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Sunday Morning Grid 4/1/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/1/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program JB Show History Astro. Basketball 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Hockey Boston Bruins at Philadelphia Flyers. (N) PGA Golf 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid NBA Basketball 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Paid Fox News Sunday News Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Martha Jazzy Real Food Chefs Life 28 KCET 1001 Nights 1001 Nights Mixed Nutz Edisons Biz Kid$ Biz Kid$ Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 34 KMEX Misa de Pascua: Papa Francisco desde el Vaticano Fútbol Fútbol Mexicano Primera División (N) República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K. -
Collection of Scripts for Survivors and Paris 7000, 1969-1970
http://oac.cdlib.org/findaid/ark:/13030/c8z60tr2 No online items Collection of scripts for Survivors and Paris 7000, 1969-1970 Finding aid prepared by UCLA Arts Special Collections staff, 2004; initial EAD encoding by Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 19 November 2016. Collection of scripts for Survivors PASC 258 1 and Paris 7000, 1969-1970 Title: Collection of Scripts for Survivors and Paris 7000 Collection number: PASC 258 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 1.0 linear ft.(2 boxes) Date (inclusive): 1969-1970 Abstract: John Wilder was the producer of the television series The Survivors (1969) and Paris 7000 (1970). The collection consists of scripts and production information related to the two programs. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Starlog Magazine Issue
23 YEARS EXPLORING SCIENCE FICTION ^ GOLDFINGER s Jjr . Golden Girl: Tests RicklBerfnanJponders Er_ her mettle MimilMif-lM ]puTtism!i?i ff?™ § m I rifbrm The Mail Service Hold Mail Authorization Please stop mail for: Name Date to Stop Mail Address A. B. Please resume normal Please stop mail until I return. [~J I | undelivered delivery, and deliver all held I will pick up all here. mail. mail, on the date written Date to Resume Delivery Customer Signature Official Use Only Date Received Lot Number Clerk Delivery Route Number Carrier If option A is selected please fill out below: Date to Resume Delivery of Mail Note to Carrier: All undelivered mail has been picked up. Official Signature Only COMPLIMENTS OF THE STAR OCEAN GAME DEVEL0PER5. YOU'RE GOING TO BE AWHILE. bad there's Too no "indefinite date" box to check an impact on the course of the game. on those post office forms. Since you have no Even your emotions determine the fate of your idea when you'll be returning. Everything you do in this journey. You may choose to be romantically linked with game will have an impact on the way the journey ends. another character, or you may choose to remain friends. If it ever does. But no matter what, it will affect your path. And more You start on a quest that begins at the edge of the seriously, if a friend dies in battle, you'll feel incredible universe. And ends -well, that's entirely up to you. Every rage that will cause you to fight with even more furious single person you _ combat moves. -
Increasing Seat Belt Use Among 8- to 15-Year-Olds Volume II Appendices This Publication Is Distributed by the U.S
Increasing Seat Belt Use Among 8- to 15-Year-Olds Volume II Appendices This publication is distributed by the U.S. Department of Transportation, National Highway Traffic Safety Administration, in the interest of information exchange. The opinions, findings and conclusions expressed in this publication are those of the author(s) and not necessarily those of the Department of Transportation or the National Highway Traffic Safety Administration. The United States Government assumes no liability for its content or use thereof. If trade or manufacturers’ names or products are mentioned, it is because they are considered essential to the object of the publication and should not be construed as an endorsement. The United States Government does not endorse products or manufacturers. 1. Report No. 2. Government Accession No. 3. Recipient's Catalog No. DOT HS 810 966 4. Title and Subtitle 5. Report Date May 2008 Increasing Seat Belt Use Among 8- to 15-Year-Olds: 6. Performing Organization Code Volume II: Appendices 7. Authors 8. Performing Organization Report No. Michelle Kuhn and Jed Lam 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Aeffect, Inc. 520 Lake Cook Road, Suite 100 11. Contract or Grant No. Deerfield, IL 60015 DTNH22-03-C-05121 12. Sponsoring Agency Name and Address 13. Type of Report and Period Covered Office of Behavioral Safety Research Summary Research Report National Highway Traffic Safety Administration September, 2003-December, 2006 1200 New Jersey Avenue SE. 14. Sponsoring Agency Code Washington, DC 20590 15. Supplementary Notes 16. Abstract The broad aim of this research project was to determine the nature and causes of non-use of seat belts among 8- to 15- year-olds, and to recommend interventions and strategic approaches to increase usage among this age group. -
Katy PEOPLE Frank Bielec and His Wife Judy Live in Old Katy with Their Four Dogs and Two Cats
