BLACK HISTORY MONTH BY PAYING TRIBUTE TO ICONIC BLACK FILMS FORT WORTH, Texas – American Airlines, a global company that connects people from different cultures and communities around the world, is celebrating Black History Month by paying tribute to timeless African-American films that shape our culture and enhance American cinema. During the months of February and March, the airline’s in-flight entertainment will focus on African-American films, playing must-see movies such as “Lady Sings the Blues,” “Lee Daniels’ The Butler,” “Baggage Claim,” “Think Like a Man” and “12 Years A Slave.” “Our airline celebrates equality and strives to be as diverse as the customers we serve and the employees who make our business successful,” said Fernand Fernandez, American’s vice president of Global Marketing. “American’s overall commitment to diverse hiring, world-class supplier diversity initiatives and ongoing support in the communities we serve demonstrates how Black history is celebrated every day.” In honoring timeless African-American films, customers are invited to participate in a sweepstakes for the opportunity to win a trip for two to New York to attend the 2014 American Black Film Festival. Learn more at aa.com/iconicblackfilms. During Black History Month, American Way, the award-winning in-flight magazine of American Airlines, will feature Los Angeles Clippers All-Star point guard Chris Paul on its cover, as well as an article on entrepreneur Sheila Johnson, co-founder of BET turned sports team owner, and an article authored by a United Negro College Fund (UNCF) student.
    [Show full text]