Katy PEOPLE Frank Bielec and his wife Judy live in Old Katy with their four dogs and two cats 42 • katy magazine Visit KatyMagazine.com for Katy jobs, events, news and more. Frank Bielec starred on TLC’s Trading Spaces from 2000-2008 Familiar Faces of Trading Frank Bielec is Back Home and Enjoying the Simple Life in Katy Spaces Written by Katrina Katsarelis Photography by Marisa Hugonnett To advertise, call 281-579-9840 or email [email protected] katy magazine • 43 Frank and Judy at Mosey’n Me Artworks Studio The Bielecs on location at the Trading Spaces episode filmed in Katy For eight years, Katy resident Frank Bielec starred as the lovable, it was hot,” whines Frank. “I figured if the carpenters could dress that quirky interior designer on TLC’s Trading Spaces, alongside other way, I could too, but boy did we get phone calls.” The show decided newcomers Ty Pennington, Hildi Santo-Tomas, Vern Yip, Laurie to keep the three principal characters after seeing their high likability Smith, Genevieve Gorder, Amy Wynn Pastor, and Doug Wilson. scores when the ratings came out. “I was the oldest one on the set Trading Spaces, a show that was not expected to make it past the so they treated me like gold. They looked to me like a father figure,” first season, became a surprise hit, and transformed a handful of says Frank. For this former teacher, artist, and floral designer, life as Funknowns into instant TV celebrities. Frank landed the gig after he a TV star was good and the salary was definitely better than previous was discovered at a decorative paint convention in Nashville. -
00 Kwajalein Hourglass
_ ... ce SherwoOd Libr&ry J 0 Box 23 LPO San Franoisco 98ssA-a8130 00 KWAJALEIN HOURGLASS VOLUME XXII, NO 208 U S ARMY KWAJALEIN MISSILE RANGE, MARSHALL ISLANDS FRIDAY, OCTOBER 25, 1985 Hussein, Mlbarak In Moscow New Jarvik Patient Meet; Give Peres SHULTZ TO MEET WITH Returns To Surgery Mixed Reviews For Bleeding Problem By JOHN RICE GORBACHEV,SHEVARDNADZE By MARCIA DUNN Assoclated Press Wrlter By BARRY SCHWEID Assoclated Press Wrlter Assoclated Press Wrlter AMMAN, Jordan -- KIng HusseIn PITTSBURGH -- A 47-year-old and PresIdent Hosnl Mubarak of NEW YORK -- Secretary of "an agreement of prIncIples" at factory worker who receIved a Egypt, who met to assess the State George P Shultz, stress the summIt Jarvlk-7 artIfIcIal heart whIle falterIng MIddle East peace pro Ing "major dIfferences" between Shultz saId such an agree awaItIng a human organ under cess, gave mIxed reVIews to Is the UnIted States and the SOVI ment should gIve "a sense of dI went a second round of surgery raelI PrIme MInIster ShImon et UnIon, saId today he WIll rectIon" to US-SovIet rela today to fIX a "not uncommon" Peres' suggestIons for endIng fly to Moscow for talks Nov 4- tIons and East-West relatIons bleedIng problem, offICIals the Arab-IsraelI conflIct 5 In advance of PresIdent Rea 'IS well saId HusseIn also sald In an In gan's summIt meetIng WIth MIk The Moscow trIp was announc Thomas J Galdosh, who was tervIew Thursday he would not haIl S Gorbachev ed after Shultz met over break In crItIcal condItIon, receIV let the U S Congress coerce hIm Shultz -
Students Give Feedback in Improve ND Survey Students Protest HEI
the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 44 : Issue 128 tuesday, APRIL 20, 2010 ndsmcobserver.com Students give feedback in Improve ND survey Undergraduates call for improvement to ethnic, international diversity ricular activities and campus ate satisfaction rates were By KRISTEN DURBIN environment and services. Each extremely high for the cate- News Writer of these categories included gories of academic experience, subcategories such as campus extracurriculars and sense of If students notice improve- safety, food services, RecSports, community, only 41 percent of ments in campus services and academic advising and cellular survey respondents said they facilities upon arriving to cam- reception, among several oth- were happy with diversity on pus next fall, they can thank ers. campus and international stu- the 51 percent of the under- The results of the survey dent interaction. graduate student body that were recently sent to each serv- “The 96 percent satisfaction responded to the University’s ice-providing unit on campus rate for academic experience ImproveND survey. and student government, Erin was terrific,” Harding said. The Office of Strategic Harding, associate vice presi- “However, the lower satisfac- Planning administered the sur- dent for Strategic Planning, tion rates correspond with the vey in January to undergradu- said. University’s focus on improving ate, law and graduate students “We have asked both the both ethnic and international in order to assess student opin- campus units and student gov- diversity on campus.” ions on campus services. ernment to return their sugges- Harding said she was sur- Overall, 51 percent of under- tions and priorities for which prised to see that 46 percent of graduates, 58 percent of law aspects of campus services respondents had not volun- students and 41 percent of should be changed to the Office teered at all during the first graduate students responded to of Strategic Planning by mid- semester of this school year. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Racing, Region, and the Environment: a History of American Motorsports
RACING, REGION, AND THE ENVIRONMENT: A HISTORY OF AMERICAN MOTORSPORTS By DANIEL J. SIMONE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2009 1 © 2009 Daniel J. Simone 2 To Michael and Tessa 3 ACKNOWLEDGMENTS A driver fails without the support of a solid team, and I thank my friends, who supported me lap-after-lap. I learned a great deal from my advisor Jack Davis, who when he was not providing helpful feedback on my work, was always willing to toss the baseball around in the park. I must also thank committee members Sean Adams, Betty Smocovitis, Stephen Perz, Paul Ortiz, and Richard Crepeau as well as University of Florida faculty members Michael Bowen, Juliana Barr, Stephen Noll, Joseph Spillane, and Bill Link. I respect them very much and enjoyed working with them during my time in Gainesville. I also owe many thanks to Dr. Julian Pleasants, Director Emeritus of the Samuel Proctor Oral History Program, and I could not have finished my project without the encouragement provided by Roberta Peacock. I also thank the staff of the Samuel Proctor Oral History Program. Finally, I will always be grateful for the support of David Danbom, Claire Strom, Jim Norris, Mark Harvey, and Larry Peterson, my former mentors at North Dakota State University. A call must go out to Tom Schmeh at the National Sprint Car Hall of Fame, Suzanne Wise at the Appalachian State University Stock Car Collection, Mark Steigerwald and Bill Green at the International Motor Racing Resource Center in Watkins Glen, New York, and Joanna Schroeder at the (former) Ethanol Promotion and Information Council (EPIC). -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
THE ASMSU March 20, 2008 • Vol
THE ASMSU March 20, 2008 • Vol. 102, Issue 22 I FILM BASEBALL REVIEW 12 2 2 THE ASMSU EXPONENT I MARCH 20, 1 Mp.,rc;.h,~Yth, 1<1111n 5h,ow@ u?<Itn< MA'f(.1G~I featuring: filth a d f oul/ Ml X HEY YOU! YEAH YOU ... More than ants love a discareded popsicle on a sidewalk, the ASMSU Exponent LOVES feedback! Check.out this free bhaw and Please send your rants, raves, and heartfelt pickup a copy of-LI ndisputeci expressions of your undying love to: and ·e,ig Dreamin... for only ~ [email protected] each or 8 for both. ntasthead THIS ISSUE BROUGHT TO YOU BY: kglt fund drive• MANAGEMENT EDITORIAL ADVISOR NEWS EDITOR MARCH 23 - APRIL 5 Bill Wilke Lacey Gray [email protected] ED ITO R-IN-CHIEF Amanda Larrinaga STATIC EDITOR [email protected] Scott Obemesser [email protected] MANAGING ED ITOR Dylan White DISTRACTION S EDITOR Tara Alley ART DEPARTMENT Nick Andrews PHOTO GRAPHY EDI TO R fearures@e:i-.-ponent.montana.edu This could be you! REC[REATION] EDITOR PHOTOGRAPH ER Kim Krieger Justin Moore OUTDOORS EDITOR GRAPHI C DESIGNERS Interested? f . Sarah Butler, Joeana Gouveia COPY EDITOR dude, it's lor YOU Erica Aytes ADVERTISING & BUSINESS AD SALES MANAGER CONTRIBUTORS Eric Newman 91.9 bozeman Dustin Cis hosz, Daniel Lockhart, [email protected] Michael Matzur, Ryan Dalke, Allison 89.5 livingston Carroll, Randy Blair, Tai Kersten, EriCl AD SALES REPRESENTATIVES Killham, Rune Vander Wey • Alex Yudell, Danielle Chamberlain, reque sts 406.994.4492 Tania Mitt!eider stream ing online a t www.kglt.ne t THE ASMSU EXPONENT _ Strand Union Building Room 305 MARKETING REPRESENTATIVES Bozeman, MT 59715 Ray Klos, Hannah Pauli c e lebr atin g 40 y ears of a lterna tive public r a dio Phone; (406] 994-2224 in southwest monta n a ed1torraexponent.montana.edu ABOUT arTHE tist My name is Jenna Reineking and I am a senior here ~t Montana State University. -
William Powell ~ 23 Films
William Powell ~ 23 Films William Horatio Powell was born 29 July 1892 in Pittsburgh, Pennsylvania. In 1907, he moved with his family to Kansas City, Missouri, where he graduated from Central High School in 1910. The Powells lived just a few blocks away from the Carpenters, whose daughter Harlean also found success in Hollywood as Blonde Bombshell Jean Harlow, although she and Powell did not meet until both were established actors. After school, Powell attended New York City's American Academy Of Dramatic Arts. Work in vaudeville, stock companies and on Broadway followed until, in 1922, aged 30, playing an evil henchman of Professor Moriarty in a production of Sherlock Holmes, his Hollywood career began. More small parts followed and he did sufficiently well that, in 1924, he was signed by Paramount Pictures, where he stayed for the next seven years. Though stardom was elusive, he did eventually attract attention as arrogant film director Lev Andreyev in The Last Command (1928) before finally landing his breakthrough role, that of detective Philo Vance in The Canary Murder Case (1929). Unlike many silent actors, the advent of sound boosted Powell's career. His fine, urbane voice, stage training and comic timing greatly aided his successful transition to the talkies. However, not happy with the type of roles he was getting at Paramount, in 1931 he switched to Warner Bros. His last film for them, The Kennel Murder Case (1933), was also his fourth and last Philo Vance outing. In 1934 he moved again, to MGM, where he was paired with Myrna Loy in Manhattan Melodrama (1934).